Archive for the ‘luis alandy’ Tag

39th Gawad Urian Winner Predictions   Leave a comment

The Manunuri ng Pelikulang Pilipino (MPP) are bound to reward their picks among the best of 2015 local cinema with the 39th Gawad Urian Awards this Tuesday, June 21. But who are poised to take home those huge silver trophies? It’s a strange year in predicting, but here’s where I’ll bet my money on.

best picture

BEST PICTURE
“Anino sa Likod ng Buwan”
“ARI: My Life with a King”
“Bambanti”
“Da Dog Show”
“Heneral Luna”
“Honor Thy Father”
“Imbisibol”
“Taklub”

Unlike previous years when there’s one clear frontrunner to win the top award (2003’s Magnifico, 2005’s Ang Pagdadalaga ni Maximo Oliveros, 2009’s Kinatay, and 2013’s Norte), this year, the race is a bit up in the air. As for starters, there’s the now iconic pop culture effect of Heneral Luna, which dominated critically and commercially. Then there’s also Taklub, which was Brillante Mendoza’s comeback to Cannes (albeit in the Un Certain Regard competition) since 2009. Anino sa Likod ng Buwan and Imbisibol both live up to the name of their previous stage adaptations. And Honor Thy Father got pretty much the same enthusiasm that Matti’s (also Best Picture nominated) On the Job received. The three other films nominated are much low-key in nature, but I can also foresee a case of the Manunuri going with the cultural importance of the arts in “Ari.” I guess I’ll go with Jun Lana’s “Anino sa Likod ng Buwan“, as I find its one shot narrative up right the Manunuri’s alley. Besides, Lana is someone I see who’s finally breaking through with the Urian considering they also went gaga with Barber’s Tales last year (despite ending with a 0-11 shutout).

PREDICTION: “Anino sa Likod ng Buwan
ALTERNATE: “Heneral Luna

best director

BEST DIRECTOR:
Carlo Enciso Catu, “ARI: My Life with a King”
Mario Cornejo, “Apocalypse Child”
Zig Madamba Dulay, “Bambanti”
Lawrence Fajardo, “Imbisibol”
Ralston Jover, “Da Dog Show”
Jun Lana, “Anino sa Likod ng Buwan”
Erik Matti, “Honor Thy Father”
Brilliante Mendoza, “Taklub”
Kidlat Tahimik, “Balikbayan #1: Memories of Overdevelopment”
Jerrold Tarog, “Heneral Luna”

I have this previous theory (which I shared last year) that when someone is up for the Best Director award yet the film isn’t nominated for Best Picture, that totally eliminates the director’s chances to win at all. After all, no director has won in this category without the corresponding film being nominated for the top award too. That said, if there’s one filmmaker who can defy that statistic, it’s Kidlat Tahimik. After all, the narrative is there already. I’m sure the Urian won’t shy rewarding him especially now that the opportunity is there. Then again, I noted two years ago that in a field of 12 Best Director nominees, the only ones with no Urian are Erik Matti and Hannah Espia and while I predicted the former, it’s the latter who won. Thus, I’ll reserve my alternate this time for Matti to nab his first Urian here.

PREDICTION: Kidlat Tahimik, “Balikbayan #1: Memories of Overdevelopment”
ALTERNATE:
Erik Matti, “Honor Thy Father”

best actor

BEST ACTOR
Luis Alandy, “Anino sa Likod ng Buwan”
John Arcilla, “Heneral Luna”
John Lloyd Cruz, “Honor Thy Father”
John Lloyd Cruz, “A Second Chance”
Ricky Davao, “Dayang Asu”
Anthony Falcon, “Anino sa Likod ng Buwan”
Francisco Guinto, “ARI: My Life with a King”
Sid Lucero, “Apocalypse Child”
Junjun Quintana, “Water Lemon”
Jericho Rosales, “Walang Forever”
Dennis Trillo, “Felix Manalo”
Lou Veloso, “Da Dog Show”

While it’s a strong year for lead actors with everyone getting in meaty roles here and there, this is one category where the Manunuri channels their inner Oprah and hands out nominations like Santa Claus. From this bunch, chances are we won’t see a repeat winner so that leaves out Ricky Davao, Sid Lucero, Junjun Quintana, Jericho Rosales, and Lou Veloso already. In the event that it will be though, bank on John Arcilla’s prominent pornstache to win this. That said, the double nominations signify strong support for our perennial frontrunner John Lloyd Cruz to finally receive his first Urian. Only once in the history of Urian did an actor compete against herself that lost (FYI it’s Nora Aunor x2 (both ‘Merika and Bilangin ang Bituin sa Langit) losing to Vilma Santos in Sister Stella L.). So unless Manunuri trolls out in the end, it’s John Lloyd’s to lose.

