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89th Academy Awards Winner Predictions   Leave a comment

It’s that time of the year! The biggest and most prestigious night in Hollywood is coming this weekend. It’s time to hand out Oscars to the most popular and best campaigned films and performances of the previous year. The biggest story this year is all about La La Land and how this musical romance story nabbed 14 nominations tying with Titanic and All About Eve as the most nominated in Academy history. Now, while it stands a really great chance of nabbing that Best Picture win, the real question begs: how many Oscars will it take along with it? Here are my final predictions in all 21 categories.

adapted-screenplay

ADAPTED SCREENPLAY:

Just a few months ago, the Academy deemed both Moonlight and Loving as adapted screenplays as compared to their initially campaigned original ones. This becomes some sort of the de facto award for Moonlight to win after being the runner-up all season. It even solidified its status as a strong frontrunner here after winning the Best Original Screenplay recognition from the Writers’ Guild Awards, beating stronger frontrunners La La Land and Manchester by the Sea in the process. The only possible spoiler here is BAFTA winning screenplay of Lion. But at this stage, we might even consider it as a distant second to Moonlight.

PREDICTION: Moonlight (Barry Jenkins and Tarell Alvin McCraney)
ALTERNATE: Lion (Luke Davies)

orig-screenplay

ORIGINAL SCREENPLAY:

One of the few remaining up in the air categories is the Original Screenplay category. So far, the rundown is that the Globes went for La La Land while BAFTAs went with Manchester by the Sea. The BFCA didn’t help as it gave a tie to the two aforementioned films. While the WGAs went with Moonlight. What works for Manchester is that it’s a writer’s type of movie — it’s a focused character study and can also serve as a way to reward Manchester by the Sea (more on this later). However, we don’t know what the extent does the Academy adore La La Land because this can simply be a part of the sweep. One can’t also consider the spread the wealth considering Birdman won this one two years ago at the extent of rewarding both Boyhood and The Grand Budapest Hotel. As much as it’s a nailbiter, I guess I’ll have to go with…

PREDICTION: Manchester by the Sea (Kenneth Lonergan)
ALTERNATE: La La Land (Damien Chazelle)

supp-actress

SUPPORTING ACTRESS:

Before I go to predicting this rather easy category, let’s acknowledge the two achievements this year’s nominees had. First up, it’s the first year ever where an acting category had three black actresses to be nominated (Viola Davis, Naomie Harris, and Octavia Spencer). Speaking of Octavia Spencer, she became the first female black acting Oscar winner to receive a follow up nomination after winning five years ago for The Help.  Anyway, probably the only acting category that we can sign, seal, and deliver, this one is Viola Davis’ to lose! After two turns at being the runner-up finisher (losing to Penelope Cruz in 2008 and to Meryl Streep in 2011), Viola is the latest addition to the winner of the Triple Acting Club with this impending Oscar win as the wife in Fences. Don’t be surprised if she siphons at least 95% of the total votes here, leaving the rest of the nominees with 5% to share apiece. For runner-up, I’d say Michelle Williams (now going 4-0) is the next in line for a win.

PREDICTION: Viola Davis, Fences
ALTERNATE: Nicole Kidman, Lion

supp-actor

SUPPORTING ACTOR:

Given how easy Supporting Actress to predict is, the same can’t be said about its male counterpart. Supporting Actor is a tad of clusterfuck actually. Let’s begin with the Globes where non-nominated Aaron Taylor-Johnson pulled off the upset. Sadly for him, despite BAFTA nomination in his name, it was his co-star Michael Shannon who nabbed the Oscar nod for the film. SAG went by going with Mahershala Ali of Moonlight, which was an easy get for him. Come BAFTA, they went their own way and rewarded British Dev Patel for his turn in the Harvey Weinstein-backed Lion, possibly throwing another curve to Ali’s frontrunner status. Three things: it has to be emphasized that Oscar voting this season started the day after Patel won the BAFTA so that could help things. Second, Dev is also the closest possible contender to continue the trend of ‘winning for a real life person‘ narrative which has continues since 1998. Third, it’s the second consecutive year where Globes (Sylvester Stallone), SAG (Idris Elba), and BAFTA (Mark Rylance) all went different routes and last year, BAFTA prevailed. That said, I think Mahershala Ali is still the frontrunner (albeit a really not strong one), and that he can still pull off the win even by a hair for his turn in Moonlight. Always watch out for Dev Patel until Alicia Vikander opens that envelope.

PREDICTION: Mahershala Ali, Moonlight
ALTERNATE: Dev Patel, Lion

lead-actress

LEAD ACTRESS:

It’s probably one of the strongest years for Lead Actress contenders that there isn’t enough room for the likes of Amy Adams in Arrival, or Annette Bening in 20th Century Women, both of whom would be really competitive in any other year that’s not 2016. After her BFCA win, it seems like Natalie Portman went on a different trajectory for Jackie losing further momentum. It also didn’t help that the movie didn’t latch on well enough in terms of picking up above the line nominations. Who replaced her as the alternate? Golden Globe winner Isabelle Huppert for Elle. SPC has really managed to turn an impressive campaign thus far for this French legend, and while others are toying with the idea of a possible upset on Oscar night, she’ll be a strong runner-up. It didn’t help that the British studio didn’t do any efforts to submit Elle in time to be eligible for the BAFTA, and that she was SAG snubbed despite being eligible. This one is Emma Stone’s to lose, as she ticks many of the boxes that fit the winning criteria — young actress, previous nominee, at the peak of her career, very charming and has campaigned well in the Best Picture frontrunner. As much as we want Oscar winner Isabelle Huppert to happen, it’s Emma Stone’s name written in that envelope.

