Archive for the ‘joey marquez’ Tag

37th Gawad Urian Winner Predictions   2 comments

The glory days of local Philippine awards night have been over, and right now, there are only two remaining interesting citation giving bodies: the Young Critics Circle and the Manunuri (and my own Titties awards of course lol). That said, the YCC already gave their citation last April while the Manunuri will be handling out their awards tomorrow. And in line with that, I’ll be going on a limb and try to predict who’ll end up with those huge silver trophies tomorrow in all 12 categories.

best pic

BEST PICTURE
Badil
Dukit
Ekstra
Ang Kuwento ni Mabuti
Norte Hangganan ng Kasaysayan

On the Job
Porno
Riddles of my Homecoming
Transit

With how huge Norte was last year, I think it will be an easy win for this Cannes Un Certain regard entry to receive the top prize for tomorrow’s ceremony. Besides, it’s not as if Lav Diaz has been over-rewarded here before (his films only won twice, for 2001’s Batang Westside and 2004’s Ebolusyon ng Isang Pamilyang Pilipino). To add more confidence in its side, it’s also the top nominated film for this year, and you’d notice the trend that it is indeed one of their most loved films this year. That said though, if they want to spread the wealth, I can see the other top nomination receiver, Dukit, getting the most coveted award instead.

Prediction: Norte, Hangganan ng Kasaysayan
Alternate: Dukit

best directing

BEST DIRECTING
Whammy Alcazaren, “Islands
Adolf Alix Jr.. “Porno
Mes de Guzman, “Ang Kuwento ni Mabuti”
Lav Diaz, “Norte Hangganan ng Kasaysayan
Hannah Espia, “Transit
Peque Gallaga, Lore Reyes, “Sonata
Jeffrey Jeturian, “Ekstra
Armando Lao, “Dukit
Arnel Mardoquio, “Riddles of My Homecoming
Erik Matti, “On the Job
Chito Rono, “Badil
Alvin Yapan, “Mga Anino ng Kahapon

Choosing in a field of twelve is already a difficult task to do, though I guess I have to remove those previous winners already: Adolf Alix, Mes de Guzman, Lav Diaz, Peque Gallaga, Jeffrey Jeturian, Arnel Mardoquio, Chito Rono, and Alvin Yapan. Then you also have Urian winners Armando Lao and Whammy Alcazaren (despite in other categories). That leaves us with veteran director Erik Matti and Hannah Espia. I have a hunch that Espia has more chance in Editing for Transit (and I’m predicting her there), so I guess I’ll be going with Erik Matti. I mean he’s overdue for an Urian right? Plus, On the Job is a very flashy directorial work that I can see the Manunuri going for. If not him though, I expect a second win for Lav Diaz because really, it’s quite a shame that he has only won here only once yet.

Prediction: Erik Matti, “On the Job
Alternate: Lav Diaz, “Norte Hangganan ng Kasaysayan

best actor

BEST ACTOR
Mark Gil, “Philippino Story
Jhong Hilario, “Badil
Mimi Juareza, “Quick Change
Sid Lucero, “Norte Hangganan ng Kasaysayan
Alex Medina, “Babagwa
Ping Medina, “Transit
Joel Torre, “On the Job

Speaking of repeat winners, this surprisingly short line up (remember the 15 nominee group last year?) I think is between two past champs: 2001 champ for Batang Westside Joel Torre and 2010 champ for Muli, Sid Lucero. Lucero has the longer role and one that is very demanding as well that I won’t be surprised if the voters fall in love with such. That said, Torre’s 2013 is some sort of a career best comeback that let him lead not only one, but two brave performances of the last year (the other was for Borgy Torres’ Kabisera). Having that advantage would make me predict him for the win. Outside of those two though, I guess I’d go with Alex Medina as the other feasible winner. The Urian has a history of proclaiming the hot young handsome actor in this category (see Christopher de Leon in 1978, Philip Salvador in 1979, Richard Gomez in 1991, Aga Muhlach in 1995, Jason Abalos in 2007, Sid Lucero in 2010, Paulo Avelino in 2011, and Jericho Rosales last year) and Alex Medina fits that bill. But I’m still going with Joel Torre on this one.

Prediction: Joel Torre, “On the Job
Alternate: Sid Lucero, “Norte Hangganan ng Kasaysayan

best actress

BEST ACTRESS
Nora Aunor, “Ang Kuwento ni Mabuti
Angeli Bayani, “Norte Hangganan ng Kasaysayan
Rustica Carpio, “Ano Ang Kulay ng Mga Nakalimutang Pangarap?”
Eugene Domingo, “Instant Mommy
Cherie Gil, “Sonata
Agot Isidro, “Mga Anino ng Kahapon
Teri Malvar, “Ang Huling Chacha ni Anita
Vilma Santos, “Ekstra
Lorna Tolentino, “Burgos
Vivian Velez, “Bendor

Definitely the most talked about and interesting category of the night (I won’t even be surprised if this one is handed out after Best Picture because it’s the Philippines after all), but this one revives the Nora-Vilma rivalry in a big way. Currently though, Vilma is all time Urian champ here with 8 wins, but Nora is closely behind her with 7 wins. If Vilma wins, she’d inch farther with 9, but if Nora wins, they’d both be tied at 8. Do you think they’ll just give them a tie and call it a day? I think there’s a probable chance of that happening. After all, it will please everyone and the mileage will really be huge. And despite the two being nominated alongside with each other during the 80s and early 90s, this possibility is unprecedented yet. In the event that happens, everyone leaves happy. However, they can also do a cop out and instead reward the eight other women here. I think the biggest possible spoiler is Angeli  Bayani whose 2013 is definitely a career best for her. Making waves at almost all film festivals here, an Urian Best Actress is a nice cap off to her 2013 achievement. And that’s who I’m predicting to win here. If not her, then I expect Vilma to receive her ninth win here. Nora just had her spotlight last year, I’m sure they won’t hesitate shifting the momentum to Vilma this year.

