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15 Oscar Bait Flops starring the last 15 Oscar Best Actress Winners   Leave a comment

vlcsnap-2015-09-30-13h10m44s22Take a good look at that Best Actress Oscar, Cate!

An actor’s career won’t ever be complete if he/she hasn’t had that one film perceived as his/her Oscar vehicle only for the movie to not live up to its expectations and its Oscar chances ultimately ending up in a crash and burn in situation. Today, we’d be revisiting the last 15 Oscar Best Actress winners, and while all of them have ended up with Oscar statues in their mantles already (some even more than one, coughMerylcough), these are some films that were perceived to be the one.

2000: Julia Roberts

Then America’s Sweetheart Julia Roberts was unstoppable that year sweeping all televised precursors leading to the Academy Awards for her sassy superstar performances as the title role in Erin Brockovich, and while she obviously “loved it up there” in the podium, her post-Oscar career has mostly focused on doing favored works for her director friends (such as Steven Soderbergh and Ryan Murphy) or actor friends (such as Tom Hanks). However, in 2007, she starred alongside Hanks and the late Philip Seymour Hoffman in Charlie Wilson‘s War as Texas socialite Joanne Herring donned with a big blonde wig and her signature wide grin. While she picked up a Golden Globe nomination for this, her real Oscar comeback came seven years after in August Osage County.

2001: Halle Berry

After her historic win in 2001, Berry remains to be the only African-American actress who have won the Oscar in a leading performance for Monster’s Ball. However, most of her post-Oscar career has been panned left and right specifically during her turn in Catwoman. While the actress have fared better in television (with her Emmy nominated performance “Their Eyes Were Watching God“), Berry still tried to prove her win was no fluke by starring in different Oscar vehicles such as “Things We Lost in Fire” in 2007. For this list though, nothing is as baity as her attempt for a comeback in 2010’s “Frankie & Alice” where she played a 70s stripper suffering from a dissociative identity disorder. Berry picked up a filler Globe nod for it, but the awards failure performance caused the film to be shelved only to be revived four years later for a theatrical release to the knowledge of… nobody.

2002: Nicole Kidman

Winning on her second consecutive nomination, Nicole Kidman was the biggest movie star on the planet during her win as author Virginia Woolf in Best Picture nominee The Hours. And while everyone thought this would be the start of the Academy’s love affair with the Australian actress, the opposite happened with her starring in low-key indie films (Dogville, Birth), flop mainstream attempts (The Stepford Wives, Bewitched), or Oscar baits that simply didn’t materialize (Nine, Australia). That said, her worst Oscar bait flop happened in 2013 when she played another Best Actress Oscar winner Grace Kelly in “Grace of Monaco.” Issues over cuts and versions between screenwriter Arash Amel, director Olivier Dahan, and distributor Harvey Weinstein all contributed to the tragic fate of this film (which as of this writing, has apparently three different versions). While Grace opened the 2014 Cannes Film Festival, it was panned by critics there losing any chance for a theatrical release. It ended up premiering on TV via Lifetime earlier this year, though that ended up as a blessing in disguise as that decision earned it an nomination for Best Television Movie at the Emmy Awards earlier this month.

2003: Charlize Theron

After her unanimously praised performance of serial killer Aileen Wuornos in Monster, Theron easily received another Oscar nod two years after for the movie North Country. That said, Theron stayed low key with her movie choices tackling supporting roles mostly or really, small films. While her comeback in 2011 for Young Adult didn’t fruit to Oscar nom #3, it can’t be considered an Oscar bait flop considering the nature of the film doesn’t seem like the type that will get its actress nominated. However, after the success of Gone Girl last year and its lead actress Rosamund Pike receiving a nomination for it, studio A24 tried to ride on its success by releasing another Gillian Flynn novel turned to movie “Dark Places” starring Theron as the only survivor of a town massacre. Suffice to say, this was released in limited theaters and VOD killing all its chances to get Theron nominated.

