Archive for the ‘melodrama negra’ Tag

2012: The Year in Supporting Actresses   3 comments

supp actress

2012 has given us a wide array of supporting actress performances from dramas to comedies, from musicals and even horror films both in indie and mainstream movies. This category also contains some of the finest names in television, films, and even the stage. Here’s a sample masterlist of who can get nominated from the award giving bodies next season.

Take note that when I say award giving bodies, it’s as varied as the mainstream hard on of the PMPC Star Awards for Movies up to the indie love of the Manunuri and sometimes the in between such as the Golden Screen Awards.

LEADERS OF THE PACK

I wouldn’t be surprised if veteran actress Anita Linda will pick up a lot of supporting actress trophies for her performance as the foul mouthed Alzheimer’s healed grandmother of Coco Martin in Santa Nina. If not that, then she might gain notices for albeit a similar role in Olivia Lamasan’s The Mistress. Speaking of The Mistress, comeback veteran actress Hilda Koronel can find herself back again in  awards territory as the original life spewing one of the famous movie lines of the year via “Layuan mo ang asawa ko. Tagalog ‘yan para maintinfihan mo.” Janice de Belen had a fabulous year giving memorable performances in all of her movie appearances this 2012. While I can see her getting nominated for the horror films she did, her biggest chance is still Joey Reyes’s Cinemalaya entry Mga Mumunting Lihim portraying the role of Olive, the one in the quartet of friends who wasn’t able to finish college and gets a boyfriend twice younger than her age. Janice’s co-star Agot Isidro can also reap nominations as the self centered judgmental friend Sandy also from the same movie. To round off the top five, I’d put Angelica Panganiban‘s name here as workaholic Jacqueline who’s trying to be the perfect wife in One More Try. While I can see cases wherein Panganiban will be moved to Lead, I guess they might throw her a bone here in order to avoid internal competition from Angel Locsin. Not that it’s a fraud or something because I felt she was actually a supporting actress in this one.

MIDDLE TIER

If award giving bodies failed to like any of the women above, then you can always count Nora Aunor’s performance as Emilio Aguinaldo’s second wife in El Presidente though lack of screentime will probably hurt her. Lovi Poe suffers the same fate as Thy Womb co-star Aunor from appearing in the final moments of the film especially since local award giving bodies love scenery chewing scenes that screams acting from its audience. Both Fides Cuyugan Asensio and Raquel Villavicencio can also be in the running this year as the more superior nuns of Adoration Clositer in Vincent Sandoval’s Aparisyon. Young actress Alessandra de Rossi also got a boatload of performances this year and she can get nominated as Coco Martin’s past love in Santa Nina or the cop daughter in the family ensemble Mater Dolorosa. A lot of mothers can also get a nomination or two this year such as those of Eugene Domingo as an annoyed mother who found out that her son fathered a teenage daughter in the musical I Do Bidoo Bidoo, Cherry Pie Picache‘s mother who keeps a secret in Lawrence Fajardo’s The Strangers, Rosanna Roces as the mistress of Philip Salvador who is dependent to Gina Alajar in Mater Dolorosa, and Dawn Zulueta as a strict mother who’s distant from her son in Ang Nawawala. Since there’s an abundance of mistress themed movies, one can also expect a nod for Andi Eigenmann‘s role as the third party in A Secret Affair.

THE REST OF THE PACK

And as for the others, possible supporting actress turns that can receive mentions this year include Kim Chiu‘s transformation as Vilma Santos’ half daughter in The Healing, Mercedes Cabral as Nora Aunor’s friend in Thy Womb, Gina Pareno as the voice of reason to daughter Angel Locsin in One More Try, Annicka Dolonius as Gibson’s apple of the eye in Ang Nawawala, and Angel Aquino as one of the victims in Brillante Mendoza’s Berlin entry Captive. Further supporting mentions that might grab attention at next year’s award giving bodies are Cinema One Originals winner Ria Garcia in Melodrama Negra, Daria Ramirez as Pokwang’s mother who took care of her grandchildren in the absence of her daughter who went abroad for a living in A Mother’s Story, Toni Gonzaga who is caught in between Vice Ganda and Luis Manzano’s antics in This Guy’s in Love with U, Mare, Angelina Kanapi as Dennis Trillo’s cousin in Ang Katiwala, and Cherie Gil in the comedy ensemble Madaling Araw, Mahabang Gabi. 

