Archive for the ‘judy ann santos’ Tag

10 Best MMFF Movies of the Last 10 Years   Leave a comment

Last week, the Metro Manila Development Authority headed by Francis Tolentino has announced the entries for this year’s Metro Manila Film Festival. And as expected, MMFF staples such as Vice Ganda, Robin Padilla, Vic Sotto, Kris Aquino, and Aiai delas Alas all have entries this year.

Once the festival home of films such as Himala, Burlesk Queen, Karnal, Itanong Mo Sa Buwan, Magic Temple, and Dekada ’70, there has been a paradigm shift in terms of the criteria on how films are chosen the past decade. Commercial appeal has been the primary agenda now and box office as a main factor on which entries will make it.

And while this has elicited a lot of criticisms, particularly the idea of prioritizing box office over “quality” films, the MMFF has still treated us with some notable films quality films over the years. This coming year, entries from Gil Portes, Antoinette Jadaone, Jose Javier Reyes, and Dan Villegas have been chosen while those of Erik Matti’s and Jeffrey Jeturian were in the waitlist categories.

Before I reveal my picks of the ten best MMFF films of the last ten years (New Wave section excluded), here are five that came close from being included:

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“Ulam” from Shake, Rattle, and Roll XV (director: Jerrold Tarog, 2014) – Ulam made good use of every minute we’ve seen on screen to show the horrors and tension of a marital relationship.

“Katas ng Saudi” (director: Jose Javier Reyes, 2007) – Probably the most memorable OFW movies in local cinema depict those of a mother leaving their children behind. Here’s from a father’s perspective of coming home and realizing it isn’t what he expected.

“Pagpag” (director: Frasco Mortiz, 2013) – It’s horror by the numbers, but it tackles such a Filipino ritual one can’t help but to give in to its scares.

“Manila Kingpin: The Asiong Salonga Story” (director: Daryl dela Cruz, 2011) – It got its reputation as the one that started the action comeback, but its behind the scenes director mishap got in the way for  the film to move from being good to being great.

“One More Try” (director: Ruel Bayani, 2012) – Rip-off or not, the film brags of solid performances from its four leads, particularly that of its lead actress Angel Locsin.

And as for the top 10:

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10. “Parola” from Shake, Rattle, and Roll 13 (director: Jerrold Tarog, 2011) – Parola is the perfect throwback to the early heydays of the Shake, Rattle, and Roll franchise, only with better production and technical achievements. Its scares mixes that of the old and the new, giving the type of scares that the audience will definitely bite.

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09. “English Only Please” (director: Dan Villegas, 2014) – It’s easy to dismiss English Only Please from the get go, it’s not from the manufactured Star Cinema factory of kilig, not does it star a tandem that has a solid following. But it has proven that it doesn’t need any of those. It gives the same kilig and “feels” without the need to fall trap to the usual rom-com clichés.

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08. “Blue Moon (director: Joel Lamangan, 2005) – During the last few years when Regal Films was still obsessed with this big star-studded ensembles in family dramas comes Lamangan directing a Palanca-winning screenplay about three generation of family members with the patriarch searching for his one true love. The film is mostly fluff hiding in between the big war backdrop, but its attempt is earnest one can’t help but fall in love with it.

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07. “Lihim ng San Joaquin (director: Richard Somes, 2005) – When Shake, Rattle, and Roll made a comeback in the mid-Aughts, a lot expected to feel the throwback of the early 90s horror franchise. Instead, we got that ridiculous “Poso” episode and an uneven “Aquarium” one. Then comes “Lihim ng San Joaquin”, about a young , newlywed couple transferring to a rural town. This one will keep you on the edge of your seat with its silence.

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06. “Kubot: The Aswang Chronicles (director: Erik Matti, 2014) – Sure, the MMFF has been a commercial venue for the whole family to enjoy, but with Kubot, the follow up to 2012’s Tiktik, Erik Matti proved that a sequel isn’t an alibi to come up with a lackluster addition to a franchise (which most MMFF franchises are guilty of doing). While it doesn’t necessarily have to beat its predecessor, it doesn’t have to be a downgrade as well.