PREDICTION: John Lloyd Cruz, “Honor Thy Father”
ALTERNATE:
John Arcilla, “Heneral Luna”

best actress

BEST ACTRESS:
Nora Aunor, “Taklub”
Angeli Bayani, “Iisa”
Mercedes Cabral, “Da Dog Show”
Alessandra de Rossi, “Bambanti”
Anicka Dolonius, “Apocalypse Child”
Jennylyn Mercado, “Walang Forever”
Ces Quesada, “Imbisibol”
LJ Reyes, “Anino sa Likod ng Buwan”

Last year, it was easy to dismiss Nora Aunor’s chances simply because she’s already winning the Natatanging Gawad Urian and if there’s one thing that Urian loves, it’s to spread the wealth. This year however is a more difficult one to predict. That said, Taklub is minor Aunor, and I don’t think this is the performance that will tie her with rival Vilma Santos for the 8th Best Actress win. Both Angeli Bayani and Alessandra de Rossi won Urian the past few years, so I don’t see the Manunuri rushing to give them second wins (they have no problem giving out nominations but a win is a different talk). Quesada, Dolonius and Cabral are all borderline supporting characters in terms of screentime or story, though Ces Quesada, a veteran with no Urian win yet can easily overcome this narrative as compared to the two others. Jennylyn Mercado, a previous Urian nominee for Blue Moon back in 2005, is nominated for #WalangForever, seems more of a statement on the Manunuri’s part that they also acknowledge romance/commercial format stories. I mean if Angelica Panganiban couldn’t win with Tadhana last year, I doubt they’re touching this. That leaves me with LJ Reyes, and while in any other year, I wouldn’t have made this prediction, maybe the “boldness” of the role would be enough for her to take home the trophy.

PREDICTION: LJ Reyes, “Anino sa Likod ng Buwan”
ALTERNATE:
Ces Quesada, “Imbisibol”

best supp actor

BEST SUPPORTING ACTOR:
RK Bagatsing, “Apocalypse Child”
Bernardo Bernardo, “Imbisibol”
Tirso Cruz III, “Honor Thy Father”
JM De Guzman, “Imbisibol”
Julio Diaz, “Taklub”
Alion Ibanez, “Da Dog Show”
Micko Laurente, “Bambanti”
Lou Veloso, “Taklub”

Opposite of the Oscars where they reward the older vets in Supporting, the Urian likes them young and fresh with up and coming actors winning here going as far as 1986 champ Aga Muhlach up to last year’s Martin del Rosario. The only one who fits the bill is 4x nominee JM de Guzman for Imbisibol. But then, I think this is one year where they can skip that as I think it’s a battle of the three vets: 1980 Best Actor Bernardo Bernardo, 1992 Best Supporting Actor Tirso Cruz III, and still Urian-less Julio Diaz. I have a hunch they’re going with Tirso’s over the top religious zealot in here to give him his overdue second career Urian.

PREDICTION: Tirso Cruz III, “Honor Thy Father”
ALTERNATE:
Julio Diaz, “Taklub”

best supp actress

BEST SUPPORTING ACTRESS:
Liza Dino, “Toto”
Mylene Dizon, “Heneral Luna”
Rio Locsin, “Iisa”
Anna Abad Santos, “Apocalypse Child”
Tessie Tomas, “Water Lemon”
Cecil Yumol, “ARI: My Life with a King”
Gwen Zamora “Apocalypse Child”

I can’t remember the last time they rewarded a supporting performance from a full comedy movie, so I feel that Liza Dino’s nominations is the reward itself already. Same goes for Urian winner Mylene Dizon. I personally prefer Ana Abad Santos over Gwen Zamora in Apocalypse Child, but a part of me thinks that it’s a film they showered with acting nominations but will give no wins (which in Urian history isn’t always a bad thing. There’s a long list of films that reap 4-5 acting nominations that will lose all of its acting bids. Case in point, last year’s Best Picture Mula sa Kung Ano Ang Noon, or Barber’s Tales.). I’ll call this a race between two underrated veterans: Rio Locsin vs. Tessie Tomas, and I’ll give the edge to the latter just because she have more Urian losses, so maybe the Manunuri might make up for it.

