Hey everybody! How are you all doing? So yeah, Pandora’s box was finally opened as Seth MacFarlane and Emma Stone unveiled the nominees for this year’s Academy Awards. For now, I’m still nursing a heartbreak due to Nicole Kidman’s snub, but then again, so are many of the supposed to be contenders. My predictions this year were just okay getting more or less 3-4 of the nominees per category (except for my 2/5 in Song and 1/3 in Make Up), but I have no 5/5 prediction for this year. Sucks to be me I guess. And by this moment, I’m wondering if you’re still reading this or you just closed the window already because what the hell am I still talking about when I can’t even get my predictions right. But so is the rest of the predictors as this has been one of the shocking years in terms of actual nominees. Anyway here are ten things you need to know about the 85th Academy Awards Nominees:
THE CURSE OF THE 2007 FEMALE OSCAR WINS
2007 Best Supporting Actress winner Tilda Swinton was shafted at the final minute last year despite getting BFCA, Globe, SAG, nad BAFTA nods for her turn as the mother in We Need to Talk About Kevin. It was the first time in awards prognostication history where in a performance hit all precursor noms only to miss in the end (likely, for Rooney Mara). That seems to be the exception to the case though. However, this year, a similar occurrence happened to (incidentally) 2007 Best Actress winner Marion Cotillard who received the same precursor support for her performance in Rust and Bone only to miss again. Mind you, both of these actresses have churned out some of the best post-Oscar resumes in history and they have been shafted countless times since their win. Swinton had Julia in 2009, I Am Love in 2010, and Kevin in 2011. Cotillard had Nine in 2009, Inception in 2010, and even in BP nominee Midnight in Paris last year. What does it take for these gorgeous women to be called back again for another nomination? Hmm.
SNOW WHITE vs… SNOW WHITE?
While one Snow White themed movie Blancanieves failed to connect with the Foreign Language voters, there are two other Snow White films which are in contention…for the same category. Colleen Atwood was nominated for Snow White and the Huntsman while Mirror Mirror‘s Eiko Ishioka was the other one in competition. While there’s a large possibility that both designers will lose to Jacqueline Duran for Anna Karenina, can we do a write in vote that says Snow White is the most fashionable fairy tale character? Yes?
AMOUR RECEIVING A LOT OF AMOUR
One movie that received a lot of amour (that means Love if you still don’t get it by now) is Michael Haneke’s Amour receiving four major nods this year for Picture, Directing, Lead Actress for Emmanuelle Riva, and Original Screenplay together with a Foreign Language Film nod. While the possibility of the film making it to all those categories is not far fetched, it’s still unbelievable that voters went all the way to give it nods for such. This is the first film since 2000′ s Crouching Tiger, Hidden Dragon to make it both to best Picture and Best Foreign Language Film, and the consecutive Palme d’or winner to be Best Picture nominated after last year’s Tree of Life. Of course, there are others that even won such as 1957’s Marty but what I’m referring here is back to back nods.
MOVIES THAT DIRECTED THEMSELVES
Best Director is the biggest fuckery this year (and probably ever?), as both Ben Affleck and Katheryn Bigelow were snubbed after hitting BFCA, Globes, DGA, and BAFTA nods (plus critics prizes for both of them). Who replaced them? Benh Zeitlin of Beasts of the Southern Wild, and to a lesser extent, David O. Russell for Silver Linings Playbook. While I was over the moon happy about Haneke getting in (which there was a really huge probability of happening especially with the BAFTA Director nod, and he was always in fifth place), but this category just felt weird with no Affleck and Bigelow in it especially since they’d probably be winning the televised awards. To be fair though, both Argo and Zero Dark Thirty are in a good company with the likes of The Color Purple, Sense and Sensibility, Moulin Rouge!, The Lord of the Rings: The Two Towers, and Inception who all received Best Picture mentions without their helmers getting the nod.
BEST NOMINATION ANNOUNCEMENT EVAH!
Since the 60s, it has been a tradition of the Academy to have its current president together with a past Oscar acting nominee to present the nominations. It was a in a formal manner where the ten major categories are announced and the names of the nominees were alphabetically one by one mentioned starting from Best Supporting Actress up to Best Picture. However, for this year, we got host Seth MacFarlane and still Oscarless actress Emma Stone to do the presentation job and boy was it the best announcement evah. Starting from Stone’s fake entrance as if she was called to win an award to the Hitler joke in between up to Bryan Cranston’s teeth, this was such a breath of fresh air in terms of announcing. Not only that, but names were randomly announced too that adds the pleasure of the prediction process. If this is an indication of MacFarlane’s hosting stint, then count me in.