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05. “Boy Golden: Shoot to Kill (director: Chito Rono, 2013) – The best thing about Boy Golden is that it doesn’t want to prove anything. It doesn’t take itself seriously and just wants to have fun. And boy was it a fun movie-watching experience mixing camp and action we haven’t seen in a long time.

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04. “Punerarya” from Shake, Rattle and Roll 12 (director: Jerrold Tarog, 2010) – Hands down, this is one of the best episodes ever in the whole SRR franchise. Jerrold Tarog’s first output stars Carla Abellana as a private tutor to two kids from the neighbor’s funeral parlor. And as secrets were slowly revealed, the tension just escalates further. This one doesn’t get old and is a must watch.

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03. “RPG Metanoia” (director: Luis Suarez, 2010) – Not for lack of trying, the MMFF has welcomed local animation in the festival. Twice, even (the first one was 2008’s “Dayo sa Mundo ng Elemento”). RPG can brag about being the first Pinoy 3D animated film, but more than that achievement, its dedication in tackling a theme highlighting the rich Philippine culture is admirable.

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02. “Kasal, Kasali, Kasalo” (director: Jose Javier Reyes, 2006) – On the outside, Kasal’s biggest achievement is how it managed to be a crowd-pleasing film, yet one that critics will positively respond as well. Digging deeper, it’s really not difficult to fall in love with this film. It touches the topic of a traditional Pinoy family whose value for marriage and relationship is as valuable to the whole family, maybe even more so, than to the actual couple. Obviously, the great ensemble elevated the already strong material further.

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01. “Thy Womb (director: Brillante Mendoza, 2012) – It’s silly when you think about it, that the best film of the festival of the last decade, was just a replacement choice of that year. Shot in the farthest village of Tawi-Tawi, “Thy Womb” wasn’t just the story of a midwife attempt to provide her husband a child, but it also opened us to a culture we aren’t particularly familiar with. I believe this is one of the films that will go down as the best in the history of the festival. Plus, it gave us Nora Aunor’s comeback performance.

So as much as we rant and complain about the MMFF every year, chances are there are one or two entries that will really be worth of our money. This year has the potential to deliver as well.

You can tweet me if you want to talk about this list: @nikowl

2012: The Year in Lead Actresses   7 comments

2012 lead actresses

Hey there everyone! And Happy New Year once again from Tit for Tat! 😀

There’s no better way to kick off 2013 with a blog post that covers a topic awards prognosticators love the most: BEST ACTRESS. The past few days, I have been covering acting performances in local cinema, and we’ve already tackled supporting actressessupporting actors and lead actors. To complete the list, here’s my coverage of lead actress.

LEADERS OF THE PACK

There’s no better person more fitting to begin this coverage with the one and only Superstar herself Nora Aunor. After years of absence in local filmmaking scene, she is back with Brillante Mendoza’s Thy Womb as midwife Shaleha who wants to grant her husband’s wish of having a child. Aside from La Aunor, Gina Alajar‘s role as the matriarch in Adolf Alix’s Mater Dolorosa gives her a huge possibility to have an awards comeback as well. A pair of Kapamilya actresses can find themselves contending at different award giving bodies: Angel Locsin will definitely be nominated either for her role as the sultry Princess in Unofficially Yours though my bet is she’ll get nods  for her role as a mother who will do anything for her son in the MMFF entry One More Try. Bea Alonzo‘s most mature performance to date as the title role in Olivia Lamasan’s The Mistress can reap some nods as well. As for the fifth spot, a consecutive visit at award giving bodies is plausible for veteran actress Shamaine Buencamino, this time, for her comedic turn in Loy Arcenas’s Requieme.

MIDDLE TIER

Aside from the five names above, other noteworthy lead actress performances the past year were from Jodi Sta. Maria as the newest member of Adoracion Convent in Aparisyon, Pokwang as another mother who sacrificied as an OFW in the US in A Mother’s Story, and French actress Isabelle Huppert having the most vital role in Brillante Mendoza’s Berlin entry Captive. Vilma Santos can get in based on name status alone for her movie last year, The Healing, while Lauren Young as the psycho best friend of Maxene Magalona in Catnip can break through the awards circuit too. Other performances that gained buzz this year were Cinemalaya Best Actress winner Ama Quiambao in Diablo, Erich Gonzales who is in search of her sister in Manila in Mariposa sa Hawla ng Gabi, Veronica Santiago who plays the charming  title role in Pascalina, LJ Reyes who resorted to being the town prostitute in Intoy Syokoy ng Kalye Marino, and Judy Ann Santos as the owner of the diary in Mga Mumunting Lihim.