Prediction: Angeli Bayani, “Norte Hangganan ng Kasaysayan
Alternate: Vilma Santos, “Ekstra

best supp actor

BEST SUPPORTING ACTOR
Art Acuna, “Kabisera
Archie Alemania, “Norte Hangganan ng Kasaysayan
Carlo Aquino, “Porno
John Arcilla, “Metro Manila
Victor Basa, “Lauriana
Joey Marquez, “On the Job
Cesar Montano, “Ang Alamat ni China Doll”
Bor Ocampo, “Dukit
Junjun Quintana, “A Philippino Story
Yul Servo, “Porno

As for the supporting actors, unless Art Acuna pulls off a threepeat (which I doubt happens but I won’t be surprised if he actually does), I think it will be a battle of the two overdue Porno guys (that sounded wrong no? lol). Both Urian-less Yul Servo and Carlo Aquino are the ones I’m confident about in this category. Carlo Aquino is now on his sixth bid for a win while Yul Servo is on his fifth. You can really just toss a coin with this one, but I guess I’m going with the latter – no reasons why.

Prediction: Yul Servo, “Porno
Alternate: Carlo Aquino, “Porno

best supp actress

BEST SUPPORTING ACTRESS
Angel Aquino, “Porno
Angel Aquino, “Ang Huling Chacha ni Anita
Jasmine Curtis, “Transit
Ruby Ruiz, “Ekstra
Michelle Smith, “Angustia”
Raquel Villavicencio, “Dukit

Call it the “Johnny Delgado Rule”. When it comes to Urian, compete against yourself in one category and you’d end up winning the trophy. It was in 1980 when Johnny Delgado competed against himself for for Brutal and Kakabakaba Ka Ba? and he ended up with a Supporting Actor win for the latter. Then in 1986, Jaclyn Jose was nominated twice for Best Actress: Private Show and Takaw Tukso, also winning for the latter. Fast forward to last year in this same category where Alessandra de Rossi was nominated for both Mater Dolorosa and Santa Nina, and she finally clinched her first Urian for the former. As a matter of fact, this statistic is so strong that it only faltered once (Nora Aunor who was nominated for both Bulaklak sa City Jail and ‘Merika only to lose to a threepeat Vilma Santos win for Sister Stella L.) Why am I writing about this though? It’s because I think this rule will apply again to twice nominated Angel Aquino.  I had her both as a prediction and alternate and I’ll just wait which one sticks. Like de Rossi last year, Aquino hasn’t won an Urian yet, and I’m choosing Porno by a hair since they seem to like the overall film better and that it’s her flashier and more “physically demanding” work.

Prediction: Angel Aquino, “Porno
Alternate: Angel Aquino, “Ang Huling Chacha ni Anita

Now as for the rest of the categories…

SCREENPLAY:
Prediction:
Lav Diaz, Rody Vera,Norte Hangganan ng Kasaysayan
Alternate:
Michicko Yamamoto, Erik Matti,On the Job

PRODUCTION DESIGN:
Prediction: Adolf Alix, “Porno
Alternate: Richard Somes, “On the Job

CINEMATOGRAPHY:
Prediction: Rene Manda, “Norte Hangganan ng Kasaysayan
Alternate: Albert Banzon, “Porno

MUSIC:
Prediction: Gauss Obenza, “Riddles of my Homecoming
Alternate: Perry Dizon, “Norte Hangganan ng Kasaysayan

EDITING:
Prediction: Benjamin Tolentino, Hannah Espia, “Transit
Alternate: Jay Halili, “On the Job

SOUND:
Prediction: Armando Lao, “Dukit
Alternate: Arnel Barbarona, “Riddles of My Homecoming

DOCUMENTARY:
Prediction:
 Jazz in Love (Baby Ruth Villarama)
Alternate: Nanay Mameng (Adjani Arumpac)

SHORT FILM
Prediction: 
Onang (JE Tiglao)
Alternate: May Dinadala (Giancarlo Abrahan)

Let’s wait how these predictions will turn out tomorrow when the Manunuri holds the 37th Gawad Urian Awards to be hosted by Piolo Pascual and Bianca Gonzalez. The special will also be shown on Cinema One multiple times this month.

You can also follow me on Twitter: @nikowl

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Tit For Tat Local Film Awards 2013   6 comments

May used to be the awards season here in the Philippines, but that tradition has been long since gone. But not for me. This is when I reveal my top picks for the best in Philippine cinema. 2013 is a very difficult one, not because there are only few films to choose from, but because of the many selections the year gave us. Granted I still missed some few films here and there, I’ll share to you my picks in 20 different categories (including my three top choices per film component.) And without further ado, here’s my 2013 Tit for Tat Local Film Awards:

first feature

GOLD: BLUE BUSTAMANTE (Miko Livelo)
SILVER: TRANSIT (Hannah Espia)
BRONZE: PUROK 7 (Carlo Obispo)

ensemble

GOLD: the cast of Iskalawags
SILVER: the cast of Norte
BRONZE: the cast of Transit

visual effects

GOLD: KUNG FU DIVAS
SILVER: DEBOSYON
BRONZE: PAGPAG

sound

GOLD: RIDDLES OF MY HOMECOMING (Arnel Barbarona)
SILVER: ON THE JOB (Corrine de San Jose, Mikko Quizon)
BRONZE: NORTE (Corrine de San Jose)

song

GOLD: INDAK (Sana Dati)
SILVER: SCARED TO DEATH (Tuhog)
BRONZE: SEA OF TREES (Shift)

score

GOLD: DEBOSYON (Teresa Barrozo)
SILVER: SANA DATI (Jerrold Tarog)
BRONZE: RIDDLES OF MY HOMECOMING (Gauss Obenza)