PREDICTION: Tessie Tomas, “Water Lemon”
ALTERNATE:
Rio Locsin, “Iisa”

Now as for the rest of the nominations:

SCREENPLAY:
Prediction:
Herlyn Gail Alegre  and John Paul Bedia, “Imbisibol
Alternate:
Michicko Yamamoto, Honor Thy Father

PRODUCTION DESIGN:
Prediction: Harley Alcasid, “Bukod Kang Pinagpala
Alternate: Ben Payumo, “Water Lemon

CINEMATOGRAPHY:
Prediction: Ber Cruz, “Honor Thy Father
Alternate: Pong Ignacio, “Heneral Luna

MUSIC:
Prediction: Jerrold Tarog, “Heneral Luna
Alternate: Diwa de Leon, “Taklub

EDITING:
Prediction: Lawrence Ang, “Anino sa Likod ng Buwan
Alternate: Kats Serraon, “Da Dog Show

SOUND:
Prediction: Mikko Quizon, “Heneral Luna
Alternate: Mikko Quizon, “Honor Thy Father

The 39th Gawad Urian Awards will be shown live on Cinema One this June 21 at 8PM.

Advertisements

Top Local Movies of 2012   8 comments

2012 in cinema is probably one of the most enjoyable in a while. I liked a lot of the movies that I’ve seen this year, (though maybe I really avoided the bad ones? LOL), and a lot of these films would have topped any other weaker years. On top of that, we’ve also seen a lot of impeccable performances from these films. Mind you, while I have seen 60+ local films this year, there’s a lot left still to be seen. Despite that, I feel that 2012 is one of the better years in recent Filipino cinema, and here are 12 reasons why:

Unofficially Yours

12: UNOFFICIALLY YOURS

Arguably, the best output from commercial filmmaking this year is this Cathy Garcia Molina’s relationship story between two people that sprouted from a one night stand. Molina has really mastered how to make supposedly conventional studio produced films more engaging and interesting. Also, watch out for John Lloyd Cruz and Angel Locsin’s palpable chemistry here.

MNL 143

11. MNL 143

I’m a sucker of travel/road movies. With that said, Emerson Reyes’s first feature length film is a poignant love story of a man (Allan Paule) who’s looking for the woman of his life is something that’s easier to relate to; not the search per se, but the longing and the optimism for it to finally arrive is a familiar feeling that can resonate well to its viewers.

Requieme

10. REquieme!

Loy Arcenas’ consecutive Cinemalaya entry is a dark comedy that focuses on Swanie, a barangay captain who involves herself as a relative of a suspect in an international murder case. With a witty screenplay and Shamaine Buencamino’s effective portrayal as Swanie and breakthrough talent Anthony Falcon, the movie is definitely one of 2012’s brightest spots.

Pascalina

09. PASCALINA

This Cinema One Originals winner which was also Pam Miras’s feature debut about one’s self discovery about her monsters within is one of the surprise entries in my list. Not because it is bad, but because I liked and appreciated it better days after seeing it. Oh, and if Maria Veronica Santiago’s performance in the title role won’t charm you enough, then I don’t know what will.

Ang Nawawala

08. ANG NAWAWALA

Another first feature effort this year, this time by Marie Jamora, Ang Nawawala is bound to be a cult classic. Yes, it probably caters to a younger crowd, to those in the middle status, or to those who are into local music scene, but one universal thing that I sure can relate to is how it connects you back to yourself. Plus points for the eye candy production design and the compilation soundtrack.