THE REST OF THE RACE

As for the rest of the race, there’s also Anne Curtis, not as the other woman, in A Secret Affair, the pair of Fe GingGing Hyde and Glorypearl Dy trying to escape in Ang Paglalakbay ng Mga Bituin ng Gabing Madilim, Mylene Dizon as the other nun in Aparisyon, and Cinema One Originals Best Actress Mara Lopez in Palitan. There’s also the performances of Erich Gonzales as the unang aswang in Corazon: Ang Unang Aswang, Angelica Panganiban as the naive Majoy in Every Breath U Take,  and real life sisters Assunta and Alessandra de Rossi in Baybayin. Lastly, Angel Aquino can also see herself nominated either for her performance as the torn mother in Amorosa: The Revenge or as the reporter who everybody thought was dead in Biktima.

That’s it. Who are your bets this year? Are you excited for the coming award giving bodies? I sure am! 🙂

As always, you can follow me on Twitter: @nikowl

REVIEW: Si Agimat, Si Enteng, At Si Ako   6 comments

agimat enteng ako

Si Agimat at si Enteng Kabisote is probably one of the most overstaying franchise in Metro Manila Film festival history. Enteng Kabisote is now on its seventh outing, while Agimat is now on its third. Its stars Bong Revilla and Vic Sotto has been festival mainstays for a long time now. This is Vic’s eleventh consecutive entry and Bong’s eighth since 1999. The two already previously collaborated on the first Agimat and Enteng two years ago. I really don’t know why I’m giving you all these details, but just so you know, they’re collaborating again this year with an additional companion via Judy Ann Santos in Tony Reyes’s Si Agimat si Enteng, at si AKO.

When they’re not busy fighting off monsters, Agimat (Revilla) finally married long time girlfriend Samara (Sam Pinto). This means that pal Enteng (Vic Sotto) together with his wife Faye (Gwen Zamora) and the rest of the Kabisote gang is also invited. The third person in the crowd is environmentalist Angelina Kalinisan Orteza a.k.a AKO. When technologically savaged monsters are off to conquer the world, it is up to this trio to save the world and call it a day.

Most of the first part of the movie was focused on introducing the three characters. We get to see how it was for Agimat and for Enteng and their respective partners. It was also an introduction for AKO’s character. From there, everything else went down. Now we got a boatload of product placements. Mind you, they’re not just simple product insertion in the background, but actual dialogues containing their individual endorsements. That was probably the movie’s lowest moment. But everyone else was annoying. The storyline with wives getting jealous to Ako was disastrous and annoying. I was thisclose to championing Ako to flirt with both Enteng and Agimat, but then I remembered this is not a mistress movie. Possible sequel next year perhaps?

If anything, there’s not much to look forward to actually. I enjoyed Judy Ann Santos stint as Ako, though it was somewhat obvious that this is just a one time commitment. The three leads have chemistry, and I enjoyed their group hug running joke. The movie tried to fit in everything that they can just to say it’s a family friendly movie by including shallow portrayals of taking care of the environment or an overacting Aiza Seguerra in a group prayer scene. Some technical achievements were also commendable such as the make up and shots of the gorgeous Ilocos Norte.

But amidst all this, these questions still remain: Is this really necessary? Would something have changed if the movie was not made? What can it still offer to its readers? And lastly, when will it end?

