After a string of horror, comedy, and flat out drama movies the past few months, Star Cinema goes back to one of its strongest genre by doing a romance film. Suddenly It’s Magic stars Filipina Erich Gonzales and Thai superstar Mario Maurer and helmed by one of their top notch directors, Rory B. Quintos.
Thai superstar Marcus Hanson (Mario Maurer) is in a personal and professional burnout, so he escaped to the Philippines in order to get much deserved rest. There, he met provincial lass Joey (Erich Gonzales), whom he felt a strong connection with. Joey was mending a broken heart, and the two find each other’s company special. Once Marcus goes back to Thailand, the two must adjust to the conditions of their previous lives in order to maintain their relationship.
As for starters, this film was obviously greenlit due to Maurer’s sudden popularity in the Philippines. With that said, I already left my expectations before I entered the cinemas. I knew this will have the same predictable and recycled subplots especially since there seems no room left for a more creative one or interesting story to tackle. And boy was I surprisingly correct. One can see what will happen a mile away, and the only thing that will make you gasp is… how correct you are! Fiesta scenes? Check. Upstaging gay best friend? Check. Girl falling over the boy? Check. It’s as if someone was tasked to collect different scenes from past rom-coms and combine them here.
There also seems to be some major continuity issues here and there, such as hair colors and the language used. Are we supposed to believe that when Joey’s character speaks Taglish, Marcus’s character will really understand the whole context of it? Some storylines were also just dropped off in the middle of the film, with no signs of even coming back.
Despite that, I still find a handful of interesting things to see in the film. I like the scene where Marcus’s mother is talking to Joey. This highlights what the different approach in acting we have from them. A scene that could have been histrionically portrayed here was calm yet full of impact delivered by the Thai mother. There was also the language play with Thais being forced to speak in English in some parts that sacrifices the impact of the movie. I also notice how Rory Quintos has this knack of showing beautiful cinematographic scenes to envelope the watchers to be a part of it (though it was done better in Kailangan Kita)
The camera really loves Mario Maurer’s face, and there’s no bad angles of him. I recall the whole cinema going wild every time he has a close up scene. Time and again, Maurer has proven that he has the chops (Love of Siam anyone?), though it still depends on the material he was given to. In here, he was not required to do much except to be cute and charming, and that’s not difficult for him to do. Erich Gonzales captures the naive woman effectively, and she seems to be a fit to Mario’s mestizo features. The supporting characters were alright, and while Joross Gamboa’s gay best friend was a crowd favorite, the role has been done a thousand times now and has already lost most of its magic. My favorite though is every scene that involves Thai actress Baifern Pimchanok, as I was smitten by her.
All in all, this one seems predictable as the other romance movies, but one thing that it genuinely and successfully achieved is the charm of the two lead characters. With that, there’s no wonder, it will be a hit to its definite target audience.