Archive for the ‘all about eve’ Tag

Five Best Oscar Best Actress Lineup in History   13 comments

One thing I like about the Oscar Best Actress lineup this year is that it is inspired. We’re treated to a wide array of female performances that caters to different demographics. On one hand, it’s impossible (no pun intended) to ignore Naomi Watts’ performance in The Impossible as she embraces  into the physical requirements of the role of a suffering mother. Then, you also have the subtlety of Jessica Chastain in Zero Dark Thirty. Her role can be considered as too quiet and passive, but it is through this silence that you can feel the emotional commitment she puts in the role of Maya. Youngest Best Actress nominee Quvenzhane Wallis carries Beasts of the Southern Wild with so much charm and appeal that it’s hard not to root for her and see the potential that lies within her acting skills. Silver Linings Playbook‘s Jennifer Lawrence avoids the scenery chewing approach and was also solid in a way that it impresses you and makes you wonder where she tugs all these emotions in her portrayal of Tiffany. Lastly, Emmanuelle Riva of Amour just makes your heart break as she transcends her performance to the viewers, thanks to an effective combination of emotional and physical combination that the role required.

Refreshing isn’t it? Just like this year, these five years stand out as the best of the Best Actress lineup in the 85 years of the Academy.

1988

05. Best Actress 1988

The nominees were:
Glenn Close, “Dangerous Liaisons”
*Jodie Foster, “The Accused”
Melanie Griffith, “Working Girl”
Meryl Streep, “A Cry in the Dark”
Sigourney Weaver, “Gorillas in the Mists”

1988 is definitely a strong year for Best Actress. For once, this is the year where we had a triple tie at the Best Actress Drama category at the Golden Globes with even snubbed Shirlay Maclaine for Madame Sousatzka snubbed for a nomination. With that said, let’s start with probably the “weakest” of the bunch, Melanie Griffith. In Working Girl, Griffith displayed a charming approach to a woman who wanted to matter in a corporate world. In some ways, it is through Griffith’s appeal that carries Tess when the writing starts to get borderline cliche. Glenn Close just gave the performance of a lifetime a year earlier via Fatal Attraction, but that did not stop her in giving back to back tour de force performance when she followed it up with her turn in Dangerous Liaisons. It is quite similar to Watts and Riva this year wherein they were lying on a bed most of the time, but Close’s facial expressions gave justice to an otherwise pretty helpless character. Sigourney Weaver gives a one two punch performance that year both in lead ans supporting, but her more interesting performance is the one for which she was nominated here. As concerned monkey expert Diane Fossey, Weaver made us attached to an otherwise unknown woman and made us care for what she cares about. Cannes Best Actress winner that year was for A Cry in the Dark‘s Meryl Streep. It’s such a shame that she already has two Oscars by the time this movie was released, but it probably ranks as my favorite Meryl Streep performance ever. Beyond nailing the Australian accent perfectly, it is the emotional attachment that Streep carved that made Lindsay Chamberlain not only a sympathetic mother but a real human being. Plus points to anybody who can deliver the line “The dingo killed my baby” with a straight face. Eventually, the winner was Jodie Foster in The Accused. The movie was pretty much an acting vehicle, and Foster was game all the way. For that alone, I commend her. And that probably is what puts her over the edge that year.

If I was a voter, I would vote for: Meryl Streep hands down. That would have been a very deserving third Oscar win for her.

2006

04. Best Actress 2006

The nominees were:
Penelope Cruz, “Volver
Judi Dench, “Notes on a Scandal
*Helen Mirren, “The Queen
Meryl Streep, “The Devil Wears Prada”
Kate Winslet, “Little Children”