Grade: 1.5/5

Here are the reviews of the other Metro Manila Film Festival 2012 entries:

El Presidente
One More Try
Shake, Rattle, and Roll 14: The Invasion
Sisterakas
Sosy Problems
The Strangers
Thy Womb

You can follow me on Twitter: @nikowl

8th Cinemalaya Film Festival Review: Part 1   7 comments

The biggest Philippine independent film festival has already begun, and this year marks the 8th edition of Cinemalaya. I’ve been going back and forth at the CCP for the last few days, so I can watch all the participating movies both in the New Breed and Directors Showcase categories. Here’s the first of my four part Cinemalaya reviews:

MGA MUMUNTING LIHIM
Director: Jose Javier Reyes
Starring: Judy Ann Santos, Iza Calzado, Janice de Belen, and Agot Isidro
Competition: Directors Showcase

When Mariel (Santos) died, she left a box to her best friend Carla (Calzado) containing all of her diaries back when she started writing one. As Carla reads all of them, secrets between her, Mariel, Sandra (Isidro), and Olive (de Belen) started to affect their friendship.

This is Jose Javier Reyes’ first foray into indie filmmaking, and this shows some potential. I have issues with the treatment of the movie as a whole, and the sound seems to inconsistent at times. However, whatever issues you have with the film won’t bother you that much when you focus on the two greatest aspects of the movie: the writing and the acting. Reyes’s lines seem straight out of his personal journal as well, and it’s pretty obvious that he has a lot of inspiration when he was writing this. While one may think that it may be exaggerated, I claim to say that it is rather truthful. The other strength lies within the acting; the four leads can carry the whole film on their shoulders and yet remain as interesting. The chemistry was prevalent, and whether it was Iza’s stares, Judai’s facial expressions, Agot’s delivery, or Janice’s cussing, it was all very natural. Part of me thinks that they did cast lesser known actors as it’s difficult to hold up with this great ensemble. That alone is worth the ticket. All in all, it was a very realistic portrayal of friendship that is relatable to everyone.

Rating: 3.5 / 5

KAMERA OBSKURA
Director: Raymond Red
Starring: Ping Medina, Joel Torre, Nanding Josef
Competition: Directors Showcase

A man locked inside a cell for many years finally makes his way out and as he gets to see the reality of the world when he mysteriously traveled a building with a video camera in hand as he sees activities of betrayal and corruption left and right.

I admit that this is the film that I’m excited the most; thus, it has the highest expectations I have for the whole festival, and it certainly did not live up to its expectations. For one, the potential was there; but the treatment was pretty redundant especially the first and last scene where they almost used the same script, as I feel it did not gel well with the rest of the film. For a silent film, I find it too loud with all the unnecessary sound effects used. Add the fact that it was too wordy as well. I also had issues with the too much “in your face” with the message that it wants to deliver. Still, there were also great spots that the film possesses. One, Pen Medina was charismatic in the lead role and suits with the direction Red wants to be in to. Even his son Ping Medina (who played the young Pen) was a treat albeit short appearance. I also like the visuals of the film, as they were detailed, and parallel to the message it wants to present. For what it’s worth, this one suffers from some issues but still brings in a pretty much enjoyable film watching experience.

Rating: 2.5 / 5

INTOY SYOKOY NG KALYE MARINO
Director: Lemuel Lorca
Starring: JM de Guzman, LJ Reyes, Joross Gamboa
Competition: New Breed

Intoy (de Guzman), now living alone, learns that the love of his life Doray (Reyes) is the town’s prostitute. Now he tries his best to earn an extra amount of money so they can both start life anew, until a new set of unsolvable problems lead their way.

At times, the movie tends to be pretty formulaic with the sequence of events happening in the film. I also noticed some repetitive shots in various scenes in the movie. However, the heart and soul of the film is Intoy himself. JM de Guzman was captivating and heartbreaking as the lead character. You can feel the energy, the enthusiasm, the heartbreak, and the innocence in his face. He was perfectly casted, and he definitely delivered. LJ Reyes was also excellent as Doray Langaw, and his chemistry with de Guzman is palpable. I also particularly liked how they made Kalye Marino as another character in the movie bringing it to life and translating it to the audience. The movie somehow can’t prevent itself from going poverty porn at times, but I totally bought the emotions they showed especially the one between the two leads.

Rating: 3 / 5

KALAYAAN
Director: Adolf Alix Jr.
Starring: Ananda Everingham, Zanjoe Marudo, Luis Alandy
Competition: Directors Showcase

A soldier living alone in Kalayaan Islands deals a daily repetitive schedule as he spends his last few remaining days in the middle of the Erap impeachment trial.

