Archive for the ‘marion cotillard’ Tag
Another year has gone by, as the world’s most prestigious festival comes to a close. The 69th Cannes Film Festival has been a whirlwind of some sort. This year featured a bad Woody Allen joke during the opening ceremony, a barefoot Julia Roberts in the red carpet, and probably the most low-key Un Certain Regard competition in a long time.
As for the Main Competition, the consensus is that it’s a bit frontloaded with the latter half of the festival ranging from underwhelming (Dardennes), to bad (Dolan), to really bad (Penn), and sadly, to the no1curr (Mendoza). That said, this is one of the hardest to predict since there isn’t any specific basis as to what the jury will go for (and the jury changes every year!), but here’s a stab at possible winner predictions.
PRIX DU SCÉNARIO
PREDICTION: Cristian Mungiu, “Bacalaureat (Graduation)”
Mungiu has already won this award four years ago with Beyond the Hills, but I can see him being the first person to win this twice. A previous Palme d’Or winner for 4 Months, 3 Weeks, 2 Days, this slow burner story about a father and his daughter is the type of thought provoking film that usually wins this category. He can find himself against the other Romanian, Cristi Piui, for equally talky film Sieranevada
ALTERNATE: Asghar Farhadi, “Forushande (The Salesman)”
Prior to the beginning of the festival, this one is touted as one of the major frontrunners especially since it was a late minute addition. While it can still happen in this jury, the relatively silent reactions around it makes me think that it can settle for a Screenplay award instead.
PRIX D’INTERPRÉTATION MASCULINE
PREDICTION: Dave Johns, “I, Daniel Blake”
Mostly known as an English stand up comic, “I Daniel Blake” is Dave Johns’ first foray into movie acting. And if it’s any indication, he should be doing more of it. His commanding turn as the title role in Ken Loach’ entry this year reportedly broke a lot of hearts and had everyone praising him. Seems fitting in this category.
ALTERNATE: Adam Driver, “Paterson”
The Jim Jarmusch film in competition this year is said to be in his upper tier of works, and if the Jury loves it so much, an award to its lead actor can be one way of rewarding it. In the event it happens, it’s quite delicious since Driver has just won the Volpi Cup two years ago for Hungry Hearts, and for him to have 2/3 of the major trifecta for a relatively short career yet is astounding, to say the least.
PRIX D’INTERPRÉTATION FÉMININE
PREDICTION: Sonia Braga, “Aquarius”
Locks rarely do happen at Cannes of all people (heck even unanimously raved Blue is the Warmest Color in 2013 wasn’t a sure thing as we entered the awarding ceremony), but if there’s one performance that was continuously raved from its premiere up to now was that of Sonia Braga’s in Aquarius. It also helps that the film has received great word too, so it can be hitting two birds with one stone in this one.
ALTERNATE: Kristen Stewart, “Personal Shopper”
To be frank, this is probably the most competitive lead actress year in Cannes for quite some time. There’s Isabelle Huppert gunning a third win for “Elle” and Sandra Huller for “Toni Erdmann” but I think both are also gunning for higher prizes. There’s also Ruth Negga who was consistently praised for “Loving“, the two women who played the title roles of”Julieta” — Emma Suarez and Adriana Ugarte, Adèle Haenel of “The Unknown Girl“, Sasha Lane of “American Honey“, Juliette Binoche of “Ma Loute“, Jaclyn Jose of “Ma’Rosa“, Elle Fanning of “The Neon Demon“, but maybe Kristen Stewart’s lead role in Oliver Assayas’ “Personal Shopper” is one that can appeal to this particular jury.
PRIX DE LA MISE EN SCÉNE
PREDICTION: Andrea Arnold, “American Honey”
I’m sure politics isn’t the be all-end all of everything, but in the history of Cannes, only one woman has won the Best Director trophy (that would be Soviet director Yuliya Solntseva 55 years ago way back in 1961). The buzz for American Honey has managed to stay throughout the rest of the competition, and while I don’t think it was unanimously raved, this type of divisive response is perfect for a Best Director trophy.
ALTERNATE: Paul Verhoeven, “Elle”
Sure he is no highly heralded auteur, but Paul Verhoeven’s comeback is enough narrative for him to win this. This is the man who gave us Starship Troopers and Basic Instinct, so winning a Cannes Best Director for his first film in ten years is something I can see the jury acknowledging.
PRIX DU JURY
PREDICTION: Park Chan-Wook, “Agassi (The Handmaiden)”
Winner of the same award back in 2009 for “Thirst“, Park Chan-Wook’s comeback film in competition can also be his third-award winning one following 2004 Grand Prix winner “Oldboy” and the aforementioned Thirst. “Agassi” surely isn’t the unanimous raved entry for this year, but between its feminist tones and deliciously looking visuals, this can be enough of a formula to win a Jury Prize.
ALTERNATE: Bruno Dumont “Ma Loute (Slack Bay)”
It’s a bit weird to see no French entry be rewarded with a win especially since this is the Cannes after all, but if there’s one, this Bruno Dumont comedy is my best guess to have a chance.
PREDICTION: Paul Verhoeven, “Elle”
Saving the latter half of the competition, Verhoeven’s comeback vehicle “Elle” was met with raves from critics and was considered as the perfect closer to the festival. Its humorous and atypical take on a serious subject matter, as well as the combination of star power and potential wide appeal is definitely right up Miller’s alley. One reason why I’m not predicting it for the Palme d’Or though is that I think it’s a tad controversial and boundary pushing for the top prize.
ALTERNATE: Andrea Arnold, “American Honey”
American press kept on harping that this is the next Palme d’Or, but I have my reservations with that. I think it’s too divisive and not even the type of divisive that will have enough champions in the group. It’s more fitting for a Jury Prize or a Directorial one for Andrea Arnold. But who knows? Maybe they know something I don’t.
PREDICTION: Maren Ade, “Toni Erdmann”
It’s really the breakout of this festival. This strange comedy from female filmmaker Maren Ade really had all the critics raving about it. As for starters, it’s one of the consistent performer across all different critics poll series. Then, George Miller hinted about wanting to reward/prefer a comedy. Add the narrative of only one female director winning the Palme d’Or (that would be Jane Campion’s “The Piano” back in 1993 but it won in a tie). Unless the jury really wants to go on a different direction, I think we’re looking at our Palme winner already.
ALTERNATE: Ken Loach, “I, Daniel Blake”
Well this is the other direction I’m referring to. If they’re not in the mood for some comedy, then this heartwarming drama which was reported as having the jury really ecstatic about it can be our Palme winner. Ken Loach won this exactly a decade ago unanimously with “The Wind That Shakes the Barley” (in a competition that included Bruno Dumont, Nicole Garcia, Andrea Arnold, and Pedro Almodovar too) so maybe history’s for rewriting this one.
