It’s the time of the year! By September, the Film Academy of the Philippines will submit one movie to the Academy of Motion Pictures, Arts, and Sciences (AMPAS) that will be our bid to the Best Foreign Language Film category at the 89th Academy Awards. This will be our 28th participating year and we are yet to receive a nomination.
To qualify as an eligible submission, the Academy’s rule states that “The motion picture must be first released in the country submitting it no earlier than October 1, 2015, and no later than September 30, 2016, and be first publicly exhibited for at least seven consecutive days in a commercial motion picture theater for the profit of the producer and exhibitor.”
Currently nine countries have already announced their submissions with our likely winner, Germany’s Toni Erdmann, in the longlist already. So which film will be our best bet to advance forward? I’ve divided them in three different categories.
DISCLAIMER: It has to be cleared that this ISN’T the final shortlist from the Film Academy of the Philippines yet, and are just mere speculations and recommendations.
FRONTRUNNERS:
ANINO SA LIKOD NG BUWAN Director: Jun Lana
Screenplay: Jun Lana
Cast: LJ Reyes, Luis Alandy, Anthony Falcon
Philippine Release Date: July 20, 2016
Amidst conflict between the military and communists, three people are confronted with a difficult dilemma.
Jun Lana, no stranger from Oscar representative (he directed our 2012 submission Bwakaw), is in contention yet again for his latest effort which is a one-long two-hour take staged just like a play with only three characters interacting all throughout the movie. The film also has participated alongside many different international festivals both in Asia and Europe (though none in the Big 4 major film festivals). That said, the film is unanimously considered as one of the best from 2015 among local critics.
FELIX MANALO Director: Joel Lamangan
Screenplay: Bienvenido Santiago
Cast: Dennis Trillo, Bela Padilla, Gabby Concepcion
Philippine Release Date: October 7, 2015
Felix Ysagun Manalo is a sprawling historical epic that traces the origin of Iglesia Ni Cristo (The Church of Christ) which is established in the Philippines from its humble beginnings in 1914 through the present day.
Definitely one of the most divisive films of last year, Felix Manalo is epic in its landscape detailing one of the most important personalities among Iglesia ni Cristo’s history. This almost three-hour movie boasts so much of its lavish production design and staging, that it would tick all boxes in an “baity Oscar film” checklist. But beyond the grandeur is a straightforward storytelling, and one that was considered as “weak” and “safe” by most critics. That said, never underestimate the taste of the FAP to include this in the shortlist, as they’re one easily swayed by buzz regardless if those were organic or fabricated.
HELE SA HIWAGANG HAPIS Director: Lav Diaz
Screenplay: Lav Diaz
Cast: John Lloyd Cruz, Piolo Pascual, Susan Africa
Philippine Release Date: March 26, 2016
In the midst of revolution, a young poet and the man that ruined his life travel through the jungle in search of safety. At the same time, a grieving widow encounters mystical beings on a mountain while searching for the body of her beloved revolutionary.
Winner of the Alfred Bauer Prize at the Berlin Film Festival earlier this year (with jury president Meryl Streep awarding them), there’s no doubt that this is one of the two most-buzzed films we have in world cinema for this year. Imagine if we submitted this and have Oscar winner Meryl Streep and Oscar nominee Clive Owen campaign this right? But let’s not get ahead of ourselves as that’s a bit of a reaching. The thing with Hele is that we have already attempted to submit a Diaz film back in 2014 via Norte which is half the running time of this one and arguably his most universal effort thus far, and yet the Academy didn’t give in to it.
HONOR THY FATHER Director: Erik Matti
Screenplay: Erik Matti, Michiko Yamamoto
Cast: John Lloyd Cruz, Meryll Soriano, Tirso Cruz III
Philippine Release Date: December 25, 2015
A family is caught in a financial ruin after being involved in a ponzi scheme.
With an Erik Matti film in contention yet again, it reminds me of probably the biggest miss we had not submitting On the Job back in 2013. What made that more infuriating was the committee’s response that they don’t want to submit a film that shows a negative image of the Philippines. Yeah, right. Anyway, Matti is back again this time with the MMFF entry Honor Thy Father which made its premiere a year ago at the Toronto International Film Festival. Honor‘s best shot is that I can see the film appealing to the Western crowd with its theme and execution. That said, the film feels bit of an after thought by now, but with every controversy that the film has encountered, it just ended up soaring higher. Maybe, FAP atones to Erik Matti this time around?
IGNACIO DE LOYOLA Director: Paolo Dy, Cathy Azanza
Screenplay: Paolo Dy
Cast: Andreas Munoz, Javier Godino, Julio Perillan
Philippine Release Date: July 27, 2016
In 16th Century Spain, a soldier born of nobility gives his life of luxury to become a pilgrim devoted to God and his people.
Watch out Felix Manalo, there’s another religious biography in contention. Kidding aside, I can already imagine the FAP members creaming themselves over this one. For one, the casting of a foreign star in lead role will make them think it can add extra buzz to our own entry (this isn’t an Oscar rule after all. Lots of foreign actors starred in films from other countries which ended up as submissions. Case in point: French star Emmanuelle Riva in Austria’s Amour, Mexican actor Gael Garcia Bernal in Chilean film No, and even our own Angeli Bayani in Sinagpore’s Ilo-ilo). Plus, the religious theme somehow gives it more importance and a “good image” per se in representing the country (which apparently is an unwritten rule; see: On the Job again in 2013).
MA’ROSA Director: Brillante Mendoza
Screenplay: Troy Espiritu
Cast: Jaclyn Jose, Andi Eigenmann, Julio Diaz, Felix Roco, Jomari Angeles
Philippine Release Date: July 6, 2016
A poor family scrambles to find the money to pay off the corrupt policemen that have arrested the parents for dealing drugs.
Sure it was one of the least buzzed entries at Cannes main competition this year, until the great Jaclyn Jose earned the coveted Best Actress win and the rest, as they say, is history. Ma’Rosa is currently participating now at Toronto International Film Festival and I think it has the most buzz for any Filipino film competing for this year when it comes to foreign exposure. And at this stage, after all his trips to Cannes and Berlin and Venice and TIFF, isn’t Brillante Mendoza overdue for a Filipino Oscar submission? I lobbied that Taklub was our best shot last year, but they can make up for it with Ma’Rosa this year.
