Archive for the ‘best actress’ Tag
Yesterday, the Film Academy of the Philippines announced Brillante Mendoza’s Ma’Rosa as the country’s submission in the Best Foreign Language Film category at the 89th Academy Awards that will happen on February 2017. The film bested nine other entries which includes Berlin winner Hele sa Hiwagang Hapis, Cinemalaya Best Picture Pamilya Ordinaryo, and the last minute addition Ang Babaeng Humayo by Lav Diaz.
This is the first time for director Brillante Mendoza who has been shortlisted thrice before (2009 for Kinatay, 2013 for Thy Womb, and 2015 for Taklub). Mendoza has also won Best Director at Cannes Film Festival back in 2009, also for Kinatay. In a way, he’s – for lack of a better term – overdue for an Oscar submission. Why he hasn’t represented us thus far is really surprising.
Ma’Rosa, tells a day in the life of a poor family, headed by their matriarch Rosa (played by Jaclyn Jose), as they scramble to find the money to pay off the corrupt policemen that have arrested them or dealing drugs. Back in May, it competed at the Cannes Film Festival Main Competition section where it pulled off the historic Best Actress win for Jose, being the first Filipina and Southeast Asian actress to do so. Certainly, it has the clout and the festival exposure.
Now let’s dissect its chances. Can Ma’Rosa pull off that elusive first nomination for the Philippines? For those counting, we’ve submitted 27 times in the past — back from our very first in 1953 for Manuel Conde’s Genghis Khan up to last year’s Heneral Luna from Jerrold Tarog) to no avail. No nomination and no shortlist mention.
As mentioned above, one of the things going for Ma’Rosa is its festival exposure. Not only did it take a home a prize at Cannes, it also played at the Toronto Film Festival. It has partnered with sales agency company Films Distribution which also distributed current Best Foreign Language Film winner Son of Saul. Impressive, right? Well not in the sense you’re thinking of. It has to be clarified though. Films Distribution is not an Oscar-campaigner studio per se. It’s not the same as Focus Features or Fox Searchlight or even The Weinstein Company. Son of Saul‘s win last year was due to being campaigned by Focus Features which handled its whole awards run campaign. Ma’Rosa doesn’t have that.. yet. In reality, the most Films Distribution can do is to help the movie gain more festival exposure. Going by a quick search shows that after Toronto, it’s also heading to BFI London, which is good. More festival exposure is always better.
Reviews by foreign critics is always a factor too. It has to be mentioned first that Mendoza is really as divisive when it comes to foreign critics. Remember when the late Roger Ebert mentioned that Kinatay surpassed Vincet Gallo’s The Brown Bunny as “the worst film in Canes history?” So it’s a bit of delight that Ma’Rosa is probably one of the better-reviewed films in his filmography. While critics still had reservations, they were more welcoming than the usual. THR mentioned “Thankfully, and as in his other features, Mendoza again manages to turn his locations into a character in its own right. ” Variety’s Maggie Lee summed it best when she said “Boasting a simple, coherent plot shot with real-time, handheld verismo, it’s a work of understated confidence that will not disappoint his festival acolytes, but probably won’t win many new converts.”
A lot has been mentioned about how we, at a certain extent, can be helped by our own country’s narrative right now. As the world probably knows already, we’re very vocal in our battle with the issue of drugs. And many feel that the movie is timely and that can help buzz. Historically, not really. This category really doesn’t care about that, to be frank. A year after Brokeback Mountain lost Best Picture, a significant amount of queer films were submitted for Best Foreign language Film including our own Ang Pagdadalaga ni Maximo Oliveros. The total number of gay films nominated that year? Zero. In 2010, an election year in many countries, a lot of them rode that narrative, again including us when we submitted Dondon Santos’ Noy and Brazil went with Lula. Number of election themed nominated movies that year? Zero. This whole controversy reminded me just three years ago when we went with Transit as our submission (make no mistake, still a great film, just not a great Oscar entry) over the snubbed On the Job and the FAP’s reasoning was that they don’t want to submit a film that showed the negative side of the country. Submitting Ma’Rosa I guess is a huge leap to the other direction, if that means something.
The biggest factor that can probably help Ma’Rosa is its Cannes win. Sure its only Best Actress (and by only I mean that in the hierarchy of Cannes wins, its in the lower tier alongside Best Actor and Best Screenplay. This sentence, by no means, does not intend to take anything away from the marvelous Jaclyn Jose), but a win is still a win. And that it’s still buzz. For a movie that was perceived as a non-event of some sort at Cannes (it was one of the least buzzed films of the competition, but then it’s pretty understandable since he’s competing with the likes of veterans and/or those with Hollywood cast), how it ended up going home with a win is a win itself already.