2006 is probably known as the year where Helen Mirren steamrolled her way to the Oscars. It was one of the instances where in as early as September, it was already clear on who will win the Best Actress Oscar. While Mirren was every inch deserving, the whole category was such an embarrassment of riches in terms of the nominated performances. Kate Winslet was on her fifth nomination already for Little Children, and she was able to portray the complexities of a suburban housewife who was longing for something that will elicit interaction to her, even if it means having an affair to the one of her neighbors. If there’s one thing I commend about Winslet, it’s her willingness to use her body as a part of her total display of emotions, and it was highlighted here. Meryl Streep was such a hoot in The Devil Wears Prada. In this, she showed another facet to her as an actress, and she avoided Miranda Priestly to be a total caricature which was a total delight to watch. I wasn’t a fan of Penelope Cruz’s English language features, but she was totally in her element in Volver. Despite being a part of a strong huge female ensemble, it is still Cruz whose at the front and center and she totally was up to the challenge. Like Meryl Streep, Judi Dench was able to show another side of her, this time in an unlikable villainous role in Notes on a Scandal. It wasn’t an easy task, mind you, as Dame Dench probably has one of the most endearing performances that it’s hard for someone to not like her. But she did it with so much raw intensity that she totally disappears into the role of a stalking old woman. Lastly, I don’t think there’s any adjectives left that wasn’t use to describe Helen Mirren in The Queen, and she was able to convey the role of the Queen not as a public figure but as a human being, and that’s what makes the performance remarkable and stand the test of time.

If I was a voter, I would vote for: Helen Mirren. As much as I think it’s a three way race among her, Dench, and Cruz, she’s just a hair better as she carries the whole film stronger and in a more vital manner.

2010

03. Best Actress 2010

The nominees were:
Annette Bening, “The Kids Are All Right”
Nicole Kidman, “Rabbit Hole”
Jennifer Lawrence, “Winter’s Bone”
*Natalie Portman, “Black Swan”
Michelle Williams, “Blue Valentine”

As 2009 ended with a Sandra Bullock win for The Blind Side, the current decade starts strong with these five performances that are arguably better for the other nominations that these actresses got in the past or after this year. Let’s begin with Jennifer Lawrence in Winter’s Bone. Sure, she was more charming in Silver Linings Playbook, but the potential was already there way back in her first lead role status. Most of the time, we just follow her journey as Ree finds her father, but she encompasses it in a raw manner that it’s not hard to see the greatness that lies with her acting talents. Annette Bening’s fourth nomination comes from her role as lesbian Nic in The Kids Are All Right. In any other weaker year, I can totally see this performance dominating the awards circuit. In Kids, Bening was devoid of the easy way out with her performance as the “man” in a lesbian relationship. Her Nic was tough but sensitive, possessive but vulnerable, and Bening brings another layer to it effectively. The secret to Blue Valentine was probably the chemistry between Ryan Gosling and Michelle Williams. Williams was totally as giving as Gosling was; shedding away not only her clothes, but also her emotions as she deal with a relationship that at first was ideal, but in the end was complicated. The same sadness was encompassed by Oscar winner Nicole Kidman, though, in her case, it was about a grieving mother who lost her only son. What I like about this performance was that Kidman didn’t make it as a pity party for Becca. She was unlikable,and you can see that, but it was her grieving process that tales center stage, and Nicole was more than aware of that. Lastly, Natalie Portman in Black Swan was probably the role of her lifetime. Her commitment to the role is already an accomplishment, but beyond that, she was more than willing to enter the role that Darren Aronofsky set up for Nina. Admittedly, my favorite part of her performance was the famous “phone call” scene where she told her mother that she passed auditions, but this is a totality body of work that one can be proud of, and Portman was deserving to win this year.

If I was a voter, I would vote for: Nicole Kidman. Becca was such an interesting character study devoid of the over the top histrionics that one can expect, and Kidman was the effective means to connect Becca to the viewers.

1995

02. Best Actress 1995

The nominees were:
*Susan Sarandon, “Dead Man Walking”
Elisabeth Shue, “Leaving Las Vegas”
Sharon Stone, “Casino”
Meryl Streep, “The Bridges of Madison County”
Emma Thompson, “Sense and Sensibility”