I was surprised to learn that this is already Adolf Alix’s 20th movie, but seeing this shows that he has already mastered his craft and has achieved growth if you go way back to his earlier films. I actually find this film very therapeutic; each scene brings you right where the character is, and the good thing about it is that it lingers. I particularly liked how we just go with the flow with Victor (Everingham) feeling for him, understanding him, and living with him. Once the characters of Zanjoe Marudo (who definitely brought humor and comedic relief) and Luis Alandy, we tend to get more intrigued, yet understand the life that they are living in Kalayaan Islands. This one has part fantasy, part horror, and part comedy, but the sum is greater than all of its parts. I really like the cinematography, and the musical score above everything else. Once the credits rolled, you feel that you’ve known enough yet you ask some more. This is probably my favorite film for this year’s festival, and for the year (so far) as well.

Rating: 4.5 / 5

10 Female Rivalries in Entertainment   24 comments

Just this week, the whole Hollywood was buzzing about the announcement of the remake of the 1962 classic What Ever Happened to Baby Jane. The bad news is that we don’t need a remake of this. After all, both Better Davis and Joan Crawford nailed iconic performances of sisters Jane and Blanch in this acting masterpiece. The good news is that Walter Hill has received personal blessing from the family of the late Robert Aldrich to do the remake. Now the next question begs on who will play the sisters. While there are no reported cast members yet, everyone is coming up with their own pairs with the combination of Glenn Close, Jessica Lange, and Meryl Streep topping the forums.

Now this led me to a very interesting topic that never fails to make noise when it comes to public opinions and online discussions. Time and again, it has been mentioned that there’s always a stereotype when it comes to female and showbusiness. While men weren’t subjected to any rivalries and petty issues, women were always downgraded into catfights and rivalries in terms of awards, recognition, and other achievements.  Here are ten examples of female pairings that will always elicit response from the people.

1. BETTE DAVIS and JOAN CRAWFORD

There’s no better way than to start the countdown with the two lead stars of What Ever Happened to Baby Jane. While the movie delivered expectations of the crowd in terms of acting intensity, it was very obvious that the strength of the two leads’ performances was based from the fact that they really dislike each other. And when I say really, they really really do. This came to a point that the situation was out of hand and even director Aldrich can’t do anything about it. During one scene where the character of Bette physically abuses Joan, the shooting came to a halt as Bette’s kicks were too realistic that Joan Crawford needed some head stitches. In return, on scenes that require Bette carrying handicapped Joan, the latter will put big heavy stones inside the pockets of her costume causing Bette back aches after the shoot. Talk about a very intense shooting.

TRIVIA: When the Oscar nominations were announced that year, only Bette Davis was nominated for Best Actress. This made Joan Crawford mad, and she contacted Bette’s co-nominee and eventual winner Anne Bancroft that she’ll receive the trophy in behalf of her if she wins. Now in one of the biggest Oscar legends ever, it was said that after Bancroft was announced the winner, Crawford passed by Davis backstage and mentioned “Excuse me, but I have an Oscar to accept.”

2. MARICEL SORIANO and SHARON CUNETA

Aside from Vilma and Nora, Maricel Soriano and Sharon Cuneta are the two other perennial “stars” of Philippine showbusiness. Maricel was tagged as the Diamond Star while Sharon is also known as the Megastar. Both are the box office queens of the 80s though the primary difference was that Maricel is a Regal Queen while Shawie hails from Viva. In the 90s, both moved on to be more serious actresses headlining in award winning films. The rivalry doesn’t seem to die down especially during times where in both actresses happen to release movies in the same year such as the 2003 Metro Manila Film Festival where Sharon was a part of Crying Ladies and Maricel as a part of Filipinas. During the Gabi ng Parangal that year, Maricel bagged the Best Actress plum while Shawie won the Audience Choice for Best Actress.

