Archive for the ‘cherie gil’ Tag

Tit For Tat Local Film Awards 2013   6 comments

May used to be the awards season here in the Philippines, but that tradition has been long since gone. But not for me. This is when I reveal my top picks for the best in Philippine cinema. 2013 is a very difficult one, not because there are only few films to choose from, but because of the many selections the year gave us. Granted I still missed some few films here and there, I’ll share to you my picks in 20 different categories (including my three top choices per film component.) And without further ado, here’s my 2013 Tit for Tat Local Film Awards:

first feature

GOLD: BLUE BUSTAMANTE (Miko Livelo)
SILVER: TRANSIT (Hannah Espia)
BRONZE: PUROK 7 (Carlo Obispo)

ensemble

GOLD: the cast of Iskalawags
SILVER: the cast of Norte
BRONZE: the cast of Transit

visual effects

GOLD: KUNG FU DIVAS
SILVER: DEBOSYON
BRONZE: PAGPAG

sound

GOLD: RIDDLES OF MY HOMECOMING (Arnel Barbarona)
SILVER: ON THE JOB (Corrine de San Jose, Mikko Quizon)
BRONZE: NORTE (Corrine de San Jose)

song

GOLD: INDAK (Sana Dati)
SILVER: SCARED TO DEATH (Tuhog)
BRONZE: SEA OF TREES (Shift)

score

GOLD: DEBOSYON (Teresa Barrozo)
SILVER: SANA DATI (Jerrold Tarog)
BRONZE: RIDDLES OF MY HOMECOMING (Gauss Obenza)

hair and make up

GOLD: Quick Change
SILVER: Kung Fu Divas
BRONZE: Boy Golden

editing

GOLD: ON THE JOB (Jay Halili)
SILVER: BADIL (Carlo Francisco Manatad)
BRONZE: TRANSIT (Hannah Espia, Benjamin Tolentino)

costume design

GOLD: Boy Golden
SILVER: Kung Fu Divas
BRONZE: Ekstra

cinematography

GOLD: NORTE (Lauro Rene Manda)
SILVER: ON THE JOB (Ricardo Buhay III)
BRONZE: DEBOSYON (Dexter dela Pena)

art direction

GOLD: ON THE JOB (Richard Somes)
SILVER: BLUE BUSTAMANTE (Marielle Hizon)
BRONZE: PAGPAG (Luis Custodio IV)

breakthrough actor

GOLD: MIMI JUAREZA, Quick Change
SILVER: JUNJUN QUINTANA, Philippino Story
BRONZE: VINCE TANADA, Otso

breakthrough actress

GOLD: KRYSTLE VALENTINO, Purok 7
SILVER: JASMINE CURTIS, Transit
BRONZE: YENG CONSTANTINO, Shift

screenplay

GOLD: NORTE (Lav Diaz, Rody Vera)
SILVER: SANA DATI (Jerrold Tarog)
BRONZE: BABAGWA (Jason Paul Laxamana)

supporting actress

GOLD: ANGELI BAYANI, Norte
SILVER: BING PIMENTEL, Kabisera
BRONZE: IRMA ADLAWAN, Transit

supporting actor

GOLD: DICK ISRAEL, Badil
SILVER: JOEY MARQUEZ, On the Job
BRONZE: JOEY PARAS, Babagwa

lead actress

GOLD: KRYSTLE VALENTINO, Purok 7
SILVER: LOVI POE, Sana Dati
BRONZE: VILMA SANTOS, Ekstra

lead actor

GOLD: SID LUCERO, Norte
SILVER: JHONG HILARIO, Badil
BRONZE: JOEL TORRE, Kabisera

directing

GOLD: LAV DIAZ, Norte
SILVER: CHITO RONO, Badil
BRONZE: ERIK MATTI, On the Job

picture

GOLD: Norte, Hangganan ng Kasaysayan
SILVER: Badil
BRONZE: Sana Dati

Whew, there you have it! 🙂 As a recap, here’s the complete list of my 2013 winners:

BEST PICTURE: Norte, Hangganan ng Kasaysayan
BEST DIRECTOR: Lav Diaz, Norte Hangganan ng Kasaysayan
BEST ACTOR: Sid Lucero, Norte Hangganan ng Kasaysayan
BEST ACTRESS: Krystle Valentino, Purok 7
BEST SUPPORTING ACTOR: Dick Israel, Badil
BEST SUPPORTING ACTRESS: Angeli Bayani, Norte Hangganan ng Kasaysayan
BEST SCREENPLAY: Lav Diaz, Rody Vera, Norte Hangganan ng Kasaysayan
BEST BREAKTHROUGH ACTOR: Mimi Juareza, Quick Change
BEST BREAKTHROUGH ACTRESS: Krystle Valentino, Purok 7
BEST ART DIRECTION: Richard Somes, On the Job
BEST CINEMATOGRAPHY: Lauro Rene Manda, Norte, Hangganan ng Kasaysayan
BEST COSTUME DESIGN: Boy Golden
BEST EDITING: Jay Halili, On the Job
BEST HAIR AND MAKE UP: Quick Change
BEST ORIGINAL SCORE: Teresa Barrozo, Debosyon
BEST SONG: “Indak” from Sana Dati
BEST SOUND: Arnel Barbarona, Riddles of my Homecoming
BEST VISUAL EFFECTS: Kung Fu Divas
BEST ENSEMBLE: the cast of Iskalawags
BEST FIRST FEATURE:Blue Bustamante” by Miko Livelo

Until next year! 🙂

Also, you can follow me on Twitter: @nikowl

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2013 Sineng Pambansa Review: Part 1   3 comments

Hi everyone! Aside from Cinemalaya and Cinema One Originals, there are two newbie local festivals that will offer other possible venues for local cinema to be seen. The first one is the Sineng Pambansa: All Masters Edition which is hosted by the Film Development Council of the Philippines. This year, ten outputs from some of the most memorable names in the local filmmaking scene participated to be a part of this (hopefully) annual festival. SM Cinemas served as the venue partner of the FDCP this year, and each movie ticket is only for a hundred pesos. Anyway, I’ll be dividing my coverage into three parts (especially since three films are still in post-production status). Here are the first three films I’ve seen during the festival’s opening day.

Sonata

SONATA
Directors: Peque Gallaga and Lore Reyes
cast: Cherie Gil, Chart Motus, Joshua Pineda, Chino Jalandoni

Set in the beautiful and photogenic lands of Negros Occidental, Sonata tells the story of an aging opera diva dealing with an breakdown caused by the slow losing of her voice. When the son of their family caretaker joins and spends his vacation there, an unlikely friendship develop between the two as they both continue their journey to self-discovery.

Sonata is a lovely way to start my Sineng Pambansa experience this year. It is a light-hearted drama that a lot of people can find themselves enjoying because of the film’s simple but heartfelt approach. It somehow reminded me of Ellen Ongkeko-Marfil’s Boses on how two opposites (an adult and a child) managed to  help each other in discovering more about themselves and life in particular. However, you can replace the violin with opera here. It is within these heartfelt scenes that the movie find its best footing. With that said, I could have lived without that ending, as it veered away from what worked in the initial parts of the film. If anything though, it was already predictable given the lots of context clues scattered in the film up until that ending. Cherie Gil was marvelous in her take of Margo Channing meets Norma Desmond. The parts where she’s talking about all the previous operas she starred was a hoot. It could have been an easy way out for an actress of her caliber to phone it in, but she refused to take that route, and instead give a satisfying and effective performance. Also, Negros Occidental is so beautiful to look at. Gallaga and Reyes’ collaboration here was satisfying for the most part; it’s not a masterpiece per se, but it gives an effective and poignant take on what it has to offer.

Rating: 3.5/5

Lauriana

LAURIANA
Director: Mel Chionglo
Cast: Allen Dizon, Bangs Garcia, Victor Basa, Adrian Cabido

Going back to 1955, the movie captures pretty barrio lass Lauriana (Bangs Garcia), and how she left an impact to two of the closest men in her life: the soldier who treated her as his “wife”, and the child who used to teach her the English language.

In this film, director Mel Chionglo served too much in the film that resulted to an over of some sorts. First, the story felt disjointed and forced despite being overwhelmed with everything that’s happening in it (and I’m telling you there’s a looooot that’s happening in it). If some movies usually weaken because of abandoning minor plots, this film does the opposite and discussed all possible areas they possibly can. What resulted is a combo of messy plotting and a very uneven pacing. It seems to go back and forth into different perspectives without a smooth connection (well I guess Lauriana’s character) that actually works. This is disappointing since there are some parts in the film that can be focused longer to come up with a more interesting end result. Instead, it just went on and on and on during the last act showing no signs of stopping. Add the fact that the acting here is all over the place with mostly everyone’s acting motto is described in one word : histrionics. I guess the film’s lack of focus is the root of all these problems; otherwise, there would have been a different (and probably better?) product.