1995 was considered as the greatest year for lead female performers during that decade. While this line up is strong, think of these non-nominated performances during that year: Nicole Kidman in To Die For, Kathy Bates in Dolores Clairborne, Alicia Silverstone in Clueless, Toni Collette in Muriel’s Wedding, Julianne Moore in Safe and son on and so forth. Anyway enough about the snubees, let’s begin. Emma Thompson’s safest niche is probably British period pieces. And just like her winning performance in Howards End, her performance in Sense and Sensibility connects easily to viewers not solely because of the familiarity of the novel, but because of how she makes her presence felt in it. With that said though, I like her screenwriting credits for this movie better than her acting in it. Sharon Stone can be considered as a borderline supporting in Casino, but her role as Ginger stands out in this film that’s dominated by the men. Stone wasn’t able to match her performance int his and has been a Hollywood joke for years now, but this is always a good reminder of the talents that she had. Meryl Streep. Can you ever get tired of her? I surely don’t. If she mastered the Aussie accent in A Cry in the Dark, here she went all Italian. And once again, she nailed it. Streep has this habit of rising over the material, and while most of the time, that’s not a good thing, in The Bridges of Madison County, it’s the opposite. This makes you fell more for her Francesca, and the breakdown at the near end of the deal sealed the deal for me. It’s quite sad when people connect Leaving Las Vegas as solely the Nicolas Cage show, because Elisabeth Shue was darn fantastic in it. On the outside, Shue can easily be summed up as a hooker with a heart, but her performance is a straight connection to the viewers that it’s just spectacular to watch her in it. I can even go as far as saying that she steals the show for me. Lastly, Susan Sarandon wins after four failed attempts for Dead Man Walking. In it, she gives a devoted performance as Sister Mary Prejean to Sean Penn’s character, and she does not rely to histrionics but focused to the bigger picture of a nun committed to help.

If I was a voter, I would vote for: Elisabeth Shue. It’s not really hard to vote for this one. She was simply magnificent.

1950

01. Best Actress 1950

The nominees were:
Anne Baxter, “All About Eve
Bette Davis, “All About Eve
*Judy Holliday, “Born Yesterday
Eleanor Parker, “Caged
Gloria Swanson, “Sunset Boulevard”

And we’ve finally reached the best line-up at the history of this category at the Oscars. This is probably one of the years where I change my personal winner every single time. There’s something to commend about all these performances that makes them not only iconic, but as a representation of acting masterclass. Let’s begin with the least familiar performance of the bunch. Eleanor Parker probably wasn’t as remembered as the other names or movies like her co-nominees, but Caged is an underrated gem that shows Parker’s versatility as an actress. Her ability to convey multiple emotions from her audience is a testament of how this performance should always be remembered. Then we have the All About Eve actresses. On the left corner, we have Anne Baxter in the role of an inspired up and coming actress Eve. Her role required her to do a lot, and while I see some flaws here and there with her approach of the character; nevertheless, she made her mark with it instead of the other way around. Then we have the fabulous Bette Davis in a comeback memorable performance as an aging actress that lives with the threat of her age being a detriment to her fame. Davis fires one liners like no other, one after the other, and it was just fantastic to watch her do that right in front of our eyes. Gloria Swanson in Sunset Boulevard was another “diva” that was such a joy to watch. It was commendable to see Swanson stretch herself to all the demands to her character, and she displays each of them with such panache that’s inevitable to ignore. But the Oscar that year went to none other than Judy Holliday in Born Yesterday. Academy rarely rewards comedic performances that’s why it’s such fun when you see actors get rewarded for them. Holliday never relied on baity scenes, but instead focus on creating a whole picture that stands on its own rather than several clips to justify her performance.

If I was a voter, I would vote for: Gloria Swanson. One of the performances that I’d probably recommend to every aspiring actor/actress. How she effectively answers these different needs of the character is uh-mah-zing.

That’s it! What are some of your favorite Best Actress line-ups? Who would you have chosen as your personal winners in these set of nominees? Pipe them in below!

And as always, you can follow me on Twitter: @nikowl

Advertisements

20 Most Deserving Oscar Best Supporting Actor Wins   2 comments


Last April, I came up with my personal list of the 2o Most Deserving Oscar Best Actress Wins wherein Olivia de Havilland’s The Heiress prevailed on top (which is currently being performed on Broadway by the great Jessica Chastain). Now, this is the second part of the four acting categories that I will be doing. In this part, the ladies have to sit down as the men takes center stage. The Best Supporting Oscar has been a venue of rewarding a lot of character actors and veterans way back from Walter Brennan’s first victory for Come and Get It in 1936 up to current champ’s Christopher Plummer’s win for Beginners just earlier this year. Of the 76 victories in this category, here are 20 performances that stood out from the rest:

20. MICHAEL CAINE, “Hannah and Her Sisters” (1986)

Role: Elliott, husband of actress Hannah who has an affair with one of his wife’s sister
Competition: Tom Berenger (Platoon), Willem Dafoe (Platoon), Denholm Elliott (A Room With a View), Dennis Hopper (Hoosiers)

Two time winner here in this category, Sir Michael Caine has yet to win a Lead Actor Oscar, but his two victories in the Supporting ones are some of his best performances. In particular, his performance in Woody Allen’s Hannah and Her Sisters takes the cake and deserves a slot in the top 20.