PAMILYA ORDINARYO Director: Eduardo Roy Jr.
Screenplay: Eduardo Roy Jr.
Cast: Ronwaldo Martin, Hasmine Killip, Sue Prado, Moira Lang
Philippine Release Date: August 31, 2016
Jane and Aries are teenage parents. They make a living out of stealing on the streets… until fate hits back at them.
After sweeping major awards at the recently concluded Cinemalaya Independent Film Festival including wins for Best Picture, Best Director for Eduardo Roy Jr., and Best Actress for newcomer Hasmine Killip, this runaway favorite is getting an instant cinema release in time for the Oscar cutoff. Add the fact that it’s also heading to Venice under the “Venice Days” sidebar (think of it as their answer to Cannes’ Directors Fortnight section), and it’s on the right track. This also has the makings to appeal to an international audience,
POTENTIAL SHORTLIST MENTIONS:
Don’t be surprised to see any of these films in this group make it in the final shortlist.
DUKOT Director: Paul Soriano
Screenplay: Froilan Medina
Cast: Enrique Gil, Ricky Davao, Christopher de Leon, Shaina Magdayao
Philippine Release Date: July 13, 2016
With Paul Soriano helming it (one of the producers of our 2013 Oscar submission “Transit“), this suspense drama about an abducted son also brags of an ensemble composed of some of the biggest names in the country both newbies and veterans.
ANG HAPIS AT HIMAGSIK NI HERMANO PULI Director: Gil Portes
Screenplay: Enrique Ramos
Cast: Aljur Abrenica, Louise delos Reyes, Enzo Pineda, Menggie Cobarrubias
Philippine Release Date: September 21, 2016
In the tradition of our love for hero films — some of which are deserved (last year’s Heneral Luna), some of which are good (Supremo), and some which are just flat out terrible (El Presidente), let’s say hello to Hermano Puli.
MAGTANGGOL Director: Sigfreid Barros-Sanchez
Screenplay: Henrie Enaje, Henry dela Cruz, Sigfreid Barros Sanchez
Cast: Dina Bonnevie, Ejay Falcon, Joonee Gamboa, Tom Rodriguez
Philippine Release Date: June 8, 2016
Only because of its serious topical theme (with them even doing special screening this National Heroes Day), I can see this political themed film making a (not so) surprise appearance in the shortlist. Think of how Kamkam by Joel Lamangan made it to the Top 4 in 2014.
A SECOND CHANCE Director: Cathy Garcia-Molina
Screenplay: Henrie Enaje, Henry dela Cruz, Sigreid Barros Sanchez
Cast: Carmi Raymundo, Vanesssa Valdez, Cathy Garcia-Molina
Philippine Release Date: November 25, 2015
We have that one slot, almost always reserved to those box office hits that tackle more serious topics than the usual. Not to say that they aren’t deserving since most of them actually are, but they happen to end up in the shortlist. Examples include 2008’s Caregiver, or 2010’s Sa’yo Lamang, maybe even last year’s That Thing Called Tadhana can somewhat be considered.
TANDEM Director: King Palisoc
Screenplay: Zig Marasigan
Cast: JM de Guzman, Nico Antonio, Rochelle Pangilinan
Philippine Release Date: February 17, 2016
As for starters, the producers of this film were also the producers of our previous submission Heneral Luna, so if anything, they;d sure be willing to campaign. This film got good to great reviews with solid performances from the leads, but if you compare it to other entries, it’s a tad low-key (in terms of buzz and not of film quality). And if it’s already low-key here, can you imagine how it would fare to the foreign market?
WALANG FOREVER Director: Dan Villegas
Screenplay: Paul Sta. Ana
Cast: Jennylyn Mercado, Jericho Rosales, Lorna Tolentino
Philippine Release Date: December 25, 2015
For an MMFF film, this one got solid reviews and even swept the Gabi ng Parangal of last year. This is also from the Dan Villegas and Jennylyn Mercado team-up, which reminds us that English Only Please, was part of the short-list that year.
ELIGIBILITY ISSUES:
So these movies have appeared in different indie film festivals but haven’t fulfilled the seven-day commercial distribution yet. This does not mean that these movies are bad obviously they’re not because there have been buzz for some of them to be submitted. Well, they still have the whole month of September to book a screening if they plan to be considered eligible. Or they can wait for next year instead. For what it’s worth, some films who made it in the shortlist the previous years aren’t from the same year where they participated in festivals. As for examples, the 2008 Cinemalaya film Boses only got a commercial screening in 2012, and thus was included in the shortlist for the 2012 Oscars. Same goes for Ian Lorenos’ Alagwa which gave Jericho Rosales his Urian in 2012 but was in the 2014 shortlist.
FINAL VERDICT:
For this year, I think we can trim it down to three films which would all be decent submissions by any means. For starters, there’s the John Lloyd starrer Hele sa Hiwagang Hapis with its Berlin victory, but is simply hindered by the 8-hr running time. Not that Lav Diaz needs Oscars anyway to validate his impressive work; it’s just that sometimes the Academy just doesn’t fit into a certain director’s style. Then there’s the other John Lloyd starrer Honor Thy Father, which I can see a scenario with it connecting to a foreign audience, if they’re gonna push it hard and run aggressive with it. That’s a big if, by the way. In the end, maybe Jaclyn Jose’s Cannes win can also be Brillante Mendoza’s first RP submission to the Academy. It’s doing its assignment by participating in TIFF and its Cannes win, but us submitting a Mendoza film for once won’t do us any harm, regardless of the end result if it gets in or not.
Share your thoughts with me! You can follow me on Twitter: @nikowl
Last night, another teleserye premiered over ABS-CBN’s Primetime Bida– the Philippine remake of the hit Korean drama “Two Wives.” Shown here back in 2012, this local adaptation stars Kaye Abad and Erich Gonzales fighting over Jason Abalos. And based from the previews and teasers, we will see slapping – a lot of ’em, apparently – and confrontations and “sagutans” between the two women. And if there’s one thing, these dramas are known for, it’s that we live for their over the top and melodramatic confrontations. After all, nothing snatches the interest of the TV viewing public by a showdown of two characters out-bitching each other. Thus, we revisit 12 of them in celebration of “Two Wives“‘ premiere.