PREDICTION: Emma Stone, La La Land
ALTERNATE: Isabelle Huppert, Elle

lead-actor

LEAD ACTOR:

Up until two weeks ago, it’s all but Casey Affleck’s to lose. He won two of the critics trifecta (and was a runner-up at LAFCA), won over 40 recognition for his performance in Manchester by the Sea including the Gotham, the BFCA. and the Golden Globe (much to the stress of Brie Larson). Then Denzel Washington won the SAG and there’s no turning back. He just stole all the momentum moving forward, and now it’s a nailbiter come Oscar evening. Affleck won the BAFTA afterwards, but it’s a Dezel-less field, and the latter’s snub probably helped him siphon more votes in the end. Affleck’s chances aren’t also helped by the idea that his sexual assault story is popping up during the last stage of the campaign period. You know what this race seems like? The Best Actor 2001 race. Actor A has received all accolades and precursor sweep then, until personal issues against him were brought up. Oscar winning actor B was seen as the alternate, and when the envelope was opened, it was his name written there. Actor A is Russell Crowe and Actor B, as you guessed it, is Denzel Washington. This reeks too much of a coincidence that between the industry love for him, the #OscarsSoWhite, and his legacy, we’ll see a 2001 redux and Denzel goes on to win his third Oscar.

PREDICTION: Denzel Washington, Fences
ALTERNATE: Casey Affleck, Manchester by the Sea

directing

DIRECTOR:

I don’t think there’s any room for upset in this category already, as he literally swept all precursors leading to the Oscars. After all, the movie he’s directed is seen as a directorial achievement above anything else. And his two closest competition will likely be rewarded in the Screenplay category. So I say it’s an easy win for La La Land‘s Damien Chazelle.

PREDICTION: Damien Chazelle, La La Land
ALTERNATE: Barry Jenkins, Moonlight

animated-feature

ANIMATED FEATURE:

This year doesn’t really have that strong of a lock contender as compared to let’s say Toy Story 3 in 2010, Finding Nemo in 2003, or Inside Out last year, but Zootopia is a strong frontrunner to say the least. It has the box office performance, the critical backup, as well as the precursor win to go land an Oscar. Its only possible hurdle, albeit a small one, is Kubo and the Two Strings who performed and picked up steam in the latter part of the season. That said, this is still Zootopia‘s to lose.

PREDICTION: Zootopia
ALTERNATE: Kubo and the Two Strings

foreign-language-film

FOREIGN LANGUAGE FILM:

It’s really a strange category if there’s one. The consensus seem to go to Germany’s Toni Erdmann with its critical performance. It might not have won the Globe but it lost to snubee Elle. It did not win BAFTA as well, but it lost to last year’s Oscar winner Son of Saul so it does not count too. However, this category, since its change of winner process determination, has been kinder to crowdpleasers which Toni Erdmann is not. That certainly helps Sweden’s A Man Called Ove to the equation. After all, it also received another nomination for Best Make Up & Hairstyling. Then comes Asghar Farhadi’s ban issue which coincidentally happened during the voting process. Voting for Farhadi’s nominated film The Salesman can be seen as a vote of statement against Trump, and if there’s one thing that Hollywood loves he most, it’s making a statement. I don’t know if that’ll be enough, but it can be a memorable moment in the show.

PREDICTION: The Salesman (Iran)
ALTERNATE: A Man Called Ove (Sweden)

documentary

DOCUMENTARY FEATURE:
Here’s another category where I’ll see the voters rallying around and make a statement, so it probably means it will go to either 13th, an exploration of race and justice system in America, or I Am Not Your Negro tackling the history of racism in United States. That said, between the renewed interest with the OJ Simpson case (all thanks to the Emmy winning series “People v. OJ Simpson“), I think the eight-hour documentary event OJ: Made in America will pick up the win in the end.

PREDICTION: OJ: Made in America
ALTERNATE: 13th

Here are the rest of the categories:

BEST ORIGINAL SCORE:
Consider this as an easy sweep for the that small unknown musical called La La Land
PREDICTION: La La Land
ALTERNATE: Lion

BEST ORIGINAL SONG:
There couldn’t have been a more perfect and ideal moment for Hollywood to honor it-man Lin-Manuel Miranda than this year especially after the juggernaut that is called Hamilton. Guess what’s an equally juggernaut piece there is? It’s that small unknown musical called La La Land.
PREDICTION: “City of Stars“, La La Land
ALTERNATE:How Far I’ll Go“, Moana

BEST FILM EDITING:
The flashy war scenes in Hacksaw Ridge can be tempting as hell, but I don’t think there’s stopping La La Land to get that closest precursor tech category to nab with its Best Picture win.
PREDICTION: La La Land
ALTERNATE: Hacksaw Ridge

BEST CINEMATOGRAPHY:
Sure, the ASC went with the more natural and outdoor type of cinematography that Lion did, but when it comes to the overall voting body of AMPAS, they might not resist the charm of good old’ Hollywood and include this in the sweep.
PREDICTION: La La Land
ALTERNATE: Lion

BEST PRODUCTION DESIGN:
PREDICTION: La La Land
ALTERNATE: Fantastic Beasts and Where to Find Them

