86th Oscar Foreign Language Film: What Should the Philippines Submit?   9 comments

Yesterday, the Film Academy of the Philippines (FAP) has already released the shortlist on what the country’s likely submission for next year’s Best Foreign Language Film at the Oscars. As of press time, nine films are included in the list which will be decided by the eight-person committee. While these films are already assured as a part of the shortlist, September released films can still be late additions to it, as the AMPAS eligibility extends up to September 30 of this year.

Last year, I decided to put my two cents on what the country will submit as an entry which you can read here. I suggested Alvin Yapan’s Ang Sayaw ng Dalawang Kaliwang Paa from the field of seven that was announced earlier. The country ended up with Bwakaw, which wasn’t part of the initial list, but nevertheless, a competent and most inspired submission we had in years. This year, I’ll be doing the same based on the initial shortlist of nine films included and suggest what I think should be our country’s entry. One thing you have to remember though is that it’s not solely about the film’s quality, as politics and buzz also play a big part when it comes to choosing our Foreign Language Film submission. Anyway, here’s how I see each of the nine contenders:


BOSES (The Voice)
Director: Ellen Ongkeko-Marfil
Screenplay: Froilan Medina, Rody Vera
Cast: Julian Duque, Coke Bolipata, Cherry Pie Picache, Ricky Davao

Boses tells the story of Onyok, an abused son, who was brought to a children’s shelter to be protected from his abusive father. In there, he develops an unlikely mentor with Ariel, the brother of the shelter director, who saw his potential to play the violin.  Through these lessons, both Onyok and Ariel managed to find an escape from their individual traumatic experiences.

Films with child/ren as the main character work well within the Academy, especially in the Foreign Language Film category. Think of France’s The Chorus or Brazil’s The Central Station. Add the music factor, and I can see this inspirational drama working well to the voters of this category. The production values, while not the top notch in this field are still commendable (I remember in 2005 when reception re: Ang Pagdadalaga ni Maximo Oliveros was that the production values, particularly the sound, was poor). The downside of this film though is that if chosen, if they’re willing to do a campaign because otherwise; it will just get lost in the shuffle.

dance of the steel bars

Director: Cesar Apolinario, Marnie Manicad
Screenplay: Cris Lim, Michael Villar
Cast: Dingdong Dantes, Joey Paras, Ricky Davao, Patrick Bergin

While the story of the friendship among the three inmates (two Filipinos, one American) is fictional, one central part of the movie incorporates the dancing inmates based from that viral video of the real dancing inmates (jiving to Michael Jackson’s Thriller) from one of the provinces here in the Philippines.

I don’t see this making much of a fuzz, as its reviews here locally are mixed to negative. It’s a very divisive film that also did not make waves commercial wise. When most of reviews range from “thin plot” to “melodramatic”, it probably fits more for a Lifetime TV of the week spot than an entry at the Best Foreign Language Film. I suspect that the friendship angle between a Filipino and an American is what paved its way in the shortlist.


EKSTRA (The Bit Player)
Director: Jeffrey Jeturian
Screenplay: Jeffrey Jeturian, Zig Dulay, Antoinette Jadaone
Cast: Vilma Santos, Ruby Ruiz, Tart Carlos, Marlon Rivera

The movie follows a day in the life of Loida Malabanan, who works as a bit player in films and television show. For this particular instance, she works in a soap opera while still dreaming to have that one big break she has long been waiting for.

Definitely the most buzzed about entry at this year’s Cinemalaya Independent Film Festival, Ekstra is a critical and crowd favorite with its humorous take not only on the roles of bit players, but with its satirical portrayal of a television production as well. The good thing about it is that it’s one of the more recent entries this year and is already starting its run at different international film festivals such as the Toronto International Film Festival. It also stars one of the country’s most important stars, Vilma Santos, in the main role. However, with this being a major comedy, I wonder if the FAP is adamant to submit a comedy once again, especially one that pokes fun at the entertainment scene, too soon (after 2011’s Ang Babae sa Septic Tank). It can go either the way of 2003’s Crying Ladies which gained serious buzz or 2009’s Ded na si Lolo which gained none at all.

el presidente

EL PRESIDENTE (The President)*
Director: Mark Meily
Screenplay: Mark Meily
Cast: ER Ejercito, Nora Aunor, Cesar Montano, Christopher de Leon

A historical epic about the life of one of the Philippines’ most prominent heroes, Emilio Aguinaldo. It does a full circle depiction from his early childhood days up to his last few days highlighting some of the most important days in Philippine history.