Now let’s talk about the elephant in the room. Three days ago, it was announced that Lav Diaz’ Ang Babaeng Humayo will go for a September 23 release, which would make it eligible for this year since it’ll be meeting the necessary requirements to contend. The huge amount of buzz over its historic Golden Lion win (the highest honor ever received by a Filipino movie in history) is too much to ignore. Sure, it’s a Lav Diaz film which means it runs for more than three hours, and that didn’t help Norte two years ago. That said, foreign critics being unanimously positive about it, plus the film being called as his most accessible (especially since Diaz is another name that’s divisive to foreign critics), with a sure huge company to back its campaign (Charo Santos was the president of the biggest TV network in the country), it’s basically a decision too obvious to make by that time. That’s why it’s a tad surprising that the announcement happened yesterday. This prompted Humayo to move back to a September 28 screening, which will make it ineligible for next year’s submission too. That, and the buzz over Golden Lion and the Toronto inclusion will be old news by then. Let it be clear though that none of this should be pointed against Ma’Rosa, Mendoza, or any of his team, since decision wasn’t really theirs.
A few weeks ago pre-Venice Film Fest, I wrote about the possible submissions and strongly felt that none of the films would do the trick. In that case, why not throw a bone to Mendoza’s Ma’Rosa. But the whole Golden Lion win affected everything. My final verdict says that nope we ain’t getting that nomination nor that Top 9 mention. If anything, my takeaway with this year is that we’ve finally acknowledged and submitted Mendoza’s work (which was already beyond deserving back in 2009 when we had that tragic Ded na si Lolo submission), but at the expense of a stronger contender. I’d love to be wrong though.
Off to next year.
Take a good look at that Best Actress Oscar, Cate!
An actor’s career won’t ever be complete if he/she hasn’t had that one film perceived as his/her Oscar vehicle only for the movie to not live up to its expectations and its Oscar chances ultimately ending up in a crash and burn in situation. Today, we’d be revisiting the last 15 Oscar Best Actress winners, and while all of them have ended up with Oscar statues in their mantles already (some even more than one, coughMerylcough), these are some films that were perceived to be the one.
2000: Julia Roberts
Then America’s Sweetheart Julia Roberts was unstoppable that year sweeping all televised precursors leading to the Academy Awards for her sassy superstar performances as the title role in Erin Brockovich, and while she obviously “loved it up there” in the podium, her post-Oscar career has mostly focused on doing favored works for her director friends (such as Steven Soderbergh and Ryan Murphy) or actor friends (such as Tom Hanks). However, in 2007, she starred alongside Hanks and the late Philip Seymour Hoffman in Charlie Wilson‘s War as Texas socialite Joanne Herring donned with a big blonde wig and her signature wide grin. While she picked up a Golden Globe nomination for this, her real Oscar comeback came seven years after in August Osage County.
2001: Halle Berry
After her historic win in 2001, Berry remains to be the only African-American actress who have won the Oscar in a leading performance for Monster’s Ball. However, most of her post-Oscar career has been panned left and right specifically during her turn in Catwoman. While the actress have fared better in television (with her Emmy nominated performance “Their Eyes Were Watching God“), Berry still tried to prove her win was no fluke by starring in different Oscar vehicles such as “Things We Lost in Fire” in 2007. For this list though, nothing is as baity as her attempt for a comeback in 2010’s “Frankie & Alice” where she played a 70s stripper suffering from a dissociative identity disorder. Berry picked up a filler Globe nod for it, but the awards failure performance caused the film to be shelved only to be revived four years later for a theatrical release to the knowledge of… nobody.
2002: Nicole Kidman
Winning on her second consecutive nomination, Nicole Kidman was the biggest movie star on the planet during her win as author Virginia Woolf in Best Picture nominee The Hours. And while everyone thought this would be the start of the Academy’s love affair with the Australian actress, the opposite happened with her starring in low-key indie films (Dogville, Birth), flop mainstream attempts (The Stepford Wives, Bewitched), or Oscar baits that simply didn’t materialize (Nine, Australia). That said, her worst Oscar bait flop happened in 2013 when she played another Best Actress Oscar winner Grace Kelly in “Grace of Monaco.” Issues over cuts and versions between screenwriter Arash Amel, director Olivier Dahan, and distributor Harvey Weinstein all contributed to the tragic fate of this film (which as of this writing, has apparently three different versions). While Grace opened the 2014 Cannes Film Festival, it was panned by critics there losing any chance for a theatrical release. It ended up premiering on TV via Lifetime earlier this year, though that ended up as a blessing in disguise as that decision earned it an nomination for Best Television Movie at the Emmy Awards earlier this month.