Rating: 2/5

Lihis

LIHIS
Director: Joel Lamangan
Cast: Jake Cuenca, Joem Bascon, Lovi Poe, Isabelle Daza

In the midst of the Martial Law years, two NPA rebels find not only sharing ideologies and beliefs, but feelings for each other. The film is told in a flashback approach as the daughter of one of them find more information about her father.

I wasn’t initially sold by the approach that Lamangan used in order to narrate the story, but the end product did not have any problem translating it to the viewers. After seeing a lot of Lamangan’s more recent features (from 2009’s Dukot up to Burgos from earlier this year), I am reminded that he probably fancies this niche too much lately, because I think the whole NPA stuff was just a background piece in this story. The focus of the film actually deviates more than what I expected. What I mean is that the love story between Ador and Cesar could have been set in a ranch and they’d be sheep herders (wink wink) and what you’d get is practically the same story. i saw that the film tried to go deeper than that to address the said concern (by leaving it to the present day scenes), but it just didn’t completely work out. With that said, there were commendable performances especially from the 1970s part with Joem’s Ennis and Jake’s Jack having no inhibitions with each other. And Lovi Poe is always a treat to watch. Issues aside, I think it’s a decent enough effort from Lamangan that you can see.

PS: Is it just me or the middle image of the film’s poster reminds you of the near end part of 2000’s Plata Quemada? Or for a more common reference, the bottom part of the poster of Ang Sayaw ng Dalawang Kaliwang Paa. 

Rating: 2.5/5

Anyway, that’s it. Next batch hopefully by Saturday. I urge all of you to go watch and support the Sineng Pambansa Film Festival. The whole fest will run from September 11-17 in all SM cinemas nationwide for only 100 pesos!

Also, you can follow me on Twitter: @nikowl

REVIEW: Menor de Edad, Seduction, A Moment in Time, The Bride and the Lover, Bromance, Juana C. The Movie   5 comments

Hi everyone! I have been terribly busy the last few weeks, but I’ll try my best to catch up on local cinema for this year. So instead of doing full reviews for each, I’ll try to tackle them in small dosages. Most of these I’ve seen during their release but doesn’t have the time to write a full review, some I caught up on, and some via other sources *wink*. Anyway, here are six more films from 2013’s collection:

MENOR DE EDAD

Director: Joel Lamangan
Cast: Meg Imperial, Ara Mina, Wendell Ramos, Jaycee Parker, Chynna Ortaleza

2013’s kick off local movie is Joel Lamangan’s socio-political drama Menor de Edad which aims to provide an honest and raw look of the slum life by focusing on a story of juvenile teenagers living in the squatters area. While the intention was there, viewers might get lost as Lamangan goes back and forth to documentary approach and the melodramatic aspects of the film. Scenes were mostly contrived and there were too many plots running that it’s hard for anything to stand out; in the end, all seemed half baked versions of what they really wanted to achieve. The cast was okay, though I can’t help but see them relying on scenery chewing approach of acting which made the over the top story… more over the top.

RATING: 1.5/5


SEDUCTION

Director: Peque Gallaga
Cast: Richard Gutierrez, Solenn Heusaff, Sarah Labhati, Jay Manalo, Al Tantay

Fatal Attraction meets Unfaithful is the theme of Peque Gallaga’s 2013 drama which centers the character of fireman Ram in a choice between two babes: Trina, the one he likes, and Sophia, the one he’s concerned about. It also did not help that Trina is reserved while Sophia can be the answer to his family’s financial obligations. I appreciate the fact that this could have been a good character study of the main characters (particularly Ram and to a certain extent, Sophia), but it wasn’t as interesting as what I expected it to be. I saw some of the classic Peque Gallaga shots in terms of the angles and framing in his shots which maintained interest to say the least, but his actors let him down. It seemed as if it was a battle of “Who can act the worst?” among the three lead stars. It’s a case of seeing the film go one step forward, then two steps behind, and by the time the movie ended, we’re there at the same place where it started.