01. Rose/Emmanuelle vs. Sasha in “Sana Bukas Pa Ang Kahapon” (2014)
In the recently concluded “Sana Bukas Pa Ang Kahapon“, we see Rose (Bea Alonzo), now as Emmanuelle, flirting with former flame Patrick (Paulo Avelino). But this does not go well with Sasha (Maricar Reyes) when she sees him wiping the wine off Emmanuelle’s legs. And as Sasha comes to warn Emmanuelle, she trips off leading to a wet encounter.
The Kabugan Scene: Emmanuelle tries to help Sasha by offering her hand to help her rise from the pool. But when Sasha seizes the moment to grab Emmanuelle and pull her down the pool, the latter suddenly moves her hand away making the pathetic Sasha more miserable. For that we give this scene 2 full slaps!
02. Sarah vs. Mia in “Kung Ako’y Iiwan Mo” (2012)
Childhood friends turned husband and wife Sarah (Shaina Magdayao) and Paul (Jake Cuenca) is a struggling couple which led the man to go to Dubai to experience the greener pastures for his family. Upon working there, he bumps onto former flame Mia (Bangs Garcia) and rekindled their relationship. When Sarah followed Paul to Dubai is the time she realized this inifidelity.
The Kabugan Scene: In one of the most pasabog scenes in this show (clip starts at the 2:20 bit), there’s a scene where Mia open the big gate to see who’s knocking as Sarah goes to Paul’s direction and gives him a big slap. And since it takes two to tango, she then went to Mia and gave her the other pair of the slap. It’s a slap so hard I’m sure Mia’s head shattered for a few seconds. It’s followed by some shouting yada yada, but I bet it’s hard for Mia to process it since she’s still recovering from that slap. I give this confrontation, 2.25 slaps!
03. Vanessa vs. Sara in “Impostora” (2007)
Possessing some Orphan Black realness even before the show started five years later, this GMA serye with face snatching, doppleganger realness told the story of conjoined twins Lara and Sara against their diabolical cousin Vanessa. Sharing not only their face, but also their love interests, it’s hard to keep up who’s who and what’s happening to everyone in here.
The Kabugan Scene: In that big wedding scene right before the ceremony starts. we see Sunshine Dizon stops the wedding of Mark Anthony Fernandez and …. Sunshine Dizon. So as these 2 Sunshines go back and forth between who the real Sara is, Iza Calzado’s character comes in and reveals that Nicolas is marrying the wrong Sara. Nothing beats the chaos that comes from a wedding, and with that, we rank this 2.5 slaps!
04. Chantal vs. Heidi in “Temptation of Wife” (2012)
While Angeline (Marian Rivera) and Heidi (Glaiza e Castro) have been friends since their childhood, Heidi had always developed a hidden envy to Chantal that she has kept as they were growing up. This even reached a point when they shared the same man — Marcel (Dennis Trillo). But when Angeline learned about the betrayal of the two people she loved the most, an accident that led Heidi thinking Angeline is dead is the start of the latter’s payback. She comes back as Chantal Gonzales, and she’s getting the receipts of her revenge.
The Kabugan Scene: Upon thinking that Chantal is flirting with her beau, this did not go well with Heidi as she decided to attack Chantal Mortal Kombat style. Jumping from chairs, tumbling in the carpet, tying with a hanky, and using fork as a weapon, this larger than life fight seemed to exist only in video games. It’s as over the top as it is ridiculous. But then again, it ended with a reveal of a pillow baby. So at least they’re consistent with it. This fight deserved a 2.75 slaprating!
05. Amor Powers vs. Claudia Buenavista in “Pangako Sa’Yo” (2000)
Gone were the days when we get these really over the top but serious showdowns in between characters. Nowadays, people live for the snark and the quotable quotations. But not in 2000 — as we see bitter rivals Amor Powers (Eula Valdez) and Madam Claudia Buenavista (Jean Garcia) battle out not only with money, but with men and children in this two year series. There’s a reason why these two are some of the most iconic characters in Philippine drama history.
The Kabugan Scene: When Claudia suddenly dashes her way to Amor’s house to ask for her daughter, she did it just for one reason: to slap her bitchy rival. Upon being threatened and be slapped as well, she suddenly sneaks her way out. But that’s without mentioning the stanzas of lines that they shout at each other. And the pair of slap they gave to one another (including that rare leftie slap by Claudia to Amor). This doesn’t happen to modern teleseryes anymore. And to say I miss them is an understatement. For that, I give this scene a 3slap rating!
06. Marimar vs. Angelika in “Marimar” (2007)
Definitely one of the most memorable telenovelas in Philippine history, the Mexican version of Marimar is one that will forever be one of the most influential ones. In this GMA remake, including a star-turning performance by Marian Rivera in the lead role, Marimar’s rag to riches story is, whether it’s Marimar and Sergio’s romance, or Marimar and Angelika’s revolving fates, and the other colorful characters in the soap, is one that will never get old.
The Kabugan Scene: While weddings and preparations bring out the class in most of us, consider both Marimar and Angelika as the likely outliers. When Angelika decided to poke fun at Marimar by asking her to be the maid of honor to Angelika and Sergio’s wedding, you know that it will only lead to chaos. And chaos it is, as not only did they ruin the whole place, but they’ve also wrestled with one another ruining gowns, cakes, and involving other people in the place. Hopefully though, this type of mess only exists in the small screen and not in real life. This scene deserves a full 3.25 slap rating!
07. Vera vs. Victoria in “Magkaribal” (2010)
While most of the stories included in this lists had characters fighting over love interests, Magkaribal skews a bit as this one is a battle of power. When orphaned Anna Abella (Gretchen Barretto) thought that her younger sister Gelai (bea Alonzo) died from a hospital fire, she then made it a promise that she will take everything away from the person she thinks is responsible for those: Vera Cruz (Angel Aquino). So after his adopted father let her study fashion in Paris, she comes back to the country to snatch the title of “Queen of Philippine Fashion” from her mortal enemy.