As for that highly regarded film that ended up with no win, I’m leaning towards Jim Jarmusch’s “Paterson” and Cristi Piui’s “Sieranevada” as the likely victims for this year. I’m excited to see the Maren Ade, the Jim Jarmusch, the Paul Verhoeven, Asghar Farhadi, and I guess the Brillante Mendoza among the competition, but titles in other sidebars such as Pablo Larrain’s “Neruda” and “The Red Turtle.” Oh and for the sheer lulz of it, I hope we get to see Sean Penn’s “The Last Face” too!
Talk to me about it on Twitter: @nikowl
Take a good look at that Best Actress Oscar, Cate!
An actor’s career won’t ever be complete if he/she hasn’t had that one film perceived as his/her Oscar vehicle only for the movie to not live up to its expectations and its Oscar chances ultimately ending up in a crash and burn in situation. Today, we’d be revisiting the last 15 Oscar Best Actress winners, and while all of them have ended up with Oscar statues in their mantles already (some even more than one, coughMerylcough), these are some films that were perceived to be the one.
2000: Julia Roberts
Then America’s Sweetheart Julia Roberts was unstoppable that year sweeping all televised precursors leading to the Academy Awards for her sassy superstar performances as the title role in Erin Brockovich, and while she obviously “loved it up there” in the podium, her post-Oscar career has mostly focused on doing favored works for her director friends (such as Steven Soderbergh and Ryan Murphy) or actor friends (such as Tom Hanks). However, in 2007, she starred alongside Hanks and the late Philip Seymour Hoffman in Charlie Wilson‘s War as Texas socialite Joanne Herring donned with a big blonde wig and her signature wide grin. While she picked up a Golden Globe nomination for this, her real Oscar comeback came seven years after in August Osage County.
2001: Halle Berry
After her historic win in 2001, Berry remains to be the only African-American actress who have won the Oscar in a leading performance for Monster’s Ball. However, most of her post-Oscar career has been panned left and right specifically during her turn in Catwoman. While the actress have fared better in television (with her Emmy nominated performance “Their Eyes Were Watching God“), Berry still tried to prove her win was no fluke by starring in different Oscar vehicles such as “Things We Lost in Fire” in 2007. For this list though, nothing is as baity as her attempt for a comeback in 2010’s “Frankie & Alice” where she played a 70s stripper suffering from a dissociative identity disorder. Berry picked up a filler Globe nod for it, but the awards failure performance caused the film to be shelved only to be revived four years later for a theatrical release to the knowledge of… nobody.
2002: Nicole Kidman
Winning on her second consecutive nomination, Nicole Kidman was the biggest movie star on the planet during her win as author Virginia Woolf in Best Picture nominee The Hours. And while everyone thought this would be the start of the Academy’s love affair with the Australian actress, the opposite happened with her starring in low-key indie films (Dogville, Birth), flop mainstream attempts (The Stepford Wives, Bewitched), or Oscar baits that simply didn’t materialize (Nine, Australia). That said, her worst Oscar bait flop happened in 2013 when she played another Best Actress Oscar winner Grace Kelly in “Grace of Monaco.” Issues over cuts and versions between screenwriter Arash Amel, director Olivier Dahan, and distributor Harvey Weinstein all contributed to the tragic fate of this film (which as of this writing, has apparently three different versions). While Grace opened the 2014 Cannes Film Festival, it was panned by critics there losing any chance for a theatrical release. It ended up premiering on TV via Lifetime earlier this year, though that ended up as a blessing in disguise as that decision earned it an nomination for Best Television Movie at the Emmy Awards earlier this month.
2003: Charlize Theron
After her unanimously praised performance of serial killer Aileen Wuornos in Monster, Theron easily received another Oscar nod two years after for the movie North Country. That said, Theron stayed low key with her movie choices tackling supporting roles mostly or really, small films. While her comeback in 2011 for Young Adult didn’t fruit to Oscar nom #3, it can’t be considered an Oscar bait flop considering the nature of the film doesn’t seem like the type that will get its actress nominated. However, after the success of Gone Girl last year and its lead actress Rosamund Pike receiving a nomination for it, studio A24 tried to ride on its success by releasing another Gillian Flynn novel turned to movie “Dark Places” starring Theron as the only survivor of a town massacre. Suffice to say, this was released in limited theaters and VOD killing all its chances to get Theron nominated.
2004: Hilary Swank
Only five years after receiving her first Best Actress Oscar, Hilary Swank easily snatched her second after starring as the female boxer Maggie Fitzgerald in the Best Picture Oscar winner of that year “Million Dollar Baby.” That’s why her third bid for an Oscar nomination (exactly ten years after her first and five years after her second), was for playing the great, late Amelia Earhart in Mira Nair’s 2009 take on the life of the prominent figure. Unlike her first two vehicles though, Swank quite received the flak for portraying yet another character leaning on the masculine strengths for another shot at Oscar. So despite Fox Searchlight handling the campaign for this film, not even that is enough to save this critical and commercial flop. Surprisingly enough, her next Oscar bait came in 2014 for “The Homesman“, but again to no avail. Maybe Hilary decided to plot her Oscar vehicles every time a year ends on 9 or 4 no?
2005: Reese Witherspoon
Her Oscar-winning role was that of the late country superstar June Carter Cash in “Walk the Line.” In this 2007 thriller however, Reese joined forces with Oscar winners Meryl Streep and Alan Arkin, as well as Oscar nominee Jake Gyllenhaal. Back in 2007, films dealing with the CIA and terrorism have been as baity as one can expect, so Witherspoon’s role as a pregnant woman involved in some terrorism actions seem like a shoo-in Oscar contender. Add the fact that this was Witherspoon’s foray into straight drama territory and this seemed anything but an Oscar flop. Until it was. Luckily for Reese, she managed to come back in the Oscar race earlier this year for her turn as Cheryl Strayed in Wild.
2006: Helen Mirren
Usually when a woman in her sixties win an Oscar, it’s mostly an indirect lifetime achievement award of some sort. But not for Dame Helen Mirren. Since her win for The Queen in 2006, this has led her to receive more leading roles and she has been the go-to British actress even surpassing Dame Judi Dench and Dame Vanessa Redgrave to name a few. She easily picked up an Oscar nod in 2009 for The Last Station, and we’re certain that she came close in 2012 for Hitchcock after receiving Golden Globe, SAG, and BAFTA nominations for it. Mirren is an easy name check for nominations too, as proven by her Golden Globe nomination (yet again) for The Hundred Foot Journey. However, Woman in Gold was a different story. It’s a great feat that the movie earned four times its budget, but with the topic of a Jewish refugee fighting for a painting of her aunt by the Nazis, this is the type of role that can easily skate its actress to awards talk… only that it won’t happen anymore.