19. GEORGE CHAKIRIS, “West Side Story” (1961)

Role: Bernardo Nunez, head of the gang of Puerto Rican immigrants in Manhattan
Competition: Montgomery Cliff (Judgment at Nuremberg), Peter Falk (Pocketful of Mysteries), Jackie Gleason (The Hustler), George C. Scott (The Hustler)

Whether it’s the musical numbers or the slick choreography that you admire the most in this Best Picture winner, one can’t deny that lots of it has something to do with George Chakiris’ lively and energizing performance as Bernardo Nunez. That, and his chemistry with Rita Moreno’s Anita.

18. JOEL GREY, “Cabaret” (1972)

Role: Master of Ceremonies, the storyteller in the film
Competition: Eddie Albert (The Heartbreak Kid), James Caan (The Godfather), Robert Duvall (The Godfather), Al Pacino (The Godfather)

From one musical to the other, George Chakiris’ performance as the storyteller slash master of ceremonies in the film can be easily played by a nameless actor, but the way that he engaged the watchers is credited to his immense talent. This surely worked in his favor, as he managed to win over three Godfather actors in this category.

17. JACK NICHOLSON, “Terms of Endearment” (1983)

Role: Garrett Breedlove, womanizing neighbor of Aurora who is afraid of commitment
Competition: Charles Durning (To Be or Not to Be), John Lithgow (Terms of Endearment), Sam Shepard (The Right Stuff), Rip Torn (Cross Creek)

The most rewarded male actor by the Academy, Nicholson’s only win in the Supporting category (out of four nominations), is also one of his bests. As someone who is afraid of commitment, thus resulting to having cold feet in his relationship to Shirley Maclaine’s Aurora, Nicholson not only relied to his physical charisma but providing the emotional gravitas needed a well.

16. DENZEL WASHINGTON, “Glory” (1989)

Role: Pvt Silas Trip, escaped slave who joined the Massachusetts Infantry Regiment
Competition: Danny Aiello (Do the Right Thing), Danny Aykroyd (Driving Miss Daisy), Marlon Brando (A Dry White Season), Martin Landau (Crimes and Misdemeanors)

Two years after his pilot nomination for Cry Freedom, Washington comes back in full glory (no pun intended) as the standout among the crop of supporting actors in this film. In Glory, Denzel was all out in showing his potential to be one of the best actors in his generation, and the same can still be said about him today.

15. BENICIO DEL TORO, “Traffic” (2000)

Role: Javier Rodriguez, police officer responsible for the revealing of drug transport in Mexico
Competition: Jeff Bridges (The Contender), Willem Dafoe (Shadows of the Vampire), Albert Finney (Erin Brockovich), Joaquin Phoenix (Gladiator)

It’s really difficult to stand out in an ensemble such as the one in Traffic. But while we can credit Stephen Gaghan’s multi-layered script, or the sharp direction of Steven Soderbergh, there’s a reason why it was only Puerto Rican Benicio del Toro who was nominated among the cast. His Javier Rodriguez was a one two combo of his balanced portrayal of an honest yet haunting officer.

14. EDMUND GWENN, “Miracle on 34th Street” (1947)

Role: Kris Kringle, Santa Claus at the Macy’s Thanksgiving Parade
Competition: Charles Bickford (The Farmer’s Daughter), Thomas Gomez (Ride the Pink Horse), Robert Ryan (Crossfire), Richard Widmark (Kiss of Death)

Probably one of the most known characters in this list, Gwenn’s performance as the Santa Clause in 1947’s Miracle on 34th Street is no way miraculous. It was already given by the get go that his poignant turn deserves merit, and Oscar fortunately agrees with me on this one.

13. JOE PESCI, “Goodfellas” (1990)

Role: Tommy DeVito, robber part of a local mob
Competition: Bruce Davison (Longtime Companion), Andy Garcia (The Godfather Part III), Graham Greene (Dances with Wolves), Al Pacino (Dick Tracy)

Mob movies and characters from such have been a staple in this category that many tried to replicate but not give justice to the said genre. One of the exceptions though is Joe Pesci’s Tommy DeVito in this Best Picture nominee. Now if only we can have Damian say “Danny Tommy DeVito I love your work”, then that would be the cherry on top of this cake.

