Yesterday, the Film Academy of the Philippines announced Brillante Mendoza’s Ma’Rosa as the country’s submission in the Best Foreign Language Film category at the 89th Academy Awards that will happen on February 2017. The film bested nine other entries which includes Berlin winner Hele sa Hiwagang Hapis, Cinemalaya Best Picture Pamilya Ordinaryo, and the last minute addition Ang Babaeng Humayo by Lav Diaz.
This is the first time for director Brillante Mendoza who has been shortlisted thrice before (2009 for Kinatay, 2013 for Thy Womb, and 2015 for Taklub). Mendoza has also won Best Director at Cannes Film Festival back in 2009, also for Kinatay. In a way, he’s – for lack of a better term – overdue for an Oscar submission. Why he hasn’t represented us thus far is really surprising.
Ma’Rosa, tells a day in the life of a poor family, headed by their matriarch Rosa (played by Jaclyn Jose), as they scramble to find the money to pay off the corrupt policemen that have arrested them or dealing drugs. Back in May, it competed at the Cannes Film Festival Main Competition section where it pulled off the historic Best Actress win for Jose, being the first Filipina and Southeast Asian actress to do so. Certainly, it has the clout and the festival exposure.
Now let’s dissect its chances. Can Ma’Rosa pull off that elusive first nomination for the Philippines? For those counting, we’ve submitted 27 times in the past — back from our very first in 1953 for Manuel Conde’s Genghis Khan up to last year’s Heneral Luna from Jerrold Tarog) to no avail. No nomination and no shortlist mention.
As mentioned above, one of the things going for Ma’Rosa is its festival exposure. Not only did it take a home a prize at Cannes, it also played at the Toronto Film Festival. It has partnered with sales agency company Films Distribution which also distributed current Best Foreign Language Film winner Son of Saul. Impressive, right? Well not in the sense you’re thinking of. It has to be clarified though. Films Distribution is not an Oscar-campaigner studio per se. It’s not the same as Focus Features or Fox Searchlight or even The Weinstein Company. Son of Saul‘s win last year was due to being campaigned by Focus Features which handled its whole awards run campaign. Ma’Rosa doesn’t have that.. yet. In reality, the most Films Distribution can do is to help the movie gain more festival exposure. Going by a quick search shows that after Toronto, it’s also heading to BFI London, which is good. More festival exposure is always better.
Reviews by foreign critics is always a factor too. It has to be mentioned first that Mendoza is really as divisive when it comes to foreign critics. Remember when the late Roger Ebert mentioned that Kinatay surpassed Vincet Gallo’s The Brown Bunny as “the worst film in Canes history?” So it’s a bit of delight that Ma’Rosa is probably one of the better-reviewed films in his filmography. While critics still had reservations, they were more welcoming than the usual. THR mentioned “Thankfully, and as in his other features, Mendoza again manages to turn his locations into a character in its own right. ” Variety’s Maggie Lee summed it best when she said “Boasting a simple, coherent plot shot with real-time, handheld verismo, it’s a work of understated confidence that will not disappoint his festival acolytes, but probably won’t win many new converts.”
A lot has been mentioned about how we, at a certain extent, can be helped by our own country’s narrative right now. As the world probably knows already, we’re very vocal in our battle with the issue of drugs. And many feel that the movie is timely and that can help buzz. Historically, not really. This category really doesn’t care about that, to be frank. A year after Brokeback Mountain lost Best Picture, a significant amount of queer films were submitted for Best Foreign language Film including our own Ang Pagdadalaga ni Maximo Oliveros. The total number of gay films nominated that year? Zero. In 2010, an election year in many countries, a lot of them rode that narrative, again including us when we submitted Dondon Santos’ Noy and Brazil went with Lula. Number of election themed nominated movies that year? Zero. This whole controversy reminded me just three years ago when we went with Transit as our submission (make no mistake, still a great film, just not a great Oscar entry) over the snubbed On the Job and the FAP’s reasoning was that they don’t want to submit a film that showed the negative side of the country. Submitting Ma’Rosa I guess is a huge leap to the other direction, if that means something.
