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Tit For Tat Local Film Awards 2013   6 comments

May used to be the awards season here in the Philippines, but that tradition has been long since gone. But not for me. This is when I reveal my top picks for the best in Philippine cinema. 2013 is a very difficult one, not because there are only few films to choose from, but because of the many selections the year gave us. Granted I still missed some few films here and there, I’ll share to you my picks in 20 different categories (including my three top choices per film component.) And without further ado, here’s my 2013 Tit for Tat Local Film Awards:

first feature

GOLD: BLUE BUSTAMANTE (Miko Livelo)
SILVER: TRANSIT (Hannah Espia)
BRONZE: PUROK 7 (Carlo Obispo)

ensemble

GOLD: the cast of Iskalawags
SILVER: the cast of Norte
BRONZE: the cast of Transit

visual effects

GOLD: KUNG FU DIVAS
SILVER: DEBOSYON
BRONZE: PAGPAG

sound

GOLD: RIDDLES OF MY HOMECOMING (Arnel Barbarona)
SILVER: ON THE JOB (Corrine de San Jose, Mikko Quizon)
BRONZE: NORTE (Corrine de San Jose)

song

GOLD: INDAK (Sana Dati)
SILVER: SCARED TO DEATH (Tuhog)
BRONZE: SEA OF TREES (Shift)

score

GOLD: DEBOSYON (Teresa Barrozo)
SILVER: SANA DATI (Jerrold Tarog)
BRONZE: RIDDLES OF MY HOMECOMING (Gauss Obenza)

hair and make up

GOLD: Quick Change
SILVER: Kung Fu Divas
BRONZE: Boy Golden

editing

GOLD: ON THE JOB (Jay Halili)
SILVER: BADIL (Carlo Francisco Manatad)
BRONZE: TRANSIT (Hannah Espia, Benjamin Tolentino)

costume design

GOLD: Boy Golden
SILVER: Kung Fu Divas
BRONZE: Ekstra

cinematography

GOLD: NORTE (Lauro Rene Manda)
SILVER: ON THE JOB (Ricardo Buhay III)
BRONZE: DEBOSYON (Dexter dela Pena)

art direction

GOLD: ON THE JOB (Richard Somes)
SILVER: BLUE BUSTAMANTE (Marielle Hizon)
BRONZE: PAGPAG (Luis Custodio IV)

breakthrough actor

GOLD: MIMI JUAREZA, Quick Change
SILVER: JUNJUN QUINTANA, Philippino Story
BRONZE: VINCE TANADA, Otso

breakthrough actress

GOLD: KRYSTLE VALENTINO, Purok 7
SILVER: JASMINE CURTIS, Transit
BRONZE: YENG CONSTANTINO, Shift

screenplay

GOLD: NORTE (Lav Diaz, Rody Vera)
SILVER: SANA DATI (Jerrold Tarog)
BRONZE: BABAGWA (Jason Paul Laxamana)

supporting actress

GOLD: ANGELI BAYANI, Norte
SILVER: BING PIMENTEL, Kabisera
BRONZE: IRMA ADLAWAN, Transit

supporting actor

GOLD: DICK ISRAEL, Badil
SILVER: JOEY MARQUEZ, On the Job
BRONZE: JOEY PARAS, Babagwa

lead actress

GOLD: KRYSTLE VALENTINO, Purok 7
SILVER: LOVI POE, Sana Dati
BRONZE: VILMA SANTOS, Ekstra

lead actor

GOLD: SID LUCERO, Norte
SILVER: JHONG HILARIO, Badil
BRONZE: JOEL TORRE, Kabisera

directing

GOLD: LAV DIAZ, Norte
SILVER: CHITO RONO, Badil
BRONZE: ERIK MATTI, On the Job

picture

GOLD: Norte, Hangganan ng Kasaysayan
SILVER: Badil
BRONZE: Sana Dati

Whew, there you have it! 🙂 As a recap, here’s the complete list of my 2013 winners:

BEST PICTURE: Norte, Hangganan ng Kasaysayan
BEST DIRECTOR: Lav Diaz, Norte Hangganan ng Kasaysayan
BEST ACTOR: Sid Lucero, Norte Hangganan ng Kasaysayan
BEST ACTRESS: Krystle Valentino, Purok 7
BEST SUPPORTING ACTOR: Dick Israel, Badil
BEST SUPPORTING ACTRESS: Angeli Bayani, Norte Hangganan ng Kasaysayan
BEST SCREENPLAY: Lav Diaz, Rody Vera, Norte Hangganan ng Kasaysayan
BEST BREAKTHROUGH ACTOR: Mimi Juareza, Quick Change
BEST BREAKTHROUGH ACTRESS: Krystle Valentino, Purok 7
BEST ART DIRECTION: Richard Somes, On the Job
BEST CINEMATOGRAPHY: Lauro Rene Manda, Norte, Hangganan ng Kasaysayan
BEST COSTUME DESIGN: Boy Golden
BEST EDITING: Jay Halili, On the Job
BEST HAIR AND MAKE UP: Quick Change
BEST ORIGINAL SCORE: Teresa Barrozo, Debosyon
BEST SONG: “Indak” from Sana Dati
BEST SOUND: Arnel Barbarona, Riddles of my Homecoming
BEST VISUAL EFFECTS: Kung Fu Divas
BEST ENSEMBLE: the cast of Iskalawags
BEST FIRST FEATURE:Blue Bustamante” by Miko Livelo

Until next year! 🙂

Also, you can follow me on Twitter: @nikowl

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Philippines’ 86th Oscar Submission: Transit   11 comments

1001587_708370515842957_1956497868_n  Just yesterday, the Philippines announced their official pick as to what the country will submit for the Best  Foreign Language film category at the 86th Academy Awards. First time feature director Hannah Espia’s Transit, a drama about an OFW family in Israel having to deal with the current policy of deporting non-Israelian kids from the country. It is a late inclusion from an original field of nine shortlist which you can find here.

Transit is definitely one of the year’s best films, there’s no doubt about that. It is a great film and I even personally have that as one of the five best films of the year (by far). It managed to sweep last month’s Cinemalaya Film Festival ending up with ten trophies. It has great technical achievements and is an exceptional debut feature from young director Hannah Espia. I’m also glad that the FAP is responding more to female directors, as she becomes the third female director (after Marilou Diaz Abaya and Rory B. Quintos) to have a film being submitted for this. In short, it’s a great film. Period.

But quality can only take you so far.

We all know it’s just not about the quality. Arguably, one can even say that it’s more on the campaigning of the film. With 70+ contenders from films all over the world contending. an all out big campaign must be launched. After all, Transit, hasn’t been a part of the big three festivals (Cannes, Venice, Berlin) nor a participant of the other smaller festivals like Toronto, Tribeca, Sundance, or Telluride. When it comes to Oscar, those are all the only festivals that matter. And an exposure to any of that (and a film’s performance in that said participation) is the kickstarter for its buzz.

This is the type of film that benefits only in the voting process of the actual winner already, since there’s no doubt that it has a huge appeal to the demographics of Oscar voters. But before reaching that stage, it needs an aggressive campaign that will lead it to the said position, which I’m skeptical of it achieving. That is the film’s biggest hurdle. How can they handle to make everyone consider to see it and prioritize it among the dozens and dozens of films in contention.

Now last year I wrote it here, that if I will sum up Bwakaw‘s chances, I’d say its biggest and farthest road that it can travel is the top nine shortlist. After all, same time last year, it already had a Toronto screening, thus the Oscar prognosticating sites (particularly Nathaniel Rogers’ The Film Experience raving about it) keep its small buzz alive. So unless they have some tricks left up in their sleeves, then yes, I guess it’s possible. If I have to make a prediction this year, a top nine is a long shot and it will take a huge miracle of some sorts if it managed to do that.

All in all, while there’s no doubt that we submitted a great film, if we’re really in it to finally get the country a nod, then we should consider more how this policy really works. This is no beauty pageant, we don’t need a film that shows the good side of the country to represent us. If we really want to nab an Oscar nod, then they must start to learn how the tricks of the trade work. This is not a year that we must just get contented that we submitted a great film. We already did that last year with Bwakaw. This year, we have something in contention that could have done much better. Oh well, off to next year I guess.