The Kabugan Scene: Probably the start of a really famous pun — one that has been quoted many times especially during the trailer release and the premiere of the actual episode — Victoria visits Vera and informs her that she knows of the fashion designs that the latter has plagiarized and stolen from an up and coming designer. So when Vera confronted Victoria and asked her that she accepts the challenge, Gretchen Barretto, sans moving forehead, just said “You want war? I’ll give you war. Sabihin mo lang kung saan at kelan… I’ll be there in my red stilettos.” For that interaction alone, this clearly merits a 3.5 slap rating!
08. Milet vs. Sheila in “Ang Dalawang Mrs. Real” (2014)
GMA’s offering in the “kabitan” year of telserye, “Ang Dalawang Mrs. Real” featured the Diamond Star Maricel Soriano in the leading role as Milet Real, the original wife in the series. While Milet is mostly kind, patient, and calm, hell hath no fury like a woman scorned as she finally confronts the second Mrs. Real, Sheila, played by Lovi Poe in this nerve wracking elevator scene.
The Kabugan Scene: Never mind that the elevator seemed like it was stuck or that their confrontation went over 5 minutes without picking and dropping any new passengers, there will really be those times when nothing is more powerful than words. And that’s what Milet, who played a teacher in the soap, did here. Not only did she teach Sheila some lessons (“Bago mo ibuka ang hita mo, mag-research ka muna kung may asawa”), offending her parents, and doing everything as the mistress carries the lovechild, it is safe to say that the original schooled the second one here. This confrontation is deserving of a 3.75slap rating!
09. Celyn vs. Margaux in “Ina Kapatid Anak” (2013)
Best friends turned enemies turned sisters turned rivals (whew!) Celyn (Kim Chiu)and Margaux (Maja Salvador) have all been fighting for the same things: parents’ attention, boys, interests, it always seemed like everything is going Celyn’s way. But while it seemed like the rivalry is too good to be true, well apparently it is since it’s one of those times when truth is stranger than fiction as the former real life best friends Kim and Maja aren’t really in a friendly mood during the production of this show due to some personal issues.
The Kabugan Scene: During the after party of their double celebration debut, Margaux finally had it with Celyn getting all the attention. Si while she’s drunk, she asked her if she can talk to her in which Margaux will just reiterate how much she hated Celyn following it with a really hard slap. Celyn then answered back “Para mahimasmasan ka..” and swooped up an equally hard slap. Sure, these slaps are supposed to be tame for a TV show, but in the context of what’s happening during these times, the tension in this scene alone trumps a lot of others in this list which leads to a solid 4 slap rating!
10. Catherine vs. Scarlet in “Iisa Pa Lamang” (2008)
This conflict over conflict over conflict of interconnecting stories focuses on naive lass Catherine (Claudine Barretto) and how she has smitten Miguel (Diether Ocampo) off her fingers. Miguel’s past flame Scarlet (Angelica Panganiban) came back just to meddle with these affairs and she will do everything it takes to make Catherine’s life msierable. For what its worth, Iisa Pa Lamang will never be forgotten as it pioneered the era of bitchy retorts and the endless over the top lines that have been uttered on Philippine dramas.
The Kabugan Scene: It’s difficult to choose for this one as kabugan seems to be the name of the game for this soap, but let’s go with this court interaction in which Scarlet demands Catherine to be taken off the room only to find out that the latter will be used as a witness against Scarlet for the grounds of adultery. This led to a confrontation on the stairs where the two women shouted labels at each other ranging from “social climber” to “adulteress” and “slut” to “home wrecker” until Catherine capped it off by shouting “Desperraaattteee housewife from hellll” before attempting to push Scarlett off the stairs. That intensity of the scene alone is enough to give this a 4.5 slap rating.
11. Lally vs. Vincent in “My Husband’s Lover” (2013)
One of the hottest soaps of last year, GMA 7’s “My Husband Lover” provided major buzz in pop culture because of its handling of a sensitive topic that’s rarely (or even a first of its kind) focus on the relationship of two gay men on its forefront. This Dennis Trillo-Tom Rodriguez-Carla Abellana triangle not only made them household names (in the case of Tom Rodriguez), but it also proved her acting prowess (in the case of Carla Abellana) and initiated a career comeback (for Dennis Trillo).
The Kabugan Scene: While all of us pretty much know who “bhe” already is, Lally (Carla Abellana) seems like she’s the last person to figure things out. So when she did, it definitely shook her world (probably much more than we expected). This confrontation between husband and wife isn’t snarky or bitchy like the others on the list, but for sheer scene intensity and a high point moment in the series, it is worthy of a 4.75 slap rating!
12. Monica vs. Nicole in “The Legal Wife” (2014)
And rounding up the list is from 2014’s most memorable and most talked about teleserye… ABS-CBN’s “The Legal Wife.” Angel Locsin’s primetime TV comeback not only defied the high expectations for her, but it even delivered some of the highest ratings in the history of its timeslot. But then again, who can blame the audience? The story of how Monica (Angel Locsin) dealt upon learning that her former best friend Nicole (Maja Salvador) is having an affair with her husband Adrian (Jericho Rosales) has been the topic of endless debates, arguments, and trending Twitter topics during its time on the air,
The Kabugan Scene: We already had a taste of the confrontation when Monica went to Nicole’s house and attacked the latter while asking the now catchphrase “Masarap ba ang asawa ko? Paano mo siya nilandi? Anong unang tinanggal mo: yung bra mo, yung panty mo? O yung konsensiya mo?”, but then it was all Monica getting angry at a sheepish Nicole. In this however, we finally see a fight. And a very realistic one. Hair grabbing, hair pulling, and extension snatching fight. Everything about this scene is realistically awkward, but no one can bat an eyelash considering how we’re all Team Monica, yet even fans can sympathize of how it felt like to be Maja Salvador during this specific scene. I’m certain this scene will be remembered years from now, and it will be the barometer used for the next confrontations to come. This, a full perfect 5 slap rating!
There you have it! Do you think Two Wives will soon join the list? What are some of your favorite kabugan teleserye confrontation that missed the list? Pipe them in the comments section below.
Welcome to the latter part of the year! It’s July now, and while it’s more known as the official start of the rainy season (here in the Philippines at least), it is compensated by the country’s favorite poll. July is the official “100 Sexiest Women” month by FHM, as we await on who will be unveiled as the country’s finest, as voted by the fans.