The biggest factor that can probably help Ma’Rosa is its Cannes win. Sure its only Best Actress (and by only I mean that in the hierarchy of Cannes wins, its in the lower tier alongside Best Actor and Best Screenplay. This sentence, by no means, does not intend to take anything away from the marvelous Jaclyn Jose), but a win is still a win. And that it’s still buzz. For a movie that was perceived as a non-event of some sort at Cannes (it was one of the least buzzed films of the competition, but then it’s pretty understandable since he’s competing with the likes of veterans and/or those with Hollywood cast), how it ended up going home with a win is a win itself already.
Now let’s talk about the elephant in the room. Three days ago, it was announced that Lav Diaz’ Ang Babaeng Humayo will go for a September 23 release, which would make it eligible for this year since it’ll be meeting the necessary requirements to contend. The huge amount of buzz over its historic Golden Lion win (the highest honor ever received by a Filipino movie in history) is too much to ignore. Sure, it’s a Lav Diaz film which means it runs for more than three hours, and that didn’t help Norte two years ago. That said, foreign critics being unanimously positive about it, plus the film being called as his most accessible (especially since Diaz is another name that’s divisive to foreign critics), with a sure huge company to back its campaign (Charo Santos was the president of the biggest TV network in the country), it’s basically a decision too obvious to make by that time. That’s why it’s a tad surprising that the announcement happened yesterday. This prompted Humayo to move back to a September 28 screening, which will make it ineligible for next year’s submission too. That, and the buzz over Golden Lion and the Toronto inclusion will be old news by then. Let it be clear though that none of this should be pointed against Ma’Rosa, Mendoza, or any of his team, since decision wasn’t really theirs.
A few weeks ago pre-Venice Film Fest, I wrote about the possible submissions and strongly felt that none of the films would do the trick. In that case, why not throw a bone to Mendoza’s Ma’Rosa. But the whole Golden Lion win affected everything. My final verdict says that nope we ain’t getting that nomination nor that Top 9 mention. If anything, my takeaway with this year is that we’ve finally acknowledged and submitted Mendoza’s work (which was already beyond deserving back in 2009 when we had that tragic Ded na si Lolo submission), but at the expense of a stronger contender. I’d love to be wrong though.
Off to next year.
The Manunuri ng Pelikulang Pilipino (MPP) are bound to reward their picks among the best of 2015 local cinema with the 39th Gawad Urian Awards this Tuesday, June 21. But who are poised to take home those huge silver trophies? It’s a strange year in predicting, but here’s where I’ll bet my money on.
“Anino sa Likod ng Buwan”
“ARI: My Life with a King”
“Da Dog Show”
“Honor Thy Father”
Unlike previous years when there’s one clear frontrunner to win the top award (2003’s Magnifico, 2005’s Ang Pagdadalaga ni Maximo Oliveros, 2009’s Kinatay, and 2013’s Norte), this year, the race is a bit up in the air. As for starters, there’s the now iconic pop culture effect of Heneral Luna, which dominated critically and commercially. Then there’s also Taklub, which was Brillante Mendoza’s comeback to Cannes (albeit in the Un Certain Regard competition) since 2009. Anino sa Likod ng Buwan and Imbisibol both live up to the name of their previous stage adaptations. And Honor Thy Father got pretty much the same enthusiasm that Matti’s (also Best Picture nominated) On the Job received. The three other films nominated are much low-key in nature, but I can also foresee a case of the Manunuri going with the cultural importance of the arts in “Ari.” I guess I’ll go with Jun Lana’s “Anino sa Likod ng Buwan“, as I find its one shot narrative up right the Manunuri’s alley. Besides, Lana is someone I see who’s finally breaking through with the Urian considering they also went gaga with Barber’s Tales last year (despite ending with a 0-11 shutout).
