Archive for the ‘ananda everingham’ Tag

Top Local Movies of 2012   8 comments

2012 in cinema is probably one of the most enjoyable in a while. I liked a lot of the movies that I’ve seen this year, (though maybe I really avoided the bad ones? LOL), and a lot of these films would have topped any other weaker years. On top of that, we’ve also seen a lot of impeccable performances from these films. Mind you, while I have seen 60+ local films this year, there’s a lot left still to be seen. Despite that, I feel that 2012 is one of the better years in recent Filipino cinema, and here are 12 reasons why:

Unofficially Yours

12: UNOFFICIALLY YOURS

Arguably, the best output from commercial filmmaking this year is this Cathy Garcia Molina’s relationship story between two people that sprouted from a one night stand. Molina has really mastered how to make supposedly conventional studio produced films more engaging and interesting. Also, watch out for John Lloyd Cruz and Angel Locsin’s palpable chemistry here.

MNL 143

11. MNL 143

I’m a sucker of travel/road movies. With that said, Emerson Reyes’s first feature length film is a poignant love story of a man (Allan Paule) who’s looking for the woman of his life is something that’s easier to relate to; not the search per se, but the longing and the optimism for it to finally arrive is a familiar feeling that can resonate well to its viewers.

Requieme

10. REquieme!

Loy Arcenas’ consecutive Cinemalaya entry is a dark comedy that focuses on Swanie, a barangay captain who involves herself as a relative of a suspect in an international murder case. With a witty screenplay and Shamaine Buencamino’s effective portrayal as Swanie and breakthrough talent Anthony Falcon, the movie is definitely one of 2012’s brightest spots.

Pascalina

09. PASCALINA

This Cinema One Originals winner which was also Pam Miras’s feature debut about one’s self discovery about her monsters within is one of the surprise entries in my list. Not because it is bad, but because I liked and appreciated it better days after seeing it. Oh, and if Maria Veronica Santiago’s performance in the title role won’t charm you enough, then I don’t know what will.

Ang Nawawala

08. ANG NAWAWALA

Another first feature effort this year, this time by Marie Jamora, Ang Nawawala is bound to be a cult classic. Yes, it probably caters to a younger crowd, to those in the middle status, or to those who are into local music scene, but one universal thing that I sure can relate to is how it connects you back to yourself. Plus points for the eye candy production design and the compilation soundtrack.

Bwakaw

07. BWAKAW

The Philippines’ submission to the Oscar Foreign Language Film category this year (and its best submission in years, I must say) is this little gem by Jun Lana about an old gay man living alone with only his dog named Bwakaw, and how he tries to make the most out of his remaining days. It’s just one of the most heartfelt films of the year that makes you laugh and cry while watching. Also, Eddie Garcia’s performance is to watch for here.

Thy Womb

06. THY WOMB

Brillante Mendoza’s Venice entry this year is also the comeback vehicle of one of the Philippines’ greatest actresses to date, the Superstar Nora Aunor. I guess my favorite aspect of the film is how it showcased to us this little gem of a place called Tawi-Tawi, and how the film introduced us to its culture. That, and of course La Aunor’s towering performance in it.

Ang Paglalakbay ng Mga Bituin sa Gabing Madilim

05. ANG PAGLALAKBAY NG MGA BITUIN SA GABING MADILIM

My favorite from the whole Cinema One Originals bunch this year is Arnel Mardoquio’s feature about the escape of three Muslim rebels, together with a ten year old child in the midst of the Bangsa Moro issues in Mindanao. But unlike any previous Mindanao related war-themed films, this one stands out because it’s  does not lecture you. And within this silence is where the actual emotions linger.

Give Up Tomorrow

04. GIVE UP TOMORROW

This Filipino/Spanish/American production directed by Michael Collins on what was labeled as the trial of the century in the Philippines (the involvement of  Paco Larrañaga to the disappearance of the Chiong sisters) is one film that probably triggered the most emotions while watching. The film for the most part was half maddening and half heartbreaking. But it probably contains one of my most favorite quotes of the year when Paco said “If you want to give up, give up tomorrow. When tomorrow comes, then give up tomorrow.

Aparisyon

03. APARISYON

Vincent Sandoval’s Cinemalaya entry about the secluded lives of nuns in a monastery in 1972. The film’s strength lies in its capability to build an atmosphere that was intense and arresting that once the movie hits it middle part, you just feel as if you’re a part of it. If you’re into the technical aspect, this movie also boasts of a complete top notch production values: neat production design,  applicable costumes, captivating cinematography, polished editing, and haunting score.

