Tit for Tat TV Awards 2014   Leave a comment

Now that I have shared with you my top choices in film (both local and foreign) and music videos for 2014, it’s time to close the trifecta and do one for the small screen as well. It has been a month since the Emmys have rewarded their picks, and while I don’t give a shiny balded angel trophy to my picks, these shows and performances will always be the caliber in their respective categories for the past television season. So let’s begin unveiling the cream of the crop in 29 different categories of the Titties TVs 2014!!!

Reality Competition Program

WINNER: RUPAUL’S DRAG RACE

Season 6 might have been one of the breeziest competition in the show’s her-story (I mean duh Bianca del Rio obviously is winning since the premiere), but the fancy drag queens this season are as colorful and interesting as the tasks and the friendship that they have built. Oh and have we already mentioned Bianca del Rio?

Ensemble Longform

WINNER: the ensemble of “AMERICAN HORROR STORY: COVEN”

If there’s one thing Ryan Murphy excels at, it’s to make the dream of all actressing fans happen. This season alone, we have had the pleasure of witness the triumvirate of Jessica Lange, Kathy Bates, and Angela Bassett happen. And on top of we that have Oscar nominee Gabourey Sidibe, Taissa Farmiga, Emma Roberts and Lily Rabe happen. Then Frances Conroy and Patti Lupone joins mid-season. I’m a certain believer that big cast is not necessarily the best cast, but every now and then, such as the case with this one, it holds truth.

Ensemble Comedy

WINNER: the ensemble of “ORANGE IS THE NEW BLACK”

Like that of Horror StoryOrange is the new Black also boasts of having the biggest cast in this line-up. But then again, when you have respected veteran Kate Mulgrew (or Taylor Schilling a.k.a Zac Efron’s leading lady in one of his movies) as the biggest name in your cast, it somehow equates the whole thing perfectly balanced. In the show, we notice the credits highlight six to seven names, but watching the whole season proves that these names, no matter how  they’re billed, accounts for nothing as it’s the whole group who contributes to the great chemistry that they all have.

Ensemble Drama

WINNER: the ensemble of “BREAKING BAD”

The show started as merely Bryan Cranston’s departure as Malcolm’s father and his foray into drama. That is, until the world discovered the greatness that is Aaron Paul. And then Anna Gunn followed to break through. But in the show’s last season, there’s really no one stopping this particular group now as it’s definitely the whole ensemble who is responsible for bringing the drama week in and week out.

Writing TV Movie or Miniseries

WINNER: Noah Hawley, Fargo (“The Crocodile’s Dilemma“)

When you have an Oscar winning material (one which won for Writing at that) in your hands and you have the task of adapting it to a different type of medium, the pressure that comes with the task is definitely terrifying. But that’s just the opening of it. Adapting it is one thing, making it distinct is another. And with Noah Hawley’s writing of the pilot Fargo, there is no doubt that he managed to achieve such.

Writing Comedy

WINNER: Louis C.K, Louie (“So Did the Fat Lady“)

In one of the rare moments when the Emmys actually awarded the rightful winner, there’s a lot one can make of Louis C.K’s handling of “So Did the Fat Lady.” On one hand, it’s a fresh perspective when it comes to human dating as it is seen from the perspective of the guy. What makes it even more special is that he’s just not the typical manic pixie dream guy that a lot of girls would instantly swoon for, as it’s Louie’s character we’re talking about it. It’s a refreshing take on a topic rarely tackled and not even would go dare reach, and how Louis C.K made it in 21 minutes tops (including a seven minute focus on the conversation alone) is definitely deserving of a win.

Writing Drama

WINNER: Robert King, Michelle King, The Good Wife (“Hitting the Fan“)

By now, there is a somewhat connotation that broadcast drama is synonymous to basic drama, and for the most part, it can be seen as true. But then every once in a while, there comes a solid hour of broadcast drama which will just surprises everyone to hold on for their dear lives. That is what Robert and Michelle King have managed to achieve with their Hitting the Fan episode. It is rare nowadays for a broadcast TV to deliver, but it is even rarer to start off on fire just like what we’ve seen here. There isn’t any time to breathe or adjust as it just shock you out of nowhere and maintain the level of intensity all throughout.