PREDICTION: “Anino sa Likod ng Buwan”
ALTERNATE: “Heneral Luna“
Carlo Enciso Catu, “ARI: My Life with a King”
Mario Cornejo, “Apocalypse Child”
Zig Madamba Dulay, “Bambanti”
Lawrence Fajardo, “Imbisibol”
Ralston Jover, “Da Dog Show”
Jun Lana, “Anino sa Likod ng Buwan”
Erik Matti, “Honor Thy Father”
Brilliante Mendoza, “Taklub”
Kidlat Tahimik, “Balikbayan #1: Memories of Overdevelopment”
Jerrold Tarog, “Heneral Luna”
I have this previous theory (which I shared last year) that when someone is up for the Best Director award yet the film isn’t nominated for Best Picture, that totally eliminates the director’s chances to win at all. After all, no director has won in this category without the corresponding film being nominated for the top award too. That said, if there’s one filmmaker who can defy that statistic, it’s Kidlat Tahimik. After all, the narrative is there already. I’m sure the Urian won’t shy rewarding him especially now that the opportunity is there. Then again, I noted two years ago that in a field of 12 Best Director nominees, the only ones with no Urian are Erik Matti and Hannah Espia and while I predicted the former, it’s the latter who won. Thus, I’ll reserve my alternate this time for Matti to nab his first Urian here.
PREDICTION: Kidlat Tahimik, “Balikbayan #1: Memories of Overdevelopment”
ALTERNATE: Erik Matti, “Honor Thy Father”
Luis Alandy, “Anino sa Likod ng Buwan”
John Arcilla, “Heneral Luna”
John Lloyd Cruz, “Honor Thy Father”
John Lloyd Cruz, “A Second Chance”
Ricky Davao, “Dayang Asu”
Anthony Falcon, “Anino sa Likod ng Buwan”
Francisco Guinto, “ARI: My Life with a King”
Sid Lucero, “Apocalypse Child”
Junjun Quintana, “Water Lemon”
Jericho Rosales, “Walang Forever”
Dennis Trillo, “Felix Manalo”
Lou Veloso, “Da Dog Show”
While it’s a strong year for lead actors with everyone getting in meaty roles here and there, this is one category where the Manunuri channels their inner Oprah and hands out nominations like Santa Claus. From this bunch, chances are we won’t see a repeat winner so that leaves out Ricky Davao, Sid Lucero, Junjun Quintana, Jericho Rosales, and Lou Veloso already. In the event that it will be though, bank on John Arcilla’s prominent pornstache to win this. That said, the double nominations signify strong support for our perennial frontrunner John Lloyd Cruz to finally receive his first Urian. Only once in the history of Urian did an actor compete against herself that lost (FYI it’s Nora Aunor x2 (both ‘Merika and Bilangin ang Bituin sa Langit) losing to Vilma Santos in Sister Stella L.). So unless Manunuri trolls out in the end, it’s John Lloyd’s to lose.
PREDICTION: John Lloyd Cruz, “Honor Thy Father”
ALTERNATE: John Arcilla, “Heneral Luna”
Nora Aunor, “Taklub”
Angeli Bayani, “Iisa”
Mercedes Cabral, “Da Dog Show”
Alessandra de Rossi, “Bambanti”
Anicka Dolonius, “Apocalypse Child”
Jennylyn Mercado, “Walang Forever”
Ces Quesada, “Imbisibol”
LJ Reyes, “Anino sa Likod ng Buwan”
Last year, it was easy to dismiss Nora Aunor’s chances simply because she’s already winning the Natatanging Gawad Urian and if there’s one thing that Urian loves, it’s to spread the wealth. This year however is a more difficult one to predict. That said, Taklub is minor Aunor, and I don’t think this is the performance that will tie her with rival Vilma Santos for the 8th Best Actress win. Both Angeli Bayani and Alessandra de Rossi won Urian the past few years, so I don’t see the Manunuri rushing to give them second wins (they have no problem giving out nominations but a win is a different talk). Quesada, Dolonius and Cabral are all borderline supporting characters in terms of screentime or story, though Ces Quesada, a veteran with no Urian win yet can easily overcome this narrative as compared to the two others. Jennylyn Mercado, a previous Urian nominee for Blue Moon back in 2005, is nominated for #WalangForever, seems more of a statement on the Manunuri’s part that they also acknowledge romance/commercial format stories. I mean if Angelica Panganiban couldn’t win with Tadhana last year, I doubt they’re touching this. That leaves me with LJ Reyes, and while in any other year, I wouldn’t have made this prediction, maybe the “boldness” of the role would be enough for her to take home the trophy.