Graceland

02. GRACELAND

Ron Morales’s Tribeca entry about a loyal driver caught in the middle of his congressman employer’s paying of sins is as intense as one can get. Fifteen minutes in, there’s already a shooting scene. And the rest of the movie was packed with emotional punches, as it dwells with questions about one’s choices in life. Is this the correct choice? What happens when it’s not? Where do we go next? Also, Arnold Reyes’s terrific performance as the driver is a must see.

Kalayaan

01. KALAYAAN

And my top pick for local cinema this year is Adolf Alix’s Kalayaan. On the outside, it’s about a soldier solely stationed in the Kalayaan islands and a run on his daily activities, until two additional soldiers were sent there with him. The first hour of the film solely shows on the day to day routine of Julian. Rarely any dialogue was spoken in it, but the message was effectively sent. Once the credits rolled, you feel that you’ve known enough yet it will also prompt you to ask some more. Definitely my favorite film of the year!

Well that’s it! What are your favorite local movies of the year? In case you are wondering, the reason why there’s no top international picks yet is because I’m still catching up on a lot of the Oscar movies til the next two months. So I guess, you can expect my list by March.

And as always, you can follow me on Twitter: @nikowl

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2012: The Year in Lead Actors   1 comment

2012 lead actors

Hey everyone! We’re still continuing the yearend lists over here at Tit for Tat. Aside from that, we’re also doing the recap of the movie performances in local cinema the past year. The past two days, we gave the focus to the supporting actresses and supporting actors. It’s time to move now to the leading categories. For this day, we’d give the spotlight to the men and tackle the Best Actor category. Like what I said, these are possible choices from all the award giving bodies this year from mainstream to indie and those that can cross-over in between. Let’s begin!

LEADERS OF THE PACK

Probably the strongest contender in this category for this year is acting legend Eddie Garcia as he adds another memorable turn for his role as the old gay man living with his dog in Bwakaw. His competition this year might skew to much younger actors though as there have been lots of good awards-bait performances this year such as the likes of Dingdong Dantes‘ MMFF winning performance in One More Try, Coco Martin‘s indie comeback as the father who found the remains of his daughter in Santa Nina, Jericho Rosales as the single parent whose son gone missing in Alagwa, and JM de Guzman as the mussel diver in the title role Intoy Syokoy ng Kalye Marino.

MIDDLE TIER

As for the other lead roles in contention, award giving bodies might also throw a bone to Arnold Reyes as the loyal driver who was caught in the middle in his Congressman employer in the Tribeca hit Graeland, awards staple John Lloyd Cruz might get some nominations as well for his performance opposite Bea Alonzo in The Mistress or for his movie with Angel Locsin, Unofficially Yours.  Scene stealing Archie Alemania should hear his name be read especially at the Comedy Best Actor of the Golden Screen Awards for his role in Cinema One Original entry Slumber Party. And in a surprising turn of events, we’d have a battle of two heroes this year in the Best Actor category: Alfred Vargas as Andres Bonifacio in Richard Somes’ Supremo and ER Ejercito as Emilio Aguinaldo in the MMFF entry El Presidente.

Cinemalaya movies also produced a lot of worthy Best Actor turns such as the winning performance of Kristoffer King in Oros, Pen Medina in Kamera Obskura, Dominic Roco‘s Gibson in Ang Nawawala, and Thai actor playing lone soldier Ananda Everingham in Kalayaan. Casting issues (from Cinemalaya) aside, Allan Paule‘s fantastic turn in Emerson Reyes’s MNL 143 can possibly reap nominations as well.

THE REST OF THE RACE

Other lead actor contenders that might are still in the race are Dennis Trillo in the title role of Ang Katiwala, Cinema One Originals Best Actor winner Alex Medina in Palitan, newbie actor Gerry Adeva as the title role in Mamay Umeng, Allen Dizon in Joel Lamangan’s drama Migrante, and the most intelligent and uptight of the three gay friends Markki Stroem in Slumber Party. Among mainstream movies, one can also consider Derek Ramsey in A Secret Affair, Aga Muhlach in Of All The Things, Piolo Pascual in Every Breath U Take, Enchong Dee in The Strangers, and Vice Ganda in either This Guy’s in Love With U Mare or Sisterakas.

That’s it. Last part of the acting spotlight tomorrow with everybody’s favorite category: Best Actress!

As always, you can follow me on Twitter: @nikowl

8th Cinemalaya Film Festival Review: Part 1   7 comments

The biggest Philippine independent film festival has already begun, and this year marks the 8th edition of Cinemalaya. I’ve been going back and forth at the CCP for the last few days, so I can watch all the participating movies both in the New Breed and Directors Showcase categories. Here’s the first of my four part Cinemalaya reviews:

MGA MUMUNTING LIHIM
Director: Jose Javier Reyes
Starring: Judy Ann Santos, Iza Calzado, Janice de Belen, and Agot Isidro
Competition: Directors Showcase

When Mariel (Santos) died, she left a box to her best friend Carla (Calzado) containing all of her diaries back when she started writing one. As Carla reads all of them, secrets between her, Mariel, Sandra (Isidro), and Olive (de Belen) started to affect their friendship.