hair and make up

GOLD: Quick Change
SILVER: Kung Fu Divas
BRONZE: Boy Golden

editing

GOLD: ON THE JOB (Jay Halili)
SILVER: BADIL (Carlo Francisco Manatad)
BRONZE: TRANSIT (Hannah Espia, Benjamin Tolentino)

costume design

GOLD: Boy Golden
SILVER: Kung Fu Divas
BRONZE: Ekstra

cinematography

GOLD: NORTE (Lauro Rene Manda)
SILVER: ON THE JOB (Ricardo Buhay III)
BRONZE: DEBOSYON (Dexter dela Pena)

art direction

GOLD: ON THE JOB (Richard Somes)
SILVER: BLUE BUSTAMANTE (Marielle Hizon)
BRONZE: PAGPAG (Luis Custodio IV)

breakthrough actor

GOLD: MIMI JUAREZA, Quick Change
SILVER: JUNJUN QUINTANA, Philippino Story
BRONZE: VINCE TANADA, Otso

breakthrough actress

GOLD: KRYSTLE VALENTINO, Purok 7
SILVER: JASMINE CURTIS, Transit
BRONZE: YENG CONSTANTINO, Shift

screenplay

GOLD: NORTE (Lav Diaz, Rody Vera)
SILVER: SANA DATI (Jerrold Tarog)
BRONZE: BABAGWA (Jason Paul Laxamana)

supporting actress

GOLD: ANGELI BAYANI, Norte
SILVER: BING PIMENTEL, Kabisera
BRONZE: IRMA ADLAWAN, Transit

supporting actor

GOLD: DICK ISRAEL, Badil
SILVER: JOEY MARQUEZ, On the Job
BRONZE: JOEY PARAS, Babagwa

lead actress

GOLD: KRYSTLE VALENTINO, Purok 7
SILVER: LOVI POE, Sana Dati
BRONZE: VILMA SANTOS, Ekstra

lead actor

GOLD: SID LUCERO, Norte
SILVER: JHONG HILARIO, Badil
BRONZE: JOEL TORRE, Kabisera

directing

GOLD: LAV DIAZ, Norte
SILVER: CHITO RONO, Badil
BRONZE: ERIK MATTI, On the Job

picture

GOLD: Norte, Hangganan ng Kasaysayan
SILVER: Badil
BRONZE: Sana Dati

Whew, there you have it! 🙂 As a recap, here’s the complete list of my 2013 winners:

BEST PICTURE: Norte, Hangganan ng Kasaysayan
BEST DIRECTOR: Lav Diaz, Norte Hangganan ng Kasaysayan
BEST ACTOR: Sid Lucero, Norte Hangganan ng Kasaysayan
BEST ACTRESS: Krystle Valentino, Purok 7
BEST SUPPORTING ACTOR: Dick Israel, Badil
BEST SUPPORTING ACTRESS: Angeli Bayani, Norte Hangganan ng Kasaysayan
BEST SCREENPLAY: Lav Diaz, Rody Vera, Norte Hangganan ng Kasaysayan
BEST BREAKTHROUGH ACTOR: Mimi Juareza, Quick Change
BEST BREAKTHROUGH ACTRESS: Krystle Valentino, Purok 7
BEST ART DIRECTION: Richard Somes, On the Job
BEST CINEMATOGRAPHY: Lauro Rene Manda, Norte, Hangganan ng Kasaysayan
BEST COSTUME DESIGN: Boy Golden
BEST EDITING: Jay Halili, On the Job
BEST HAIR AND MAKE UP: Quick Change
BEST ORIGINAL SCORE: Teresa Barrozo, Debosyon
BEST SONG: “Indak” from Sana Dati
BEST SOUND: Arnel Barbarona, Riddles of my Homecoming
BEST VISUAL EFFECTS: Kung Fu Divas
BEST ENSEMBLE: the cast of Iskalawags
BEST FIRST FEATURE:Blue Bustamante” by Miko Livelo

Until next year! 🙂

Also, you can follow me on Twitter: @nikowl

Top Local Movies of 2013   3 comments

Last year, I opened my list by saying that 2012 was an enjoyable year in local cinema. Turns out, I was speaking way too soon because 2013 turned out to be an even better one. To say it is great is probably a hyperbole, but at the same time, I say it with much conviction (and even an understatement). The medium of cinema has never been more exciting and adventurous in the past few years than what the 2013 batch has offered. That goes without saying that it didn’t have its share of misfires and mess, but then again, this year is too strong to focus on that. Three titles you wouldn’t see on the list, however, are Lav Diaz’ Norte, Hangganan ng Kasaysayan, Alvin Yapan’s Mga Anino ng Kahapon, and Sigrid Andrea Bernardo’s Ang Huling Chacha ni Anita, because I was foolish enough to miss them during their run. With that said, here are my 15 picks for the best in 2013 local cinema:

15. Tuhog

15. TUHOG (Veronica Velasco)

Maindie is one of those terms that sounded so forced you don’t want to hear it ever again, but this Veronica Velasco film of three intertwined stories connected by an unfortunate incident gives it a free pass to be used just this time. Each of the three sub-stories provided interesting characters and back stories that any of them could have been further fleshed out to a whole film. But then again, maybe that’s one of the film’s asset? The movie also boasts of a fitting soundtrack to its story, and the end result is one of 2013’s most fresh mainstream or in this case, maindie, offerings.

14 Otso

14. OTSO (Elwood Perez)

Otso is director Elwood Perez’ first film in ten years, and in this case, it is really worth the wait. I think that doesn’t apply on waiting for Elwood’s comeback only, but for the film as well. Otso started in scenes that were still in multicolor, but it just sets up for an even better film once it turns black and white. I don’t think I’ve necessarily picked up everything that the film wants to show, but it’s part of its appeal. It lures you to its world where the crazy and the wicked happens, and you’re simply hooked.