RATING: 2/5

A MOMENT IN TIME

Director: Emmanuel Palo
Cast: Coco Martin, Julia Montes, Gabby Concepcion, Cherie Gil, Zsazsa Padilla

Star Cinema’s Valentine’s offering this year is composed of one of 2012’s television’s favorite couples: Coco Martin and Julia Montes via A Moment in Time. This story of “strangers getting to know each other though bounded by fate before they even met each other” is a hit or miss for me. For one, Coco Martin and Julia Montes really has a chemistry that was visible in the movie, but on the other hand, I don’t think I already have recovered from their age differences. More than that though, once the back stories of both their characters were revealed (which happened during the earlier part of the film), it’s pretty predictable already. Sure Coco Martin made the whole audience kilig, I still don’t think he has found the suitable mainstream project for him. Plus points though since Amsterdam was really good to look at, and for Cherie Gil’s straight faced delivery of the line “Mukha ba akong kontrabida sa isang pelikula?

RATING: 2/5

THE BRIDE AND THE LOVER

Director: Joel Lamangan
Cast: Paulo Avelino, Lovi Poe, Jennylyn Mercado, Joem Bascon, Hayden Kho

In the never ending tradition of “two women fighting over one man” films that still shows no signs of stopping (everyone… sigh) comes another from the vault. This time, about  best friends who both took the characters of the bride and the lover. That’s also probably the most this movie can offer in terms of standing out among all these kerida films, and while that’s not saying too much, I appreciate that they even tried doing it. The movie is, indeed, entertaining with its shift to comedic and dramatic tones though it also gets tiring by the time we’ve reached the latter part of the film. There were also too many unnecessary characters (the best friend/bodyguard storyline is one that can be eliminated already), but the climax part is enjoyable and almost made up for the rest of the clunks. Jennylyn Mercado stood out the most in this trio, and I hope she gets movie roles because she really has the chops to be even better.

RATING: 2.5/5

BROMANCE: MY BROTHER’S ROMANCE

Director: Wenn Deramas
Cast: Zanjoe Marudo, Cristine Reyes, Arlene Muhlach, Nikki Valdez, Joey Paras, Lassie

If there’s one thing that I like about Bromance is the fact that Wenn Deramas was mostly in a clean slate in this: no Vice Ganda, no Tanging Ina jokes, no DJ Durano to be seen. This gives a fresh new energy that makes most of the film work. Zanjoe Marudo still continues to challenge himself as an actor, and his last few movie projects continue to shape him as an all around actor. I like how committed he was in it, and it shows in his performance. Cristine Reyes also seems to have a knack at comedy, and I think this type of role suits her better than let’s say El Presidente. The cameos in the film were a lot, but most worked for me (especially the one who played the doctor). This movie made me laugh more than what I expected, so if this is what we can expect from the next few Deramas outings, then he might have mastered the type of comedy for his audience after all? But then again, it’s hard to speak that early. 

RATING: 3/5

JUANA C. THE MOVIE

Director: Jade Castro
Cast: Mae Paner, John James Uy, Jelson Bay, Angelina Kanapi, Annicka Dolonius, Mads Nicolas

From the same group that gave us Zombadings,  Juana C. is a political satire that gives us a funny and honest glimpse of the wicked world of politics. It’s pretty obvious that the movie has a lot to offer, and while some of the subplots didn’t work for me, the main message of the film stood out in the end. It’s a pretty enjoyable ride that sometimes tend to go overboard, but manages to stay still and in the end, ultimately reached its destination. Juana Changge (Mae Paner) is an engaging lead character that serves as the glue that holds all of them together, but the whole ensemble is top notch, giving you endless riots and bundles of laughter. You can see the commitment that the people gave this film, so it’s easy to forgive the noticeable flaws in it.

RATING: 3/5

Whew that’s a handful. There are still some films left to be seen from the first half of the year before we go overboard with the Cine Filipino and Cinemalaya contenders this month and the next, so it’s good to finally put this out already. 🙂

As always, you can follow me on Twitter: @nikowl

2012: The Year in Supporting Actresses   3 comments

supp actress

2012 has given us a wide array of supporting actress performances from dramas to comedies, from musicals and even horror films both in indie and mainstream movies. This category also contains some of the finest names in television, films, and even the stage. Here’s a sample masterlist of who can get nominated from the award giving bodies next season.