Directing in a TV Movie or Miniseries

WINNER: Cary Joji Fukunaga, True Detective (“Who Goes There“)

The buzz is all about the seven minute tracking shot at the end of the episode, and while others may found the reaction borderline overrated, I beg to disagree. Fukunaga, in this episode, manage to tie up great writing to great direction which made its viewers feel like they are part of the whole scene. A director’s vision in his mind will always be his best work, but if he managed to translate all of that into something that other people can see and appreciate is a far even, better version.

Directing Comedy

WINNER: Andrew Haigh, Looking (“Looking for the Future“)

To say that Looking, in its first few episodes, is a mess can be considered a legit argument. The characters are rarely memorable and annoying or that they remind you of someone who either tries too hard or doesn’t try at all. But all it took is one episode to change all that perspective. Andrew Haigh bringing his Weekend trademark in this one managed to catapult the show into going to places that we’ve never felt the show can even reach. Call it whatever you want, an homage, a tribute, a rip off or a copycat, but the moment the show managed to put its heart on its sleeve is when you finally see its greatest potential.

Directing Drama

WINNER: Rian Johnson, Breaking Bad (“Ozymandias”)

Sorry Vince Gilligan, while we’re forever grateful to you for bringing Breaking Bad into our screens, yours is not the best episode we’ve seen from this season. Ozymandias is one thrilling ride from beginning to end, all thanks to director Rian Johnson’s riveting and masterful direction of the episode. And let me say that this isn’t only one of the show’s best episodes, but I’d even go as far as declaring it as the show’s best episode in history.

Guest Actress Comedy

WINNER: SARAH BAKER (Louie)

Fearless is a term that is thrown around quickly nowadays when we judge performances. But I refuse to think that all those labeled such merits the compliment. However, if there’s one the past season that is complete deserving of such, it is Sarah Baker’s fearless portrayal as a woman who asked Louie out in the Comedy Writing winning episode of So Did the Fat Lady. Prior to being on Louie, Baker has made an appearance on a lot of shows but her only two film credits were Sweet Home Alabama in 2002 and The Campaign in 2012. Obviously, this talent needs to be featured more especially since she can effectively do heartfelt and funny, comedy and drama even at the same time.

Guest Actress Drama

WINNER: ALLISON JANNEY (Masters of Sex)

Ever since her performance of CJ BGregg in The West Wing ended eight years ago, Allison Janney has made a lot of interesting projects since then. There’s starring in Best Picture nominee films like Juno, or guest starring in other series such as Lost, Veep, and Studio 60 on the Sunset Strip to name a few. But in 2013, she managed to shock us all with her one two knock out performances in her television comeback. One is in the CBS comedy Mom and the other is for her brave turn in Masters of Sex. Also winning one of her two Emmys this year for this performance, Janney’s raw and poignant take of a woman who never had an orgasm is definitely organic.

 

Guest Actor Comedy

WINNER: PABLO SCHREIBER (Orange is the New Black)

In a female driven show where 90% of the characters are completely female, it takes a very daunting and difficult task in order to stand out from the rest of the pack. But all thanks to that porn star stache, Pablo Schrieber managed not only to steal scenes during his turn in the season but managed to make his character stand out as well. Pornstache is a disgusting character to say the least, but Schreiber managed to play with the over the top machismo of his character and capitalize on that to make all of his moments count.

Guest Actor Drama

WINNER: BEAU BRIDGES (Masters of Sex)

Being a veteran character for decades now, there’s probably no role that can limit Beau Bridges’ capabilities as an actor. And with his turn as closeted husband in Masters of Sex, the initial claim holds truth to it. On the outside, Barton Scully is responsible, dependable, and calm. But the tests are within himself. Bridges’ calm portrayal of such was every inch consistent, effective and in full on display for the whole season.

Supporting Actress Longform

WINNER: ALLISON TOLMAN (Fargo)

When Frances McDormand won the Oscar in 1997 for Fargo, a lot of the credit goes to her ability to insert her own personal charisma into her performance which was the key why she ended up as the Best Actress of that year. Thus, it is very much surprising that when an unknown named Allison Tolman was tasked to play the role inspired of McDormand’s Marge, not only did she manage to inject her own personality in it too, but she avoided to copy the former’s performance and made it all her own. This is definitely one of the previous TV season’s breakthrough performances and one that introduced Alison Tolman to the rest of the TV world.