BEST COSTUME DESIGN:
Probably the trickiest to predict, it would have been an easy win for La La Land had it not been a modern-set traditional musical in the likes of those huge Broadway sets. it won the Costume Guild, and it’s the only winner that’s a nominee this year. That said, the BAFTAs went for the more traditional ones, with Jackie, a recreation of the iconic fashion that the late Jackie Kennedy left us. BAFTA has a strong correlation in this category correctly predicting the winners since 2007. I’ll probably stick with that stat. But then, you know La La Land is just lurking around the corner.
PREDICTION: Jackie
ALTERNATE: La La Land

BEST MAKEUP AND HAIRSTYLING:
I still can’t believe that the make-up branch who have embraced trash time and again resisted to go for baity Deadpool in here. That said, expect the more obvious and flashy make-up and hairstyling of Star Trek: Beyond to dominate here, after winning for the first movie back in 2009.
PREDICTION: Star Trek Beyond
ALTERNATE: Suicide Squad

BEST SOUND MIXING:
Chicago, Ray, Dreamgirls, and Les Miserables are four of the winners in this category’s history. See a pattern there? Add this up to the La La Land train then!
PREDICTION: La La Land
ALTERNATE: Hacksaw Ridge

BEST SOUND EDITING:
If Film Editing can’t do it for Hacksaw Ridge, then maybe Sound Editing can. After all, this is one aspect of La La Land that has really received lots of negative criticisms. That said, you’ll never know with the Academy. How many of the whole body can even distinguish Sound Editing from Sound Mixing? How many will just namec heck the most popular film in the bunch? if it managed to get that nomination (which it surisingly did), then why not make it all the way to a win too?
PREDICTION: Hacksaw Ridge
ALTERNATE: La La Land

BEST VISUAL EFFECTS:
Remember how this category usually is connected to the Best Picture frontrunner? Much to the surprise of a lot of people, Arrival missed an easy get here. While the flashiest here is Doctor Strange, I think the whole narrative of The Jungle Book being both a commercial and critical success will help it gets its Oscar win in this category.
PREDICTION: The Jungle Book
ALTERNATE: Doctor Strange

And lastly, the big one of the night:

picture

BEST PICTURE:

Unlike the complexity of the past year where it was basically a three-way race between Spotlight, The Big Short, and The Revenant, this one is pretty easy. La La Land is poised to sweep the biggest trophy of the night alongside eight other Oscars. It has basically achieved record after record, winning the most Golden Globes ever, being the first Best Picture winner to miss the SAG ensemble lineup, and joining Titanic and All About Eve as the most nominated films in academy history. As much as people are sick and over it, the movie still written on the envelope will be La La Land.

PREDICTION: La La Land
ALTERNATE: Moonlight

There you have it! The 89th Academy Awards will be on Sunday (Monday morning here in Manila) to be shown on HBO.

89th Academy Awards Nominations Predictions   Leave a comment

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With months and months of speculations, all predictions will finally be decided upon as the Academy unveils its 89th Academy Awards nominations tomorrow night, Manila time. This season, just like the previous one, brought in lots of crazy moments as we progress the past few months. Frontrunners like Ang Lee’s Billy Lynn’s Long Halftime Walk, and Nate Parker’s Birth of a Nation both sizzled mid-way. Viola Davis competed in Supporting after talks of being in Lead a year before, and who knew that Mel Gibson can still do a Hollywood comeback after all these years? Anyway, here we go, I’ll share my predictions in all 24 Oscar categories.

BEST PICTURE

As you may know, Best Picture is a fluid category which can have as many as ten and as low as five nominees. We have a really strong triumvirate heading to Oscar season with Damien Chazelle’s LA-set musical La La Land, Kenneth Lonergan’s small drama Manchester by the Sea, and critically acclaimed Moonlight from Barry Jenkins. All three led the season in terms of critical acclaim and precursor performance. Consider three all set and locked in.

Next up, two films which really overperformed all season, overcoming doubts and possible barriers throughout their campaigns. The Amy Adams-starrer Arrival has managed to sweep both critics, audience, and guilds off its feet, beating possible “genre bias” against it. And despite all the behind the scene shenanigans over The Weinstein Company, Harvey Weinstein proves he still has it in him pushing Lion to a distant but comfortable fifth place spot.

And then it gets tricky. I’d say that Hell or High Water is sixth, with its whirlwind of a performance, getting remembered when it was very low-key, and getting snubbed for guilds when it started to pick up some steam. That said, I think it’s one of the few films that target the dude-bros/majority of the AMPAS membership so I think it’s safely in. next up are two POC led films whose sequel Hidden Fences has been repeated a lot this season (sadly, not in jest). Fences, directed and starred by Denzel Washington is a film adaptation of a Broadway winning play, while Hidden Figures, who defies box office expectation each week peaks at the right time during voting. While I won’t be surprised if one of these two gets snubbed (because these + Moonlight and Lion will mean half of the eight nominees are about POC and as much as Hollywood claims they are embracing, the past two years proved otherwise), I’m still sticking them both in and close my predictions at eight.

In the event that these surpass the eight, I think Mel Gibson’s sorta Hollywood comeback Hacksaw Ridge which surprisingly did well the last few weeks, can fill in the AMPAS membership quota targeted at old, white grandpas. After Clint Eastwood’s Sully sizzled, this can be their feel good movie of the year. Then there’s also Martin Scorsese’s opus Silence which was a victim of Paramount handling three strong films this season; thus coming really late to the party.

