Hi everyone! I have been terribly busy the last few weeks, but I’ll try my best to catch up on local cinema for this year. So instead of doing full reviews for each, I’ll try to tackle them in small dosages. Most of these I’ve seen during their release but doesn’t have the time to write a full review, some I caught up on, and some via other sources *wink*. Anyway, here are six more films from 2013’s collection:
MENOR DE EDAD
Director: Joel Lamangan
Cast: Meg Imperial, Ara Mina, Wendell Ramos, Jaycee Parker, Chynna Ortaleza
2013’s kick off local movie is Joel Lamangan’s socio-political drama Menor de Edad which aims to provide an honest and raw look of the slum life by focusing on a story of juvenile teenagers living in the squatters area. While the intention was there, viewers might get lost as Lamangan goes back and forth to documentary approach and the melodramatic aspects of the film. Scenes were mostly contrived and there were too many plots running that it’s hard for anything to stand out; in the end, all seemed half baked versions of what they really wanted to achieve. The cast was okay, though I can’t help but see them relying on scenery chewing approach of acting which made the over the top story… more over the top.
Director: Peque Gallaga
Cast: Richard Gutierrez, Solenn Heusaff, Sarah Labhati, Jay Manalo, Al Tantay
Fatal Attraction meets Unfaithful is the theme of Peque Gallaga’s 2013 drama which centers the character of fireman Ram in a choice between two babes: Trina, the one he likes, and Sophia, the one he’s concerned about. It also did not help that Trina is reserved while Sophia can be the answer to his family’s financial obligations. I appreciate the fact that this could have been a good character study of the main characters (particularly Ram and to a certain extent, Sophia), but it wasn’t as interesting as what I expected it to be. I saw some of the classic Peque Gallaga shots in terms of the angles and framing in his shots which maintained interest to say the least, but his actors let him down. It seemed as if it was a battle of “Who can act the worst?” among the three lead stars. It’s a case of seeing the film go one step forward, then two steps behind, and by the time the movie ended, we’re there at the same place where it started.
A MOMENT IN TIME
Director: Emmanuel Palo
Cast: Coco Martin, Julia Montes, Gabby Concepcion, Cherie Gil, Zsazsa Padilla
Star Cinema’s Valentine’s offering this year is composed of one of 2012’s television’s favorite couples: Coco Martin and Julia Montes via A Moment in Time. This story of “strangers getting to know each other though bounded by fate before they even met each other” is a hit or miss for me. For one, Coco Martin and Julia Montes really has a chemistry that was visible in the movie, but on the other hand, I don’t think I already have recovered from their age differences. More than that though, once the back stories of both their characters were revealed (which happened during the earlier part of the film), it’s pretty predictable already. Sure Coco Martin made the whole audience kilig, I still don’t think he has found the suitable mainstream project for him. Plus points though since Amsterdam was really good to look at, and for Cherie Gil’s straight faced delivery of the line “Mukha ba akong kontrabida sa isang pelikula?“
THE BRIDE AND THE LOVER
Director: Joel Lamangan
Cast: Paulo Avelino, Lovi Poe, Jennylyn Mercado, Joem Bascon, Hayden Kho
In the never ending tradition of “two women fighting over one man” films that still shows no signs of stopping (everyone… sigh) comes another from the vault. This time, about best friends who both took the characters of the bride and the lover. That’s also probably the most this movie can offer in terms of standing out among all these kerida films, and while that’s not saying too much, I appreciate that they even tried doing it. The movie is, indeed, entertaining with its shift to comedic and dramatic tones though it also gets tiring by the time we’ve reached the latter part of the film. There were also too many unnecessary characters (the best friend/bodyguard storyline is one that can be eliminated already), but the climax part is enjoyable and almost made up for the rest of the clunks. Jennylyn Mercado stood out the most in this trio, and I hope she gets movie roles because she really has the chops to be even better.
BROMANCE: MY BROTHER’S ROMANCE
Director: Wenn Deramas
Cast: Zanjoe Marudo, Cristine Reyes, Arlene Muhlach, Nikki Valdez, Joey Paras, Lassie
If there’s one thing that I like about Bromance is the fact that Wenn Deramas was mostly in a clean slate in this: no Vice Ganda, no Tanging Ina jokes, no DJ Durano to be seen. This gives a fresh new energy that makes most of the film work. Zanjoe Marudo still continues to challenge himself as an actor, and his last few movie projects continue to shape him as an all around actor. I like how committed he was in it, and it shows in his performance. Cristine Reyes also seems to have a knack at comedy, and I think this type of role suits her better than let’s say El Presidente. The cameos in the film were a lot, but most worked for me (especially the one who played the doctor). This movie made me laugh more than what I expected, so if this is what we can expect from the next few Deramas outings, then he might have mastered the type of comedy for his audience after all? But then again, it’s hard to speak that early.
JUANA C. THE MOVIE
Director: Jade Castro
Cast: Mae Paner, John James Uy, Jelson Bay, Angelina Kanapi, Annicka Dolonius, Mads Nicolas
From the same group that gave us Zombadings, Juana C. is a political satire that gives us a funny and honest glimpse of the wicked world of politics. It’s pretty obvious that the movie has a lot to offer, and while some of the subplots didn’t work for me, the main message of the film stood out in the end. It’s a pretty enjoyable ride that sometimes tend to go overboard, but manages to stay still and in the end, ultimately reached its destination. Juana Changge (Mae Paner) is an engaging lead character that serves as the glue that holds all of them together, but the whole ensemble is top notch, giving you endless riots and bundles of laughter. You can see the commitment that the people gave this film, so it’s easy to forgive the noticeable flaws in it.
Whew that’s a handful. There are still some films left to be seen from the first half of the year before we go overboard with the Cine Filipino and Cinemalaya contenders this month and the next, so it’s good to finally put this out already. 🙂
As always, you can follow me on Twitter: @nikowl