Bwakaw

07. BWAKAW

The Philippines’ submission to the Oscar Foreign Language Film category this year (and its best submission in years, I must say) is this little gem by Jun Lana about an old gay man living alone with only his dog named Bwakaw, and how he tries to make the most out of his remaining days. It’s just one of the most heartfelt films of the year that makes you laugh and cry while watching. Also, Eddie Garcia’s performance is to watch for here.

Thy Womb

06. THY WOMB

Brillante Mendoza’s Venice entry this year is also the comeback vehicle of one of the Philippines’ greatest actresses to date, the Superstar Nora Aunor. I guess my favorite aspect of the film is how it showcased to us this little gem of a place called Tawi-Tawi, and how the film introduced us to its culture. That, and of course La Aunor’s towering performance in it.

Ang Paglalakbay ng Mga Bituin sa Gabing Madilim

05. ANG PAGLALAKBAY NG MGA BITUIN SA GABING MADILIM

My favorite from the whole Cinema One Originals bunch this year is Arnel Mardoquio’s feature about the escape of three Muslim rebels, together with a ten year old child in the midst of the Bangsa Moro issues in Mindanao. But unlike any previous Mindanao related war-themed films, this one stands out because it’s  does not lecture you. And within this silence is where the actual emotions linger.

Give Up Tomorrow

04. GIVE UP TOMORROW

This Filipino/Spanish/American production directed by Michael Collins on what was labeled as the trial of the century in the Philippines (the involvement of  Paco Larrañaga to the disappearance of the Chiong sisters) is one film that probably triggered the most emotions while watching. The film for the most part was half maddening and half heartbreaking. But it probably contains one of my most favorite quotes of the year when Paco said “If you want to give up, give up tomorrow. When tomorrow comes, then give up tomorrow.

Aparisyon

03. APARISYON

Vincent Sandoval’s Cinemalaya entry about the secluded lives of nuns in a monastery in 1972. The film’s strength lies in its capability to build an atmosphere that was intense and arresting that once the movie hits it middle part, you just feel as if you’re a part of it. If you’re into the technical aspect, this movie also boasts of a complete top notch production values: neat production design,  applicable costumes, captivating cinematography, polished editing, and haunting score.

Graceland

02. GRACELAND

Ron Morales’s Tribeca entry about a loyal driver caught in the middle of his congressman employer’s paying of sins is as intense as one can get. Fifteen minutes in, there’s already a shooting scene. And the rest of the movie was packed with emotional punches, as it dwells with questions about one’s choices in life. Is this the correct choice? What happens when it’s not? Where do we go next? Also, Arnold Reyes’s terrific performance as the driver is a must see.

Kalayaan

01. KALAYAAN

And my top pick for local cinema this year is Adolf Alix’s Kalayaan. On the outside, it’s about a soldier solely stationed in the Kalayaan islands and a run on his daily activities, until two additional soldiers were sent there with him. The first hour of the film solely shows on the day to day routine of Julian. Rarely any dialogue was spoken in it, but the message was effectively sent. Once the credits rolled, you feel that you’ve known enough yet it will also prompt you to ask some more. Definitely my favorite film of the year!

Well that’s it! What are your favorite local movies of the year? In case you are wondering, the reason why there’s no top international picks yet is because I’m still catching up on a lot of the Oscar movies til the next two months. So I guess, you can expect my list by March.

And as always, you can follow me on Twitter: @nikowl

8th Cinemalaya Film Festival Review: Part 1   7 comments

The biggest Philippine independent film festival has already begun, and this year marks the 8th edition of Cinemalaya. I’ve been going back and forth at the CCP for the last few days, so I can watch all the participating movies both in the New Breed and Directors Showcase categories. Here’s the first of my four part Cinemalaya reviews:

MGA MUMUNTING LIHIM
Director: Jose Javier Reyes
Starring: Judy Ann Santos, Iza Calzado, Janice de Belen, and Agot Isidro
Competition: Directors Showcase

When Mariel (Santos) died, she left a box to her best friend Carla (Calzado) containing all of her diaries back when she started writing one. As Carla reads all of them, secrets between her, Mariel, Sandra (Isidro), and Olive (de Belen) started to affect their friendship.

