Archive for the ‘amorosa’ Tag

2012: The Year in Lead Actresses   7 comments

2012 lead actresses

Hey there everyone! And Happy New Year once again from Tit for Tat! ūüėÄ

There’s no better way to kick off 2013 with a blog post that covers a topic awards prognosticators love the most:¬†BEST ACTRESS.¬†The past few days, I have been covering acting performances in local cinema, and we’ve already tackled¬†supporting actresses,¬†supporting actors and¬†lead actors. To complete the list, here’s my coverage of lead actress.

LEADERS OF THE PACK

There’s no better person more fitting to begin this coverage with the one and only Superstar herself Nora Aunor. After years of absence in local filmmaking scene, she is back with Brillante Mendoza’s¬†Thy Womb as midwife Shaleha who wants to grant her husband’s wish of having a child. Aside from La Aunor, Gina Alajar‘s role as the matriarch in Adolf Alix’s¬†Mater Dolorosa¬†gives her a huge possibility to have an awards comeback as well. A pair of Kapamilya actresses can find themselves contending at different award giving bodies: Angel Locsin will definitely be nominated either for her role as the sultry Princess in¬†Unofficially Yours though my bet is she’ll get nods ¬†for her role as a mother who will do anything for her son in the MMFF entry¬†One More Try.¬†Bea Alonzo‘s most mature performance to date as the title role in Olivia Lamasan’s¬†The Mistress can reap some nods as well. As for the fifth spot, a consecutive visit at award giving bodies is plausible for veteran actress Shamaine Buencamino, this time, for her comedic turn in Loy Arcenas’s¬†Requieme.

MIDDLE TIER

Aside from the five names above, other¬†noteworthy¬†lead actress performances the past year were from Jodi Sta. Maria as the newest member of Adoracion Convent in¬†Aparisyon,¬†Pokwang as another mother who sacrificied as an OFW in the US in¬†A Mother’s Story, and¬†French actress Isabelle Huppert having the most vital role in Brillante Mendoza’s Berlin entry¬†Captive. Vilma Santos can get in based on name status alone for her movie last year,¬†The Healing,¬†while Lauren Young as the psycho best friend of Maxene Magalona in¬†Catnip can break through the awards circuit too. Other performances that gained buzz this year were Cinemalaya Best Actress winner Ama Quiambao in¬†Diablo,¬†Erich Gonzales who is in search of her sister in Manila in¬†Mariposa sa Hawla ng Gabi,¬†Veronica Santiago who plays the charming ¬†title role in¬†Pascalina,¬†LJ Reyes who resorted to being the town prostitute in¬†Intoy Syokoy ng Kalye Marino,¬†and Judy Ann Santos as the owner of the diary in¬†Mga Mumunting Lihim.

THE REST OF THE RACE

As for the rest of the race, there’s also Anne Curtis, not as the other woman, in¬†A Secret Affair, the pair of Fe GingGing Hyde and Glorypearl Dy trying to escape in¬†Ang Paglalakbay ng Mga Bituin ng Gabing Madilim,¬†Mylene Dizon as the other nun in¬†Aparisyon,¬†and Cinema One Originals Best Actress Mara Lopez in¬†Palitan.¬†There’s also the performances of Erich Gonzales as the¬†unang aswang¬†in¬†Corazon: Ang Unang Aswang,¬†Angelica Panganiban as the naive Majoy in¬†Every Breath U Take,¬† and real life sisters¬†Assunta and Alessandra de Rossi in¬†Baybayin.¬†Lastly, Angel Aquino can also see herself nominated either for her performance as the torn mother in¬†Amorosa: The Revenge or as the reporter who everybody thought was dead in Biktima.

That’s it. Who are your bets this year? Are you excited for the coming award giving bodies? I sure am! ūüôā

As always, you can follow me on Twitter: @nikowl

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REVIEW: Amorosa: The Revenge   4 comments

Sky Light Films’ follow up to the very uneven Corazon: Ang Unang Aswang is from the same vein, a horror¬†psycho-thriller helmed by Topel Lee entitled Amorosa: The Revenge. If anything, at least I’d give them credits for finally promoting this one right, unlike its predecessor which was promoted as a straight our horror film, only to see a love story when you watch the actual movie itself.

After a life changing incident that involved both of her kids (Martin Del Rosario, Enrique Gil), Amorosa (Angel Aquino) decides to start anew and move to Tagaytay to manage an inn that a relative tasked her to do. It also means that she will be staying there permanently. However, once there, she started to see a revengeful ghost that keeps on bothering her, as she also tries to fix her relationship with one of her sons who was deeply affected by the childhood incident.

The premise of the movie tends to be half stupid and half¬†unbelievable. The characters were pretty much one note and involves them making one stupid action one after the other. Case in point: if you are in the door and you see a killer inside the house, would you run to the stairs instead of going out and locking him inside the house? ¬†The primary question that they want to pose to readers involves a Sophie’s Choice type of consequence which actually leaves them in a lose-lose situation; hence, they are probably pretty much subjected to end up with the fates that they had.

The movie tried to cover all areas. Revengeful ghosts? Check. Hide and seek inside the house? Check. Ghostly apparitions? Check. Hallucinations? Check. It’s as if they came up with a list of the most cliched horror ingredients, and they accomplished all of that in one film. I noticed that there are some areas that actually worked, but they got overshadowed with the attempt to do everything in it. The movie also suffered from¬†continuing¬†to open a lot of stories that weren’t closed which made the movie overlong. I swear to God, this is one movie when you can already see it ending, yet it still goes on and on and on and on.

Angel Aquino tries her best to overcome her character, and she actually did. She was emotional and convincing; she makes it feel for you what she’s feeling. And of course, it’s always a delight to see her take lead credits in the big screen. Martin del Rosario wasn’t given that much to do, but I like that he’s being given all these breaks because he certainly deserves it. Enrique Gil shows some potential, but tends to resort to overacting in the latter parts of the movie. I find Ejay Falcon’s hair ridiculous, but I think it worked on his¬†advantage¬†in this film. Empress was meh since she wasn’t given a lot of things to do. ¬†I somewhat enjoyed the character actors in this film despite limited screentime, though Nanding Josef was very effective in his two scenes in the film.

The potential with Amorosa was actually there. It just got lost with everything that is happening in the film. If they only focused on one instead of trying to fit in every single thing they can think of, I’m certain we could have seen a better version of this one.

Rating: 2.5 / 5