Supporting Actress Comedy

WINNER: LAVERNE COX (Orange is the New Black)

It is fitting that my favorite episode of Orange is the New Black‘s freshman season is the one whose flashback had transgendered Sophia as the core story. Sure a lot of the things I like about Cox reflects outside of her performance in the show and how she has become one of the representative of LGBT society in television, but one has to appreciate her in it as well. As the resident hairdresser of the inmate, her presence is not to be missed even if she’s just on the background or reacting to another character in the series.

Supporting Actress Drama

WINNER: BELLAMY YOUNG (Scandal)

Scandal is a show that I love and hate at the same time. I love how ridiculous it is, but I hate it that I’m dedicating my time to watch how ridiculous it is. You have unlikable characters left and right, but if there’s one bitch that I am definitely behind for, it’s definitely Mellie Grant. Mellie is an over the top character meant to be a punching bag for all those Olivia-Fitz shippers, but Bellamy Young’s actressing over it is definitely a highlight every time I watch an episode. She clearly knows the strength of the material and the overall show, and she plays it up ham and fun and camp that instead of acting above it, she goes with the flow of the whole story. Very wise actress definitely.

Supporting Actor Longform

WINNER: MATT BOMER (The Normal Heart)

The whole of Matt Bomer’s career can be summed into three parts: people gushing over his looks, people arguing over his sexuality preference, and people still in hopes that he’d star as Christian Grey. But Bomer is above all that, as what he has shown in The Normal Heart. I don’t know if this is a story that is close to his heart or anything else, but the intensity of the acting he has shown here not only matched his onscreen partner Mark Ruffalo’s, but he also held his own going on depths one never expected from him. This is a character that is made to win awards, but what do I know? He can’t even win the Emmy. But for me, Bomer is the rightful winner in this category.

Supporting Actor Comedy

WINNER: REID SCOTT (Veep)

One of the reasons why Veep is fun to watch is because of all these outlandish characters that there is. You have Tony Hale’s Gary who has this special connection with Vice President Selina Meyer. Then you have Jonah who’s towering height symbolizes how a big dick he is. Then there’s Reid Scott’s Dan, probably the straight guy of the group, if ever there was one. Dan can be an asshole, but he delivers. And he can be fun, but he knows how to play the game. That is why when this season showed a bit of his vulnerable side such as him lashing out on everyone or having a nervous breakdown, it makes the riot more chaotic than usual.

Supporting Actor Drama

WINNER: JOSH CHARLES (The Good Wife)

In one of TV history’s most shocking exit, we bid goodbye to Will Gardner in a very unfashionable way. And that’s when we realize how big of a character he is filling out and how Josh Charles has managed to inject his own brand in playing this lovable character. Will was the likable guy and an ideal man for most of the viewers. He was intelligent, patient, and giving. But it is through supporting actor Josh Charles that made Will live and breathe for five seasons, and we are still grieving right now.

Lead Actress Longform

WINNER: OLIVIA COLMAN (Broadchurch)

Every time we witness one of these “saving” shows or those that calls for inspections or detectives of “Who did it?”, there is a certain sense of distance that we feel towards the saviors or the leaders since it is predictably expected that they’ll be the key to such discoveries. However, what made Olivia Colman’s take on Broadchurch quite different and more distinct is that she gave us a sense of closeness to her. We see her vulnerable, we see her panic, and we see her imperfections. It is a very giving and sensible performance that makes her viewers feel more attached to the story even if they’re indirectly involved with it.

Lead Actress Comedy

WINNER: JULIA LOUIS DREYFUS (Veep)

Just like wine, Julia Louis Dreyfus indeed gets better with age. And the same can be said for her career. Remember before when they keep on being plastered with the constant labeling of the Seinfeld curse? Look who’s laughing now. Julia’s consistent performance as Vice President Selina Meyer is as hoot as it is a testament of her great comedic skills. It takes more than a role to shine like this, and a talent like that of Julia’s is the pushing boundary of this show. Not only is she consistently great, but she manages to make everyone around her feel as if they’re on the same level (and this isn’t a knock out to either her or her cast), but more of a recognition that a giving and talented actress like Julia Louis Dreyfus has already carved her name as one of the comedy legends of all time.