2007: Marion Cotillard
Among all the Oscar flops in this list, The Immigrant is that one film that really doesn’t deserve its placement. It’s a great film and its number of accolades received could certainly prove it. However, after acquiring this film at the 2013 Cannes Film Festival, Harvey Weinstein certainly did not know how to market or simply, what to do with this film and he ended up throwing it to E-One, the smaller right hand company of The Weinsteins which is an indication that they won’t be pushing this film for any awards consideration. But when Cotillard started to pick up steam for her performance in “Two Days, One Night“, Weinstein made a sudden last minute play of giving Cotillard and its cinematography some push hoping it can get her the nomination. Of course it didn’t, and Marion ended up getting that overdue second nomination for her better performance. Sadly, Marion has yet to be nominated for an English performance, and this could have been it had it been handled properly.
2008: Kate Winslet
For quite a period in the late 2000s, Jason Reitman has been the Academy’s catnip. His films have ended p receiving Oscar nominations for Ellen Page in Juno, and George Clooney, Vera Farmiga and Anna Kendrick in Up in the Air with Golden Globe nods for Aaron Eckhart in Thank You for Smoking and Charlize Theron in Young Adult. However, all streaks will come to an end, as Reitman’s one began with the Kate WInslet-starrer Labor Day. Based on the novel by Joyce Maynard, Winslet plays another lonely suburban housewife (as if Little Children and Revolutionary Road weren’t enough) who had an encounter with convict Josh Brolin. The movie was met with horrible reviews, but hand it to the Golden Globes for still name checking Kate Winslet giving her a Best Drama Actress nomination for it.
2009: Sandra Bullock
2009 ended up as the start of a career renaissance for Sandra Bullock. Not only did she star in two movies of that year with grosses combined a 600+ million dollars, she ended up with the Best Actress Oscar for her turn as Leigh Anne Tuohy in The Blind Side. What could have been the pinnacle of an actor’s career only was the beginning for Sandra who followed it up with box office hits like The Heat and Minions or critically backed films like that of Gravity. This year, however, she dons her blonde wig yet again (just like in her Oscar winning performance) to headline David Gordon Green’s “Our Brand is Crisis.” While her awards chances have yet to be determined, you can mostly count her out since the movie received mixed to negative reviews since it premiered at Toronto International Film Festival this year. At least her personal reviews weren’t tragic, but count no Best Actress nomination for her this year.
2010: Natalie Portman
Portman’s road to the Oscar was for her performance as the ballerina in Black Swan, but only a year before that, we saw her closest attempt to follow up her 2004 nomination for “Closer” in Jim Sheridan’s “Brothers“, based on the 2004 Danish film of the same name. As the woman who was left in between the characters of Jake Gyllenhaal and Tobey Maguire, Portman was given the tough position of acting upon two other contemporaries. Sadly for the film, it has gained little to no traction at all that year, mostly for the U2 song “Winter” and a Golden Globe nod for Tobey Maguire.
2011: Meryl Streep
Yes, even Oscar’s favorite actress takes a break from being Oscar nominated. Grunt all you can as Meryl enjoys her 19 career Oscar nominations and three statues at home (her latest for playing Margaret Thatcher in The Iron Lady), but every now and then she takes on flop Oscar vehicles such as this one directed by Robert Redford and had her starring with Tom Cruise. Streep plays liberal TV journalist Janine Roth who thinks the government is using her position to be an instrument of their plans. Here’s another film that tried to combined issues of journalism, terrorism, and war ending up with zero awards traction, rotten reviews, and a disappointing box office performance.
2012: Jennifer Lawrence
After starring in Best Picture nominees Silver Linings Playbook (for which she won her Oscar) and American Hustle, it seemed like the pairing of Bradley Cooper and Jennifer Lawrence is one that seems to have find its footing in the Academy. Their third pairing, however, is from Oscar winning director Susanne Bier from the 2008 novel of the same name. While this costume drama seemed like it would continue the trajectory of both actors getting nominated, too many issues surrounding the film’s release ended up losing all momentum for the movie. It finally was released in the US last March which is enough reason to say that the movie’s intention to get any awards consideration is already killed.
2013: Cate Blanchett
At this stage in her career, Cate Blanchett is already infallible with everything she touches is suddenly critic proof. She has reached that stage in her career already where she has the respect and admiration of her peers and critics alike, as proven by her great comeback in 2013 because of Woody Allen’s Blue Jasmine for which she won her second Oscar and her first one in Lead. But before any of those happened, she has been starring in one flop bait after the other in the early 2000s, particularly this Ron Howard film in 2003 entitled “The Missing.” It was Howard’s comeback after winning for “A Beautiful Mind” and starred Oscar winner Tommy Lee Jones. Good for Blanchett though because the year after, she finally natched her first one for “The Aviator.” And the rest, as they say, is history.
2014: Julianne Moore
Lastly, we have current Best Actress Julianne Moore. Before winning the Oscar this year for Still Alice, Julianne’s last visit to the Oscars as a nominee was still way back in 2002 when she was double nominated for The Hours (losing to Catherine Zeta-Jones) and Far From Heaven (losing to The Hours co-star Nicole Kidman). While we all have probably thought that Julianne would end up being forgotten (as it’s harder to win an Oscar when you’re in your 50s), she proved it otherwise. The journey to 2014 was a long wait though appearing in Oscar contenders where her co-stars got nominated but not her (such as The Kids Are All Right and A Single Man) or low key Oscar flop baits (The Prize Winner of Defiance Ohio and Savage Grace). What stood out was the one directed by Fernando Meirelles though. As the opener of the 2008 Cannes Film Fest, Blindness was destined to be a real Oscar contender with its great ensemble, and the reputation of the people involved. After all, it was one of the most prominent best selling novels that time, and this was a challenging role. Alas, the bad reviews killed any of its perceived Oscar chances.
There you have it. What are your favorite Oscar flops? Which Oscar bait ones did you secretly enjoy? Talk to me about it on Twitter: @nikowl
Photo from redriff.com
And we have finally reached the end of the season. The end of the 67th Cannes Film Fest a.k.a the world’s biggest film festival is upon us in a few hours. Now that all films in the In Competition have screened, it’s time to predict on which films and performances will garner prizes from our jury headed by Jane Campion. As the whole season progressed, there have been lots of talks about the films in contention this year. From Still the Water‘s Naomi Kawase’s claim that she’s going Palme or nothing, to Xavier Dolan’s dedicating his possible win to the filmmakers of his generation, Cannes has never been louder – and more competitive – than ever. This year we have no solid frontrunner like that of Amour in 2012 or Blue is the Warmest Color like last year so predicting things is much trickier this time around. With that said, here’s how I foresee Campion and company’s decisions in all seven categories.