Every now and then, the Foreign Language Film recognizes entries which are of significant and cultural impact to its country. Thus, the committee can’t help but bite into the bait by inserting not only one, but two films into the mix. The first one being El Presidente. While winning Best Picture in a lot of local award giving bodies earlier this year helps it chances, critical response wasn’t as kind as the others. However, I’d say that with ER Ejercito behind it, once chosen, they’ll probably try to pull off an aggressive campaign for it. I don’t think it’ll be enough though.

on the job

Director: Erik Matti
Screenplay: Michiko Yamamoto, Erik Matti
Cast: Piolo Pascual, Gerald Anderson, Joel Torre, Joey Marquez

Inspired by true events, the movie shows the struggle of good vs. evil from different perspectives: jailed hitman Tatang and his protege Daniel, police officer Acosta, and NBI agent Francis. How all their paths crossed and the circumstances that bind them together is the main core of this action thriller.

After participating in the Directors’ Fortnight section of this year’s Cannes Film Festival, On the Job is already the best local reviewd film from this bunch. It also has the most buzz being the latest to be shown in this group. Local critics are rallying behind it and the word of mouth is really good.  Commercial wise, it might end up as the second biggest hit in the shortlist, and I think that makes it the most viable contender. The film’s appeal is also universal, as proven by a confirmed Hollywood remake. Since it’s produced by the country’s biggest film production, a campaign is definitely feasible for it. Needless to say, it should be the most viable option from the bunch.

Director: Richard Somes
Screenplay: Jimmy Flores
Cast: Alfred Vargas, Mon Confiado, Nicco Manalo Alex Medina

The movie gives a historical depiction of another Filipino hero, Andres Bonifacio, as he leads the Katipunan into a struggle for independence.

As for the other “hero” movie, while it’s the lesser buzzed movie between the two, it’s the one that got better reviews. With that said, it also suffered from lack of overall impact, as only a handful of people saw it during its run. Part of me thinks that with these two heroes in the mix, if they’ll cancel each other’s chances in order to avoid controversies about the chosen film in case one of them gets to be the top pick? I know that sounds ridiculous, but you’ll never know. Not that I think either of the film will actually end up as our submission, but one can’t  help but think it can affect such.

thy womb

Director: Brillante Mendoza
Screenplay: Henry Burgos
Cast: Nora Aunor, Bembol Roco, Lovi Poe, Mercedes Cabral

Set in the beautiful village of Tawi-Tawi in the farthest island of Mindanao, the wife of a childless couple , Shaleha, suffered her third miscarriage. Out of frustration, it gave her an idea to find another wife for her husband Bangas-an. As she finally saw the perfect wife, conflict ensues when young lady Mersila gives her condition in exchange of this agreement.

Thy Womb was part of the official competition of last year’s Venice Film Festival. Aside from that, it also participated as part of Toronto International Film Festival as well. While this gives it a great advantage among other competitors, the fact that it already had its festival run last year gives it less buzz as compared to the newer ones. Sure, it i still under the same eligibility period, but it leaves a “been there done that” feel already. And while the raves for Nora Aunor’s performance is unanimously positive, there is a discrepancy with its reviews locally and internationally. It got great reviews here while it’s more mixed abroad, so that speaks volumes about its universal appeal. It’s also noteworthy to mention that Brillante Mendoza isn’t an FAP favorite with no previous entries submitted, despite getting worldwide accalim for some of his previous films.

tiktik aswang chronicles

Director: Erik Matti
Screenplay: Erik Matti, Ronald Monteverde
Cast: Dingdong Dantes, Lovi Poe, Janice de Belen, Joey Marquez

Shot in the fictional town of Pulupandan, an overconfident Makoy hopes to win back the heart of his pregnant girlfriend.  But when his arrogance irked some people of the said town who happened to be a group of aswang (Filipino term for “monster like ghost creatures”), Makoy and his girlfriend’s family fight for survival.

