It’s only Wednesday, but I still haven’t caught much sleep from the continuous back and forth travels to CCP since Saturday for the 10th Cinemalaya Indepedent Film Festival. After sharing to you my thoughts on Real Florido’s “1st Ko si 3rd“, Giancarlo Abrahan’s “Dagitab“, and Milo Sogueco’s “Mariquina” which you can see here and the one covering Francis Pasion’s “Bwaya“, Gino M. Santos’ “#Y“, and GB Sampedro’s “S6parados” which you can read here, it’s time to add three more films on the list: one New Breed and two Directors Showcase entries.
K’NA THE DREAMWEAVER
Director: Ida Anita del Mundo
Cast: Mara Lopez, RK Bagatsing, Alex Medina, Erlinda Villalobos, Bembol Roco, Nonie Buencamino
Competition: New Breed
Young T’boli woman K’Na (Mara Lopez) was poised to be the answer to the warring clans of her village by being anointed to “weave” the patches between the two camps. In the process, she must sacrifice her true love to be the heroine of her people.
I guess it is best to begin my thoughts by praising how the entire cast learned T’boli language and how the whole film used such. It is very refreshing to the ears to hear a whole complete film spoken in T’boli which further exemplifies the rich culture that our country has. The movie’s also really pretty to look at giving this epic scope like feels even if there were a few goofs in it (most notably, there’s a scene where they’re supposed to be rowing in the middle of the waters and the two boaters keep on paddling but it’s obvious that they’re just on the same place). Upon thinking, the “dreamweaver” tag connected to K’na is both literal and figurative. Weaving is a part of the T’boli culture, but then the weaving can also mean of the ending of the village clan wars. If anything, I wish they’d focused more on the T’boli culture rather than the romance. There’s nothing wrong per se about the tale of romance featured in the movie, but it would have ended up with a different effect had it tried to do other instead. I really commend how Mara Lopez continues to choose projects that fits her like a glove. She certainly has this innocent yet mysterious presence that is arresting, and that suits her strengths. I guess K’Na sits right in the middle of the fest for me. It’s definitely not a clunker nor it’s one of the real breakouts of this season. That said, I’m eager to see what Ida Anita del Mundo does after this.
Director: Joselito Altarejos
Cast: Arnold Reyes, Oliver Aquino, Rita Avila, Ruby Ruiz, Maureen Mauricio
Competition: Directors Showcase
Director Paolo (Oliver Aquino) and lawyer Sherwin (Arnold Cruz) play a gay couple whose already cracked relationship was put to the test once again when they attended Sherwin’s sister’s wedding in Batangas. In here, they were reminded of the reality of where gay people place in our ever so conservative society.
When you think about it, Kasal‘s premise lives in the harsher reality that a wedding, of all possible events, will further test the relationship of a gay couple when they’re deprived of such in their own country. Where the film completely succeeds is its sincerity in depicting such. I could have lived without the unnecessary additional statements (that of indies and commercial filmmaking as for starters), but when the film shifts back its focus to its main message, it delivers. I’ve noticed that director Joselito Altarejos tends to prolong most of his scenes , and while most parts of it worked and lingered (the initial romance scene, the whole wedding preparations), there were others that didn’t (the initial scene, the stopover fight). A material like this one needs actors who are willing to show off themselves, and I’m not solely referring to the physical demands of the roles. Arnold Reyes is a topnotch here. His role as the closeted of the two as he was put into a really uncomfortable position during their whole visit to his family is just remarkable. I’m quite bothered by Oliver Aquino’s line delivery since it seems like he struggles with this long take approach and couldn’t keep his momentum during their confrontations, but I’d give him props since they share some real passionate chemistry and you could at least see him trying. While Kasal is far from perfect, there is a level of honesty it earns with its attempt, and that’s enough to recognize the overall effort.
Director: Luisito Ignacio
Cast: Aiko Melendez, Jake Vargas, Miggs Cuaderno, Gabby Eigenmann, Rochelle Pangilinan
Competition: Directors Showcase
In the middle of the preparation for the annual Taong Putik Festival, young lad Tonio (Jake Vargas), considered as literally the brightest kid in their place, was offered to be an unintentional drug courier of the village chairman Carias (Gabby Eigenmann). When one of his deliveries went awry, his mother Julia (Aiko Melendez) steps up to fix things right.
Remember when I told you about Mariquina being a rare case of a good melodrama? Now I guess it’s time to show you what a bad melodrama is. In Louie Ignacio’s first film since 2005’s Lovestruck, his foray into the indie film making is really spotty to say the least. Asintado seems like a late entry from Ignacio to join the poverty porn bordering on social commentary bandwagon that has already gotten old many years ago. Much of it feels contrived and tries way too hard to be taken seriously whether it’s the darker complexion of the characters, their appear one time slash disappear another accents, the situations of the characters up to the pivotal resolution part. There’s also a disconnect between the intended reaction of the people involved from the actual reaction of the people watching. Punchlines fell flat and those obvious attempts at comedic effect failed while serious breakdown moments elicited loud laughter from the crowd. Maybe it’s because of the film’s sudden tonal shifts that really doesn’t sync. It’s really hard to sympathize with Tonio too since he’s one disaster after the other. Is the character even worth redeeming for? I don’t think so. The only good thing worth mentioning here is that Miggs Cuaderno continues to deliver fine work regardless of the material. Last year, he was in two of the better films of the festival (Purok 7 and Quick Change). This year, the first I’ve seen of his works is a bad one, but he manages to rise out of it (I mean he’s better than the whole cast of s6parados combined). Asintado just feels outdated and the problem is I can’t even pinpoint a “time” when this stuff actually fits.
Nine down, six more to go. I understand that it’s taking me quite some time to finish this because I’ve also been watching a lot from the Retrospective showings and most of those are one time screenings. But the next batch will have four films in it on Friday morning. 🙂
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