13. Babagwa

13. BABAGWA (Jason Paul Laxamana)

One of the two Audience choice winners at last year’s Cinemalaya, it’s easy to see why a lot fell in love with this film. Its humor is one that appeals to everyone. But digging deeper, I think it speaks a lot to the curious and inquisitive nature of ourselves. In here, we see two people fleshing out two different personas of each, and we, as the audience, are the witness to all of it. It’s such an engaging scenario that by the time the slow reveal at the end happens, you probably have an idea of what’s about to happen yet you still want to see it happen. It also boasts of an inspired screenplay and one that speaks of the current times.

12. Boy Golden

12. BOY GOLDEN SHOOT TO KILL: The Arturo Porcuna Story (Chito Rono)

I’ve been quite dismissive of this MMFF entry just because it’s Jorge Estregan with a leading lady almost half his age yet again, but I guess surprises do come when you least expect it. Not only does this film serve as a perfect throwback to the yesteryears of enjoyable action flicks, we’re also served with its topnotch technical achievements. The twists and turns of thew characters here, plus that out of nowhere scenes that provided the camp makes it a good reminder that every now and then, never judge a movie by its horribly made poster.

11. Kabisera

11. KABISERA (Alfonso Torre III)

Yes I’m not here for that Breaking Bad comparisons simply because they are two different films that happened to have some similarities. it happens, but I don’t see any “copying” between these two. In Borgy Torre’s directorial debut, Kabisera shows us how one family man’s dreams happen and its good and bad repercussions not only to him but to the people around him. Anchored with a commanding performance by Joel Torre (one of his two this year) and a really great supporting ensemble, Kabisera is really thrilling as it can get.

10. Quick Change

10. QUICK CHANGE (Eduardo Roy Jr.)

Eduardo Roy Jr.’s follow up has a dark humorous tone in it that is simply irresistible. Just like how the characters in the film get totally pumped over having those “shots” that lead character Dorina provides to them, we are really drawn and addicted to what happens. It gives us a peak into this world which not many of us are particularly adept about, and it does a great job in doing so. That of course, and lead actor Mimi Juareza’s haunting turn in it.

09. Bukas Na Lang Sapagkat Gabi Na

09. BUKAS NA LANG SAPAGKAT GABI NA (Jet Leyco)

One of the common themes I noticed among the Cinema One Originals entries this year is that the films are more experimental in nature. Jet Leyco’s Bukas Na Lang Sapagkat Gabi Na provides a mysterious atmosphere that makes you more interested as the film goes on. It is weird and eerie and that’s what make it work. The film, in its own nature, has a great grasp of what it wants to show in a really inspired manner (the handheld camera effect, black and white parts, gunshot sounds), and it  makes the whole viewing more enjoyable. It’s one film I think I’ll enjoy more in repeat viewings.

08. Purok 7

08. PUROK 7 (Carlo Obispo)

A portrait of an optimistic girl living in small rural town was vividly depicted in Carlo Obispo’s debut feature Purok 7. As we follow the story of 14 year old Diana and her younger brother, we were given an escape, thanks to the eye catching scenery of the country side. But more than that, we witnessed and felt the agony of two kids who have long wanted to be a part of something and be a part of a family. The simplicity of it all is what makes this whole thing fresh, endearing, and leaves a lasting impression.

07. Transit

07. TRANSIT (Hannah Espia)

As the overall winner of last year’s Cinemalaya New Breed category, Hannah Espia’s debut effort Transit is an achievement on so many levels. Not only does its display of technical achievements noteworthy, but its storytelling was also seamlessly interwoven. It’s not everyday that we see this kind of potential on a first time full feature, but for this particular effort, Espia manages to hit the right buttons. And as a bonus, it even ended up as the country’s Oscar Foreign Language Film submission.

06. Blue Bustamante

06. BLUE BUSTAMANTE  (Miko Lovelo)

OFW movies have been done to death already during the past decade, but first time director Miko Livelo puts a new spin on it in his Cinema One Originals entry Blue Bustamante. The expected dramatic scenes were instead replaced with an earned sentimentality that just wins you over. As main protagonist George, Joem Bascon was such a delight to watch as he finds a replacement work in Japan that will not only bring in the money but an even closer bond to his son and family who are miles apart. It’s definitely one of the most fun times I had at the movies for 2013.

05. Debosyon

05. DEBOSYON (Alvin Yapan)

Hypnotizing right from the start, this tale of one’s faith and acceptance  – may it be because of love or commitment or just one’s mere existence – is one that lingers even after the credits roll.  The film, which also is aided by minimal dialogues but really magnificent visuals, takes its viewers to some breathless imagery. The movie rested solely on its two lead’s but they did more than what they were asked for. Plus, the last 20 minutes of this film is still one of the bests I’ve see for this year.

04. Iskalawags

04. ISKALAWAGS (Keith Deligero)

Like OFW films, coming of age films have been done to death now, but Keith Deligero’s refreshing approach in the Cinema One entry Iskalwags puts a more inspired approach to it. It’s not hard to fall for the film as it certainly evokes an environment that is light and not totally sentimental. It sparks a certain touch of youth and playfulness that is rarely captured this well on screen. The voice over also adds a more interesting spin, and it features an ensemble whose innocence translates in a totally natural manner.

03. On the Job

03. ON THE JOB (Erik Matti)

Probably one of the most buzzed films of the year, this picture depicts a setting of a dirty and very complex government; one which needed more than just a person who has an optimistic view to eradicate it and start anew.  It is through this core notion where these characters live and breathe, as Erik Matti gives us a more than satisfying crime action thriller that is gripping and at at the same time, really, really timely. It’s one of the rare movie experiences that makes you even sadder as you come out of the theaters because of how easy one can reflect and connect it to what’s really going on.