PREDICTION: Jean-Pierre Dardenne, Luc Dardenne, “Two Days One Night”
The Dardenne brothers have always ended up with something during their last five participation in the main competition of the Cannes Film Fest. So as expected, they’re bound to end up winning one for this latest film which is a hit from the critics and watchers alike. While the possibility of them receiving a third Palme d’or is very much possible, the reward can also happen to lead actress Marion Cotillard whose third time is probably the charm for these voters. That said, I think they’re ending up with the Screenplay award instead which will continue their impressive record of winning in competition.
ALTERNATE: Andrey Zvyagintsev, Oleg Negin, “Leviathan”
If not the pair of brothers, then maybe this pair of writing pals will end up winning n this category instead. There seems to be a level of disconnect in terms of the reception between critics with Leviathan, but if the jury is sold, this can be the most fitting place for them to reward it.
PREDICTION: Timothy Spall, “Mr. Turner”
Mike Leigh’s lead acting roles have a tendency to attract awards and recognition, and Mr. Turner seems to be no exception. Timothy Spall’s transformation as the British painter J.M.W. Turner is one that screams acting, and this seems to be the most fitting place to reward the film. Make no mistake though, as there are lots of other contenders in this category as well.
ALTERNATE: the male ensemble of Foxcatcher (Steve Carell, Channing Tatum, Mark Ruffalo)
I know what you’re thinking. Cannes winner Channing Tatum? Well yeah that’s indeed close to happening. If the jury can’t decide on which Foxcatcher actor to reward, then they might give a share to all three actors instead for their contribution in this well received Bennett Miller’s cold drama. Ensemble wins are pretty regular at festivals, so it’s not as if this is the first time that it will happen. That said, watch out for Gaspard Ulliel in Saint Laurent or Haluk Bilginer of Winter Sleep to be competitive for the win as well.
PREDICTION: Juliette Binoche, “Clouds of Sils Maria”
Sure, Binoche has won just four years ago with Certified Copy, but never underestimate this jury’s love for Juliette Binoche. A lot of them are vocal huge fans of the actress, and that alone might put her instantly to the top. Besides, Sils Maria is such an actressing role. It’s about an actress reclaiming a position that was hers before. I wouldn’t even be surprised if they give a joint prize to Juliette Binoche and Kristen Stewart who’s been receiving career best reviews here. For now, I’ll stick with solely Binoche, but I wouldn’t count out that possibility.
ALTERNATE: Anne Dorval, “Mommy”
Xavier Dolan is a great actor’s director, as he surely brings out the best of his actors in the screen (sadly, the same can’t be said for his performances in his films). From what I’ve read tho, Dorval’s too much of a showy, too much in your face, cold role that might turn some members of the jury off. There’s also the possibility of Mommy winning the Palme which will easily eliminate Dorval from the conversation. Also take note of Marion Cotillard’s great ink for the Dardennes’ Two Days, One Night. Girl has been waiting for her Actress prize for the third year now (after losing for Rust and Bone and The Immigrant) and this might be her time. There’s also Julianne Moore who’ll be the second actress (after Binoche) to win the trifecta of Actress wins in all three big festivals for Maps to the Stars. But I’m not really counting on that to happen.
PREDICTION: Xavier Dolan, “Mommy”
Dolan is a co-frontrunner for the Palme, there’s no doubt about that one. And if anything, his is the type of experimental approach that this jury could possibly appreciate. With that said, if a consensus has to be played out in the jury, I think they’ll give him the Directing award instead. For all the style approaches that Dolan used in Mommy including the type of screen he used in the final output, i think it’s pretty obvious that this is the place where they’ll reward the film instead.
ALTERNATE: Naomi Kawase, “Still the Water”
Kawase came to Cannes prepared with the Palme in her sight. But seems like a lot of films upstaged hers though. Never mind that since Jane Campion is a vocal Kawase fan, and unless she pulls an Isabelle Adjani and demands the rest of them to give the Palme to this, then this directorial effort might be her best shot for a win this year. After all, there have been so many talks with only one female director winner in Cannes history, so this will some sort of a passing the torch style if she wins this one. Plus with the divisiveness of Still the Water, this fits the bill of other underwhelming or critically panned films that still ended up winning Director the last few years (Brillante Mendoza for Kinatay in 2009, Carlos Reygadas for Post Tenebras Lux in 2012, and last year’s Aman Escalante for Heli). The other female director Alice Rohrwacher is also a contender here.
PREDICTION: Alice Rohrwacher, “Le Meraviglie”
Rohrwacher’s case is very interesting this year. While the rest of the critics are raving about this film, the French one seemed to be so adamant about it even ranking it as the lowest in their polls. But except for that, it has been performing greatly among all the other ones. I think in this case, the French are clearly the outliers, and this Italian director can score a Jury Prize from the panel of voters.
ALTERNATE: Naomi Kawase, “Still the Water”
If not, then maybe the other woman in the festival, Naomi Kawase, can end up winning this. Seems like Still the Water, for all its divisiveness, is the type of of film that gains really passionate fans and those fans might be the ones making up the decision this year. If they can’t come up with a consensus of this one winning the Palme, then the Jury Prize might be good enough as the palce to reward it.
PREDICTION: Abderrhamane Sissako, “Timbuktu”
Despite premiering at the earlier part of the festival, Sissako’s Timbuktu not only managed to raise the bar for competition this year, but they also were able to maintain this momentum all throughout the festival. With a riveting “OMG important” political topic tackled in the film, I’m quite confident that this will be getting home with an award. It’s one of the year’s most lauded films and this might give him another win after his Un Certain Regard victory 21 years ago.
ALTERNATE: Jean-Luc Godard, “Goodbye to Language 3D”
Going into the competition, Godard is another one who’s a common denominator of influence and inspiration among the members of this year’s Cannes jury. But despite strong polarizing reactions with this one, and with reports of the jury not giving a care about it, who knows if they’ll give this an award or if they will leave it to the dust?
PREDICTION: Nuri Blige Ceylan, “Winter Sleep”
And as for the biggest prize, I think that it is Ceylan’s time to win the Palme for this year. Not only did he manage to sustain the high expectations given to him after Once Upon a Time in Anatolia, he was able to translate that with near consensus critical appraisal for this one. Winter Sleep is the type of film that I think can avoid the polarizing reaction from the jury and one that can be on the middle ground when the other polarizing films bring down each other. Also, the technical achievement of this film is outstanding that it might certainly put it on top of the jury’s preference list for this year.