12. KARL MALDEN, “A Streetcar Named Desire” (1951)

Role: Harold Mitchell, a suitor of Vivian Leigh’s Blanche Dubois
Competition: Leo Genn (Quo Vadis), Kevin McCarthy (Death of a Salesman), Peter Ustinov (Quo Vadis), Gig Young (Come Fill the Cup)

Another movie that stood the test of time, A Streetcar Named Desire has been mostly remembered for the performances of Marlon Brando or Vivien Leigh, or the countless adaptations that has been produced in Broadway or in the small screen. But here’s one FYC: Do not forget to check out Karl Malden’s Oscar winning performance in it, and you’ll understand why.

11. CHRIS COOPER, “Adaptation” (2002)

Role: John Laroche, orchid expert who helped Susan Orleans in her book writing
Competition: Ed Harris (The Hours), Paul Newman (Road to Perdition), John C> Reilly (Chicago), Christopher Walken (Catch Me If You Can)

To share most of your time onscreen with Meryl Streep is a very daunting task. Awards-wise, you’d always fade away and nominations seem to be unlucky just like Sam Neill in A Cry in the Dark, Stanley Tucci in Julie and Julia, the ladies of The Devil Wears Prada, and even Clint Eastwood in The Bridges of Madison County. The most you can have is a nomination just like the triumvirate in Doubt. The only exception though is 2002 winner Chris Cooper who not only shared a perfect chemistry with Streep herself, but he even went home with an Oscar on his hand.

10. KEVIN KLINE, “A Fish Called Wanda” (1988)

Role: Otto West, a self proclaimed intellectual recruited to be a part of a jewel heist
Competition: Alec Guinness (Little Dorrit), Martin Landau (Tucker: The Man and His Dream), River Phoenix (Running on Empty), Dean Stockwell (Married to the Mob)

Comedies rarely get any recognition outside of the Golden Globes, so it is always refreshing to see actors win Oscars for comedic performances such as this victory of Kevin Kline in 1988 for his role as a part of a jewel heist in A Fish Called Wanda. This gives us reassurance that every now and then, Oscar knows his humor.

09. KEVIN SPACEY, “The Usual Suspects” (1995)

Role: Roger Kint, survivor of a massacre up for interrogation
Competition: James Cromwell (Babe), Ed Harris (Apollo 13), Brad Pitt (12 Monkeys), Tim Roth (Rob Roy)

Another two time Oscar winner, Kevin Spacey’s first Oscar was in the supporting category for this flexible and layered performance as one of the two survivors in 1995’s The Usual Suspects. It’s really hard to argue with the Academy when they give very deserved wins such as this one.

08. GEORGE SANDERS, “All About Eve” (1950)

Role: Addison DeWitt, theater critic who is observant of Eve’s career
Competition: Jeff Chandler (Broken Arrow), Edmund Gwenn (Mister 880), Sam Jaffe (The Asphalt Jungle), Erich von Stroheim (Sunset Boulevard)

While all the buzz was between the leading ladies of this 1950 Best Picture title holder, George Sanders made sure that he will not be forgotten and that he will make a mark for his performance in his film. Alas, not only is he rewarded with an Oscar, his victory is also one of the best this category has ever produced.

07. TIMOTHY HUTTON, “Ordinary People” (1980)

Role: Conrad Jarrett, son of a dysfunctional family who recovered from a failed suicide attempt
Competition:  Judd Hirsch (Ordinary People), Michael O’Keefe (The Great Santini), Joe Pesci (Raging Bull), Jason Robards (Melvin and Howard)

Like what I mentioned, the Supporting Actor category has been a venue to reward character actors or older veteran ones. That is why, category confusion aside, it is very refreshing to see victories such as this one by Timothy Hutton as the troubled son of a dysfunctional family in Ordinary People. His performance, definitely, is far from ordinary in it.