Predictions:
• Arrival
• Fences
• Hell or High Water
• Hidden Figures
• La La Land
• Lion
• Manchester by the Sea
• Moonlight

9th (but not predicted): Hacksaw Ridge
10th (but not predicted): Silence

BEST DIRECTOR

It’s really not safe to stick with the DGA five considering that the only time that happened was back in 2000. That said, the last time it also happened was a group of all first-time nominees, which also reflects this year’s batch. Well, it only becomes a problem when you consider that the biggest spoiler to this group is welp… another first timer. I think Damien Chazelle, Kenneth Lonergan, and Barry Jenkins are all safe here, while Denis Villeneuve strikes me as one who’ll finally get his welcome to the club mention. After all, his previous films have been slowly getting Oscar nominations, so it’s just a matter of time to finally get one for him. Last spot I see is between Garth Davis who pulled off that surprise DGA nod (over favorites such as Martin Scorsese, Clint Eastwood, and Mel Gibson) or David Mackenzie (whose film did not submit for the DGAs.) Toss a coin to get your answer and mine right now says Garth Davis.

Predictions:

• Denis Villeneuve, Arrival
• Damien Chazelle, La La Land
• Garth Davis, Lion
• Kenneth Lonergan, Manchester by the Sea
• Barry Jenkins, Moonlight

SPOILER: David Mackenzie, Hell or High Water

BEST ACTOR

Casey Affleck is back nine years after receiving his first nod for The Assassination of Jesse James, but not only is he back as a nominee, moreso a frontrunner to win the Oscar this year for Manchester by the Sea. Two of his closest contenders include Denzel Washington, on his way to pick up his seventh career nod for his role in Fences and Golden Globe winner Ryan Gosling, the effortlessly charming pianist in La La Land, whose only Oscar nod was exactly a decade ago for Half Nelson. With two major films this year, more exposure can only help Andrew Garfield to finally include “Oscar nominee” before his name, but with Silence coming in too late in the game, all his previous mentions were for his role as the lead soldier in Hacksaw Ridge. The last spot can go to Joel Edgerton in Loving, or maybe a late gamechanger Jake Gyllenhaal for Nocturnal Animals, but I’d play safe and predict Viggo Mortensen for Captain Fantastic, as he has earned Globe, SAG, and BAFTA nods for this already.

PREDICTIONS:
• Casey Affleck, Manchester by the Sea
• Andrew Garfield, Hacksaw Ridge
• Ryan Gosling, La La Land
• Viggo Mortensen, Captain Fantastic
• Denzel Washington, Fences

SPOILER: Joel Edgerton, Loving

BEST ACTRESS

If we’re being diplomatic about it, it’s a “good” problem to not figure out the Best Actress lineup this year when it was the easiest to do so the last few years. That means great roles for women in their 20s, 30s, 40s, 50s, and 60s have all been receiving great ink for their memorable performances. But for prediction’s sake, it’s still difficult to pin down how this category will be like. I guess we better start with Emma Stone then, as she’s probably the safest here and the likely recipient of this award come Oscar night. As much as we salivate over the possibility of a Portman snub (after those really career-best notices), it’s not gonna happen. Pencil Natalie’s turn as Jackie Kennedy another sure contender here. After that, I’m tempted to say Meryl Streep is third. This role, in another “transformative” performance is something the members of the Academy will eat up. Add the fact that her iconic Golden Globe speech came right during voting period just surely helps her more. Now this is where it gets tricky. I’d put Isabelle Huppert for Elle in fourth, and while I think it’s the pessimist in me talking, I’m still open to the idea of a possible snub. After all, it’s a movie that’s not a priority watch with an actress in her 60s carrying the film in one of the strongest years of this category. I really should comfort myself with the fact that she earned the critics trifecta, the Drama Globe upset, and SPC’s priority but I;m just preparing myself for the worst here. Then there’s Amy Adams, who’s some sort of a name-check but not in a Meryl or C/Kate level yet. This will be her sixth nod in 12 years and that ratio is good to predict her. That said, we had an extra week of voting which could help Annette Bening in the little and underseen 20th Century Women or Taraji p. Henson as the face of Hidden Figures to spoil the party, and in the event that happens, I’d say Adams is the first one good to go.

PREDICTIONS:
• Amy Adams, Arrival
• Isabelle Huppert, Elle
• Natalie Portman, Jackie
• Emma Stone, La La Land
• Meryl Streep, Florence Foster Jenkins

SPOILER: Annette Bening, 20th Century Women

BEST SUPPORTING ACTOR

Proving to be the category that provides the clusterfuck, Supporting Actor can either be as easy as 1-2-3 or as confusing as that Math lady meme we’ve all used by now. I feel like Moonlight‘s Mahershala Ali, Hell or High Water‘s Jeff Bridges, and Lion‘s Dev Patel are already sure locks here. Hugh Grant feels like it can go eitherway. He fits the bill of someone nabbing precursor nods only to come short in the end, but then he also fits the bill of a filler, carried over nod. But when the one who drags your nod is none other than Meryl Streep, then I guess he’s in too. Now that last spot is indeed very tricky. The obvious option is Golden Globe winner Aaron Taylor-Johnson who also picked up a BAFTA nod for his turn in Nocturnal Animals. If not him, then maybe Lucas Hedges of Manchester by the Sea. But then this is the category that has provided us Jonah Hill in Wolf of Wall Street and Tom Hardy for The Revenant, so a coattail is very much in talks here. Possible performances that fit the bill are Michael Shannon for Nocturnal Animals, Issei Ogata for Silence, and Ben Foster for Hell or High Water.

