9th Cinemalaya Film Festival Review: Part 2   9 comments

Hi everyone! The 9th Cinemalaya Film Festival is still on going so in case you still want to watch this year’s entries, you can do yourself a favor by going to CCP, Greenbelt 3, Trinoma, or Alabang Town Center. So far, there’s some really good stuff from what I have seen. Anyway, I will now share with you the second batch of my reviews. Yesterday, I already tackled Gil Portes’ Liars, Mikhail Red’s Rekorder, Carlo Obispo’s Purok 7, and Jeffrey Jeturian’s Ekstra which you can access here. Now I’ll add three more reviews in the list:

PORNO
Director:Adolf Alix
Cast: Angel Aquino, Carlo Aquino, Yul Servo, Rosanna Roces
Competition: Director’s Showcase

An assassin, a porn dubber, and a transgender. Three souls, on explicit illusion: to find the ultimate joy in their lives. A safe haven, where passion and love means enlightenment and the soul is the ultimate arbiter of the truth.

Coming off from Kalayaan from last year’s Cinemalaya, it’s somewhat of a hard task to see what Porno will bring to the table. The trailer doesn’t give a clue on what this is about, though the title does give one. There’s actually a lot to like about Porno. For one, Alix’s style has continues to evolve over the years, and this one is yet a new addition on the list. Then you also have the riveting performances of the cast with everyone delivering an array of performances from Angel Aquino’s physically transformed role, up to Carlo Aquino’s bold one and the sensual chemistry of Yul Servo and Rosanna Roces. Alix’s production design is also a stand out here, particularly the one in the earlier motel scenes. The heart shaped mirror with the shining curtains and the blue lights set the mood in the beginning of the film. I like how it’s contemplative that the porn in the film goes far deeper than the erotica of the human body, especially in Angel Aquino’s storyline, but this is probably a case of me acknowledging the film’s merits than loving it.

Rating: 3.5/5

INSTANT MOMMY
Director: Leo Abaya
Cast: Eugene Domingo, Yuki Matsuzaki, Luis Alandy, Rico J. Puno
Competition: New Breed

In order to solve a personal predicament, Bechayda (Eugene Domingo), a wardrobe assistant in TV commercials pretends to be pregnant.

Instant Mommy has a really good story in it. Bechayda’s predicament when she pretended to be pregnant was a highlight in this film. However, in order to get to the good story, you’d have to go through weaker ones first. That’s what pulls the film from achieving what it actually intends to do. It suffers from a lot of tonal inconsistencies and you’d get confused with where they want to bring the story. While there are certainly humorous scenes in the film (with the birth giving scene a top highlight), the uneven writing makes it difficult to identify where the film wants to stick. At times, it’s a glimpse of what happens in advertising agency, then it shifts to Bechay’s problem, then it shifts to loyalty issues between her and her Japanese boyfriend. I’m also probably nitpicking here, but there are very visible goofs within the film (with the taxi direction standing out a lot). If anything, watch out for Eugene Domingo who gives a very humanizing performance here that perfectly balances comedy and drama, but even she can’t save this one.

Rating: 2/5

DEBOSYON
Director: Alvin Yapan
Cast: Paulo Avelino, Mara Lopez, Ramona Raneses, Roy Dominguiano
Competition: New Breed

Mando (Paulo Avelino), a Bikolano devotee of Ina, Virgie ng Penafrancia, injures himself in the middle of the forest. A mysterious woman, Saleng (Mara Lopez), found and nursed him back to death. They soon fell in love. But when Mando invites her to come with her to the plains, Saleng refuses. She holds a secret that will devastate Mando’s love for her.

If there’s one word that I’d describe the film, it’s hypnotizing. I like how straight forward the film is: we just follow the film and watch Mando at the beginning with what he’s doing, until he meets Saleng and how he was smitten by her, and what the implications of this to both him and her were. The movie rests solely on the shoulders of Paulo Avelino and Mara Lopez, but they sure did one hell of a job in doing so. So far, Avelino is 2/2 when it comes to his performances from Yapan’s direction, and I’m looking forward to more collaborations. Mara Lopez is an inspired casting choice as she was perfectly suited for Saleng’s character. The movie also boasts of really impressive technical achievements with the captivating cinematography and visual effects. I always have a penchant for directors who include big crowd scenes (such as the Nazareno feast in Brillante Mendoza’s Tirador), and Alvin Yapan does the same feat here in the near end with the Ina, Virgie ng Penafrancia. Supported by the haunting musical score of Teresa Barrozo, the juxtaposition of the feast and the final scene is one that speaks volumes about the faith and acceptance we have of a certain thing – may it be love or commitment or just one’s mere existence. It’s definitely one of the best so far from this year’s batch.

Rating: 4.5/5

There you have it! I am to release the third batch on Friday. And as always, you can follow me on Twitter: @nikowl

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9 responses to “9th Cinemalaya Film Festival Review: Part 2

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  1. I heard that Instant Mommy is a disappointment earlier and I’m rooting for Debosyon but still needed the extra push, and it’s final— I’m going to watch it.

  2. It’s Virgin po…. not Virginia……

  3. Pingback: Cinemalaya 2013: ‘Debosyon’ | Film Police

  4. Debosyon had evoked a lyrical feel initially that was strained by repeating imagery and ultimately undone by weak characterization. Initial interest in Mando’s exploration of the forest and its fabulous greenery (and forbidden orchids) would later be replaced by uneasy boredom as the forest regressed into a redundant transition device. Pity, as the forest itself could have been part of the visual story serving as refuge, prison, provider and redemption of Saleng. Not deeply internalizing (and externalizing) characters had even Mando appearing too much like a burgis college boy than a sunburned farmer, and Saleng as a simpleton than the sensual, angry, sad, fearsome forest goddess she was supposed to be. Sadly, Mando’s devotion to the Ina, and how it was connected to his decision on Saleng hints too much of deux-ex-machina that was helped little by the literal coming out of the image of the Virgin from the Church. For all its technical strengths in cinematography and sound, It probably would have been more powerfully executed as a short film.

    Nicolas Mananguete
  5. Pingback: Instant Mommy | Pinoy Rebyu

  6. Pingback: Porno | Pinoy Rebyu

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