TRIVIA: Despite fans rallying and bashing each other in public forums, Shawie and Marya have nothing but good words and praises for each other especially when the Diamond Star guested on Megastar’s Sunday talk show Sharon. As a matter of fact, they have been on the same TV station for decades now when both belonged to ABSCBN up to now where they are both TV5 talents. Another thing they have in common is that both headlined a Mano Po movie; Maricel was at the first Mano Po playing the character of icy sister Vera Go while Shawie headlines the sixth installment playing tycoon Melinda Uy.

3. MARIAH CAREY and WHITNEY HOUSTON

They were touted as some of the greatest voices the music industry ever heard. While Whitney was the first one to emerge into the limelight being at the top of her prime as early as the mid-80s, comparisons started after Mariah debuted in the 90s with Vision of Love. Back then, everyone was saying that Mariah was one of the most refreshing voices ever heard. and that she was here to stay. However, Whitney captured and regained the hearts of many when she belted out her iconic I Will Always Love You and that kept the rivalry alive. While fans are arguing with each other on whether who’s the better one, the rivalry gained waves again when the two collaborated on the Oscar nominated soundtrack When You Believe from The Prince of Egypt. Both Mariah and Whitney shut off the rumors and even performed the single at the Oscars in 1999. Mariah was even one of the first who tweeted her condolences when Whitney left us February of this year calling her “one of the greatest voices on earth.”

TRIVIA: One of the most memorable moments in the history of the MTV Video Music Awards was in 1998 when Mariah Carey and Whitney Houston presented the Best Male Video category. The biggest surprise came because when Mariah appeared from the left side and Whitney from the stairs, they were wearing the same dress. Both were surprised but moreso, prepared for the situation with Mariah removing her train to reveal a skimpy look. This makes a remarkable VMA moment.

4. ANNETTE BENING and HILARY SWANK

Now this one is more of an Oscar rivalry. In 1999, the Best Actress trophy is between two actresses. The first one is an ingénue in a very revealing and challenging role that gave her lots of breakthrough notices. The other one comes from the perceived Best Picture frontrunner that seems to sweep the four major categories. What works for the second contender’s chance is that her husband, a Hollywood legend, is receiving the Thalberg award that same night, and with her possibly winning the trophy, it will be a moment Oscar finds hard to resist. The Globes awarded the first one while the SAGS went for the second one. When the envelope was opened, it was the newbie who triumphed over the other actress paving the way for a Hilary Swank victory. In 2004, a part two of the rivalry happened. This time, they switched conditions when Annette was nominated for a small indie film while Hilary was in the Best Picture frontrunner.  Both won the Globes (Swank won for Drama while Bening won for Musical/Comedy), with Swank also getting the SAG. When the Oscar was announced, Hilary won again Round 2 vs. Annette. Probably a case of bad timing or just her luck?

TRIVIA: We got a glimpse of an Annette-Hilary Round 3 in 2010 at the SAGs. That year, Annette Bening was nominated for her turn as the more aggressive lesbian woman in a female relationship in The Kids Are All Right while Hilary was cited for her turn as lawyer Betty Ann Waters in the biopic “Conviction.”This time, neither of them got the trophy as Natalie Portman prevailed for Black Swan.

5. ANGEL LOCSIN and MARIAN RIVERA

Angel Locsin was GMA’s biggest star. She gets the best projects one after the other. She is considered as the station’s most prized possession. However, a misunderstanding on her next project started rumors that Angel is transferring station. The rumors were proven correct and she was seen on the rival station sooner. On the other station, the search for the next big star started and literally hundreds of their talents auditioned to take the throne. The lucky winner was Marian Rivera who is now the most prized talent of GMA 7. At first, it’s as if the station aims to make Angel feel regret by giving Marian a remake of a previous Angel project.  Both obviously gained something from the rivalry as Marian’s fame skyrocketed and she was given star treatment in her station while Angel became a box office movie star, Best Actress wins, and an International Emmy nomination to boot.

TRIVIA: There seems to be no issues between the two actresses when it comes to their personal feelings with each other. As a matter of fact, Angel’s next film is with Marian’s boyfriend Dingdong Dantes. As for the widely contested FHM Sexiest Women list, in the seven year span that they both made it to the list (from 2006-2012), Angel ranked higher in four years (2006, 2007, 2010, 2012) while Marian topped Angel on the remaining three years (2008, 2009, 2011).