2004: Hilary Swank

Only five years after receiving her first Best Actress Oscar, Hilary Swank easily snatched her second after starring as the female boxer Maggie Fitzgerald in the Best Picture Oscar winner of that year “Million Dollar Baby.” That’s why her third bid for an Oscar nomination (exactly ten years after her first and five years after her second), was for playing the great, late Amelia Earhart in Mira Nair’s 2009 take on the life of the prominent figure. Unlike her first two vehicles though, Swank quite received the flak for portraying yet another character leaning on the masculine strengths for another shot at Oscar. So despite Fox Searchlight handling the campaign for this film, not even that is enough to save this critical and commercial flop. Surprisingly enough, her next Oscar bait came in 2014 for “The Homesman“, but again to no avail. Maybe Hilary decided to plot her Oscar vehicles every time a year ends on 9 or 4 no?

2005: Reese Witherspoon

Her Oscar-winning role was that of the late country superstar June Carter Cash in “Walk the Line.” In this 2007 thriller however, Reese joined forces with Oscar winners Meryl Streep and Alan Arkin, as well as Oscar nominee Jake Gyllenhaal. Back in 2007, films dealing with the CIA and terrorism have been as baity as one can expect, so Witherspoon’s role as a pregnant woman involved in some terrorism actions seem like a shoo-in Oscar contender. Add the fact that this was Witherspoon’s foray into straight drama territory and this seemed anything but an Oscar flop. Until it was. Luckily for Reese, she managed to come back in the Oscar race earlier this year for her turn as Cheryl Strayed in Wild.

2006: Helen Mirren

Usually when a woman in her sixties win an Oscar, it’s mostly an indirect lifetime achievement award of some sort. But not for Dame Helen Mirren. Since her win for The Queen in 2006, this has led her to receive more leading roles and she has been the go-to British actress even surpassing Dame Judi Dench and Dame Vanessa Redgrave to name a few. She easily picked up an Oscar nod in 2009 for The Last Station, and we’re certain that she came close in 2012 for Hitchcock after receiving Golden Globe, SAG, and BAFTA nominations for it. Mirren is an easy name check for nominations too, as proven by her Golden Globe nomination (yet again) for The Hundred Foot Journey. However, Woman in Gold was a different story. It’s a great feat that the movie earned four times its budget, but with the topic of a Jewish refugee fighting for a painting of her aunt by the Nazis, this is the type of role that can easily skate its actress to awards talk… only that it won’t happen anymore.

2007: Marion Cotillard

Among all the Oscar flops in this list, The Immigrant is that one film that really doesn’t deserve its placement. It’s a great film and its number of accolades received could certainly prove it. However, after acquiring this film at the 2013 Cannes Film Festival, Harvey Weinstein certainly did not know how to market or simply, what to do with this film and he ended up throwing it to E-One, the smaller right hand company of The Weinsteins which is an indication that they won’t be pushing this film for any awards consideration. But when Cotillard started to pick up steam for her performance in “Two Days, One Night“, Weinstein made a sudden last minute play of giving Cotillard and its cinematography some push hoping it can get her the nomination. Of course it didn’t, and Marion ended up getting that overdue second nomination for her better performance. Sadly, Marion has yet to be nominated for an English performance, and this could have been it had it been handled properly.

2008: Kate Winslet

For quite a period in the late 2000s, Jason Reitman has been the Academy’s catnip. His films have ended p receiving Oscar nominations for Ellen Page in Juno, and George Clooney, Vera Farmiga and Anna Kendrick in Up in the Air with Golden Globe nods for Aaron Eckhart in Thank You for Smoking and Charlize Theron in Young Adult. However, all streaks will come to an end, as Reitman’s one began with the Kate WInslet-starrer Labor Day. Based on the novel by Joyce Maynard, Winslet plays another lonely suburban housewife (as if Little Children and Revolutionary Road weren’t enough) who had an encounter with convict Josh Brolin. The movie was met with horrible reviews, but hand it to the Golden Globes for still name checking Kate Winslet giving her a Best Drama Actress nomination for it.