2003: Charlize Theron
After her unanimously praised performance of serial killer Aileen Wuornos in Monster, Theron easily received another Oscar nod two years after for the movie North Country. That said, Theron stayed low key with her movie choices tackling supporting roles mostly or really, small films. While her comeback in 2011 for Young Adult didn’t fruit to Oscar nom #3, it can’t be considered an Oscar bait flop considering the nature of the film doesn’t seem like the type that will get its actress nominated. However, after the success of Gone Girl last year and its lead actress Rosamund Pike receiving a nomination for it, studio A24 tried to ride on its success by releasing another Gillian Flynn novel turned to movie “Dark Places” starring Theron as the only survivor of a town massacre. Suffice to say, this was released in limited theaters and VOD killing all its chances to get Theron nominated.
2004: Hilary Swank
Only five years after receiving her first Best Actress Oscar, Hilary Swank easily snatched her second after starring as the female boxer Maggie Fitzgerald in the Best Picture Oscar winner of that year “Million Dollar Baby.” That’s why her third bid for an Oscar nomination (exactly ten years after her first and five years after her second), was for playing the great, late Amelia Earhart in Mira Nair’s 2009 take on the life of the prominent figure. Unlike her first two vehicles though, Swank quite received the flak for portraying yet another character leaning on the masculine strengths for another shot at Oscar. So despite Fox Searchlight handling the campaign for this film, not even that is enough to save this critical and commercial flop. Surprisingly enough, her next Oscar bait came in 2014 for “The Homesman“, but again to no avail. Maybe Hilary decided to plot her Oscar vehicles every time a year ends on 9 or 4 no?
2005: Reese Witherspoon
Her Oscar-winning role was that of the late country superstar June Carter Cash in “Walk the Line.” In this 2007 thriller however, Reese joined forces with Oscar winners Meryl Streep and Alan Arkin, as well as Oscar nominee Jake Gyllenhaal. Back in 2007, films dealing with the CIA and terrorism have been as baity as one can expect, so Witherspoon’s role as a pregnant woman involved in some terrorism actions seem like a shoo-in Oscar contender. Add the fact that this was Witherspoon’s foray into straight drama territory and this seemed anything but an Oscar flop. Until it was. Luckily for Reese, she managed to come back in the Oscar race earlier this year for her turn as Cheryl Strayed in Wild.
2006: Helen Mirren
Usually when a woman in her sixties win an Oscar, it’s mostly an indirect lifetime achievement award of some sort. But not for Dame Helen Mirren. Since her win for The Queen in 2006, this has led her to receive more leading roles and she has been the go-to British actress even surpassing Dame Judi Dench and Dame Vanessa Redgrave to name a few. She easily picked up an Oscar nod in 2009 for The Last Station, and we’re certain that she came close in 2012 for Hitchcock after receiving Golden Globe, SAG, and BAFTA nominations for it. Mirren is an easy name check for nominations too, as proven by her Golden Globe nomination (yet again) for The Hundred Foot Journey. However, Woman in Gold was a different story. It’s a great feat that the movie earned four times its budget, but with the topic of a Jewish refugee fighting for a painting of her aunt by the Nazis, this is the type of role that can easily skate its actress to awards talk… only that it won’t happen anymore.
2007: Marion Cotillard
Among all the Oscar flops in this list, The Immigrant is that one film that really doesn’t deserve its placement. It’s a great film and its number of accolades received could certainly prove it. However, after acquiring this film at the 2013 Cannes Film Festival, Harvey Weinstein certainly did not know how to market or simply, what to do with this film and he ended up throwing it to E-One, the smaller right hand company of The Weinsteins which is an indication that they won’t be pushing this film for any awards consideration. But when Cotillard started to pick up steam for her performance in “Two Days, One Night“, Weinstein made a sudden last minute play of giving Cotillard and its cinematography some push hoping it can get her the nomination. Of course it didn’t, and Marion ended up getting that overdue second nomination for her better performance. Sadly, Marion has yet to be nominated for an English performance, and this could have been it had it been handled properly.
