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2013 in GIFs   Leave a comment

So I decided to skip my annual movie, TV shows, red carpet looks, and songs lists for this year since I have no time to write them all. Instead, I’ll be posting my favorite moments of 2013 in GIF style. So yes, most of these would be from awards show ceremonies or basically any pop culture event of the year. Okay.

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Okay so let’s begin with five six time Oscar loser a.k.a Albert Nobbs herself Glenn Close. At the Golden Globes last January, Close probably thought that she’s also one of the cool kids when she decided to play drunk after Tina Fey’s signal. You probably have no idea how epic this moment was. I mean I can’t even choose my favorite part. Is it the closing of her eyes to give a more convincing portrayal? Is it when she changed her mind and started to look up the heavens instead to make it even more convincing? Is it her husband’s coy “WTF I think I actually married Alex Forrest” tepid laugh? I guess I have to go with none of the above and choose the closing shot of her looking sideways to see check if people find her stuff funny.

That same night, we’re treated to one of the best (and yes I mean the best) awards show presentations ever. When SNL alums Kristin Wyg and Will Pharrell (as Tina Fey would say it) presented the Best Actress in a Motion Picture, Musical/Comedy, I.WAS.DYING. As a refresher, here’s how they described the nominees that night:

(on Emily Blunt’s Salmon Fishing in Yemen): “When the salmon comes out.. and when the bad guy comes…. and the salmon was like.. and you’re in Yemen.
(on Judi Dench of The Best Exotic Marigold Hotel): “That Judi Dench. Where did she come from? Unknown, she used to be a police officer, and this is her fist movie. And when all the marigold comes out.. and it’s on her hair. And on one scene, she looks at the town people and she’s like “YOUUU!!! YOUUU GET OUT OF HERE!!!”
(on Jennifer Lawrence of Silver Lings Playbook): “Ugh love Jennifer Lawrence. J.LAW. And then comes the silverrr!! I thought it was an animated film. And all the silver she has collected and they tried to get it away from her and she’s like “NOOO! THAT’S MY COOKBOOK!” and she’s like “YOUUU!!! YOUUU GET OUT OF HERE!!!”
(on Maggie Smith of Quartet): “And no one knows what a quartet is. IT IS AMBIGUOUS! And you think you know what it is, but then the guy comes and says “I think I know what a quartet is!” but he doesn’t”
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on Meryl Streep of Hope Springs): “And Meriall Streep. And she’s the sassy sheriff! “I’m Hope Springs!” She comes in a horse and she’s like she looks at the town people and she’s says “YOUUU!!! YOUUU GET OUT OF HERE!!!”

UGH TYPING THAT WAS A HOOT. I’m laughing again. And everyone in the room was actually entertained. Everyone that is except that creature named Tommy Lee Jones.

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Ugh Gramps looked grumpy as hell during that presentation. Guess what TLJ, that was my exact look when you stole that Oscar from Ralph Fiennes and Leonardo di Caprio.

Then we have the Screen Actors Guild Awards where you’re allowed to waste a minute of your life listening to Giuliana Rancic say things like this:

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Girl is useless as their manicam. By the way let’s appreciate that the SAG was the only time this award season where Anne Hathaway opened her mouth and said something entertaining that does not involve
a.”a blunt object I will forevermore use as a weapon against self-doubt”,
b. thanking Victor Hugo
c. thinking her Oscar win will stop prostitution.
d. correcting the spelling of her name
It was when Anne presented with co-star Hugh Jackman and they played a banter of how they will describe Les Mis in 2013.

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Yes Anne, you crushed it. Speaking of crushed, don’t you love this BFF pic of Nicole Kidman and the lesser Nicole Kidman Naomi Watts at the SAGs? Go Nic, giving some Regina George fierceness.

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Prior to her history making releasing an album without anything stint, Beysus graced us all with her presence at the Superbowl. But it wasn’t even her who stole the show. Two words: poor Michelle.

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Go poor Michelle!! Put that one day off to good use and appear at the Superbowl.I’m living for her facial reaction. She suddenly got cocky when she realized she did not fall off the mosh pit. YESSS!!

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But then again, we’re quickly reminded why she never skyrocketed as a solo artist. I mean not literally a rocket but even Bey can do it.