Take note that when I say award giving bodies, it’s as varied as the mainstream hard on of the PMPC Star Awards for Movies up to the indie love of the Manunuri and sometimes the in between such as the Golden Screen Awards.

LEADERS OF THE PACK

I wouldn’t be surprised if veteran actress Anita Linda will pick up a lot of supporting actress trophies for her performance as the foul mouthed Alzheimer’s healed grandmother of Coco Martin in Santa Nina. If not that, then she might gain notices for albeit a similar role in Olivia Lamasan’s The Mistress. Speaking of The Mistress, comeback veteran actress Hilda Koronel can find herself back again in  awards territory as the original life spewing one of the famous movie lines of the year via “Layuan mo ang asawa ko. Tagalog ‘yan para maintinfihan mo.” Janice de Belen had a fabulous year giving memorable performances in all of her movie appearances this 2012. While I can see her getting nominated for the horror films she did, her biggest chance is still Joey Reyes’s Cinemalaya entry Mga Mumunting Lihim portraying the role of Olive, the one in the quartet of friends who wasn’t able to finish college and gets a boyfriend twice younger than her age. Janice’s co-star Agot Isidro can also reap nominations as the self centered judgmental friend Sandy also from the same movie. To round off the top five, I’d put Angelica Panganiban‘s name here as workaholic Jacqueline who’s trying to be the perfect wife in One More Try. While I can see cases wherein Panganiban will be moved to Lead, I guess they might throw her a bone here in order to avoid internal competition from Angel Locsin. Not that it’s a fraud or something because I felt she was actually a supporting actress in this one.

MIDDLE TIER

If award giving bodies failed to like any of the women above, then you can always count Nora Aunor’s performance as Emilio Aguinaldo’s second wife in El Presidente though lack of screentime will probably hurt her. Lovi Poe suffers the same fate as Thy Womb co-star Aunor from appearing in the final moments of the film especially since local award giving bodies love scenery chewing scenes that screams acting from its audience. Both Fides Cuyugan Asensio and Raquel Villavicencio can also be in the running this year as the more superior nuns of Adoration Clositer in Vincent Sandoval’s Aparisyon. Young actress Alessandra de Rossi also got a boatload of performances this year and she can get nominated as Coco Martin’s past love in Santa Nina or the cop daughter in the family ensemble Mater Dolorosa. A lot of mothers can also get a nomination or two this year such as those of Eugene Domingo as an annoyed mother who found out that her son fathered a teenage daughter in the musical I Do Bidoo Bidoo, Cherry Pie Picache‘s mother who keeps a secret in Lawrence Fajardo’s The Strangers, Rosanna Roces as the mistress of Philip Salvador who is dependent to Gina Alajar in Mater Dolorosa, and Dawn Zulueta as a strict mother who’s distant from her son in Ang Nawawala. Since there’s an abundance of mistress themed movies, one can also expect a nod for Andi Eigenmann‘s role as the third party in A Secret Affair.

THE REST OF THE PACK

And as for the others, possible supporting actress turns that can receive mentions this year include Kim Chiu‘s transformation as Vilma Santos’ half daughter in The Healing, Mercedes Cabral as Nora Aunor’s friend in Thy Womb, Gina Pareno as the voice of reason to daughter Angel Locsin in One More Try, Annicka Dolonius as Gibson’s apple of the eye in Ang Nawawala, and Angel Aquino as one of the victims in Brillante Mendoza’s Berlin entry Captive. Further supporting mentions that might grab attention at next year’s award giving bodies are Cinema One Originals winner Ria Garcia in Melodrama Negra, Daria Ramirez as Pokwang’s mother who took care of her grandchildren in the absence of her daughter who went abroad for a living in A Mother’s Story, Toni Gonzaga who is caught in between Vice Ganda and Luis Manzano’s antics in This Guy’s in Love with U, Mare, Angelina Kanapi as Dennis Trillo’s cousin in Ang Katiwala, and Cherie Gil in the comedy ensemble Madaling Araw, Mahabang Gabi. 

That’s it! That’s just 25 names, but it gives award giving bodies a lot of options to choose from in next year’s awards derby. Tomorrow, spotlight for the supporting actors of the year will be given.

As always, you can follow me on Twitter: @nikowl