This one is probably the easiest to eliminate here. The movie showed a great stylistic approach (and an effective one at that), but other than that, there’s nothing that’s gonna make sense to put this as the country’s submission. There will be a huge barrier to even explain the concept of aswang to a foreign crowd, and this one suits for an enjoyable popcorn flick than an Oscar submission. Besides, Erik Matti has another submission here which has the better odds of getting chosen.

Director: Veronica Velasco
Screenplay: Veronica Velasco, Jinky Laurel
Cast: Eugene Domingo, Leo Martinez, Enchong Dee, Jake Cuenca

A bus accident left three strangers literally connected to a pole, and as they are waiting for their fate in the hospital, we get a glimpse of their individual lives prior to the said incident.

Tuhog‘s chances can actually go either way. On one hand, it’s the quirky film that can inspire a lot of passion among voters with its multiple storytelling. On the other, it might be seen as too light to stand out in a field of 70+ films worldwide. While the FAP hasn’t shied away from lighter films before (Ang Babae sa Septic TankDed na si Lolo), but end results did not bode well for the country’s chances.

All in all, I’d say On the Job is far and away the best option to be submitted this year. It has the buzz, the great push, the reviews, and the festival experience to make a mark in this category. A runner up position goes to Ekstra since it can follow Bwakaw‘s footsteps last year starting with its TIFF inclusion already. I think Boses can be a good submission as well, as I think it will work well among AMPAS voters. Tuhog and Thy Womb will also be decent picks, though not necessarily the strongest we can offer. With that said, there will probably be two to three more additions to this given that the Sineng Pambansa will be held mid-September.

*unofficial English titles

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9 responses to “86th Oscar Foreign Language Film: What Should the Philippines Submit?

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  1. Aug 16
    FAP OSCAR COMMITTEE BARES SHORTLIST by fapweb | Posted in Articles | on Fri, Aug 16, 2013

    The special committee of the Film Academy of the Philippines which will choose the official Philippine entry to the best foreign-language category of the Oscars next year has come up with a shortlist of eight films though it will still consider other films which will be shown in September.

    Since the year 1996, a FAP special committee has been selecting the country’s annual entry to the Oscars. FAP Director-General Leo G. Martinez announced that Director Peque Gallaga has replaced special committee chairman National Artist for Film Director Eddie Romero who passed away recently.

    The seven members of the special committee which Director Gallaga will join are the following: Actor/Director Robert Arevalo, FAP deputy director-general; Director Jose N. Carreon, secretary of the Directors’ Guild of the Philippines, Inc.; Director William Mayo, president of the Philippine Motion Picture Directors’ Association;

    Manny Morfe, president of the Production Designers Guild of the Philippines; Jess Navarro, president of the United Film Editors Guild of the Philippines; Director Elwood Perez; and Actress-Directress Gina Alajar of the Actors’ Guild.

    Oscar Award rules for the best foreign language film category stipulate that to qualify, the Philippine entry must have been commercially exhibited in the country for at least seven consecutive days during the period from October, 2012 to September, 2013. A Filipino must be in two of the three capacities as film producer, director or scriptwriter.

    The special committee short list includes the following films:

    CEB Rated A/Shown Dec. 5, 2012
    Supremo is a Filipino epic drama movie starring Alfred Vargas as Andres Bonifacio film. It is directed by Richard V. Somes and produced by Alternative Vision Cinema and Strawdogs Studio Productions.

    El Presidente (film)
    CEB Rated A/ Shown Dec. 25, 2012
    El Presidente is a biopic film based on the life of Gen. Emilio Aguinaldo, the first president of the Philippine Republic. The film stars Laguna Gov. Jeorge Estregan in the title role, with Cesar Montano, Christopher de Leon, Nora Aunor, and Cristine Reyes in supporting roles. It is directed and written by Mark Meily based on the memoirs of Gen. Aguinaldo. It is produced b Scenema Concept International, CMB Films and VIVA Films.

    Thy Womb
    CED Rated A/Shown Dec. 25, 2012
    The film is directed by Brillante Mendoza and stars Nora Aunor, Bembol Roco and Lovi Poe and produced by Center Stage Productions and was one of the 8 official entries to the 2012 Metro Manila Film Festival.