Predictions:
• Mahershala Ali, Moonlight
• Jeff Bridges, Hell or High Water
• Hugh Grant, Florence Foster Jenkins
• Dev Patel, Lion
• Aaron Taylor-Johnson, Nocturnal Animals

SPOILER: Ben Foster, Hell or High Water

BEST SUPPORTING ACTRESS

Probably the most “boring” of the four acting categories, this one seems like it’s set in stone. Davis, Harris, Kidman, and Williams have appeared in all precursors by far. Critics went for Lily Gladstone whose film isn’t even being campaigned. The BAFTAs went with Haley Squire of I, Daniel Blake which is the BAFTA-est pick they can go to at BAFTAs. Thus, it benefits Oscar winner Octavia Spencer who picked up GG and SAG nods for Hidden Figures. I don’t see a scenario of Greta Gerwig spoiling the race especially considering that her possible coattail Annette Bening is struggling to get hers too. Maybe Spencer’s co-star Janelle Monae is the only alternate here, as she’s helped by starring in both Hidden Figures and Moonlight. That said, Octavia is the more established name here, and a good narrative to boot as the first black actress to receive a nomination after her win.

Predictions:
• Viola Davis, Fences
• Naomie Harris, Moonlight
• Nicole Kidman, Lion
• Octavia Spencer, Hidden Figures
• Michelle Williams, Manchester by the Sea

SPOILER: Janelle Monae, Hidden Figures

BEST ORIGINAL SCREENPLAY

Count on the Writer’s branch to revive the lesser buzzed films in contention this year, and I think The Lobster has that slot all filled up. Thus, as much as I, Daniel Blake makes sense as an Oscar morning surprise, I’ll stick with the consensus of La La Land, Manchester by the Sea, Hell or High Water, and Captain Fantastic in here.

Predictions:
• Captain Fantastic
• Hell or High Water
• La La Land
• The Lobster
• Manchester by the Sea

SPOILER: I, Daniel Blake

BEST ADAPTED SCREENPLAY

Yes I’m predicting a Fences snub here which makes sense and doesn’t make sense simultaneously. First up, I think Moonlight, Lion, and Arrival are semi-locks here already. While Hidden Figures surprisingly got in a nice haul of Adapted Screenplay mentions from the BAFTAs to the WGA up to the USC Scripter and BFCAs. The last spot can easily go to Fences (which is the safe choice to be frank about it), or to Silence (which was once perceived as the frontrunner here). I went with Tom Ford’s Nocturnal Animals here instead because the baity adaptation can probably overcome the writers’ judgment of Ford being a writer.

Predictions:
• Arrival
• Hidden Figures
• Lion
• Moonlight
• Nocturnal Animals

SPOILER: Fences

BEST FOREIGN LANGUAGE FILM

I think at this stage it’s already hard to deny that Toni Erdmann is probably winning this one, so a nod is already assured for this FLF frontrunner. Denmark has a successful streak in this category this decade as well, and Land of Mine appeals to such an AMPAS demographic I think it’s getting in. Sweden’s A Man Called Ove strikes the perfect balance between comedy and drama, and is reminiscent of the other nominees in this category the past few years. Paradise is a bit of an  out of the box pick, but I guess they can’t resist another World War II film in contention from the Venice Best Director of last year. And the only reason I had The Salesman in here is because of Asghar Farhadi’s 2011 victory in this category that we’ve had some sort of reception already to his works. That said, don’t be surprise to see Xavier Dolan joining the race as this type of family melodrama and him working with a lot of Hollywood actors can certainly push him to a nom.

Predictions:
• Land of Mine (Denmark)
• A Man Called Ove (Sweden)
• Paradise (Russia)
• The Salesman (Iran)
• Toni Erdmann (Germany)

SPOILER: It’s Only the End of the World (Canada)

BEST ANIMATED FEATURE

Still ahead of this race is Zootopia which had both the critical and audience backing to be one to beat in this race. Hot on its heels though is Kubo and the Two Strings which has overperformed a tad during this previous guilds run. I actually can see a scenario of them pitting it as the non-Zootopia vote. With it hitting both the Foreign Language Film and Best Animated Film shortlist, I expect My Life as a Zucchini to at least nab one, and since I’m not predicting it in FLF, I’ll go ahead and insert it here. Moana, which was supposed to be a last minute challenger to Zootopia just fell short in the end and while its decent box office performance and pop culture impact push me to predict it, I won’t be surprised to see it get snubbed on Oscar morning.Lastly, The Red Turtle seems more of a personal preference than a prediction here, but we’ll be needing the traditional animated representative in this category and I’m leaning to it by a hair over the hit animated film Your Name.

Predictions:
• Kubo and the Two Strings
• Moana
• My Life as a Zucchini
• The Red Turtle
• Zootopia

SPOILER: Sing

BEST DOCUMENTARY FEATURE

At the start of the season, O.J.Made in America can suffer a bit of a backlash since its a seven hour documentary feature that originated from TV. But it seems like it has the support now to not only get nominated, but even go all the way to a win. Joining it willbe the foreign documentary Fire At Sea, two films that will probably speak close to the voters due to their “cinematic” themes: Cameraperson and Life, Animated. And in the race (no pun intended) for that last spot are two documentaries that tackle about race — Raoul Peck’s I Am Not Your Negro and Ava Duvernay’s 13th. The latter seems like one who’s bound for a snub so I’m going with the former.