2008: Kate Winslet
For quite a period in the late 2000s, Jason Reitman has been the Academy’s catnip. His films have ended p receiving Oscar nominations for Ellen Page in Juno, and George Clooney, Vera Farmiga and Anna Kendrick in Up in the Air with Golden Globe nods for Aaron Eckhart in Thank You for Smoking and Charlize Theron in Young Adult. However, all streaks will come to an end, as Reitman’s one began with the Kate WInslet-starrer Labor Day. Based on the novel by Joyce Maynard, Winslet plays another lonely suburban housewife (as if Little Children and Revolutionary Road weren’t enough) who had an encounter with convict Josh Brolin. The movie was met with horrible reviews, but hand it to the Golden Globes for still name checking Kate Winslet giving her a Best Drama Actress nomination for it.
2009: Sandra Bullock
2009 ended up as the start of a career renaissance for Sandra Bullock. Not only did she star in two movies of that year with grosses combined a 600+ million dollars, she ended up with the Best Actress Oscar for her turn as Leigh Anne Tuohy in The Blind Side. What could have been the pinnacle of an actor’s career only was the beginning for Sandra who followed it up with box office hits like The Heat and Minions or critically backed films like that of Gravity. This year, however, she dons her blonde wig yet again (just like in her Oscar winning performance) to headline David Gordon Green’s “Our Brand is Crisis.” While her awards chances have yet to be determined, you can mostly count her out since the movie received mixed to negative reviews since it premiered at Toronto International Film Festival this year. At least her personal reviews weren’t tragic, but count no Best Actress nomination for her this year.
2010: Natalie Portman
Portman’s road to the Oscar was for her performance as the ballerina in Black Swan, but only a year before that, we saw her closest attempt to follow up her 2004 nomination for “Closer” in Jim Sheridan’s “Brothers“, based on the 2004 Danish film of the same name. As the woman who was left in between the characters of Jake Gyllenhaal and Tobey Maguire, Portman was given the tough position of acting upon two other contemporaries. Sadly for the film, it has gained little to no traction at all that year, mostly for the U2 song “Winter” and a Golden Globe nod for Tobey Maguire.
2011: Meryl Streep
Yes, even Oscar’s favorite actress takes a break from being Oscar nominated. Grunt all you can as Meryl enjoys her 19 career Oscar nominations and three statues at home (her latest for playing Margaret Thatcher in The Iron Lady), but every now and then she takes on flop Oscar vehicles such as this one directed by Robert Redford and had her starring with Tom Cruise. Streep plays liberal TV journalist Janine Roth who thinks the government is using her position to be an instrument of their plans. Here’s another film that tried to combined issues of journalism, terrorism, and war ending up with zero awards traction, rotten reviews, and a disappointing box office performance.
2012: Jennifer Lawrence
After starring in Best Picture nominees Silver Linings Playbook (for which she won her Oscar) and American Hustle, it seemed like the pairing of Bradley Cooper and Jennifer Lawrence is one that seems to have find its footing in the Academy. Their third pairing, however, is from Oscar winning director Susanne Bier from the 2008 novel of the same name. While this costume drama seemed like it would continue the trajectory of both actors getting nominated, too many issues surrounding the film’s release ended up losing all momentum for the movie. It finally was released in the US last March which is enough reason to say that the movie’s intention to get any awards consideration is already killed.
2013: Cate Blanchett
At this stage in her career, Cate Blanchett is already infallible with everything she touches is suddenly critic proof. She has reached that stage in her career already where she has the respect and admiration of her peers and critics alike, as proven by her great comeback in 2013 because of Woody Allen’s Blue Jasmine for which she won her second Oscar and her first one in Lead. But before any of those happened, she has been starring in one flop bait after the other in the early 2000s, particularly this Ron Howard film in 2003 entitled “The Missing.” It was Howard’s comeback after winning for “A Beautiful Mind” and starred Oscar winner Tommy Lee Jones. Good for Blanchett though because the year after, she finally natched her first one for “The Aviator.” And the rest, as they say, is history.