6. ANGELINA JOLIE and JENNIFER ANISTON

Now this one does not need any explanation at all. Bottom line is while Brad and Jennifer were married, Brad fell for Angeline while shooting Mr. and Mrs. Smith. After then, years and years of nonstop invasion of fabricated stories and rumors that never seems to end invade the lives of the three involved. What’s sad about the issue is that people put the blame between Jennifer and Angelina and leave Brad less worried on who caused the issue.

TRIVIA: Ever since the issue broke out in 2005, it wasn’t until in 2009 where Pitt, Jolie, and Aniston met ways in an event. The Oscars that year nominated both Brad and Angelina as Best Actor and Best Actress for The Curious Case of Benjamin Button and Changeling respectively. Meanwhile, Aniston was a presenter for Best Animated Feature wherein Angelina’s Kung Fu Panda was nominated. While Aniston was presenting with Jack Black, the cameras panned several times to Brangelina where they were caught laughing to Jennifer’s banters.

7. NORA AUNOR and VILMA SANTOS

Philippine’s greatest and longest rivalry belongs to none other than Nora Aunor and Vilma Santos. They are two of the greatest thespians in the history of Philippine cinema history. Ate Guy is more known with the way her eyes act even without battling a single word. La Aunor’s eyes act from the soul and they reach a mile faster than a bullet. This made Nora the “Superstar” for everyone. Vilma’s advantage, on the other hand, is her line delivery. Once she starts speaking, it leaves a lasting effect on you. Also, Vilma’s singing dancing and hosting talents labeled her as the “Star for all Seasons.” Since then, they were pitted for awards, box office titles, and their fans are some of the most loyal ones that were still present up until now.

TRIVIA: While both of them have received numerous acting trophies one after the other, the greatest acting award rivalry that happened was in 1982 when Nora was up for Himala while Vilma was nommed for Relasyon. Ate Guy won the MMFF Best Actress that year, while Vilma swept the FAP, FAMAS, and Urian leading to the first ever grandslam in the history of Philippine award giving bodies. Decades later, CNN proclaimed Nora’s Himala as the Best Asian Film. The last time that Nora and Vilma were up for awards consideration at the same time was in 2004 when Nora gained traction as the lawyer in Naglalayag while Vilma as the Chinese matriarch in Mano Po 3. Vilma won at the PMPC Star Awards that year, but neither won the Luna and the Urian. This year shapes up to be a comeback as Nora stars in Brillante Mendoza’s Thy Womb while Vilma is in Chito Rono’s The Healing. Funny thing though is that the name of the healer that Vilma consults in The Healing is Elsa which is the name of Nora Aunor’s fake healer character in the iconic Himala.

8. BRITNEY SPEARS and CHRISTINA AGUILERA

In 1999, while the bubblegum pop era is slowly emerging, it was full of boybands that cater to the ladies. There seems to be no one that caters to the young boys. In April of 1999, there emerge Britney Spears. Britney was like the life-size Barbie that young girls idolize and young boys fantasize. She was sexy and a great dancer and her songs are very much addictive. Four months later, another young blonde singer emerged by the name of Christina Aguilera. While she was also as innocent as one can get, her first single Genie in a Bottle speaks volumes on a more liberated pattern. After discovering that both were alumni of the Mickey Mouse club, the rivalry started and it was probably the biggest rivalry of their time. Not only singles and music videos were compared, even rival endorsements get them. When Pepsi got Britney, Coca Cola signed up Christina. The biggest surprise that year happened at the Grammys Awards when both were nominated for Best New Artist. Britney and Macy Gray were the frontruners but when the envelope was opened (right after Britney’s performance which usually signals that she’ll win), it was Christina Aguilera’s name that was announced as the winner. Both Britney and Christina shut off rumors about the rivalry by appearing on stage at the 2000 MTV Video Music Awards introducing the late Whitney Houston. Time and again, they have nothing but sweet messages for each other in interviews and reports.