Predictions:
• Cameraperson
• Fire At Sea
• I Am Not Your Negro
• Life, Animated
• O.J.: Made in America

SPOILER: 13th

Now as for the rest of the technical categories…

BEST CINEMATOGRAPHY
• Arrival
• La La Land
• Lion
• Moonlight
• Silence

SPOILER: Nocturnal Animals

BEST COSTUME DESIGN
• Fantastic Beasts and Where to Find Them
• Florence Foster Jenkins
• Hail, Caesar!
• Jackie
• La La Land

SPOILER: The Dressmaker

BEST EDITING
• Arrival
• Hell or High Water
• La La Land
• Manchester by the Sea
• Moonlight

SPOILER: Lion

BEST HAIRSTYLING & MAKE UP
• Deadpool
• A Man Called Ove
• Star Trek Beyond

SPOILER: Florence Foster Jenkins

BEST ORIGINAL SCORE
• The BFG
• Kubo and the Two Strings
• La La Land
• Lion
• Moonlight

SPOILER: Jackie

BEST ORIGINAL SONG
• “Audition” (La La Land)
• “Angel by the Wings” (The Eagle Huntress)
• “City of Stars” (La La Land)
• “How Far I’ll Go” (Moana)
• “A Minute to Breathe” (Before the Flood)

SPOILER:  “Drive It Like You Stole It” (Sing Street)

BEST PRODUCTION DESIGN
• Fantastic Beasts and Where to Find Them
• Hail, Caesar!
• Jackie
• La La Land
• Silence

SPOILER: The Handmaiden

BEST SOUND EDITING
• Arrival
• Deepwater Horizon
• Hacksaw Ridge
• Rogue One: A Star Wars Story
• Sully

SPOILER: Hell or High Water

BEST SOUND MIXING
• Arrival
• Hacksaw Ridge
• La La Land
• Rogue One: A Star Wars Story
• Sully

SPOILER: Silence

BEST VISUAL EFFECTS
• Arrival
• Doctor Strange
• Fantastic Beasts and Where to Find Them
• The Jungle Book
• Rogue One: A Star Wars Story

SPOILER: Passengers

MULTIPLE NOMINATIONS:
13: La La Land
9: Arrival
8: Moonlight
7: Lion
6: Manchester by the Sea
4: Hell or High Water
3: Fantastic Beasts and Where to Find Them, Fences, Florence Foster Jenkins, Hacksaw Ridge, Hidden Figures, Jackie, Rogue One: A Star Wars Story
2: Captain Fantastic, Hail Caesar!, Kubo and the Two Strings, A Man Called Ove, Moana, Nocturnal Animals, Silence, Sully

89th Oscars Predictions: May Edition   2 comments

It’s that time of the year! As Cannes is currently going, here’s my first stab at predictions for the 89th Academy Awards. Ten years ago, The Departed won in the tightest Best Picture race (prior to the one early this year), Forest Whitaker and Helen Mirren steamrolled through critics and televised awards, an Idol reject named Jennifer Hudson took Oscar glory, and an overdue Martin Scorsese finally can call himself an Oscar winner.

This year, we might have Marty coming back again, the birth of a nation, Ang Lee at another shot to a Best Picture win, as well as Meryl Streep getting nod #20, and Oscar nominee Isabelle Huppert? Here’s my take on the top six races.

Picture

Directing

Actor

Actress

Supporting Actor

Supporting Actress

Talk to me about it on Twitter: @nikowl

What My Oscar Ballot Looks Like   Leave a comment


oscar ballot
That’s how I’ll probably vote at the Oscars. But of course I’m not a voter, so this does not hold any weight. But then again, just being an O

Oscar prognosticator, this is one of the most fun things to do prior to Oscar season. And here are the reasons behind my votes:

BEST PICTURE: Amour. It’s not my number one film of the year, but the Oscar Best Picture lineup rarely nominates foreign language films in it. This is a once in a blue moon case, and among this pack, it’s clearly the best in show.

BEST DIRECTOR: Ang Lee. Life of Pi is such a director’s vision. For a book that is deemed as un-filmable, all it takes is one captain that will guide the whole process. That’s what Ang Lee did, and if only I was a voter, I’m casting my vote for him.

BEST ACTOR: Joaquin Phoenix. For all the crap that DDL has received for his “method” acting, it’s quite ironic that people are praising Phoenix for an OTT performance. With that said, I was totally sold on him in this film. It seems as if he really entered this world that Paul Thomas Anderson brought him, and he was game. I would have voted for DDL, but seeing that this will be his third Best Actor Oscar, I’m inclined to spread the wealth.

BEST ACTRESS: Emmanuelle Riva. Simply heartbreaking. In any other year, I would have voted for Jessica Chastain.

BEST SUPPORTING ACTOR: Christoph Waltz. I know he’s category fraud, but he was such a hoot in Django. I don’t get the “he’s playing the same role” comments in Basterds. Blame Tarantino, not Waltz.

BEST SUPPORTING ACTRESS: Anne Hathaway. Helen Hunt is running on her heels, but I Dreamed a Dream is pretty hard to pass on.