2014: Julianne Moore
Lastly, we have current Best Actress Julianne Moore. Before winning the Oscar this year for Still Alice, Julianne’s last visit to the Oscars as a nominee was still way back in 2002 when she was double nominated for The Hours (losing to Catherine Zeta-Jones) and Far From Heaven (losing to The Hours co-star Nicole Kidman). While we all have probably thought that Julianne would end up being forgotten (as it’s harder to win an Oscar when you’re in your 50s), she proved it otherwise. The journey to 2014 was a long wait though appearing in Oscar contenders where her co-stars got nominated but not her (such as The Kids Are All Right and A Single Man) or low key Oscar flop baits (The Prize Winner of Defiance Ohio and Savage Grace). What stood out was the one directed by Fernando Meirelles though. As the opener of the 2008 Cannes Film Fest, Blindness was destined to be a real Oscar contender with its great ensemble, and the reputation of the people involved. After all, it was one of the most prominent best selling novels that time, and this was a challenging role. Alas, the bad reviews killed any of its perceived Oscar chances.
There you have it. What are your favorite Oscar flops? Which Oscar bait ones did you secretly enjoy? Talk to me about it on Twitter: @nikowl
We’re halfway before the start of the festivals roll now into our Oscar predictions, and a lot of crazy things has happened already! Here’s how I see the state of the Oscar race for the six major categories for this month!
You can also follow me on Twitter: @nikowl
As always, you can follow me on Twitter: @nikowl
Now that the Cannes Film Festival is over, and a lot of primary contenders has released early screenings and major trailers of their films, it’s clearer to see on who will be the top contenders for film’s highest honors for next year. Here are my mid-June predictions:
Now, what films are you excited about? Do you think Cameron Diaz will really be an Oscar nominee? Is Meryl Streep unstoppable? Will David O. Russell finally win an Oscar?
As always, you can follow me on Twitter: @nikowl
Who says it’s too early to predict the Oscars? When it comes to Oscar predicting, nothing is too early. After all, with Sundance, Berlin, and other festivals already done for the year, and movie posters and promos have been done left and right, it’s time to do our first predictions on who will get nominated this year. Let’s begin!
Who are your predicting to get nominated next year? Add them here below!
And as always, you can follow me on Twitter: @nikowl
The race for this year’s Oscar Best Actress has just turned into an interesting state. Still frontrunner Jennifer Lawrence’s Saturday Night Live monologue gave her negative press when she jokingly slammed her Oscar co-nominees to address the “I beat Meryl!” quip she had during last week’s Golden Globes. Some of the lines she said during the controversial monologue were “Jessica Chastain? More of Jessica Chas-ain’t winning an Oscar on my watch!” and “Naomi Watts in The Impossible. You know what’s impossible? You beating me at the Oscars!” Granted, she wasn’t the one who wrote the lines (it was the terrible writing from the SNL staff that hurt her), but this Oscar season has been the dirtiest in a long time. If voters respond negatively, they might throw their vote to Jessica Chastain who’s more regarded as an actor’s actor and the only person who pulled off the feat of having the top two movies in US box office TWICE.
Speaking of dirty, for a moment, let’s move fast forward and shift to next year’s Best Actress race. And as early as now, boy I’m telling you it’s gonna be a bloodbath. Internet forums will feast on this one, as it has almost every single actress (with cult followings ) with an Oscar bait movie next year. And if it does not excite you yet, almost all recent past Best Actress winners since 2000 is in contention spare for Halle Berry, Charlize Theron, Hilary Swank, Natalie Portman, and Helen Mirren. Here’s a rundown of who can you expect to get nominated next awards season:
Best Actress 2000 Julia Roberts and Best Actress 1982 and 2011 Meryl Streep are co-starring in the movie adaptation of August: Osage County. This has literally Oscar bait all over it, especially since prior to Streep winning last year, this was perceived as the Oscar vehicle that will give her her third Oscar. Now Team Meryl is pushing her for a fourth win for an all time tie with Katharine Hepburn (who’s vocal of her dislike towards Meryl). Julia, on the other hand, hasn’t been invited back as a nominee since her Erin Brockovich win 12 years ago, and it might be her next comeback. You have to remember though that the last time that two actresses were nominated for Best Actress in the same film was way back in 1991 when both Susan Sarandon and Geena Davis got nommed for Thelma and Louise. And if there’s a pair of actresses who can pull that feat off, it’ll definitely be Roberts and Streep.
Speaking of Roberts, her rival, box office sweetheart Sandra Bullock aka Best Actress 2009 is also in the hunt next year via Alfonoso Cuaron’s Gravity. This one stars her opposite George Clooney, and while sci-fi doesn’t work well with the Academy unless you’re Sigourney Weaver, she also has a comedy coming out in March with Oscar nominee Melissa McCarthy. So, a comedy in March then a drama in October? Doesn’t it sound familiar? It’s circa 2009 all over again when Sandy pulled that one-two punch of The Proposal and The Blind Side.