ALTERNATE: Xavier Dolan, “Mommy”
When Dolan vocally mentioned his frustration of Laurence Anyways not getting a Main Competition slot two years ago, it seemed as if his ego’s feeding him with that statement. And for his first foray into the big leagues, he certainly did not disappoint with the raves his film is getting. I admit, even I was surprised with this reception to Dolan’s film, since he’s usually polarizing and divisive that his film getting a favorable consensus is new to me. I can envision a scenario of him winning the Palme actually, and being the youngest director to pull that off. But is the jury ready for that? Let’s see.
As for the annual snubbed film of the year that will join the ranks of Mike Leigh’s Another Year, Aki Kaurismaki’s Le Havre, Leos Carax’ Holy Motors, and Paolo Sorrentino’s The Great Beauty, my bet is on Godard’s “Goodbye to Language 3D.” Seems like it will be too divisive for the jury to have a consensus on where to award it, regardless of its great reviews.
There you have it. Another year at Cannes has ended and this year seemed more competitive than the previous one. Sure we don’t have the totally groundbreaking ones, but we don’t have total clunkers this year (though the closest would have been Michel Hazanavicius’ The Search and Atom Egoyan’s Captives). I’m excited the most for Dolan, Ceylan, Assayas, Dardennes, and Cronenberg, so I hope we’d get to see them sooner. For the Un Certain Regard, Lisandro Alonso’s Jauja, Pascale Ferran’s Bird People, and Ryan Gosling’s Lost River (bad reviews be damned) are on the top of my list. Who do you think will end up winnign this year? Can Dolan be the youngest Palme director winner? is third time the charm for Marion Cotillard? Can Channing Tatum and Kristen Stewart add Cannes winner on their names? And can Naomi Kawase shift careers as the next Nostradamus now? I bet you’re excited to find out.
You can follow me on Twitter: @nikowl
Photo courtesy of Zimbio
In just a few hours, the 66th Cannes Film Festival is about to close. After almost two weeks of non-stop film premieres, the biggest movie festival in the world will soon end. And it is up to jury head Steven Spielberg, together with members Nicole Kidman, Ang Lee, Christoph Waltz, Lynne Ramsay, Naomi Kawase, Cristian Mungiu, Daniel Auteuil, and Vidya Balan, to reveal their choices on the winning films and performances for this year. It’s definitely one of those up in the air years, as there were a lot of films that gained positive response from the media and the Cannes audience this year. And of course, there’s also those surprising choices that came from movies that received cold reception.
I’ll give my shot on who I think will end up as winners in the festival this year. However, it is noteworthy to emphasize that it is really difficult to predict these things since there’s no trend to follow as the jury members change every year. But with that said, here are my predictions for the seven categories to be awarded at the closing festivities:
Prediction: Ethan and Joel Coen, “Inside Llewyn Davis”
As of now, the Coens’ latest entry is turning up to be the best reviewed American film of the year thus far (with a perfect 100 score), and Llewyn seems to be destined to win something in the festival. While chances of directing, actor for Oscar Isaac, and even the Palme d’Or (critics are comparing it to Barton Fink which won them a Director prize), I think they will spread the wealth and reward it with a Screenplay win.
Alternate: Asghar Farhadi, “Le Passé”
Farhadi is shaping out to be one of the notable names in festivals and his follow up to 2011’s A Separation also gained notable mentions from the critics. If Farhadi won’t win the top plum this year, then they can pick up multiple wins including this one for screenplay.
PREDICTION: Michael Douglas and Matt Damon, “Behind the Candelabra”
While odds for a tie are slim, I’m predicting the team up of Matt Damon and Michael Douglas to pick up the top male plum for this year. It really sucks that this won’t get a theater premiere (which easily eliminates them from Oscar contention), but Douglas’ unanimous reviews (and even mentions of his all time best work) is definitely a shoo-in for an Emmy already. It’s also likely that it will solely be Douglas who will win, but with Damon working with Spielberg in the past, he can easily sneak Damon for the win too.
ALTERNATE: Bruce Dern, “Nebraska”
If not Douglas, then one can expect Bruce Dern to snatch up the Actor prize for his work in Alexander Payne’s Nebraska. This can be some sort of a prelude to his possible Oscar season, and they can also tag team Will Forte as well, in case they give Behind the Candelabra a higher award.
PREDICTION: Adèle Exarchopoulos, “Blue is the Warmest Color”
If the jury doesn’t connect to a consensus choice of Blue… being the Palme d’Or, then it can find its way to recognition by winning the Actress award via Adèle Exarchopoulos’s unanimously praised performance. If the Damon/Douglas tie don’t work in Actor, then expect a consecutive tie here (after last year’s victory from Beyond the Hills ladies) between Adèle Exarchopoulos and co-star Lea Seydoux.
ALTERNATE: Marion Cotillard, “The Immigrant”
After failing to win this category last year for Rust and Bone, Cotillard can see herself in contention and even a win for this year, thanks to James Gray’s The Immigrant. Cotillard is a famous French star who has been a regular at Cannes for the past few years. This can also be The Immigrant’s win especially if the movie divides the jury.
PREDICTION: Paolo Sorrentino, “La Grande Belleza”
Sorrentino surprised everyone when he got overwhelming positive response for this year’s The Great Beauty. Reviews specify the good combination of breathtaking visuals and the strong direction, which leads me to believe that if Sorrentino wins anything from the festival, it’ll most be likely this one.
ALTERNATE: Steven Soderbergh, “Behind the Candelabra”
Soderbergh is one of the true Cannes breakouts. His career started out with sex.lies.videotape in 1989, and this could be a statement from the jury for Hollywood passing up on the film because of its theme. Also, Soderbergh hasn’t won in this category yet, and this can be his first prize here.
PREDICTION: Hirakazu Kore-eda, “Like Father, Like Son”
Kore-eda’s drama about the nature vs. nurture of two children switched at birth was a hit at Cannes, and Jury Prize seems to be the most fitting category to reward it. Rumor also have it that Kore-eda is already back at Cannes, which means that it’s likely that the film will be rewarded for something. It also seemed to be getting raves from the jury with Spielberg quoted as emotional to the film’s theme.
ALTERNATE: James Gray, “The Immigrant”
Gray is such a divisive filmmaker. His works is always between a love it or you hate it. It’s either for you or not. With that said, I can also see a scenario where they give him the Jury Prize in order to satisfy members of Jury who wants it to be rewarded with something while also satisfying those members who do not like it, as it won’t get the top prize.