TRIVIA: Thirteen years since their first appearance, both Britney and Christina are walking the same pattern again as they get head to head as judges in reality signing competition. It is Christina’s third season as a coach in the NBC hit The Voice while it is Britney’s first season as a panelist in Fox’s X Factor. This will surely heat up rivalry between the fans of the two.

9. CLAUDINE BARRETTO and JUDY ANN SANTOS

It is said that the offspring of the Nora-Vilma rivalry is that of Claudine and Judai’s. Judy Ann is touted as the next Nora, the maka-masa actress whose eyes speak volumes. Claudine is said to be the next Vilma whose great line deliveries fit any genre with such finesse. It didn’t help that Nora starred with Judy Ann in the 1997 film “Babae” while Claudine starred as Vilma’s eldest daughter in “Anak” in 2000. Both were also ABSCBN’s queens of primetime television and the station’s royalties up until Claudine transferred stations in 2009. This opened new rivalries between the fans of the two as ABSCBN announced Judy Ann as the sole face of the 60 Years of Soap Opera. However, both Claudine and Judai are friends with each other especially since they have moved on now to be serious asset actresses of their generation.

TRIVIA: In the field of awards recognition, there was only one year in local award giving body history where Judai and Claudine faced off against each other for Best Actress. It was in 2004 when Claudine was nominated for her portrayal of the fearless, independent OFW in Olivia Lamasan’s Milan. Judy Ann took notice for her performance as the title role of the wild sultry provocative woman in Joel Lamangan’s Sabel. Claudine beat Judai both at the FAMAS and the Luna awards that year while it was Judai who got the coveted Urian trophy. Since then, they haven’t competed for any film award consideration.

10. MARCIA CROSS and TERI HATCHER

In probably one of the biggest stories of 2005, one supposedly short and relaxing Vanity Fair cover shoot turned out to be a very controversial and emotional one. Because of the surprising success since the launch of Desperate Housewives in 2004, the ladies have been the most in-demand actresses during that time. Interviews, pictorials, endorsements have been running left and right for the stars of this ABC comedy Teri Hatcher, Marcia Cross, Felicity Huffman, Eva Longoria, and Nicolette Sheridan. When the Housewives Vanity Fair issue hit the stands, there was a sign in the cover that mentioned “You wouldn’t believe what it took just to get this photo!” This kept Hollywood rumormongers buzzing and finding out small details until it was finally exposed. According to reports, before the start of the shoot, ABC already warned the Vanity Fair staff to not put Teri in the middle of the photo and to not let her be the first one to choose wardrobe. But when the shoot started, Teri wore the red swimsuit (since she already contacted the stylist days in advance which fumed up co-star Eva Longoria complaining to the producers) and was placed in the middle of the photo which sent co-star Marcia Cross all fired up. Cross picked up her bathrobe and refused to shoot unless Teri will change positions. This led to Teri being demoted to the side photo and Nicolette Sheridan replacing her in the middle.  Then a video of a crying Teri walking out of the set was seen via Entertainment Tonight. As you may know, the cover was a fold up and both Felicity and Marcia weren’t visible if you look at it in the news stands. When asked about the issue earlier this year in an interview with Entertainment Weekly, creator Marc Cherry didn’t deny that there were really tension during the set but it was exaggerated. Marcia commented that this entire time people thought of her as the show’s bitch but she really wasn’t. As of this time, a staff mentioned that it’s really the end for them as Teri had an issue with the three other Housewives (Felicity, Eva, Marcia) and they haven’t been on any speaking terms since 2010.

TRIVIA: During the 2005 Emmy Awards, it was co-incidentally Teri and Marcia as the perceived frontrunners for the Emmy for Best Actress in a Comedy Series. While both Teri and Marcia submitted their attention grabbing episodes, it wasn’t clear who will be proclaimed as the winner. When Conan O’Brien opened the envelope, it was a big surprise when he called the other nominated Housewife a.k.a Felicity Huffman’s name as the winner. Many people speculated that many voters were turned off with the tension between Marcia and Teri which prompted them to vote for the least attention grabbing housewife which happened to be Mrs. William H. Macy.

Are you excited about the remake of What Ever Happened to Baby Jane? Which teams are you a part of? And who do you think needs to be included here?