BEST ORIGINAL SCREENPLAY: Amour. Haneke aimed to tell a compelling story, and that’s what he did. Second place would have been Moonrise Kingdom. I enjoyed Django but liked his writing in Basterds more. ZD30, controversies aside, was also a good choice.

BEST ADAPTED SCREENPLAY: Lincoln. Definitely one of the film’s strongest points. It’s like Gosford Park, in the sense that it’s a “talky” movie, but you won’t get bored with it.

BEST FOREIGN LANGUAGE FILM: Amour. If I can vote for it in the top prize, why not here right?

BEST DOCUMENTARY: Searching for Sugar Man. Ha! It was sentimental, engaging, and heartfelt. Stands out in the pack despite some solid co-nominees.

BEST ANIMATED FEATURE FILM: Wreck it Ralph. It’s the film in the group that I enjoyed the most. It’s somewhat reminiscent of my childhood. fascination with simple video games.

BEST CINEMATOGRAPHY: Skyfall. Give Roger Deakins a frickin Oscar! He definitely deserves it.

BEST COSTUME DESIGN: Mirror Mirror. Due to lack of choices. Not a fan of Les Mis or Lincoln’s costumes. They were just okay. Anna Karenina’s were also so-so. Call it the Keira Knightley overload in this category. And I like the fun playful costumes in Mirror Mirror.

BEST EDITING: Zero Dark Thirty. Have you seen the last thirty minutes of the film? ’nuff said.

BEST HAIRSTYLING AND MAKE UP: Les Miserables. Suck group of nominees. Where’s Lincoln here? That’s a more convincing make up achievement than Hopkins’ man in a fat suit.

BEST ORIGINAL SCORE: Life of Pi. Hypnotic. Love Marianelli’s outputs, but Atonement was clearly his best. Lincoln‘s sound sounds recycled and dated. Argo‘s and Skyfall‘s were good but not best.

BEST ORIGINAL SONG: Skyfall. Academy Award winner Adele = LOVE.

BEST PRODUCTION DESIGN: Life of Pi. The ship. The zoo. The swimming pool resort at the start. All eye candies!

BEST SOUND EDITING: Zero Dark Thirty. It’s the one that stood the best for me.

BEST SOUND MIXING: Les Miserables. I’ll give them their due with the live singing schtick they risked to do.

BEST VISUAL EFFECTS: Life of Pi. Have you seen Richard Parker?

BEST ANIMATED SHORT FILM: Adam and Dog. Sure, Paperman is getting all the buzz, but this dog-man friendship is the one that gets in to me the most.

How about you? What will your Oscar ballot look like? Who would you have voted for? Also, my complete final Oscar predictions tomorrow!

As always, you can follow me on Twitter: @nikowl

Posted February 22, 2013 by Nicol Latayan in Awards

Tagged with , ,

12 Best Live Musical Moments of 2012   Leave a comment

Hi everybody! It’s back to work day today. Luckily for me, I’m not required to go back to work yet (I still have my work from home card on me. Hahaha). January is a busy month for me as an awards prognosticator, as we’ll have the American award giving bodies steamroll one after the other. On January 10, nominations will finally be unveiled. So expect my last update for the nominations and the final predictions in the coming days.

As for now, forgive my late posts, but I’ll post the remaining 2012 year-end lists that I had. I still have three lists remaining (this one included), so just for effort’s sake, I’ll still be doing a write up of each. For this one, we’ll be focusing on the different musical moments that were created the past year. A live performance can make or break an artist. Think of Ashlee Simpson in Saturday Night Live or Lana Del Rey, who was once poised to be the next big thing… until we saw her SNL number. Then we have the likes of Lady Gaga who tops each performance she have bringing her artistry with each live performance that she does.

With that said, here are 12 musical moments that we’d sure remember from 2012:

You can click the name of the performance and it will bring you to the YouTube clip of it. 

pink

12: Pink, (“Try”) – American Music Awards 2012

Pink has already solidified herself as one of the best live acts among her contemporaries. Who can ever forget her Grammy performance of Glitter in the Air in 2009? That definitely is one of the best performances to ever grace the Grammy stage. This year, she did the whole acrobatic thing once again, but with a different approach; Pink, barefooted and with patches of paint all over her body, with a partner were just doing random catching and splitting and lifting in an interpretative dance-like number of her new single, Try. And to top things off, her vocals was spot on during the whole number. Amazing, really.

alicia keys
11: Alicia Keys, (“Brandy New Me/No One”) – 12-12-12 Hurricane Sandy Concert

New York native  Alicia Keys was one of the hundreds of singers who volunteered to be a part of the Hurricane Sandy concert last December 12. Belting out a crossover of the songs Brandy New Me and No One, it was such a delight to hear her just like how she used to slay them all off. And don’t you just love how she invited the whole audience to raise their phones during the No One part? Plus, her intro about how she was raised and how she’ll forever love New York is just the icing on top of this sweet cake.
rihanna
10: Rihanna, (“Diamonds”) – Victoria’s Secret Fashion Show 2012

The Victoria’s Secret Fashion Show is probably the meanest event of every year, as it makes all women worldwide feel bad about themselves. But if there’s one good thing that it has given us this year, it’s Rihanna’s performance of Diamonds.  Clad in a Adam Selman creation with Chanel vintage pearl sungless from Depuis to boot, Riri is every inch a model herself as she belts out one of the catchiest songs of 2012.