06. WALTER HUSTON, “Treasure of Sierra Madre” (1948)

Role: Howard, an old man part of the triumvirate planning to search for gold
Competition: Charles Bickford (Johnny Belinda), Jose Ferrer (Joan of Arc), Oskar Homolka (I Remember Mama), Cecil Kellaway (The Luck of the Irish)

Probably one of the most remembered winning performances in this category, it is really not difficult to fathom why Walter Huston won in 1948. It’s the typical supporting turn that tends to scream “scene stealer!” With that said, it will be difficult to pre-judge a scene stealer like Howard, when he nails it in and out in this performance.

05. CHRISTOPH WALTZ, “Inglourious Basterds” (2009)

Role: Hans Landa, a ruthless yet charming Austrian officer searching for Jews all over France
Competition: Matt Damon (Invictus), Woody Harrelson (The Messenger), Christopher Plummer (The Last Station), Stanley Tucci (The Lovely Bones)

The last of the triumvirate of the bad guys rewarded in this category during the last decade, who knew that at 52, TV actor Christoph Waltz will waltz his way (this time, pun intended) to a unanimous award acclaim for his performance as Colonel Hands Landa in this Tarantino flick. What I particularly loved about Landa is that while you know he’s the bad guy, it’s easy to see his soft spots as well. This, I credit, to Christoph Waltz’s bravura performance.

04. HEATH LEDGER, “The Dark Knight” (2008)

Role: The Joker, antagonist to Bruce Bayne’s Batman
Competition: Josh Brolin (Milk), Robert Downey Jr (Tropic Thunder), Philip Seymour Hoffman (Doubt), Michael Shannon (Revolutionary Road)

While one can still see the good in Hans Landa, it’s easy to spot the not so good in terms of Heath Ledger’s Joker. Despite it being a posthumous win, it really did not overshadow the fact that this performance has been the best among all of Nolan’s Batman trilogy, and probably will be the most iconic too. When the only bad thing you can say about Ledger’s Joker are the character’s intentions, you know that this one is for keeps.

03. JAVIER BARDEM, “No Country for Old Men” (2007)

Role: Anton Chigurh, hitman who plays a cat and mouse chase with Josh Brolin’s Llewelyn Moss
Competition: Casey Affleck (Assassination of Jesse James by the Coward Robert Ford), Philip Seymour Hoffman (Charlie Wilson’s War),  Hal Holbrook (Into the Wild), Tom Wilkinson (Michael Clayton)

Before Joker and Col. Landa took over the “bad guy” territory, everyone felt the chills as Javier Bardem sneaked his way in and out of Texas searching for Llewelyn Moss. You can laugh all you want about Javier Bardem’s bad hairdo in the film, but there’s nothing bad you can say about this universally acclaimed performance of his. The near end shot of him with his face bloodied yet still alive is one of the creepiest you’ll see in a film that’s not about ghosts.

02. ROBERT DE NIRO, “The Godfather Part II” (1974)

Role: Don Vito Corleone in flashbacks
Competition: Fred Astaire (The Towering Inferno), Jeff Bridges (Thunderbolt and Lightfoot), Michael V. Gazzo (The Godfather Part II), Lee Strasberg (The Godfather Part II)

When we’re talking about The Godfather, it’s really impossible to pass on the topic of the performances of the actors in the trilogy. Given that condition, it is more difficult when you’re playing Don Vito Corleone whose character already won itself an Oscar two years ago in the Lead Actor category by Marlon Brando nonetheless. But thanks to Robert de Niro’s effortless yet memorable performance, not only does this role scoop another Oscar, but de Niro’s performance and win is also the second best win in this category.

01. CHRISTOPHER WALKEN, “The Deer Hunter” (1978)

Role: Nikonar Chevotarevich, steel worker who serviced during the Vietnam War
Competition: Bruce Dern (Coming Home), Richard Farnsworth (Comes a Horsemen), John Hurt (Midnight Express), Jack Warden (Heaven Can Wait)

And the champion among all champions is none other than… Christopher Walken. Michael Cimino’s Best Picture winner in 1978 not only provided controversy during its time, his terrific direction also gave us a lot of performances to cherish. One of those is Christopher Walken’s heartbreaking, honest, and raw performance as Nikonar Chevotarevich. Despite the backlash the movie has received during the awards season that year, the acclaim for the performance (particularly of Walken’s) has even naysayers rooting for it.

There you go! What are your favorite inclusions on the list? How about the ones you think should have been excluded? Also, are there missing performances you want to lobby for? Pipe them in below!  🙂