2009: Sandra Bullock

2009 ended up as the start of a career renaissance for Sandra Bullock. Not only did she star in two movies of that year with grosses combined a 600+ million dollars, she ended up with the Best Actress Oscar for her turn as Leigh Anne Tuohy in The Blind Side. What could have been the pinnacle of an actor’s career only was the beginning for Sandra who followed it up with box office hits like The Heat and Minions or critically backed films like that of Gravity. This year, however, she dons her blonde wig yet again (just like in her Oscar winning performance) to headline David Gordon Green’s “Our Brand is Crisis.” While her awards chances have yet to be determined, you can mostly count her out since the movie received mixed to negative reviews since it premiered at Toronto International Film Festival this year. At least her personal reviews weren’t tragic, but count no Best Actress nomination for her this year.

2010: Natalie Portman

Portman’s road to the Oscar was for her performance as the ballerina in Black Swan, but only a year before that, we saw her closest attempt to follow up her 2004 nomination for “Closer” in Jim Sheridan’s “Brothers“, based on the 2004 Danish film of the same name. As the woman who was left in between the characters of Jake Gyllenhaal and Tobey Maguire, Portman was given the tough position of acting upon two other contemporaries. Sadly for the film, it has gained little to no traction at all that year, mostly for the U2 song “Winter” and a Golden Globe nod for Tobey Maguire.

2011: Meryl Streep

Yes, even Oscar’s favorite actress takes a break from being Oscar nominated. Grunt all you can as Meryl enjoys her 19 career Oscar nominations and three statues at home (her latest for playing Margaret Thatcher in The Iron Lady), but every now and then she takes on flop Oscar vehicles such as this one directed by Robert Redford and had her starring with Tom Cruise. Streep plays liberal TV journalist Janine Roth who thinks the government is using her position to be an instrument of their plans. Here’s another film that tried to combined issues of journalism, terrorism, and war ending up with zero awards traction, rotten reviews, and a disappointing box office performance.

2012: Jennifer Lawrence

After starring in Best Picture nominees Silver Linings Playbook (for which she won her Oscar) and American Hustle, it seemed like the pairing of Bradley Cooper and Jennifer Lawrence is one that seems to have find its footing in the Academy. Their third pairing, however, is from Oscar winning director Susanne Bier from the 2008 novel of the same name. While this costume drama seemed like it would continue the trajectory of both actors getting nominated, too many issues surrounding the film’s release ended up losing all momentum for the movie. It finally was released in the US last March which is enough reason to say that the movie’s intention to get any awards consideration is already killed.

2013: Cate Blanchett

At this stage in her career, Cate Blanchett is already infallible with everything she touches is suddenly critic proof. She has reached that stage in her career already where she has the respect and admiration of her peers and critics alike, as proven by her great comeback in 2013 because of Woody Allen’s Blue Jasmine for which she won her second Oscar and her first one in Lead. But before any of those happened, she has been starring in one flop bait after the other in the early 2000s, particularly this Ron Howard film in 2003 entitled “The Missing.” It was Howard’s comeback after winning for “A Beautiful Mind” and starred Oscar winner Tommy Lee Jones. Good for Blanchett though because the year after, she finally natched her first one for “The Aviator.” And the rest, as they say, is history.

2014: Julianne Moore

Lastly, we have current Best Actress Julianne Moore. Before winning the Oscar this year for Still Alice, Julianne’s last visit to the Oscars as a nominee was still way back in 2002 when she was double nominated for The Hours (losing to Catherine Zeta-Jones) and Far From Heaven (losing to The Hours co-star Nicole Kidman). While we all have probably thought that Julianne would end up being forgotten (as it’s harder to win an Oscar when you’re in your 50s), she proved it otherwise. The journey to 2014 was a long wait though appearing in Oscar contenders where her co-stars got nominated but not her (such as The Kids Are All Right and A Single Man) or low key Oscar flop baits (The Prize Winner of Defiance Ohio and Savage Grace). What stood out was the one directed by Fernando Meirelles though. As the opener of the 2008 Cannes Film Fest, Blindness was destined to be a real Oscar contender with its great ensemble, and the reputation of the people involved. After all, it was one of the most prominent best selling novels that time, and this was a challenging role. Alas, the bad reviews killed any of its perceived Oscar chances.