PREDICTION: Jia Zhangke, “A Touch of Sin”
Jia Zhangke’s A Touch of Sin seems to be perfect for the Grand Prix category. It’s not a total standout to win the Palme, but it gains specific supporters that can push it for this. He was also spotted already back in Cannes, and he’ll probably get something tomorrow.
ALTERNATE: Abdellatif Kechiche, “Blue is the Warmest Color”
I can see this following the scenario of The Master over at Venice last year. It’s the unanimously praise film that gets the jury pumped up. But since the top prize can’t win anything else, they’d have to settle giving the runner up prize to it in order to accommodate other noteworthy things about the film such as rewarding the lead actresses. It can be a battle between giving a sole top prize or settling for second with multiple mentions to go home.
PREDICTION: Asghar Farhadi, “The Past”
And I guess the top prize will be given to Farhadi’s The Past. It’s French, it has Farhadi, it’s the conventional choice, it made jury member Kidman in tears after leaving the screening. The Past seems to be the logical choice that will not be hated; after all, it got solid reviews, it’s not as particularly polarizing from the other commendable entries, and you know everyone is just in love with Asghar Farhadi right now. While this is no sure thing, I can see this getting the consensus pick among the jury members.
ALTERNATE: Abdellatif Kechiche, “Blue is the Warmest Color”
Lo and behold, this is really the film that towered among everyone else in terms of critical reception. It has already gained buzz and world interest, and the reviews are really staggering and far and away from the other contenders. The thing though that makes it an easy choice to win is that the theme might alienate others. We still don’t know for sure what type of jury is this, and we don’t know if they’re really gonna go for something as bold as this to receive the top prize. But as always, it can easily snoop in the top prize if it gets the jury fired up.
That’s it. I’m really excited to see a lot of entries from this year’s batch, as it’s one of the most lauded in years. I’m also gonna miss Legend Kidman’s red carpet appearances and teaching everyone how it’s done. I’m looking forward to the closing and awarding ceremonies later. Now, who are you rooting and predicting to win? Post it there in the Comments section.
You can follow me on Twitter: @nikowl
Hey everybody! The SAG Awards just happened two hours ago, but let’s get this one over and done with. After all, this was the last time this year that both TV and movie stars are honored in the same room. As for the red carpet, there’s a lot of interesting looks this time and as always, lots of colors everywhere. Some have been recycled, some were misfits, but for the most part, here are 16 personalities who were dressed to kill that night.
You can click the photos or open it in new tab to make the photos bigger.
16. JAIMIE ALEXANDER in Marc Bouwer
Nurse Jackie’s Jaimie Alexander was sexy and classic in this black Marc Buower creation that highlights her upper body in a flirty and very interesting manner.
15. IDINA MENZEL
Truth be told, it’s not as if Tony winner Idina Menzel needs to impress people with her red carpet appearances. But then again, she just did her homework when she appeared in this red and pink combination that highlights her impressive figure.
14. JANE KRAKOWSKI in Kaufman Franco
From one Tony winner to another, Jane Krakowski was a sight to be seen in this Kaufman Franco creation that the 30 Rock star described as orangey-sherbet. Yum!
13. NANCY O’DELL
While it’s the stars that are usually the people you look forward to the most, red carpet interviewers aren’t spared from dressing the part as well. That’s just what Entertainment Tonight‘s Nancy O’Dell did when she wore this aquamarine blue with impressive bead works in it.
12. KEIRNAN SHIPKA in Oscar dela Renta
It’s probably the Mad Men effect, but Keirnan Shipka is channeling the classic look in this Oscar dela Renta dress that highlights both her youthful aura and the stylish animal in her.
11. LEA MICHELE in Valentino
See, this is the Lea Michele that suits her better. Instead of doing all the trying hard sultry looks that she’s been doing the past few years, the Glee star looks better and more comfortable when she shows her sweetheart side such as this pink Valentino gown she’s wearing.
10. NINA DOBREV in Elie Saab
Having a body built that most designers would kill to dress, The Vampire Diaries star Nina Dobrev was rocking the part in this pink Elie Saab creation that made her look edgy but cute as well.
09. VIOLA DAVIS in Monique Lhuillier
Last year’s Best Actress winner Viola Davis’s presence was clearly a light in the room. Thank to this Monique Lhuillier creation she sported when she presented Daniel Day Lewis the Best Actor trophy.
08. JESSICA LANGE in J. Mendel
Who says you can’t dress the part when you’re already in your 60s? You probably haven’t seen Best Actress nominee Jessica Lange as she strutted in this J. Mendel ensemble that appropriately made her look years younger.
07. AMANDA SEYFRIED in Zac Posen
I’ve always thought of Seyfried as a boring red carpet entity. But after nailing this blue Zac Posen creation that she donned just a few hours ago, I need some serious reconsideration.
06. JENNIFER GARNER in Oscar dela Renta
Despite Jennifer Garner being just a plus one of Ben Affleck last night, she’s definitely a top notch plus one. Her golden Oscar dela Renta gown might be the lucky charm for her husband’s ensemble win.
05. NAOMI WATTS in Marchesa
Best Actress nominee Naomi Watts was perfect in this Marchesa outfit that she partnered with soft curls and bright lipstick. She perfectly showed the soft and tender looks that made her look every inch a star.
04. NICOLE KIDMAN in Vivienne Westwood
The two time nominee tonight who was Keithless was also giving early circa 2000s fierceness in this Vivienne Westwood creation that showed a slit and her current favorite trend: see throughs. Her shorter flat hair can be a hit or miss, but she handles it just like a real movie star.
03. JENNIFER LAWRENCE in Christian Dior
Tonight’s Best Actress winner was about to skip the ceremonies due to pneumonia. Good thing that did not happen as we would have missed the opportunity to see her rock this dark blue Christian Dior gown she wore.
02. MARION COTILLARD in Dior Haute Couture
It’s such a shame that Cotillard missed the Best Actress Oscar nod, as we could have seen more of how she slay the red carpet just like how she did with this blue and white combo of this Dior Haute Couture creation. Plus point to the new short bob do also fits her perfectly.
01. JESSICA CHASTAIN in Alexander McQueen
And despite her not winning Best Actress tonight, Jessica Chastain tops my list of the best dressed in this fiery red Alexander McQueen that she sported. It was simple but less is definitely more as it highlighted her youthful beauty. Incidentally, Jessica Chastain also topped my SAG best dressed list last year so maybe a three-peat next year?
That’s it! Who are your best dressed list from this year’s SAG Awards?