Let’s move on to a pair of celebrity bestfriends. Best Actress 2002 Nicole Kidman is doing a biopic this time, and by playing a real person, it reminds us when she won for playing author Virginia Woolf in The Hours. This time though, it’s Oscar winner slash Princess Grace Kelly of Monaco. This biopic is helmed by Olivier Dahan which was responsible for Marion Cotillard’s Oscar winning vehicle La Vie En Rose. Kidman is on a streak the past few years gaining momentum post-Rabbit Hole and she came close this year with The Paperboy, so she can finally snatch a fourth nomination. Her bestfriend, Best Actress nominee 2003 and 2012 Naomi Watts is playing Princess Diana in the biopic which was
surprisingly entitled Diana. If good will is prevalent next year, then she can shoo-in an instant nomination just like how Michelle Williams did when she gained one for My Week with Marilyn the year after her Oscar comeback via Blue Valentine.
Next, we have the K/C-ates. Oscar Best Actress 2008 Kate Winslet is doing an Oscar comeback after her victory five years ago for The Reader. In Jason Reitman’s Labor Day, Winslet plays the role of a depressed single mother who offered a man a ride only to identify the identity of the man she helped. Baity, indeed. Then we’d have Best Supporting Actress 2004 Cate Blanchett who’s probably having a major comeback this 2013 with a plethora of films under her belt. Her best shot for a gold though is via Woody Allen’s drama(!) Blue Jasmine where she stars opposite Oscar nominee Alec Baldwin.
Then we also have past winners from the last decade gunning for their first nomination since their win. Best Actress 2007 Marion Cotillard came close this year via Rust and Bone, but if foreign language nature of the film hurt her chances, then her role in James Gray’s Lowlife as a burlesque woman can finally snatch her a comeback nomination. The same can be said for Best Actress 2005 Reese Witherspoon who stars in Atom Egoyan’s Devil’s Knot playing the role of a mother whose child went missing.
And then we also have winners from the 90s coming back. First is Best Actress 1992 Emma Thompson playing opposite Tom Hanks in Saving Mr. Banks. This film is directed by Jonny Lee Hancock who was responsible for Sandra Bullock’s Oscar. The second is current nominee and Best Actress 1997 Helen Hunt in Decoding Annie Parker. In the said movie, Hunt plays the role of the doctor who’s responsible for the almost discovery for cancer. What an Oscar bait that is!
As for the youngesters, we have two actresses playing the title roles in their film. In case she won’t win the Oscar this year, two time nominee Jennifer Lawrence is again with Bradley Cooper next year via Susanne Bier’s Serena as the wife of a timber empire owner who cannot give her husband a child. On the other side, we have Elizabeth Olsen giving another shot at the Oscar territory via Therese which is also Jessica Lange’s comeback movie.
Then Brit love can push two of their contenders next year: Best Supporting Actress 1998 Judi Dench can find herself with a seventh career nomination for her performance in Philomena as a woman trying to find her missing son who was forcefully taken from her when she lived in a convent. Then taking a break from all these period dramas is Keira Knightley who’s trying something new this time as a young singer-songwriter who befriends a music executive in Can a Song Save Your Life?
A comeback nomination can also be possible for last year’s nominee Rooney Mara who stars in Steven Soderbergh’s Side Effects. The last time someone got a nomination for a Soderbergh work was Julia Roberts in 2000, and we all know how that turned out. There’s also the possibility of Mia Wasikowska finally breaking through as the disturbed daughter of Nicole Kidman in Park Chan Wook’s English debut Stoker.
Lastly, there’s Sundance hit Julie Delpy who can add another Oscar nomination to her name, this time for acting in the third part of her Richard Linklater series Before Midnight. Midnight has been getting unanimously positive praise at Sundance, and if buzz translates, then she can even be a two time nominee next year.
Of course, those are all just possibilities. If this year’s nominations taught us something, there’s always the possibility of a Quvenzhane Wallis or an Emmanuelle Riva who can suddenly sneak in. But for the moment, this is gonna be a really long catfight. Which race are you looking forward to? The possibilities are endless with the line up. There’s a match up of J.Law vs. Meryl, or America’s Sweetheart Julia vs. America’s Sweetheart Reese vs. America’s Sweetheart Sandy. Then there’s Nicole vs. Naomi, Cate vs. Kate, Dame Judi vs. Cate, Mia vs. Elizabeth, and the only one whose gonna be having a field day with this one are the internet forums mainstays.
As always, you can follow me on Twitter: @nikowl