This poll which started way back in 2000 has definitely gone a long way already. In its first few years, it’s filled with Hollywood actresses dominating the list, as compared to now where they are struggling to even make the list. Among those who made the list are Oscar winners Halle Berry (topping in 2003), Nicole Kidman, Charlize Theron, Gwyneth Paltrow, Reese Witherspoon, Kate Winslet, Penelope Cruz, Hilary Swank, and Natalie Portman.
News personalities like Rhea Santos, Vicky Morales, Cheri Mercado, and Pia Guanio also had their share of moments in this annual list, and even the likes of Kris Aquino (in 2001), Sharon Cuneta (in 2002), and Ruffa Gutierrez (both in 2000 and 2002) have been included here. Singers Britney Spears, Christina Aguilera, Mandy Moore, Natalie Imbruglia and Andrea Corr have been mainstays during the early years as well.
With the release of the 14th issue this year, 1400 spots have been gone to 300+ women who have, in one way or another, made mark as part of FHM Philippines history. Let’s first give a spotlight to sixteen impressive mainstays who frequent this list for a long time already.
THE TEN TIMER CLUB
Six women have been in the list for a decade already. Starstruck first batch alumnae Katrina Halili, Jennylyn Mercado, and Cristine Reyes all have stayed in the chart since their debut way back in 2004. Between the three of them, they all share three #1 titles, 20 Top 10 spots, and eight covers. Pretty impressive eh? More impressive than that though are hosts Toni Gonzaga and Iya Villania who maintained in the charts as well in the same time frame as the three previous women with no FHM covers to boot. Among the prominent female group Viva Hot Babes, it is the petite Maui Taylor who had the most number of appearances with ten starting from 2002 up until this year, only skipping 2008 and 2012.
THE MIGHTY ELEVEN
Next up are five women with something in common: all have been in the FHM Sexiest Women poll for eleven years now. Let’s start with the only FHM cover girl in the bunch, Angel Locsin. With four covers under her belt, Angel has already made her own FHM record. She’s the only ever in the history of the poll who have been in the Top 10 ever since her debut in 2004 (when she debuted at #10) up until her eleventh year this 2013 where in she was third placer. Really impressive eh? Alongside her though in this group are ABS-CBN stars Bea Alonzo, KC Concepcion, and Kristine Hermosa (none of them who graced the covers… yet) and Asia’s Songbird Regine Velasquez who has four Top 10 placements (with her #8 spot in 2010 as her most recent).
A DOZEN VISITS
Now next in line are those who have been in the charts for a dozen times already. What’s more impressive about these four women is that they all achieved this feat in simultaneous years. Let’s divide them in pairs and start with two past FHM cover girls. Maureen Larrazabal is one of those who can proudly say that she’s one of the original FHM Sexiest Women gals, as she started her stint in 2000. Two covers and 11 more appearances, and she ended her reign in 2011. On the other hand, original FHM darling Diana Zubiri is still going strong in the polls with her appearance #12 in this year’s list. She might not have coveted the top spot, but she was 2003’s Philippines’ Finest just behind global champ Halle Berry. As for the other two women in the list, let’s just say that they definitely belong to FHM’s best frustrations, as both didn’t give the magazine a chance to headline them, yet that didn’t stop both Anne Curtis and Heart Evangelista to slay these charts since their debut in 2002 up until now. With fifteen women down, do you have any idea on who tops our list?
THE ULTIMATE CHAMP
And the longest staying woman in this list is none other than Rufa Mae Quinto. Peachy has made the list every single time since its beginning way back in 2000. With three covers under her belt, what’s shocking about this is that she wasn’t able to reach the Top 10 in all fourteen years, as her closest was #11 back in 2004. Since she showed no signs of stopping, maybe she can finally enter the coveted group in the succeeding years.
Now I know you want to know who made this year’s list, so as per tradition, here’s the top 20 in pictures (and in code names):
As for the rest of the poll, I’d let you find out that by yourself by grabbing a copy of the FHM July issue with Alodia Gosiengfiao on the magazine cover and Roxee B (that’s Roxanne Barcelo for you, folks) on the Top 100 cover. Just to give you a clue, you’ll be seeing Jessy Mendiola, Andi Eigenmann, and Jodi Sta. Maria in the list but not the names of Sarah Geronimo, Iwa Moto, and Jasmine Curtis Smith in it.
As an opening salvo to Star Cinema’s 20th anniversary celebration, they certainly opened it with a bang by coming up with a family drama that combined some of the most popular actor and actresses of this generation. Helmed by ultimate box office director Cathy Garcia Molina and starred by Toni Gonzaga, Angel Locsin, Bea Alonzo, Shaina Magdayao, and Enchong Dee, Four Sisters and a Wedding tackles family issues in both comedic and dramatic fashion.
After announcing that the youngest (and the only male) Salazar sibling, Ceejay (Enchong Dee) is getting married, his four other sisters Teddie (Toni Gonzaga), who works in Spain, Bobbie (Bea Alonzo), working now in New York, Alex (Angel Locsin) a production assistant for indie films, and Gabbie (Shaina Magdayao) teacher and the one in charge to live with their mother, come up with a master plan to halt the said occasion.
On one hand, it’s actually refreshing to see a Star Cinema family film that is not a straight up drama (think of Tanging Yaman or Sa’yo Lamang) and not a straight up comedy as well (think of Tanging Ina or Tanging Pamilya). It lends more freedom for the director and the writer to flex where the vision of the film wants to go. Some of these concepts were highlighted in the film such as the complex relationship of sisters Alex and Bobbie, or the competitive nature of oldest sibling Teddie juxtaposed with the complacent and content stature of youngest sister Gabbie. Then you’d have the voiceless feeling of the only thorn among the roses, Ceejay. This is where the major strength of the movie kicks in.
I’d also note that it’s refreshing to see a product placement that does not bother me the same way that usual local films do. Rebisco biscuits product placements were scattered all throughout the movie, but it’s not as forced as it was carefully inserted in films and does not scream blatant product insertion, to me at least.