02. Sana Dati

02. SANA DATI (Jerrold Tarog)

The cinema has given us lots of love stories. Most of them with happy endings, while some were flat out tragedies.  In Jerrold Tarog’s closing effort to his camera trilogy, he uses the notion of whether to stay stagnant or to let go as a path to understand how love really works. In the case of Lovi Poe’s Andrea, it’s a hard task, especially when you’re ready to move on yet a reminder of the past shows up hours before you’re ready to take the jump. Sana Dati is one of the best stories about love I’ve seen in a long time. And there’s no other way to end the film that with Up Dharma Down’s Indak.

01. Badil

01. BADIL (Chito Rono)

At one point, it doesn’t even seem that this would make it at the Sineng Pambansa festival last August. But thankfully, it did. Chito Rono’s entry which focuses in a small Samar town on the eve of election day is as arresting as one can get. Like On the Job, it’s a depiction of what’s wrong in a society, but this one is less technically polished but of the same, if not even more, intensity. It’s a film that has a lot of long continuous shots, probably making the whole experience more captivating. It also has a good ensemble with a very intense Jhong Hilario leading the ship.  Badil was an entry in the All Master’s Edition of the Sineng Pambansa, and with his controlled and almost restrained direction, Rono definitely lives up to the challenge.

You can also follow me on Twitter: @nikowl

2013 Metro Manila Film Festival Review: Part 1   12 comments

In the last three decades, Christmas time in the Philippines is not complete without the celebration of the Metro Manila Film Festival. The history of this festival might have been very shaky at best, but this one produced some of the best films our country ever produced ranging from Ishmael Bernal’s Himala and Eddie Romero’s Ganito Kami Noon Paano Kayo Ngayon. Other notable films include Marilou Diaz Abaya’s Jose Rizal, Jose Javier Reyes’s May Minamahal, and last year’s entry Brillante Mendoza’s Thy Womb. With that said, the last decade of the festival has focused mostly on commercially viable films with the same actors, producers, and even stories to watch every single year. Now on it’s 39th year, here’s the first half of my reviews for the MMFF entries of this year’s batch.

My Little Bossings

MY LITTLE BOSSINGS
Director: Marlon Rivera
Cast: Vic Sotto, Kris Aquino, Ryzza Mae Dizon, Bimby Aquino Yap, Aiza Seguerra

For his eleventh consecutive year in the film fest, Vic Sotto takes off his superhero costume and lays down all the swords and the magic as he now portrays Torky, who lives alone now after his wife died four months into their marriage. Working as a bookeeping accountant to a wealthy single mother Barbara (Kris Aquino), all he wanted was to travel around the world and leave where he’s at. Tides change when Barbara’s life was put into danger as her stepsister puts the blame on her on a pyramid scam and she relied on Torky to take care of her son, spoiled kid Justin (Bimby Aquino Yap).

The film is actually a feel good one in terms of emphasizing the role of the family and while it did not offer anything new, it was engaging and at times, really funny. There were some inspired approaches used in the film such as that of the Ili Ili montage in the first half hour of the movie involving mother Barbara and son Justin. I guess one of the movie’s most valuable asset is the chemistry: Aiza Seguerra and Vic Sotto has one, Kris Aquino and Vic Sotto has one, Ryzza Mae Dizon and Bimby Aquino Yap has one. Vic Sotto’s schtick (and his looks) really never gets old. He might have been doing the same act for years now both in TV and film, but he has that charisma that appeals to the movie goers. I like it more when Kris Aquino pokes fun at herself (confession: I love her in Sisterakas last year), so when she keeps doing all these drama scenes here opposite a very campy Jaclyn Jose shows her awkward kunot noo theatrics. Aiza Seguerra’s doing more mother roles now no? I think it actually suits her as she gives an affecting mother figure here. But then again, the stars of the show are the kids. Ryzza Mae Dizon is really a natural. She’s such a blast to watch as she’s not conscious in front of the cameras. On the other hand, Bimby Aquino Yap has been mostly relegated to scenes where he does the “reaction face” (think of the person reacting after the punchline was thrown in gag shows), but the kid has the charm that’s lovely to watch. He does not look awkward and it seems like he’s enjoying this acting stint. If anything, I think this film perfectly encapsulates the usual feel good family movie of the earlier MMFF days, and it’s this season that fits the vibe of the film the most.

Rating: 2.5/5

Pagpag

PAGPAG
Director: Frasco Mortiz
Cast: Daniel Padilla, Kathryn Bernardo, Paulo Avelino, Shaina Magdayao, Clarence Delgado

The film tackles the different superstitious beliefs that one should not do after visiting a wake, with Death knocking at your doors if you fail to do so. When a group of five teens accidentally visits a wake that a funeral wake service group prepared for, things start to get eerie for both camps.

Another mainstay genre at the MMFF is that of the horror one. I don’t know why people love to scare themselves on Christmas day, though “scaring” them is quite a task since most of the horror films failed to deliver. Pagpag is an interesting one. When the film starts to be get predictable, the writers still inject something twisted or new in order to balance it. And for the most part, it actually works. The superstition niche is one that never gets old, and we’re given a rich serving of that in the movie. The Final Destination deaths were actually hit or miss with some really interesting deaths and some senseless lazy ones. The movie also opens with an interesting short story explaining the concept of pagpag. If anything, I guess the final act went on too long and it just.doesn’t.die.down. And of course in the middle of scaring us all, there’s the obligatory kilig scenes, since this stars the top love team for Christ’s sake. But that’s countered with the great visuals offered by the movie. The editing, production design, and cinematography were really great. I love the colors palette used, and the crisp editing was put into good use in the death scenes. Overall, I felt this one is a very competent film style wise, and whether you’ll actually be scared is up to you. But it’s one of the better ones did the past few years.

Rating: 3/5

Girl Boy Bakla Tomboy

GIRL BOY BAKLA TOMBOY
Director: Wenn Deramas
Cast: Vice Ganda (x4), Maricel Soriano, Joey Marquez, Ruffa Gutierrez, Kiray Celis

Quadruplets representing each possible gender preference reunite, and it’s not as warm and loving as one actually thinks it is.