PREDICTION: LJ Reyes, “Anino sa Likod ng Buwan”
ALTERNATE: Ces Quesada, “Imbisibol”
BEST SUPPORTING ACTOR:
RK Bagatsing, “Apocalypse Child”
Bernardo Bernardo, “Imbisibol”
Tirso Cruz III, “Honor Thy Father”
JM De Guzman, “Imbisibol”
Julio Diaz, “Taklub”
Alion Ibanez, “Da Dog Show”
Micko Laurente, “Bambanti”
Lou Veloso, “Taklub”
Opposite of the Oscars where they reward the older vets in Supporting, the Urian likes them young and fresh with up and coming actors winning here going as far as 1986 champ Aga Muhlach up to last year’s Martin del Rosario. The only one who fits the bill is 4x nominee JM de Guzman for Imbisibol. But then, I think this is one year where they can skip that as I think it’s a battle of the three vets: 1980 Best Actor Bernardo Bernardo, 1992 Best Supporting Actor Tirso Cruz III, and still Urian-less Julio Diaz. I have a hunch they’re going with Tirso’s over the top religious zealot in here to give him his overdue second career Urian.
PREDICTION: Tirso Cruz III, “Honor Thy Father”
ALTERNATE: Julio Diaz, “Taklub”
BEST SUPPORTING ACTRESS:
Liza Dino, “Toto”
Mylene Dizon, “Heneral Luna”
Rio Locsin, “Iisa”
Anna Abad Santos, “Apocalypse Child”
Tessie Tomas, “Water Lemon”
Cecil Yumol, “ARI: My Life with a King”
Gwen Zamora “Apocalypse Child”
I can’t remember the last time they rewarded a supporting performance from a full comedy movie, so I feel that Liza Dino’s nominations is the reward itself already. Same goes for Urian winner Mylene Dizon. I personally prefer Ana Abad Santos over Gwen Zamora in Apocalypse Child, but a part of me thinks that it’s a film they showered with acting nominations but will give no wins (which in Urian history isn’t always a bad thing. There’s a long list of films that reap 4-5 acting nominations that will lose all of its acting bids. Case in point, last year’s Best Picture Mula sa Kung Ano Ang Noon, or Barber’s Tales.). I’ll call this a race between two underrated veterans: Rio Locsin vs. Tessie Tomas, and I’ll give the edge to the latter just because she have more Urian losses, so maybe the Manunuri might make up for it.
PREDICTION: Tessie Tomas, “Water Lemon”
ALTERNATE: Rio Locsin, “Iisa”
Now as for the rest of the nominations:
Prediction: Herlyn Gail Alegre and John Paul Bedia, “Imbisibol“
Alternate: Michicko Yamamoto, “Honor Thy Father“
Prediction: Harley Alcasid, “Bukod Kang Pinagpala”
Alternate: Ben Payumo, “Water Lemon”
Prediction: Ber Cruz, “Honor Thy Father”
Alternate: Pong Ignacio, “Heneral Luna”
Prediction: Jerrold Tarog, “Heneral Luna”
Alternate: Diwa de Leon, “Taklub”
Prediction: Lawrence Ang, “Anino sa Likod ng Buwan”
Alternate: Kats Serraon, “Da Dog Show”
Prediction: Mikko Quizon, “Heneral Luna”
Alternate: Mikko Quizon, “Honor Thy Father”
The 39th Gawad Urian Awards will be shown live on Cinema One this June 21 at 8PM.