With that said though, the comedic themes were less inspired, as compared to the dramatic ones. As for one, the main premise of the film is ridiculous itself, but the approach could have been much tighter, so as not to make it look lamer when compared to the themes on the paragraph above this. I also noticed lack of full characterization especially in the characters of Alex and Gabbie. While Teddie and Bobbie’s stories went full circle, the other two sisters are just going around in circles. It’s probably a case of editing issues, but I would have wanted to learn more of them too, or at least, give them the spotlight every now and then.
But of course, I know what you’re here for. You want to know who’s the best among all the actresses in this film. Okay so I’ll try to break it down for you. Toni Gonzaga is my favorite in the film. I already saw how she goes back and forth with comedy and drama still back from My Amnesia Girl, but this vehicle lets her sashay from one genre to the other instantly. She knacks you off with her comedic timing, and she knocks you as well when it comes to her more dramatic ones. I think the reason why I like her most is because I still think that the film leans more on comedy, and she’s the best in show in terms of that aspect. Bea Alonzo, on the other hand, is the reliable dramatic actress that delivers, and she benefits from playing a character that was complexly written, and she pays that off by giving it justice. Her moment during the family’s confrontation (albeit too long and overdone) is really effective and one of the film’s highlights. And I know I have already said this in my past reviews of her previous films, but hers is a face that the camera really loves. Angel Locsin might not have the most moments, but she certainly makes the best of what she has to do. It is not the type of acting that screams awards, but the way she switch emotions in seconds is a testament of how much growth she has achieved already. What I particularly like about her performance is that she’s not getting all the forefront in terms of scenes, and she usually is relegated to reacting in most of them, but she plays the same intensity to all of them. One might consider Gonzaga’s character as bordering on cartoonish, and Alonzo’s as too TV type, but Locsin’s is the most human in my opinion. More characterization from the writers would have made her character more impactful though.
The rest of the actors were also necessary but given mostly smaller to almost thankless roles (Shaina Magdayao’s Gabbie comes to mind), but they were all serviceable. Coney Reyes was inspired casting though as the family matriarch, while Carmi Martin was a hilarious scene stealer and gets the best character entrance in the film.
All in all, the main flaw that I see in this film is that despite being half comedy and half drama, the stories they used in order to cater both are not in the same vein. We see inspired storytelling in the dramatic parts of the movie, while the comedic ones were usually rehashed and less inspired. But since they’re promoting it more as a comedy, it could have used much better material in that context. That said, it’s an enjoyable film that is saved by the cast’s chemistry and one that caters to most members of well… the family.
Now celebrating its 20th year as the country’s premiere film outfit, Star Cinema has been delivering a lot of the most memorable movies during the past two decades. The latter half of its 20-year production, though, mostly has been more on coming up with box office hits, as it now fills up all ten of the ten highest grossing films in the country. With that said, here are five reminders that every now and then, Star Cinema is still able to deliver quality potential films instead of the usual moneymaking ventures.
05. DREAMBOY (2005)
DIRECTOR: Gilber Perez CAST: Piolo Pascual, Bea Alonzo PLOT: Hopeless romatic Cyd (Bea Alonzo) met three versions of the same man (Piolo Pascual), until she was in for a rude awakening. WHY IS IT UNDERRATED: It was 2005, and television is slowly taking over the cinema as the basis of celebrity popularity. With artista search happening left and right, the people weren’t particularly interested with the approach that the film did. It was brave for Star Cinema to pull off something like this during the peak of cutesy loveteams (and Piolo-Bea is an experiment pairing to say the least), and while it was not seen as total success during its time, I appreciate the risk they did with it.
04. MY AMNESIA GIRL (2010)
DIRECTOR: Cathy Garcia-Molina CAST: John Lloyd Cruz, Toni Gonzaga PLOT: When Apollo (John Lloyd Cruz) thinks that the answer to his great love is ex-girlfriend Irene (Toni Gonzaga), he finds her back only to find out she is now suffering from amnesia (or so we think). WHY IS IT UNDERRATED: Sure it was the biggest hit of 2010, and John Lloyd and Toni were robbed of Box Office King and Queen titles during that year, but let’s take some few steps back and reminisce that during the release of the first trailer, everyone already dismissed it as a 50 First Dates rip-off. And boy they were wrong. While box office receipts were always mentioned, the out of the box approach of the film (especially during the first 40 minutes of the film) is a fresh take on Star Cinema love story standards.
03. FOREVER AND A DAY (2011)
DIRECTOR: Cathy Garcia-Molina CAST: Sam Milby, KC Concepcion PLOT: Strangers Eugene (Sam Milby) and Raffy (KC Concepcion) met in the lovely place of Bukidnon for different reasons. He wants a break from work; she wants to prove something to herself. Once they start to get to know each other, true secrets were revealed about Raffy. WHY IS IT UNDERRATED: By this time, Cathy Garcia Molina is already the perennial box office director that she is now, and everyone expects that she will deliver the same combination that makes all of her previous hits box office success. While this is the mere exception from the group, it’s an exception that gives her room to try other approach when handling stories, and one that’s rare to see in mainstream filmmaking.
02. NASAAN KA MAN (2005)
DIRECTOR: Cholo Laurel CAST: Claudine Barretto, Jericho Rosales, Dietehr Ocampo PLOT: Set in the haunted and mystical city of Baguio, it tells the story of three adopted children (Rosales, Barretto, and Ocampo) who grew up under two spinster sisters (Hilda Koronel, Gloria Diaz). Life has been pretty good to all of them until Pandora’s box of their family secrets were unveiled. WHY IS IT UNDERRATED: UP graduate Cholo Laurel’s first foray into mainstream directing seemed to be a double edged sword. On one hand, this was a great debut for someone of his caliber. To be given this chance was definitely overwhelming for him. After all, its powerful storytelling (written by Ricky Lee himself), together with his direction, is a combination that made this one of the best films that year. It sucks that this did not perform too much commercially, as it was a good risk that should have paid off.