Disclaimer: I actually enjoy most Vice Ganda movies. Maybe I share the same humor with him, but when he starts to do his schtick, I really end up cracking. I laugh with him while watching Showtime  and Gandang Gabi Vice, and I laugh a lot in his past films. However, this one is really tiring and overkill. I give him props though for playing all these four characters, as I find it a really daunting task, but it’s just too much for me. He made the mannerisms work somehow by sticking one quality per character, but I did not buy the boy and girl part at all. There’s a reason I guess why bakla is the narrator and center of the film, as it is his most natural. His tomboy used this lower voice which he held on until the end. Of course, there are still some hilarious parts. Bakla’s scene in the near end is one for the books and it’s really funny, but everything else feels so dated and tired. And I won’t even begin with the black face character of Kiray Celis and how many endless jokes were done about it (though I guess it’s sadder that the audience bought it a lot and we’re hilariously dying at it). Meh. I’m indifferent on this one, but I expect it to be this batch’s top grosser.

Rating: 2/5

Boy Golden

BOY GOLDEN
Director: Chito Rono
Cast: ER Ejercito, KC Concepcion, Eddie Garcia, John Estrada, Gloria Sevilla

Based on the Arturo Porcuna story, ER Ejercito plays the title role of Boy Golden as he partners with dancer Marla Dee (KC Concepcion) in taking revenge against the biggest mafia in town.

Color me surprised, but boy is this my favorite so far. I’m surprised because I don’t even have any idea what the film will be about, but this is an enjoyable as one can get. It has camp!!! I mean how can you not love it when there’s a white face character named Boy Putla. There’s Boy Putla, there’s an endless Elvis references, there’s Gloria Sevilla pulling her underarm hair while talking to Roi Vinzons. There’s even a Valentina motel with an unguarded big yellow python crawling on the tree near its entrance. I guess the lack of hype over this one is what wins me over. Manila Kingpin was good for the most part, and I like the black and white approach used. I’m simply not here for overdone El Presidente. But I think this one manages camp and action smoothly that it’s an enjoyable watch. I enjoyed the twists and turns in the story, and the fight scenes were for the most part, well done. As always though, my main problem with an ER Ejercito film is ER Ejercito himself. He’s really just awkward and it was painful to see him jumping off the roofs with his bulging belly in tow. But then he gets saved by the wonderful ensemble as KC Concepcion enjoying her role as Marla Dee, Eddie Garcia in an Eddie Garcia performance, and John Estrada, Jhong Hilario, Baron Geisler, and Tonton Gutierrez delivering as well. I guess the person most responsible here is director Chito Rono. He made this thing more interesting with the shots, and the production design and costumes here are top notch. He could have trimmed 10-15 minutes here as it’s quite long, but I’m living for the camp of this film. Whether it’s intentional or not, I don’t know, but I enjoyed it a lot.

Rating: 3.5/5

There you have it. What where your favorites this year? You can click here to see the second batch of MMFF reviews which includes Chris Martinez’ Kimmy Dora ang Kiyemeng Prequel, Francis Villacorta’s Pedro Calungsod, Eliza Cornejo’s Kaleidoscope World, and Joyce Bernal’s 10,000 Hours. Happy post Christmas day everyone, and happy MMFF season! 🙂

You can follow me on Twitter: @nikowl

REVIEW: OTJ (On the Job)   1 comment

on the job

Fresh from their successful run at the Directors’ Fortnight section of this year’s Cannes Film Festival last May, Erik Matti’s crime thriller finally find its way into Philippine theaters, as Star Cinema and Reality Entertainment release OTJ (On the Job) which stars Piolo Pascual, Gerald Anderson, Joel Torre, and Joey Marquez among others.

Inspired by true events, the film gives an extensive depiction of how some jailed members were being released from prison every now and then as they’re assigned with the task of killing people under orders from the wealthy and influential.  In the film, the specific gunmen happens to be Tatang (Joel Torre) and his protege Daniel (Gerald Anderson) who is being groomed to be his replacement once he retires. Tatang takes and trains Daniel under his wing as they do their assignments. On the flipside, there’s NBI official Francis Coronel, Jr. (Piolo Pascual) who was tasked to take over these said cases, as well as police office Acosta (Joey Marquez).  Once their paths crossed provides conflict in the film.

There’s a lot of great things to say about this, but If there’s a clear standout in it, no doubt it is Erik Matti. His slick direction is the main core which holds the film together and gives it the necessary oomph. I like how he weaves these scenes and events seamlessly which makes for an intense and thrilling ride. The rest of the technical achievements were on point as well, with Richard Somes’ production design and Francis Buhay III’s cinematography portraying Manila in a very artistic and sensible manner, that of a series of tasteful photographs that’s well done.

The story and pacing smoothly complimented each other. I like how the intensity just builds up right from the get go during the first scene up until the last one. The chase and fight scenes were tastefully pulled off. It’s also great to see characters that were fleshed out especially that of the three main characters. We get to know them more instead of simply just following what they do. This is one of the things I like about the film in terms of characterization, we get a glimpse of their individual lives as opposed to just going right at the center of the conflict.

This film pretty much shows what an ensemble really is. There are really no small roles here, as everyone’s given something to do and they all did their parts well. Gerald Anderson’s greatest acting achievement prior to this is a television stint as mentally challenged Budoy, but this character suits him like a glove and challenges his acting chops for the better. It’s nothing new to claim that Joel Torre is a great actor, but this will probably end up as one of his most memorable turns in his discography. Piolo Pascual is the good guy of course, so this isn’t much of a stretch for him, but it’s great to see that he wasn’t phoning it in. But, I like how Erik Matti brings out the best in Joey Marquez. He already gave us a glimpse of it in last year’s Tiktik, but this was more prevalent in here. Special props to Vivian Velez’ kick ass role.