As always, you can follow me on Twitter: @nikowl
The 70th Golden Globe Awards were held earlier this day (here in Manila), and it was the kick off this awards season (because the BFCA sucked too much to be taken seriously). Sadly, the red carpet was a lot tamer this year in terms of red carpet dresses. Most were just safe and even those best dressed have already shown better looks during their past Golden Globe appearances. With that said, here are the fourteen looks that rocked the red carpet. You can
You can also click the photos for them to look bigger. (Photos courtesy of justjared and Yahoo!)
14. JENNIFER LAWRENCE in Dior Haute Couture
The Silver Linings Playbook Best Actress winner started her journey to the Oscar with this red Dior Haute Couture dress that she embellished with a thin belt to further emphasize both her waist and her cleavage.
13. JESSICA ALBA in Oscar dela Renta
Although Jessica Alba’s dress looks quite similar to the color of J.Law’s, they’re actually different. Alba mixed both old and new Hollywood in this dress especially with that attention grabbing necklace, though we could have lived without that feather duster purse.
12. TAYLOR SWIFT in Donna Karan Atelier
Swift did great on her Golden Globe debut with this violet Donna Karan dress that she wore at last night’s event. It was too light for the Oscars and too formal for the Grammys, and she successfully got the right mood for some Globes partying. Now if she can only work on her bitchface mode when Adele won…
11. HAYDEN PANETTIERE in Roberto Cavalli
Golden Globe nominee Hayden Panettiere was at her best red carpet look evah as she steps out of this ethereal white Roberto Cavalli creation that she finally looked like she’s dressing her age and that she’s comfortable with it.
10. JENNIFER LOPEZ in Zuhair Murad
J.Lo still proved that age is nothing but a number as she steps out of this nude Zuhair Murad that perfectly embraced her curvaceous body. Definitely a photogenic dress that gets plus points for the woman wearing it.
09. SARAH HYLAND in Max Azria Atelier
Though Modern Family went 0/3 at last night’s show, star Sarah Hyland was a stunner in this black Max Azria creation that made her look mature but still having fun look.
08. CLAIRE DANES in Versace
Wow. Who knew that just a month ago, Danes just gave birth to her new born baby boy. This red hot Versace gown is the perfect comeback for a new mommy like Danes.
07. ANNE HATHAWAY in Chanel
While Hathaway is one of best dressed actresses of her generation, this was a bit of a letdown especially since her last Globe appearance in 2011 was my top look of that year. This year though, she went with a safe but every inch regal in a white Chanel piece that looks a bit like a wedding gown.
06. NAOMI WATTS in Zac Posen
Best Actress nominee Naomi Watts probably looks too covered in this cherry red Zac Posen gown, but all it needs is one look at the back that showed her flawless tsunami-free skin.
05. SALLY FIELD in Alberta Ferretti
It’s good to see when acctresses who are already in their 60s still strut to the world how fabulous they look. That’s what Sally Field did when she donned up this blue Alberta Ferretti gown which was a breath of fresh air from her usual black short dresses.
04. MEGAN FOX in Dolce & Gabbana
Motherhood has its way of showing the natural beauty in everyone. That seems to catch up on first time mom Megan Fox as she showed up looking pretty in this Dolce & Gabbana creation that gives her this simple but stunning look.
03. MARION COTILLARD in Christian Dior
Speaking of natural beauty, my God can Marion Cotillard look any prettier than this one. The Best Actress nominee, who was simple in Dior which she matched with same colored pumps, can pass off as a 20 year old woman here. Une jolie femme!
02. MIRANDA KERR in Zuhair Murad
Kerr is certainly no actress, but the red carpet is definitely her territory. And boy does she rule in it! This red Zuhair Murad creation gives her part sexy, part flirty, but whole goddess look.
01. NICOLE KIDMAN in Alexander McQueen
She might not have won any Globes that night, but she’s clearly the red carpet winner. Kidman is still on top of the fashion list in this Alexander McQueen gown which she fits like a glove. And check out that see through middle part. Not only that but Kidman seems to be the last few actresses we have whose posture in the red carpet is perfection (along with Cate Blanchett, Penelope Cruz, and Charlize Theron). I particularly like the shorter hair as well, as it’s different from her usual long blonde hair.
Who are your fashion picks last night? Pipe them in below at the comments!
And as always, you can follow me on Twitter: @nikowl
Hey everybody! How are you all doing? So yeah, Pandora’s box was finally opened as Seth MacFarlane and Emma Stone unveiled the nominees for this year’s Academy Awards. For now, I’m still nursing a heartbreak due to Nicole Kidman’s snub, but then again, so are many of the supposed to be contenders. My predictions this year were just okay getting more or less 3-4 of the nominees per category (except for my 2/5 in Song and 1/3 in Make Up), but I have no 5/5 prediction for this year. Sucks to be me I guess. And by this moment, I’m wondering if you’re still reading this or you just closed the window already because what the hell am I still talking about when I can’t even get my predictions right. But so is the rest of the predictors as this has been one of the shocking years in terms of actual nominees. Anyway here are ten things you need to know about the 85th Academy Awards Nominees:
THE CURSE OF THE 2007 FEMALE OSCAR WINS
2007 Best Supporting Actress winner Tilda Swinton was shafted at the final minute last year despite getting BFCA, Globe, SAG, nad BAFTA nods for her turn as the mother in We Need to Talk About Kevin. It was the first time in awards prognostication history where in a performance hit all precursor noms only to miss in the end (likely, for Rooney Mara). That seems to be the exception to the case though. However, this year, a similar occurrence happened to (incidentally) 2007 Best Actress winner Marion Cotillard who received the same precursor support for her performance in Rust and Bone only to miss again. Mind you, both of these actresses have churned out some of the best post-Oscar resumes in history and they have been shafted countless times since their win. Swinton had Julia in 2009, I Am Love in 2010, and Kevin in 2011. Cotillard had Nine in 2009, Inception in 2010, and even in BP nominee Midnight in Paris last year. What does it take for these gorgeous women to be called back again for another nomination? Hmm.
SNOW WHITE vs… SNOW WHITE?
While one Snow White themed movie Blancanieves failed to connect with the Foreign Language voters, there are two other Snow White films which are in contention…for the same category. Colleen Atwood was nominated for Snow White and the Huntsman while Mirror Mirror‘s Eiko Ishioka was the other one in competition. While there’s a large possibility that both designers will lose to Jacqueline Duran for Anna Karenina, can we do a write in vote that says Snow White is the most fashionable fairy tale character? Yes?