    Dance of the Steel Bars (2013)
    CEB Rated A/Shown June 12/2013
    The film is directed by Cesar Apolinario and Marnie Manicad and stars
    Dingdong Dantes, Patrick Bergin, Ricky Davao and Cebu Gov. Gwen Garcia as herself. The film was inspired by actual events in a Cebu prison where the group dancig of the inmates became viral in the internet worldwide.

    CEB Rated A/ Shown August 14, 2013
    The film is directed by Jeffrey Jeturian and stars Vilma Santos as Loida Malabanan, a film extra who spends her days dreaming of her big break while working with the country’s best small screen actors. The film competed under the Directors Showcase sidebar of Cinemalaya 2013. It is produced by Cinemalaya, Quantum Films and Star Cinema.

    Tiktik: The Aswang Chronicles
    CEB Rated B/ Oct. 17/2012
    The film is directed by Erik Matti and stars Dingdong Dantes, Lovi Poe, Joey Marquez, Janice de Belen, Ramon Bautista and LJ Reyes. It was produced by Reality Entertainment, Mothership, Inc., Agosto Dos Pictures, Post Manila and distributed by GMA Films.

    CEB Rated B/July 17, 2013
    The film is directed by Veronica Velasco and stars Eugene Domingo, Enchong Dee, Leo Martinez, Jake Cuenca and Empress Schuck. It was produced by Skylight Films and Star Cinema.

    Boses (2008)
    Shown July 31, 2013
    The film tells the story of a violin teacher and his student, a mute 7-year old abused child in a shelter, who develop a friendship stemming from their love of music. It was a directed by Ellen Ongkeko-Marfil. It was first exhibited during the 2008 Cinemalaya Indie Film Festival.

    OTJ (On the Job)
    Booked for showing August 28, 2013
    The film is directed by Erik Matti and co-produced by Star Cinema and Reality Entertainment and stars Piolo Pascual, Gerald Anderson, Joel Torre, Joey Marquez, Michael de Mesa, Leo Martinez, Angel Aquino, Vivian Velez, Shaina Magdayao, William Martinez, Rayver Cruz and Empress. OTJ had its world premiere at the 66th Cannes Film Festival, one of the 21 feature films included in the Directors’ Fortnight line-up. In the film, Gerald is cast as an inmate working as a hitman or professional killer while Piolo portrays the NBI agent tasked to hunt him down.

    Your FEEDBACK can be posted at http://www.filmacademyphil.org/forum/

    1. Ekstra ( A Bit Player)
    2. On The Job (OTJ)
    3. Tuhog

  3. Thanks for the really comprehensive rundown of the competitors from the Philippines….Many of these films haven’t gotten much coverage in the US, so it’s great to hear a local point of view.

    Before the shortlist, I predicted “On the Job” and “Breakaway” would fight it out for the nomination, but “Breakaway” didn’t make the list…In the end, I think the Philippines will go for “Ekstra”, with “On the Job”, “Thy Womb” and “El Presidente” all in with a chance.

    Speaking neutrally, I think the Academy might not have the background to appreciate either of the two movies about Filipino history, and I think the “aswang” and black comedy of “Tuhog” might also turn some voters off. And they value production values highly, so that may make “Dancing Bars” and “Boses” risky….In the end, I think “Ekstra” is the safest bet.

    Thanks again from USA/Korea.

    • Hi A.D. Thanks for the visit! 🙂 Anyway, I’m glad to be of help to you regarding the Philippines’ Oscar submission. You actually raised a lot of good points (like the local heroes and the too local nature of some films), and I think Ekstra is in my upper tier of possible choices/suggestions for our country’s submission.

      As for Alagwa (Breakaway), the reason why it wasn’t in the shortlist is because it still hasn’t premiered here for a commercial run. The tentative schedule is this October which will qualify its eligibility for next year’s submission.

      Also, Boses has actually decent technical production values, though I guess it’s too simple to standout (speaking of technical achievements only here) against other more “shiny” and “glossed” entries.

      It is also noteworthy that while this is a shortlist already, there are other possible additions here as other worthy films have premiered this September, so I wonder if the FAP will acknowledge that. I still think On the Job will be a decent and competent submission, though Ekstra, Boses, and Thy Womb will also be good as well. Thanks again!

  4. I’m torn between Thy Womb and On the Job. Both are really strong films, and I think both would be serious contenders. 🙂

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