01. RPG METANOIA (2010)
DIRECTOR: Luis Suarez CAST: Zaijan Jaranilla, Vhong Navarro, Aga Muhlach, Eugene Domingo PLOT: When a virus from online games started to affect society, it will be up to this generation of computer game-loving kids to save the day. WHY IS IT UNDERRATED: Animated film fans in the country are definitely many, and this is actually more than qualified to be the first local animated 3D film we have ever produced. That alone would have made this an “event” not to miss. Add the fact that it was a part of the annual Metro Manila Film Festival, and Star Cinema behind it, and I’m still not sure why it just didn’t reach its audience. Their loss, I guess, since it’s one of 2010’s best films.
Now entering their 20th year of producing and distributing local films, I hope that Star Cinema will still give focus to quality filmmaking even only every now and then. They used to do this more often, and it’s quite saddening how it has fallen way way below now. But with Erik Matti’s On the Job as one of their features this year, there’s still hope I guess.
Hey there everyone! And Happy New Year once again from Tit for Tat! 😀
There’s no better way to kick off 2013 with a blog post that covers a topic awards prognosticators love the most: BEST ACTRESS. The past few days, I have been covering acting performances in local cinema, and we’ve already tackled supporting actresses, supporting actors and lead actors. To complete the list, here’s my coverage of lead actress.
LEADERS OF THE PACK
There’s no better person more fitting to begin this coverage with the one and only Superstar herself Nora Aunor. After years of absence in local filmmaking scene, she is back with Brillante Mendoza’s Thy Womb as midwife Shaleha who wants to grant her husband’s wish of having a child. Aside from La Aunor, Gina Alajar‘s role as the matriarch in Adolf Alix’s Mater Dolorosa gives her a huge possibility to have an awards comeback as well. A pair of Kapamilya actresses can find themselves contending at different award giving bodies: Angel Locsin will definitely be nominated either for her role as the sultry Princess in Unofficially Yours though my bet is she’ll get nods for her role as a mother who will do anything for her son in the MMFF entry One More Try. Bea Alonzo‘s most mature performance to date as the title role in Olivia Lamasan’s The Mistress can reap some nods as well. As for the fifth spot, a consecutive visit at award giving bodies is plausible for veteran actress Shamaine Buencamino, this time, for her comedic turn in Loy Arcenas’s Requieme.
MIDDLE TIER
Aside from the five names above, other noteworthy lead actress performances the past year were from Jodi Sta. Maria as the newest member of Adoracion Convent in Aparisyon, Pokwang as another mother who sacrificied as an OFW in the US in A Mother’s Story, andFrench actress Isabelle Huppert having the most vital role in Brillante Mendoza’s Berlin entry Captive. Vilma Santos can get in based on name status alone for her movie last year, The Healing, while Lauren Young as the psycho best friend of Maxene Magalona in Catnip can break through the awards circuit too. Other performances that gained buzz this year were Cinemalaya Best Actress winner Ama Quiambao in Diablo, Erich Gonzales who is in search of her sister in Manila in Mariposa sa Hawla ng Gabi, Veronica Santiago who plays the charming title role in Pascalina, LJ Reyes who resorted to being the town prostitute in Intoy Syokoy ng Kalye Marino, and Judy Ann Santos as the owner of the diary in Mga Mumunting Lihim.
THE REST OF THE RACE
As for the rest of the race, there’s also Anne Curtis, not as the other woman, in A Secret Affair, the pair of Fe GingGing Hyde and Glorypearl Dy trying to escape in Ang Paglalakbay ng Mga Bituin ng Gabing Madilim, Mylene Dizon as the other nun in Aparisyon, and Cinema One Originals Best Actress Mara Lopez in Palitan. There’s also the performances of Erich Gonzales as the unang aswang in Corazon: Ang Unang Aswang, Angelica Panganiban as the naive Majoy in Every Breath U Take, and real life sisters Assunta and Alessandra de Rossi in Baybayin. Lastly, Angel Aquino can also see herself nominated either for her performance as the torn mother in Amorosa: The Revenge or as the reporter who everybody thought was dead in Biktima.
That’s it. Who are your bets this year? Are you excited for the coming award giving bodies? I sure am! 🙂
Hey everyone! It’s two days before Christmas, and just eight days before 2012 comes to a halt. With that said, there’s no perfect time than this week to publish year end lists. Just two days ago, I unveiled my picks of the local movie posters of the year. Now this one is a concept that was inspired from Entertainment Weekly’s annual list of Entertainer of the Year. This is usually comprised of anybody in the entertainment industry that made an impact during the past year. Whether it’s from film, TV, fashion, radio and even to anything related to pop culture, as long as I think you made 2012 a memorable one, then you’re in. This is the first time I posted an article about this, though I made a list last year and had Anne Curtis as 2011 Entertainer of the Year.
After careful consideration, here are Tit for Tat’s Entertainers of the Year for 2012:
24/7 in Love is every Kapamilya’s dream come true. It combines a lot of their favorite Star Magic artists which makes it a dream come true for these teen and network driven audience that seems to be the film’s target. Just when you thought that Cinco is already crowded when it fits five stories in a film, then you’d be surprised to find out that this one incorporated seven stores in it.
The main story involves Jane (Kathryn Bernardo) who wants to meet her biggest crush who happens to be singing heartthrob Billy Fernandez (Daniel Padilla). In order to do that, she must enter a video contest that begs the question “What will you do if the world ends on December 21?” The approach Jane used in it is to interview random people to ask for their answers, and that served as the common link to the other six categories. Not the laziest methinks, but not the most creative as well.
The first interviewee happens to be forty year old virgin Virginia (Pokwang), and knowing that the world is about to end, the only thing she wants to do is end the drought as well. Coming from a heartbreak from long time boyfriend, her friend set her up on a male prostitute hiring site which led her to meet Charles (Sam Milby). Apparently, it was Charles first time in the business as he’s only doing it for fast cash. Among all the stories, this seems to be the most loyal to the recurring theme of what will you do til the world end. Pokwang and Sam Milby has this fun chemistry that it’s not weird to watch at all.
The second story involved Barbara (Maja Salvador) who’s head over heels over his playboy bachelor boss Ken (Diether Ocampo). There’s not a lot that happened in this part, though it’s always a joy to see Maja Salvador on screen. She’s just so natural and comfortable to watch. Diether Ocampo, on the other hand, has already proven himself before, but it seems that not being on the screen for quite some time can make your acting look dull especially when you’re paired with an energetic actress like Maja.