That’s it! That’s just 25 names, but it gives award giving bodies a lot of options to choose from in next year’s awards derby. Tomorrow, spotlight for the supporting actors of the year will be given.

As always, you can follow me on Twitter: @nikowl

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Cinema One Originals Film Festival 2012 Review: Part 3   3 comments

Hey everyone! Cinema One Originals 2012 officially ended yesterday, so this is pretty much a late post, but what the heck. Sadly, I wasn’t able to watch all movies in competition (I missed Aberya, Anak Araw, and Baybayin and not because I watched films in alphabetical order), but ten out of thirteen is still a good record I guess. Anyway, in case you haven’t seen, here’s Part 1 that includes reviews of Mamay Umeng, Mater Dolorosa, Slumber Party, and EDSA XXX. And here is Part 2 which covers Ang Paglalakbay ng Mga Bituin sa Gabing Madilim, Pascalina, and Catnip. 

Here’s the third and last part:

Melodrama Negra

MELODRAMA NEGRA
Director: Maribel Legarda
Starring: Gee Canlas, Bong Cabrera, Jerald Napoles
Competition: Cinema One Currents

The film has multiple story lines going on. There’s these three recently dead people whose souls are wandering around Manila. Then there’s also a group of three friends, a pair of sisters and a shy man, and a congressman, his conniving son, and his driver. All of them waiting for something before they can move on with their lives.

If anything, the film is loyal to its title. It really tends to go melodramatic every now and then especially during the stories that involved the three wandering souls. But what’s captivating about it is that I bought every minute of it. The movie was over the top, but it was the intention all along, so it definitely served its purpose. Usually, when you hear the comment “iiyak ka, then matatawa ka then maiiyak ka“, it’s easy to dismiss that film since that means it is uneven at best, but not here. It works in the context of the movie.

In true Layeta Bucoy writing fashion, there’s a lot of tagos worthy lines here. I also like the way she made the characters interact with each other. Gee Canlas started pretty annoying at first, but she totally had me with her Sharon Cuneta references. The whole ensemble was serviceable, though my favorite was the whole segment of Arnel Ignacio scene-stealing turn. It was short, but it was really effective. I totally did get why this got the Audience Choice, and I don’t think I’d argue with that decision.

Grade: 3.5/5

Palitan

PALITAN
Director: Ato Bautista
Starring: Alex Medina, Mara Lopez, Mon Confiado
Competition: Cinema One Currents

A young couple (Alex Medina, Mara Lopez) settles in the poverty stricken Quiapo, but with the husband deep in debts to his employer (Mon Confiado), he gave him a life changing offer.

Known primarily as a homage to the original erotic classic Scorpio Nights, this movie has pretty much big shoes to fill, but to no avail, wasn’t able to give it a proper tribute. There’s too much sex going on, however; too less emotions that the viewers are feeling for the characters. There were also a lot of contrived scenes just to give it a more sexual approach, and the ending was predictable. It is also worthy to mention that the first sex scene between Mara Lopez and Mon Confiado took forever to be over one has to wonder if the target audience was men suffering from erectile dysfunction. The casting was good though; Mon Confiado really gives this creepy boss vibe well, Alex Medina has this raw enthusiasm that is transparent in all of his scenes, and Mara Lopez passes the innocent woman from the province role she had. All in all, it was too inconsistent to effectively work, though there there were some bright spots in it.

Grade: 2.5/5

Mariposa

MARIPOSA SA HAWLA NG GABI
Director: Richard Somes
Starring: Erich Gonzales, Alfred Vargas, Mark Gil, Joel Torre
Competition: Cinema One Plus

Innocent young lady Maya (Erich Gonzales) travels to Manila in order to find her long seen sister. The moment she sets her foot there, her long journey will lead her to endless horrifying discoveries.

The good things: The production design was top notch, probably my favorite of the year. It was lively, colorful, and sets the mood of this world that Maya entered. Mark Gil and to an extent, Joel Torre, were the clear standouts. Mark was flamboyant and over the top, and he was so into it that such commitment is fun to watch on screen. Torre was also committed, though not given the same chance as Gil.

The bad ones: Given that this runs a two hour mark, I won’t be surprised if people lost interest halfway. There’s nothing solid to hold on to in terms of the characters. Yes it was packed, but I would have been fine with more minutes if it can open the characters a lot more to its viewers. Nevertheless, it was visually stunning, but there’s more than meets the eye.

Grade: 2.5/5