This is Jose Javier Reyes’ first foray into indie filmmaking, and this shows some potential. I have issues with the treatment of the movie as a whole, and the sound seems to inconsistent at times. However, whatever issues you have with the film won’t bother you that much when you focus on the two greatest aspects of the movie: the writing and the acting. Reyes’s lines seem straight out of his personal journal as well, and it’s pretty obvious that he has a lot of inspiration when he was writing this. While one may think that it may be exaggerated, I claim to say that it is rather truthful. The other strength lies within the acting; the four leads can carry the whole film on their shoulders and yet remain as interesting. The chemistry was prevalent, and whether it was Iza’s stares, Judai’s facial expressions, Agot’s delivery, or Janice’s cussing, it was all very natural. Part of me thinks that they did cast lesser known actors as it’s difficult to hold up with this great ensemble. That alone is worth the ticket. All in all, it was a very realistic portrayal of friendship that is relatable to everyone.

Rating: 3.5 / 5

KAMERA OBSKURA
Director: Raymond Red
Starring: Ping Medina, Joel Torre, Nanding Josef
Competition: Directors Showcase

A man locked inside a cell for many years finally makes his way out and as he gets to see the reality of the world when he mysteriously traveled a building with a video camera in hand as he sees activities of betrayal and corruption left and right.

I admit that this is the film that I’m excited the most; thus, it has the highest expectations I have for the whole festival, and it certainly did not live up to its expectations. For one, the potential was there; but the treatment was pretty redundant especially the first and last scene where they almost used the same script, as I feel it did not gel well with the rest of the film. For a silent film, I find it too loud with all the unnecessary sound effects used. Add the fact that it was too wordy as well. I also had issues with the too much “in your face” with the message that it wants to deliver. Still, there were also great spots that the film possesses. One, Pen Medina was charismatic in the lead role and suits with the direction Red wants to be in to. Even his son Ping Medina (who played the young Pen) was a treat albeit short appearance. I also like the visuals of the film, as they were detailed, and parallel to the message it wants to present. For what it’s worth, this one suffers from some issues but still brings in a pretty much enjoyable film watching experience.

Rating: 2.5 / 5

INTOY SYOKOY NG KALYE MARINO
Director: Lemuel Lorca
Starring: JM de Guzman, LJ Reyes, Joross Gamboa
Competition: New Breed

Intoy (de Guzman), now living alone, learns that the love of his life Doray (Reyes) is the town’s prostitute. Now he tries his best to earn an extra amount of money so they can both start life anew, until a new set of unsolvable problems lead their way.

At times, the movie tends to be pretty formulaic with the sequence of events happening in the film. I also noticed some repetitive shots in various scenes in the movie. However, the heart and soul of the film is Intoy himself. JM de Guzman was captivating and heartbreaking as the lead character. You can feel the energy, the enthusiasm, the heartbreak, and the innocence in his face. He was perfectly casted, and he definitely delivered. LJ Reyes was also excellent as Doray Langaw, and his chemistry with de Guzman is palpable. I also particularly liked how they made Kalye Marino as another character in the movie bringing it to life and translating it to the audience. The movie somehow can’t prevent itself from going poverty porn at times, but I totally bought the emotions they showed especially the one between the two leads.

Rating: 3 / 5

KALAYAAN
Director: Adolf Alix Jr.
Starring: Ananda Everingham, Zanjoe Marudo, Luis Alandy
Competition: Directors Showcase

A soldier living alone in Kalayaan Islands deals a daily repetitive schedule as he spends his last few remaining days in the middle of the Erap impeachment trial.

I was surprised to learn that this is already Adolf Alix’s 20th movie, but seeing this shows that he has already mastered his craft and has achieved growth if you go way back to his earlier films. I actually find this film very therapeutic; each scene brings you right where the character is, and the good thing about it is that it lingers. I particularly liked how we just go with the flow with Victor (Everingham) feeling for him, understanding him, and living with him. Once the characters of Zanjoe Marudo (who definitely brought humor and comedic relief) and Luis Alandy, we tend to get more intrigued, yet understand the life that they are living in Kalayaan Islands. This one has part fantasy, part horror, and part comedy, but the sum is greater than all of its parts. I really like the cinematography, and the musical score above everything else. Once the credits rolled, you feel that you’ve known enough yet you ask some more. This is probably my favorite film for this year’s festival, and for the year (so far) as well.

Rating: 4.5 / 5