This is Jose Javier Reyes’ first foray into indie filmmaking, and this shows some potential. I have issues with the treatment of the movie as a whole, and the sound seems to inconsistent at times. However, whatever issues you have with the film won’t bother you that much when you focus on the two greatest aspects of the movie: the writing and the acting. Reyes’s lines seem straight out of his personal journal as well, and it’s pretty obvious that he has a lot of inspiration when he was writing this. While one may think that it may be exaggerated, I claim to say that it is rather truthful. The other strength lies within the acting; the four leads can carry the whole film on their shoulders and yet remain as interesting. The chemistry was prevalent, and whether it was Iza’s stares, Judai’s facial expressions, Agot’s delivery, or Janice’s cussing, it was all very natural. Part of me thinks that they did cast lesser known actors as it’s difficult to hold up with this great ensemble. That alone is worth the ticket. All in all, it was a very realistic portrayal of friendship that is relatable to everyone.

Rating: 3.5 / 5

KAMERA OBSKURA
Director: Raymond Red
Starring: Ping Medina, Joel Torre, Nanding Josef
Competition: Directors Showcase

A man locked inside a cell for many years finally makes his way out and as he gets to see the reality of the world when he mysteriously traveled a building with a video camera in hand as he sees activities of betrayal and corruption left and right.

I admit that this is the film that I’m excited the most; thus, it has the highest expectations I have for the whole festival, and it certainly did not live up to its expectations. For one, the potential was there; but the treatment was pretty redundant especially the first and last scene where they almost used the same script, as I feel it did not gel well with the rest of the film. For a silent film, I find it too loud with all the unnecessary sound effects used. Add the fact that it was too wordy as well. I also had issues with the too much “in your face” with the message that it wants to deliver. Still, there were also great spots that the film possesses. One, Pen Medina was charismatic in the lead role and suits with the direction Red wants to be in to. Even his son Ping Medina (who played the young Pen) was a treat albeit short appearance. I also like the visuals of the film, as they were detailed, and parallel to the message it wants to present. For what it’s worth, this one suffers from some issues but still brings in a pretty much enjoyable film watching experience.

Rating: 2.5 / 5

INTOY SYOKOY NG KALYE MARINO
Director: Lemuel Lorca
Starring: JM de Guzman, LJ Reyes, Joross Gamboa
Competition: New Breed

Intoy (de Guzman), now living alone, learns that the love of his life Doray (Reyes) is the town’s prostitute. Now he tries his best to earn an extra amount of money so they can both start life anew, until a new set of unsolvable problems lead their way.

At times, the movie tends to be pretty formulaic with the sequence of events happening in the film. I also noticed some repetitive shots in various scenes in the movie. However, the heart and soul of the film is Intoy himself. JM de Guzman was captivating and heartbreaking as the lead character. You can feel the energy, the enthusiasm, the heartbreak, and the innocence in his face. He was perfectly casted, and he definitely delivered. LJ Reyes was also excellent as Doray Langaw, and his chemistry with de Guzman is palpable. I also particularly liked how they made Kalye Marino as another character in the movie bringing it to life and translating it to the audience. The movie somehow can’t prevent itself from going poverty porn at times, but I totally bought the emotions they showed especially the one between the two leads.

Rating: 3 / 5

KALAYAAN
Director: Adolf Alix Jr.
Starring: Ananda Everingham, Zanjoe Marudo, Luis Alandy
Competition: Directors Showcase

A soldier living alone in Kalayaan Islands deals a daily repetitive schedule as he spends his last few remaining days in the middle of the Erap impeachment trial.

I was surprised to learn that this is already Adolf Alix’s 20th movie, but seeing this shows that he has already mastered his craft and has achieved growth if you go way back to his earlier films. I actually find this film very therapeutic; each scene brings you right where the character is, and the good thing about it is that it lingers. I particularly liked how we just go with the flow with Victor (Everingham) feeling for him, understanding him, and living with him. Once the characters of Zanjoe Marudo (who definitely brought humor and comedic relief) and Luis Alandy, we tend to get more intrigued, yet understand the life that they are living in Kalayaan Islands. This one has part fantasy, part horror, and part comedy, but the sum is greater than all of its parts. I really like the cinematography, and the musical score above everything else. Once the credits rolled, you feel that you’ve known enough yet you ask some more. This is probably my favorite film for this year’s festival, and for the year (so far) as well.

Rating: 4.5 / 5