Lead Actress Drama

WINNER: ROBIN WRIGHT (House of Cards)

She started on the show as a borderline character playing support to her husband. But in the second season, we see Robin Wright’s Claire Underwood come out of her own shell and even eclipsing her husband which was a humongous task to do. Claire, at the beginning, was cold and distant, but she surely knows how to introduce herself. She’s probably still manipulative and bitchy when the situations called for it, but we’ve also seen her show vulnerability — a vulnerability that doesn’t make her weak, but rather shows the strength she can reach when push comes to the shove.

Lead Actor Longform

WINNER: MATTHEW McCONAUGHEY (True Detective)

By now, you are probably sick of hearing the term McConaissance which partially refers to the career turnaround that Matthew McConaughey has did in his film career, And he was even validated with an Oscar for that. But that said, his best performance to date can’t be seen in the big screen but one in the four corners of our television in HBO’s True Detective. To say McConaughey is a revelation here is underselling it, and that even includes the fantastic performances he has shown in film the last two years. The last few minutes of the season alone has made me think that every time I get to feel that his performance in Dallas Buyers Club was overrated, it was his performance in this show that was definitely Oscar-worthy.

Lead Actor Comedy

WINNER: LOUIS C.K. (Louie)

It is quite telling to give a Comedy Actor win for his show’s most dramatic season yet, but this isn’t even a level playing field anymore. In Louie, Louis C.K managed to show us everything he can literally and figuratively. There is an uncertainty that comes off as you watch the episodes of the last season and how you’ve seen C.K grew and mastered it over the years. Louis C.K. the actor is a very underrated one, and I agree that it is probably his “weakest” talent if you compare it to himself as a writer, director, or a stand up comic. But during the last season, he manages to up the scale this time and show that he is, indeed, a jack of all trades.

Lead Actor Drama

WINNER: MATTHEW RHYS (The Americans)

Yes let me be the first to say that dramatic performances in television by actors doesn’t begin and end with Bryan Cranston alone. As a matter of fact there is a whole lot of choices out there including my top pick for this past TV season, Matthew Rhys. Season 1 of The Americans is more of a transition period for me especially since the last I saw of him was playing the gay character in Brothers and Sisters, However, Season 2 showed him taking the stakes even higher and delivering a performance that is too irresistible to pass on. When he questions, you ask. When  he stops, you try to figure it out. Rhys has managed to show the complications not only of his work but with his relationships as well and he does it  in a more than satisfying manner.

TV Movie or Miniseries

WINNER: FARGO (FX)

All the talk the past season has been about HBO and True Detective, and while that indeed was a game changing show in more ways than one, here comes the little show that could rival and even exceed it. The challenge with FX’s Fargo is how to make it distinct but still be able to maintain the collected coldness that the original material has managed to showcase effortlessly. The end result was different from that, as not only did it deviate enough to avoid criticisms of copy cat or lack of originality, but it built a foundation strong enough that it can stand on its own. And that’s how the whole season rolled.

Comedy Series

WINNER: VEEP (HBO)

While its first two seasons teases with what will happen to the Veep, the third one bravely manages to take a step forward in a direction that everyone probably knew was coming but they just don’t know how. And that’s where the greatness of Veep lies. How it still brings in the surprise is a field that they have successfully crossed over. In any other scenario, it is very hard to root or at least tolerate horrible people interacting with each other, but in here, you don’t only tolerate them, but you root for them to succeed. Veep has long passed that mark where it was simply “the Julia Louis Dreyfus” show, and while Julia is still the front and center, heart and soul of the show, it is a more collaborative effort now.

Drama Series

WINNER: THE AMERICANS (FX)

Rarely does a drama show these days manage to deliver consistent episodes week in and week out with rarely any filler in it. And that’s what the second season of The Americans has been about. Everything about it has been doubled: doubled the intensity, doubled the tension, doubled the greatness. It has reached that feat when you just can’t get enough of what the show has been dropping and that they just continue to do so is indeed significant. The upward trajectory that the show has reached in its sophomore year is definitely justified of the title Best Drama Series.

And there you have it. Another season of Television has been closed and the new one will start next week! Until next year! 😉

You can follow me on Twitter: @nikowl

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Posted September 17, 2014 by Nicol Latayan in Tit for Tat Awards, TV

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