Given everything that’s actually happening in the country right now, one can somehow juxtapose this with the events in the film too. This will probably make the experience more insightful for others in terms of understanding the events or the aftermath of it. Films that make a statement is a hit or miss for me, but I like that this one doesn’t spoonfeed it to the audience.

I would have loved to see the version that was shown at Cannes since I’ve learned that it was slightly different from what was shown here. Nevertheless, On the Job is such a breath of fresh air in terms of current Philippine cinema effectively combining style and substance in a savvy manner. I might as well say it’s one (if not the) movie event of the year.

Rating: 5/5

If you like, you can follow me on Twitter: @nikowl

12 Best Local Shows of 2012   7 comments

Local television in 2012 have been filled with star studded primetime dramas, variety specials, and more interesting shows to watch to. With every personality trying to get a TV gig nowadays, it’s safe to say that TV is indeed one of the most powerful form of message delivery these days. For 2012, these are the shows that took top honors:

Showbiz Inside Report

Photo courtesy of lambingan.net

12. SHOWBIZ INSIDE REPORT (ABSCBN 2)
Hosts: Ogie Diaz, Carmina Villaroel, Janice de Belen, Joey Marquez | Saturdays, 3:00-4:00 PM

This Saturday showbiz oriented program of ABSCBN is different from the usual fare of tsismis related shows nowadays. It does not need guests on its studio just to discuss something. Each host usually does canned and a long interview that tackles beyond the usual promoting questions that personalities are usually asked. It also does not hurt that the four hosts have charming rapport with one another and that the audience can be a part of the discussion via Facebook and Twitter.

Luv U

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11. LUV U (ABSCBN 2)
Cast: Miles Ocampo, Kiray Celis, Igi Boy Flores, Marco Gumabao | Sundays, 3:15-4:00 PM

Usually the time slot for teen dramas, the usual 4PM Saturday barkadahan show has shifted to the Sunday 3PM slot, and there’s no better show to represent it than ABSCB’s Luv U. Unlike previous shows, it does not go beyond the usual teens acting as mature dramas that past youth oriented programs tried to depict. This one is very tongue in cheek, light, and fun, and that’s where the show’s strength lies.

MMK

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10. MAALAALA MO KAYA (ABSCBN 2)
Host: Charo Santos-Concio | Saturdays, 8:00-9:30 PM

The only one who made the list for the second consecutive year, the longest running drama anthology in Asia is still far and away one of the best showcases not only of acting performances but some of the most interesting stories as well. This year alone we saw the award winning Kamao with a boxer Coco Martin, Edgar Allan Guzman as a gay student wanting to be a seaman in Bangkakng Papel, and my personal favorite, the Angel Aquino-Jane Oineza starrer Manika about a young girl’s cursed beauty.

Himala Ngayon

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09. HIMALA NGAYON (ABSCBN 2)
Premiered: December 9, 2012

Premiering as a special documentary on Sunday’s Best, this documentary by Sari Dalena and Keith Sicat about the behind the scenes details of what is arguably the best film in local cinema, Ishmael Bernal’s Himala was premiered to local viewers nationwide. It is just fitting that this was the year they showed it after the restoration of the film in its 30th anniversary. Watching this documentary was such a blast and I’m not sure it’s not just the cinpehiles and the Noranians who enjoyed this.

Pinoy Adventures

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08. PINOY ADVENTURES (GMA 7)
Host: Richard Gutierrez | Saturdays, 6:00-6:45 PM | May 13, 2012 – September 29, 2012

Despite the show being canceled now, it was still a blast to see Richard Gutierrez travel all around the country to find the most engaging activities and learn more about the cultures of different provinces in the Philippines. From Palawan to Bukidnon and from Surigao del Norte to Bicol, we witnessed interesting things that’s why it’s sad that it only lasted for a season.

Dolphy Alay Tawa

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07. DOLPHY ALAY TAWA: A MUSICAL TRIBUTE TO THE KING OF PHILIPPINE COMEDY

When the Comedy King passed last July, it is given that the whole showbiz industry regardless of network, genre, and age will mourn as we all lost an icon. One good thing that came out of it was this joint benefit concert that featured talents from the three biggest stations in the country. Simultaneously broadcasted over at ABSCBN, TV5, and GMA, history was definitely made this time around.

Storyline

Photo courtesy of: kapamilyalogy.blogspot.com

06. STORYLINE (ABSCBN 2)
Host: technically, nobody | Fridays, 11:00 PM

Now nearing its fifth year on air and with almost 300 episode under its belt, Storyline has maintained its quality given the range of the theme of its episodes. Headlined by the tandem of Patricia Evangelista and Paolo Villaluna, this weekly documentary shows gives much of the thinking and realizing part to its audience rather than spoon feeding them about it. We need more of this in local television, but I’m also thankful that we have at least there’s one that already exists.

Inside the Cinema

Photo courtesy of: laaunorsuperstar.blogspot.com

05. INSIDE THE CINEMA (Cinema One)
Host: Boy Abunda | Every first Tuesday of the month, 7PM

This informative movie talk show is probably the closest one that we’ll have in terms of tackling the different experiences of important people in the film industry with their past efforts. Think of  Brillante Mendoza discussing the moment before he was announced to be the Cannes Best Director or Amy Austria discussing her disappointment with her Bubbles film, this discusses moments in movie making that are too good to be true. And for this year alone, Boy Abunda got the likes of Cesar Montano, Gina Alajar, and Nora Aunor to discuss what’s inside the cinema.

Kapuso Mo Jessica Soho

Photo courtesy of: mypinoy.tv

04. KAPUSO MO, JESSICA SOHO (GMA 7)
Host: Jessica Soho | Sundays, 7:30-9:00 PM

Just this year alone, this magazine shows has picked up awards from the PMPC Star Awards for Television, PMAP Makatao Awards for Media Excellence, USTv Student Choice Awards, Gawad Tanglaw Awards, and even the 6th Hildegarde Awards for Women in Media & Communication. Need I say more? Jessica Soho’s covered topics range from really anything and everything under the sun, and that’s what makes the show fresh when you watch it every single week.