esperanza spalding

09: Esperanza Spalding, (“What a Wonderful World”) – 84th Academy Awards

Grammy Best New Artist Esperanza Spalding led the In Memoriam segment at last year’s Academy Awards with her rendition of What A Wonderful World. Together with the Southern California Children, this jazzy yet really touching performance as Esperanza served as background voice while pictures of the departed from Sidney Lumet to Elizabeth Taylor were flashing is one of the best highlights of the year.

psy

08: PSY and MC Hammer, (“Gangnam Style”) – American Music Awards 2012

Definitely the biggest song worldwide this 2012, Gangnam Style by Korean singer PSY has been literally everywhere the past few months. From CNN to the Europe Music Awards, it was also the most overperformed song of the year. What makes this number a stand out among all the endless versions of this is that it has MC Hammer in it. It can be credited as a number of one hit wonders, but I’m sure everyone was up their feet during this closing number at the American Music Awards.

christina aguilera

07: Christina Aguilera, (“At Last”) – Etta James Funeral

It was January of 2012 when we  lost one of the many music legends the past year. Etta James, more known as the singer of classics such as At Last and I’d Rather Be Blind, passed away due to a hepatitis C. Of course, there’s no one more fitting to perform her instant classic than one of the best vocals of the younger generation and a self proclaimed fan of the late Etta James herself, Christina Aguilera. Christina belted out At Last in true Etta fashion, and leaking spray tan issues aside, this performance got a standing ovation even before it ended.

jessica sanchez jennifer holliday

06: Jessica Sanchez and Jennifer Holliday, (“And I am Telling You I’m Not Going”) – American Idol Season 11 Finale

Despite the fact that Jessica Sanchez wasn’t crowned the Idol title during its eleventh season, this goosebumps performance of her and one of her most vocal fans, Tony winner and Broadway legend Jennifer Holliday, of the iconic diva song And I Am Telling You I’m Not Going sent shivers all over the world. It was one thing to do a number of it, but it’s another to diva-off with the original singer herself. Now if only they invited Jennifer Hudson as well, all roofs would have been blown after that performance.

The Voice

05: Adam Levine, Blake Shelton, CeeLo Green, and Christina Aguilera, (“Hallelujah”) – The Voice Finale Performance Night

The aftermath of the Connecticut shootings left the whole world in shock, but more so, in tears. Thus, it was expected that all shows would pay tribute to the countless lives that we lost there. Probably the best tribute that I’ve seen was the two minute version of Hallelujah by the four The Voice coaches. Together with the rest of the finalists (both eliminated and not), hosts Carson Daly and Christina Millian, each of them holds a name tag with the names of the victims of the shooting. Then we’d hear Adam Levine, Blake Shelton, CeeLo Green, and Christina Aguilera belt out this Leonard Cohen classic. It was simple, heartfelt, and I bet there’s not a dry eye in the room that night.

adele

04: Adele, (“Rolling in the Deep”) – Grammy Awards 2012

Yes, we’ve all heard that she was under operation because of too much smoking during the last year of 2011. But like a true pro, you know that we’d still hear that voice back. And there’s no better way than to showcase it to the world with a performance of her Grammy winning song Rolling in the Deep at the Grammy Awards itself. Not only was she the Queen of Grammys that night (winning a perfect six trophies out of six nominations), but this performance received a long standing ovation with everyone from Rihanna to Sir Paul McCartney cheering for her.

Spice Girls

03: Spice Girls, (“Wanna Be/Spice Up Your Life”) – 2012 Olympics Closing Ceremony

90s kids, represent!!!! London did a really good job hosting the Olympics this year with their showstopping opening and closing ceremonies. What takes the cake though is the reunion performance of the Spice Girls doing a medley of Wanna Be and Spice Up Your Life on top of cars as they go around the huge stadium. It might take a long time before we see this again, so I guess we’d have to cherish this performance as if it’s the last.

Jennifer Hudson

02: Jennifer Hudson, (“I Will Always Love You”) – Grammy Awards 2012

A day before the actual Grammy Awards ceremony, the whole world was stunned when news broke out that The Voice herself Whitney Houston passed away. That’s probably the most difficult thing to hear on a day before music’s biggest night. So with no time left to do a tribute, it was just a simple number. But Oscar and Grammy winner Jennifer Hudson made sure that it will be a tribute that will never be forgotten. Just Whitney’s picture, a mic stand, and her soaring vocals in one of the most popular songs ever, Whitney definitely was smiling up from the heavens after this performance.

Bridgestone Super Bowl XLVI Halftime Show

01: Madonna (with LMFAO, Nicki Minaj, MIA, and Ceelo Green), (“Vogue, Music, Party Rock Anthem, Sexy and I Know It, Gimme All Your Luvin, Like a Prayer”) – Superbowl 2012 Halftime Show

And let’s all bow down to The Queen. Proving that she is still a force to be reckoned with, Queen of Pop Madonna showed all these artists how it’s actually done when she performed at the halftime of the Superbowl this February. With matching visual floors and coming from a throne, there’s no entertainer more fitting to do this year’s job than Madonna. Singing a medley of her most prominent hits from Vogue to Music to Like a Prayer, and inviting friends like LMFAO, Nicki Minaj, MIA, and CeeLo Green, this fourteen minute performance is nothing but a showstopper, all provided to you by Madonna herself.

What were your favorite performances from the list? Did you think I missed something? Pipe them in below at the Comments section.

And as always, you can follow me on Twitter: @nikowl