Next story is about a gay and a girl bestfriend between Isabella (Bea Alonzo) and Butch (Zanjoe Marudo). As Isabella realizes that she’s starting to like her bestfriend who happens to have the same preference with boys as her. This one is a case of friendship and where one draws the line in pursuing the next step. While watching this episode, I’m just really amazed with how beautiful Bea Alonzo is. I have already mentioned it before in my The Mistress review, but she really just radiates the screen. Zanjoe Marudo was convincing at most times, and their chemistry works. I just find the story too long especially since after it’s two predecessors were fast and resolved quickly.
The fourth story involves heartbroken Verna (Angelica Panganiban) who mends a broken heart in Vietnam, and there she meets Pinoy bartender Elvis (John Lloyd Cruz). It was a fast encounter; too fast that things ended real fast as well. With that said, this is my favorite among the series, and probably one that can stand as a lone film. There’s too much that one can explore here, and this gives a tight and mature portrayal that stands out among these bubblegum love stories. Angelica and John Lloyd clicked naturally, and both were good in their individual scenes.
Piolo Pascual headlines the next part as Pipoy, which is reminiscent of the famous Gerald Anderson character Budoy. He and his constant buddy Jomar (Zaijan Jaranilla) are the closest of them all, and that involves him doing all the tricks for Jomar’s crush Ayee (Xyriel Manabat) to like him. When a confused Ayee thought that it was Pipoy who was doing the movies to her, Pipoy and Jomar’s friendship was put to a test. This is one of the fun episodes in the series, as it showcases how Zaijan and Xyriel are the best child actors of their generation and has cemented their status to join the club of the best child stars ever. Piolo, despite not being totally relegated to supporting status, was good as well. This is probably the episode that will leave you with a smile when it ends.
The last one is about childhood sweethearts Patty (Kim Chiu) and Alvin (Gerald Anderson). After graduating from high school, Patty left to pursue his dreams leaving Alvin behind. Now as an intern in an ad agency, she gets the task of finding the local town hero who happens to be Alvin. The material they worked on was one of the weaker ones in the series, but it was fun seeing over the top Maricar Reyes as the boss from hell, and the Kimerald team together. However, it seems as if the whole episode was just focused on exploiting Gerald Anderson’s body by making him run in slow mo with only his undies on, or have him take his shirt off.
The whole movie closes by going back to the first story which involves a song number and a not so surprising appearance by all the previous couples in the venue with Kathniel taking the spotlight in this one. I’m not surprised but I’m stunned that every time either Daniel Padilla or Kathryn Bernardo appears on screen, the whole cinema goes crazy.
All in all, the movie was uneven at best, and that’s because of the too many stories which were unbalanced. With that said, it was definitely entertaining with some premises worth of being uncovered better. I find it more of a Valentines Day than a Love Actually.
Star Cinema’s latest offering, Olivia Lamasan’s The Mistress, is a reunion of some sort. First, it’s the comeback project of the tandem of John Lloyd Cruz and Bea Alonzo after 2010’s Miss You Like Crazy. Incidentally, it’s also a celebration of a decade of being paired together. This is also Hilda Koronel’s comeback movie after 2005’s Nasaan Ka Man, and her first, since she decided to live with her husband abroad. Thus, it gives The Mistress some sort of an advantage in terms of chemistry and acting intensity which can be both beneficial and disadvantageous at some parts.
JD (John Lloyd Cruz) meets Sari (Bea Alonzo) and invites her for a date; Sari refuses, yet their paths meet again. When JD uncovers the reason, he became more persistent; Sari starts to become confused. Thing is, Sari is a mistress of a rich businessman (Ronaldo Valdez); thus, she claims herself as taken already. But JD won’t stop, while Sari shows her vulnerability. What happens in the end?
There’s always something that strikes me to like the film, only to pull me out of it every now and then. For one, I really like how the story ended. It embodies something that I long waited in Philippine mainstream films. but of course, Lamasan can’t stray away from pleasing all types of movie watchers with her treatment of it. Still, I appreciate what they did there.
I actually liked the first 20-30 minutes of the film, where the tension is built and it engages you into something interesting, only to see it fall downhill from there. We were then treated to almost a different film that focused on the romantic montages reaching to the climax which will lead to a bunch of recycled Star Cinema treatments. For someone who’s tolerant about Star Cinema dramas, even I got tired seeing and knowing what happens next. It will only lure you again with the ending but not enough to save the whole experience. Though, I must say I like the production design of this one especially during the wedding cave scene. That’s actually really beautiful.
Also, I really find it hard to like anyone in the film. John Lloyd is so mad against the world, but you get confused with his intentions. But since it’s John Lloyd Cruz, I guess he is entitled to a free pass? Hmm. Not this time. JD is confident yet pleasing, he has opinions yet he can be petty which makes one wonder how can he still be someone you are rooting for? The same can be said for Alonzo’s Sari. She’s a mistress who does not know what her perspective in life is. She claims herself taken, yet she entertains. She loves her grandmother, yet she’s bitter about her mother who commits the same fate as her. Ronaldo Valdez is bitter, but he’s in denial. He thinks he can handle everything in his hands, only to see him admit it’s not possible since the movie’s about to end. Hilda Koronel’s character is some sort of a mess, and despite being “the original”, you don’t actually care for her at all.
I guess that somehow affects the performance of the actors. John Lloyd Cruz and Bea Alonzo really has this palpable chemistry, so it’s not surprising to witness their banters working perfectly. However, I think John Lloyd fared better in his individual scenes as compared to Bea (she was good in the film generally), who can’t help but do the “kunot noo-pikit mata” acting during their confrontation while her partner steamrolls all this emotions in front of her. With that said, I am captivated by how the camera loves Bea Alonzo’s face. She is ravishing and sparkling whatever angle you look at her. She really commands the camera and her face knows no angle to highlight her beauty. Ronaldo Valdez was typical Ronaldo Valdez, while Hilda Koronel seemed to suffer the most from the writing with her mostly relying on theatrics with her line deliveries.
In entirety, I see this is as a hit or miss. When The Mistress is good, it’s really good. But when it falters, one can easily notice the weakness in it. Sadly, the latter trumps the former in this one.
TIT FOR TAT 