Zoren-Carmina

Photo courtesy of: happyhappystar.wordpress.com

03. ZOREN-CARMINA: ALWAYS FOREVER, A WEDDING LIKE NO OTHER
Premiered: November 24, 2012

Probably the celebrity wedding of the year, there’s no better way to be a part of it than by watching how this fairy tale unfolds right before our eyes. And by the time that the couple has exchanged their I Do’s already, there’s literally not a single dry eye in the room.

Walang Hanggan

Photo courtesy of: abs-cbn.com

02. WALANG HANGGAN (ABSCBN 2)
Cast: Coco Martin, Julia Montes, Paulo Avelino, Richard Gomez, Dawn Zulueta | January 16-October 26, 2012

Probably the year’s biggest primetime drama, this ABSCBN soap opera that included three generations of actors in it from veterans like Susan Roces and Helen Gamboa to the likes of Richard Gomez and Dawn Zulueta up to the next in line such as Coco Martin and Julia Montes, Walang Hanngan has been both a critical and commercial success during its ten-month run. The show has been the most widely watched and has left a lot of pop culture references in it. It will definitely go down as one of the most prominent TV dramas in soap opera history.

Be Careful with My Heart

Photo courtesy of: wikipedia.org

01. BE CAREFUL WITH MY HEART (ABSCBN 2)
Cast: Jodi Sta. Maria, Richard Yap | Mondays-Fridays, 11:15 AM – 12:00 NN

And probably the biggest surprise in local television this year is Be Careful with My Heart. Thinking about it, this is the little show that could. And it actually did! But given more time to think, there is no surprise why this certainly hooked to all demographics. This simple tale of an optimistic young lass who aims to be a flight stewardess yet ends up as a household maid captured the hearts of the whole country with its natural and positive approach. This show proves that a program does not need a major villain for people to watch it. And it does not need a young loveteam for it to actually work. And with that, I say kapit bisig!

That’s it! What are your favorite shows in local boob tube? Pipe them in the Comments section! 🙂

And as always, you can follow me on Twitter: @nikowl

2012: The Year in Supporting Actors   Leave a comment

2012 supp actors

Yesterday, we kicked off the awards season here at Tit for Tat with a recap of the year in supporting actresses in local films. For this day, we’d do the counterpart and discuss the year in supporting actors. Mostly, supporting actor roles this year were veteran actors doing comeback films or newbie actors in their first films. Like the pattern yesterday, we’d divide them into three parts:

LEADERS OF THE PACK

If he’s not submitted or inserted in the far crowded Lead Actor category, Thy Womb‘s Bembol Roco can find his name among award giving bodies this year as the husband of Nora Aunor who wanted to have a child of his own. Ronaldo Valdez seems like that he will be a staple to as Bea Alonzo’s benefactor in The Mistress. Filmfest Best Supporting Actor winner Cesar Montano is also gaining notices as the standout from the ensemble of El Presidente playing the role of hero Andres Bonifacio. Relatively younger actor Zanjoe Marudo had two award worthy performances this year: as one of the soldiers in Adolf Alix’s Kalayaan, though I can see award giving bodies going for his showier performance as Tristan in the drama One More Try. Round up the top five is the comical and scene stealing performance of Joey Marquez as the passive and under da saya husband of Janice de Belen in Tiktik: The Aswang Chronicles.

MIDDLE TIER

After the top five, these men’s performances can also see a nomination or two from these award giving bodies: versatile actor Art Acuña can do back to back wins at the Urian and Golden Screen for his performance as the head of police in the Cinemalaya entry Posas. Veteran actor Mark Gil can do a comeback at the awards circuit in his flashy performance as Frankie in Mariposa sa Hawla ng Gabi. No stranger to awards, Carlo Aquino can also pick up nominations for his turn as the younger son in Adolf Alix’s Mater Dolorosa while older brother Cogie Domingo also has buzz from the same film. The same can be said for Cinemalaya Supporting Actor winner Joross Gamboa playing as one of JM de Guzman’s friends in Intoy Syokoy ng Kalye Marino. Kristoffer Martin, playing lazy younger brother to another Kristoffer (King, that is) who does not want to live a poverty stricken life in Oros can be a candidate as well. If voters are much in love with El Presidente, then Andres Bonifacio might not be the only hero nominated in this category. Christopher de Leon‘s Anotnio Luna can be in the running as well. Joel Torre might gain some notices too, if voters are kinder to Mariposa for his role as Primo, the butcher. Ogie Alcasid‘s one hit wonder slash understanding father to Sam Concepcion might pick up some notices as well for his performance in I Do Bidoo Bidoo. Lastly, Patrick Sugui can also get nominated especially in award giving bodies that has new actors of the year categories as the frat neophyte in Gino Santos’s The Animals.

THE REST OF THE RACE

As for the rest of the race, one can also take a look into the performances of Mon Confiado as the boss who has the hots for one of his employees’ wife in Palitan, Sef Cadayona as the hostage of three gay friends in Slumber Party, corrupt politician Menggie Cobarrubias whose family was put into a test in Graceland, and the pair of Mariposa actors Dennis Padilla as the cop who wants a promotion and Alfred Vargas as Carlos, the boyfriend of Erich Gonzales’s sister in the movie. Looking further, other performances that might be up for consideration were newcomer Nicolas Varela in Aberya, Robert Arevalo as Vilma Santos’ now healthy father in The Healing, Baron Geisler’s Spanish soldier performance in El Presidente, Sid Lucero as one of the Abu Sayyaf members in Captive, and Niño Muhlach as fairy gaymother in Slumber Party.

That’s it! That’s just 25 names, but it gives award giving bodies a lot of options to choose from in next year’s awards derby. Tomorrow, spotlight for the leading actors of the year will be given.

As always, you can follow me on Twitter: @nikowl