There you have it. What are your favorite Oscar flops? Which Oscar bait ones did you secretly enjoy? Talk to me about it on Twitter: @nikowl

8 Oscar Turds of 2013   8 comments

In the field of awards prognosticating, there will always be films that looked and sounded promising but all potential is lost once the final product is seen on the big screen. Then there are those that can ride the coattails of the buzz they accumulated all year. However, each year produces some of the biggest awards flop such as 2005’s Elizabethtown, 2006’s The Good German and Bobby, 2008’s Evening, 2011’s J.Edgar, and last year’s Hyde Park on Hudson. Here are eight films that fit this bill from 2013’s offerings and whose accumulated Oscar nominations is a big fat zero. You know you’re pretty much toast when that obscure film Alone Yet Not Alone can attach OSCAR NOMINEE once they release the DVD right?

The Fifth Estate

8. THE FIFTH ESTATE (Bill Condon)

Bill Condon has directed Oscar nominated performances such as those of Laura Linney in Kinsey, Bill Condon in Gods and Monsters, and the award winning performance of Jennifer Hudson in Dreamgirls. The past few years though he was busy doing the Twilight films. But one is bound to bounce to a comeback no? In his first film post-Twilight, Condon tackled the story of the Wikileaks. In it stars supposed 2013’s breakout star Benedict Cumberbatch who will move on from his TV star stage to American cinema with this lead star role. But with the film’s pans and getting lost in the shuffle among the more successful festival films was the final nail in this film’s award chances coffin. Not only was Cumberbatch getting the one-two punch of disaster, but his co-star Daniel Brühl as well (see the list below).

The Secret Life of Walter Mitty


Fun fact: Ben Stiller has already directed one Oscar nominated performance via Robert Downey Jr.’s turn in Tropic Thunder
Fun fact 2: Terence Malick’s favorite film is the Ben Stiller starrer Zoolander.

Given those, it’s easy to see that the Academy is just probably waiting for that moment to give the spotlight to Ben Stiller after all these years. It seemed probable last year when he will direct himself in this serious but charming film of a daydreamer based on the adaptation of a short film. Even the promotion of the film is done well. The only dealbreaker was when the film actually premiered and it was welcome with lukewarm to terrible reviews. It was then clear that this is not the Oscar vehicle that they are waiting for. When the film has been snubbed already even in a shortlist of ten visual effects, and a field of seven in make up which includes film like Hansel and Gretel: Witch Hunters and Jackass Presents: Bad Gramdpa, it’s time to call the film’s awards prospects dead. Not even the Golden Globes came to Stiller’s defense this year. To be fair though, Jim Carrey is still waiting for his first nod.

The Counselor

6. THE COUNSELOR (Ridley Scott)

On one hand, it’s easy to note that thrillers haven’t done as well as compared to the early 90s when they scream Oscar! On the other, the people involved in this film have been so familiar with Oscar that you know they’d make an exception for it. Well maybe not. But this on paper sounds like one of those shoo-in Oscar baits. Cormac McCarthy (whose novel No Country for Old Men swept the 2007 Oscars) writes his second original screenplay and is directed by Best Picture Gladiator’s director Ridley Scott. The cast has 10 Oscar nods under their belt with wins for real life couple Javier Bardem and Penelope Cruz. As a matter of fact, the continuous hype over this is Cameron Diaz’ scene stealing scene that would have finally made her overdue Oscar snubs worth it. The film also boasts of baity technical achievements with the colorful costumes to the sound and cinematography that it’s bound to be noticed by Oscar. Of course the mere fact that you have read it in this list means none of those happened. In the end, it’s probably one of those films that the cast did for paycheck since no one bothered to promote it at all and has moved on to their different projects since.


5. RUSH (Ron Howard)

I don’t think this was meant to be an Oscar vehicle per se, but with Ron Howard, you’ll never know? His closest shot to an Oscar nomination since A Beautiful Mind dominated 12 years ago, this (another) biopic is one for the sports fans as it tells the rivalry of F1 legends James Hunt and Niki Lauda. The hopes went high for this one during September when things are getting solid of the race, but its box office disappointment in the US, while understandable, is still a disappointment. At the end of the day, this seems like the film that could especially when Daniel Brühl resurrected his (and the film’s) chances when he got nominated at the BFCA, GG, SAG, and BAFTA and was even a nominee for Best Picture Drama at the Globes. As predicted though, the whole Rush-urrection (if ever there was really one) came short when the guilds start to showcase their picks and Rush is nowhere to be seen. The film is simply non existent to these guilds which resulted to a shutout at the Oscars. To be fair though, it’s one of the two good films in this list.