BOND. JAMES BOND.
Celebrating the 50th anniversary of the James Bond franchise, Skyfall was the first Bond movie in 31 years to receive nominations in any Oscar category. Add to that is the fact that it got five(!) nods for Cinematography, Original Score, Original Song (for Adele’s Skyfall), Sound Mixing and Sound Editing, and it becomes the most nominated Bond movie ever. As for a quick Bond history with Oscar, prior to Skyfall, there have been only nine nominations since its inception winning two; one is for Goldfinger in Sound Effects in 1965 and a Visual Effects win for Thunderball the following year. The last nomination though was in 1981 in the Original Song category for For Your Eyes Only from the Bond movie of the same title.
MAJOR, MAJOR ACTING NOMINATIONS
Four acting nominations for a film is really possible within the Academy. In the past few years, Chicago and Doubt managed to achieve that feat. However, it’s more interesting when the four acting noms came from the four acting categories. After 31 years, Silver Linings Playbook becomes the 14th movie in Oscar history to grab nods for the four acting categories for its stars Bradley Cooper (Lead Actor), Jennifer Lawrence (Lead Actress), Robert de Niro (Supporting Actor), and Jackie Weaver (Supporting Actress). There’s a huge possibility that with this, SLP is expected to win at least one acting trophy (as per history), and our bet is on Jennifer Lawrence to take Best Actress. From the thirteen prior films that managed this feat, only two went Oscarless in all four acting categories: My Man Godfrey in 1936, and Sunset Boulevard in 1950.
BEST ACTRESS… OLD AND NEW
Presenter Emma Stone already mentioned this yesterday, but for Best Actress, a record was made when we had the oldest and the youngest Best Actress nominees ever and they happened to be competing with each other. French actress Emmanuelle Riva, currently at 85 (though her birthday will exactly be on the Oscar telecast), becomes the oldest Best Actress nominee ever for her turn as the wife in Amour. Previous title holder was 1989 winner Jessica Tandy for Driving Miss Daisy who was 80 when she was nominated and won the Oscar. On the other hand, the youngest now is Quvenzhane Wallis for Beasts of the Southern Wild who was nominated at the age of 9. It’s pretty fascinating to learn that while shooting the movie, Wallis was just 7. She beats previous record holder, 2003’s Keisha Castle Hughes, who was nominated for Whale Rider at the age of 13. Moreover, co-nominee Jennifer Lawrence became the youngest actress to receive two Best Actress nods by the age of 22.
THE JOSEPH GORDON LEVITT SCREENPLAY CURSE
If you’re an aspiring Hollywood writer, there’s no better person to write a screenplay for than Joseph Gordon Levitt. Maybe it’s because of his immense talent, or he really has just a knack for interesting stories, but for the past four years, Joseph Gordon Levitt has made films whose screenplays always receive Oscar buzz particularly in the Original Screenplay category. However, there always seems to be a hurdle at this. The buzz is there, but the nod is not. In 2009, his 500 Days of Summer despite getting WGA and NBR wins failed to make it to the final list. The same can be said for his cancer movie last year 50-50. And despite getting critics nominations and a WGA nod again, Looper also failed to make it to the final line up. You know what the exception was? The one film he starred that nabbed an Original Screenplay nom is the one where he was in supporting… Christopher Nolan’s Inception.
ALWAYS THE BRIDESMAID… FOREVER THE BRIDESMAID?
In a span of eight years, Amy Adams has already received four Supporting Actress Oscar nominations for 2005’s Junebug, 2008’s Doubt, 2010’s The Fighter, and this year again for her role in The Master. Pretty impressive achievement I must admit. However, with no such luck, she still wasn’t able to snatch an Oscar of her own for the four performances (yes, four, because Anne Hathaway has that thing locked up). Now while it’s an achievement of its own, I fear for dear Amy, sweet Amy, that she’ll belong to the list of voters just want to nominate but not win. After all, eight years is pretty quick to gain 4 Oscar nods (Julianne Moore got 4 in five years), what lies for her future Oscar chances? Among all actresses, Thelma Ritter, Deborrah Kerr, Glenn Close (the only one left still alive) hold the record for most nominations without winning (6), followed by Irene Dunner (also gone now) with five. From those living, Adams is currently in the same page as Annette Bening, Jane Alexander, Marsha Mason, and Julianne Moore that can still win despite four losses while Rosalind Russell and Barbara Stanwyck are the other four time Oscarless winners who were already departed. Here’s wishing the next time Amy Adams get nominated, she’ll finally win.
As always, you can follow me on Twitter: @nikowl