AMOUR RECEIVING A LOT OF AMOUR
One movie that received a lot of amour (that means Love if you still don’t get it by now) is Michael Haneke’s Amour receiving four major nods this year for Picture, Directing, Lead Actress for Emmanuelle Riva, and Original Screenplay together with a Foreign Language Film nod. While the possibility of the film making it to all those categories is not far fetched, it’s still unbelievable that voters went all the way to give it nods for such. This is the first film since 2000′ s Crouching Tiger, Hidden Dragon to make it both to best Picture and Best Foreign Language Film, and the consecutive Palme d’or winner to be Best Picture nominated after last year’s Tree of Life. Of course, there are others that even won such as 1957’s Marty but what I’m referring here is back to back nods.
MOVIES THAT DIRECTED THEMSELVES
Best Director is the biggest fuckery this year (and probably ever?), as both Ben Affleck and Katheryn Bigelow were snubbed after hitting BFCA, Globes, DGA, and BAFTA nods (plus critics prizes for both of them). Who replaced them? Benh Zeitlin of Beasts of the Southern Wild, and to a lesser extent, David O. Russell for Silver Linings Playbook. While I was over the moon happy about Haneke getting in (which there was a really huge probability of happening especially with the BAFTA Director nod, and he was always in fifth place), but this category just felt weird with no Affleck and Bigelow in it especially since they’d probably be winning the televised awards. To be fair though, both Argo and Zero Dark Thirty are in a good company with the likes of The Color Purple, Sense and Sensibility, Moulin Rouge!, The Lord of the Rings: The Two Towers, and Inception who all received Best Picture mentions without their helmers getting the nod.
BEST NOMINATION ANNOUNCEMENT EVAH!
Since the 60s, it has been a tradition of the Academy to have its current president together with a past Oscar acting nominee to present the nominations. It was a in a formal manner where the ten major categories are announced and the names of the nominees were alphabetically one by one mentioned starting from Best Supporting Actress up to Best Picture. However, for this year, we got host Seth MacFarlane and still Oscarless actress Emma Stone to do the presentation job and boy was it the best announcement evah. Starting from Stone’s fake entrance as if she was called to win an award to the Hitler joke in between up to Bryan Cranston’s teeth, this was such a breath of fresh air in terms of announcing. Not only that, but names were randomly announced too that adds the pleasure of the prediction process. If this is an indication of MacFarlane’s hosting stint, then count me in.
BOND. JAMES BOND.
Celebrating the 50th anniversary of the James Bond franchise, Skyfall was the first Bond movie in 31 years to receive nominations in any Oscar category. Add to that is the fact that it got five(!) nods for Cinematography, Original Score, Original Song (for Adele’s Skyfall), Sound Mixing and Sound Editing, and it becomes the most nominated Bond movie ever. As for a quick Bond history with Oscar, prior to Skyfall, there have been only nine nominations since its inception winning two; one is for Goldfinger in Sound Effects in 1965 and a Visual Effects win for Thunderball the following year. The last nomination though was in 1981 in the Original Song category for For Your Eyes Only from the Bond movie of the same title.
MAJOR, MAJOR ACTING NOMINATIONS
Four acting nominations for a film is really possible within the Academy. In the past few years, Chicago and Doubt managed to achieve that feat. However, it’s more interesting when the four acting noms came from the four acting categories. After 31 years, Silver Linings Playbook becomes the 14th movie in Oscar history to grab nods for the four acting categories for its stars Bradley Cooper (Lead Actor), Jennifer Lawrence (Lead Actress), Robert de Niro (Supporting Actor), and Jackie Weaver (Supporting Actress). There’s a huge possibility that with this, SLP is expected to win at least one acting trophy (as per history), and our bet is on Jennifer Lawrence to take Best Actress. From the thirteen prior films that managed this feat, only two went Oscarless in all four acting categories: My Man Godfrey in 1936, and Sunset Boulevard in 1950.
BEST ACTRESS… OLD AND NEW
Presenter Emma Stone already mentioned this yesterday, but for Best Actress, a record was made when we had the oldest and the youngest Best Actress nominees ever and they happened to be competing with each other. French actress Emmanuelle Riva, currently at 85 (though her birthday will exactly be on the Oscar telecast), becomes the oldest Best Actress nominee ever for her turn as the wife in Amour. Previous title holder was 1989 winner Jessica Tandy for Driving Miss Daisy who was 80 when she was nominated and won the Oscar. On the other hand, the youngest now is Quvenzhane Wallis for Beasts of the Southern Wild who was nominated at the age of 9. It’s pretty fascinating to learn that while shooting the movie, Wallis was just 7. She beats previous record holder, 2003’s Keisha Castle Hughes, who was nominated for Whale Rider at the age of 13. Moreover, co-nominee Jennifer Lawrence became the youngest actress to receive two Best Actress nods by the age of 22.
THE JOSEPH GORDON LEVITT SCREENPLAY CURSE
If you’re an aspiring Hollywood writer, there’s no better person to write a screenplay for than Joseph Gordon Levitt. Maybe it’s because of his immense talent, or he really has just a knack for interesting stories, but for the past four years, Joseph Gordon Levitt has made films whose screenplays always receive Oscar buzz particularly in the Original Screenplay category. However, there always seems to be a hurdle at this. The buzz is there, but the nod is not. In 2009, his 500 Days of Summer despite getting WGA and NBR wins failed to make it to the final list. The same can be said for his cancer movie last year 50-50. And despite getting critics nominations and a WGA nod again, Looper also failed to make it to the final line up. You know what the exception was? The one film he starred that nabbed an Original Screenplay nom is the one where he was in supporting… Christopher Nolan’s Inception.
ALWAYS THE BRIDESMAID… FOREVER THE BRIDESMAID?
In a span of eight years, Amy Adams has already received four Supporting Actress Oscar nominations for 2005’s Junebug, 2008’s Doubt, 2010’s The Fighter, and this year again for her role in The Master. Pretty impressive achievement I must admit. However, with no such luck, she still wasn’t able to snatch an Oscar of her own for the four performances (yes, four, because Anne Hathaway has that thing locked up). Now while it’s an achievement of its own, I fear for dear Amy, sweet Amy, that she’ll belong to the list of voters just want to nominate but not win. After all, eight years is pretty quick to gain 4 Oscar nods (Julianne Moore got 4 in five years), what lies for her future Oscar chances? Among all actresses, Thelma Ritter, Deborrah Kerr, Glenn Close (the only one left still alive) hold the record for most nominations without winning (6), followed by Irene Dunner (also gone now) with five. From those living, Adams is currently in the same page as Annette Bening, Jane Alexander, Marsha Mason, and Julianne Moore that can still win despite four losses while Rosalind Russell and Barbara Stanwyck are the other four time Oscarless winners who were already departed. Here’s wishing the next time Amy Adams get nominated, she’ll finally win.
As always, you can follow me on Twitter: @nikowl