4. DIANA (Oliver Hirschbiegel)

After getting her second Oscar nomination nine years from her first, things look really great for Naomi Watts. She made the most out of her fresh Oscar nod to work with the likes of Noah Baumbach and Alejandro Gonzalez Inarritu. However, the only misstep she did is taking the role of Princess Diana. You know the feeling when there’s something really bad will happen and you knew it was doomed from the start? Yep, we all had the feeling. Every one that is, except Naomi Watts. This mess of a film was supposed to be her Oscar winning vehicle, but the signs already showed as early as Cannes when it took them days to find a distributor that will carry the film in the US. To make it clearer, a seven minute clip of Philomena was shown and after that, studios started to bid for the movie. Diana, showed the whole movie, yet no one still bid for it days after the event. It then went to E-One (a budding distributor in the US), but when the UK reviews started to pop in, it was very clear that disaster has indeed arrived. At that stage, probably the only thing that could have saved the faces of those involved was to hide the film altogether. To be fair, Naomi Watts received a nomination for Diana… as Razzie’s Worst Actress of the Year. I don’t think that was the trajectory they expected after last year’s The Impossible nomination.

Fruitvale Station


Every year, a spotlight is always given to the Sundance breakout film that will fight its way to the Oscars. It happened to Little Miss Sunshine in 2006, Precious in 2009, Winter’s Bone in 2010, and Beasts of the Southern Wild last year. All those received Oscar Best Picture nods alongside those that received lots of Oscar attention as well: Away from Her, The Visitor, and An Education. 2013’s breakout representative was Ryan Coogler’s debut feature film Fruitvale Station. Everything seemed destined for it to reach Oscar glory by winning in Sundance, at Cannes, and even the critics awards for Breakthrough Feature and Breakthrough Actor for lead star Michael B. Jordan. It also benefits from the timely issue of Trayvon Martin and is being handled by Harvey Weinstein. Alas, it got lost in the shuffle in a “year of black” narratives. Come televised Oscar precursors season, the film was not a presence anymore.

The Butler


So close yet so far. After the critically panned The Paperboy last year, director Lee Daniels decided to go the safe route again, and produce a biopic about the life of a black butler who served many presidents in the White House. It features Oscar winner Forest Whitaker and Oprah Winfrey as the headlines of the film (handled by Harvey Weinstein) and will have a lot of celebrity participation to play the White House figures. In 1998-2002, that would have been a lock for Best Picture. But definitely not in 2013. What’s more perplexing about it is its awards journey. On one hand, the SAG rewarded it with nominations, then the Globe snubbed it all throughout. That has been the road for The Butler the past few months. Come Oscar nominations time, most predictors stick with Oprah as it’s hard to believe that AMPAS would deny her a mention when she literally knows majority of the voters in it. But yes, not only was Oprah snubbed for a coattail Sally Hawkins nomination, it made NOPRAH a stable nickname for her and the film this season.

Labor Day

1. LABOR DAY (Jason Reitman)

And my pick for biggest Oscar toast this season is Labor Day. Coming from Up in the Air, it seems like Jason Reitman is poised to finally win one for his next effort. Though Young Adult also did not give him any recognition, the consensus was that it’s something that the Academy finds too lightweight as compared to baitier flicks that year. However, this adaptation drama starring six time nominee and Oscar winner Kate Winslet in her supposedly Oscar vehicle comeback since her 2008 win, was literally unfelt the whole season. No promotion, no critics talking about it, nada. After it’s Toronto premiere, it just magically disappeared. The only nomination it got is a Golden Globe Drama Best Actress for Kate who didn’t even attend the ceremonies. Now I’m sure you’ve been bombed with its TV spots now featuring Rihanna’s Stay, but if you would have told me a year ago that they will snub a Jason Reitman drama of a suburban housewife that is also a literary adaptation starring Kate Winslet and Josh Brolin, I would have totally laughed at you. Not only is the joke on me, but more on the film itself.

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