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Anyway, let’s move on to the Grammys a.k.a the first televised exam to see if Taylor Swift knows this song…

taylor 1or this song…

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and this one as well…

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and did you know she knew this song too?

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Okay we get it Taylor. You know all the songs. But then again who wants to see her do it for a fifth  time when you can see Legend Kidman bopping to that Bob Marley tribute?

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It wasn’t as epic as her singing Teenage Dream  at the Grammys last year but she gets bonus points because Adele is wearing a red doily.

Then there’s also the BAFTA where the only two interesting things we saw were Dame Dench’s O face (and when I say O, I mean Oh my god!) as Javier Bardem falls asleep

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and David O. Russell’s reaction when Emmanuelle Riva wins Best Actress.

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I was secretly wishing Emmanuelle would say “I beat J.Law” at the podium but then I remembered she doesn’t speak in English. So maybe in French? Anyway, off to the Oscars.

Okay remember when I said a few posts above that Giuliana Rancic is as useless as the manicam? Well I take it back. The Manicam is more useful than Giuliana apparently. I’m pretty sure it made Catherine Zeta Jones upset when Ryan Seacrest denied her to do one. You can clearly see in her eyes she wants to parade her fingers on the manicam. Not good, Ryan!

nicole-kidmanSee even Mr. and Mrs. Keith Urban felt bad for La Zeta.

Aside from that, we saw Lil’ Quvenzhane Wallis proving she’s the man (with a proud Denzel Washington beaming from behind),

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a bored Sacha Baron Cohen and Helena Bonham Carter

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and a tripping Best Actress winner. Whoever put that banana peel there for Anne Hathaway clearly didn’t work

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But the best moment happened when Emmanuelle Riva unintentionally takes revenge on David O. Russell upon learning his reaction to her BAFTA Best Actress win.

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Be thankful, David. At least Em didn’t squashed your face with a pillow. #justsaying

In April this year, Reese Witherspoon was arrested by the cops but she tried to get herself out of this…

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…which only means she ended up in prison with a mugshot. You should have called Elle Woods to save you, Reese.

Taylor Swift won eight Billboard Music Awards in May of this year. But surprisingly, not any of those can match the WIN level of her reactions here:

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Meanwhile, Miguel channels his inner Bjorn Barrefors and trains for the Olympics on air

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Ouch for that woman whose head was found in between Miguel’s legs.

And as everyone celebrates film over at the Cannes Film Festival, two tiny teeny things clearly doesn’t wanna be there. Julianne Moore’s little toes can’t wait enough to go home instead they’re trying to escape while she’s on the red carpet.

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Still on the subject of feet, it’s not cool to talk about North West anymore, so let’s just hope Kim K’s feet some speedy recovery for everything they’ve been through this year:

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tumblr_mo6lqdTBl81qanm80o1_400Yes Debra Messing don’t act too surprised, those are her feet.

Last August 10, two of the biggest popstars go head to head as Lady Gaga releases Applause and Katy Perry releases Roar on the same week. You know it was bound to get messy.

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And someone’s coming out on top:

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But come the VMAs, it wasn’t even the two of them who became the talk of the town. But before that we saw…

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Justin Timberlake joined by four other lessers perform,

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Taylor Swift asking her BFF to STFU,

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Willow Smith whipping her head back and forth as Jaden Smith tries another shot at “acting”,

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Lady Gaga opening the show,

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but Katy Perry closing it.. (Ouch Gags! Was that msg for you?)

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But it Miley who made the whole thing classic. Even getting a classic rxn from Rih

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September also was the end for Breaking Bad. And I think no amount of GIF will give it justice so I’ll just post a photo of Bryan and Aaron because uhm, duh, bitch.

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And when the Emmys came, Neil Patrick Harris bombed as host, but no other bombed better than what this guy did:

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Then cute Merritt Wever gives one of the best Emmy speeches ever when she said nothing but…

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while Julia Louis Dreyfus stays in character in her speech.

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Michael Douglas, meanwhile, uses Matt Damon as metaphor in his thank you speech

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And though he did not win, Kevin Spacey still scores one in my b0ok after doing this:

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And the delight of Oprah pushing people

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And last month, Miley Cyrus wins Round 2 of best performance at the American Music Awards when she performs with a huge cat behind her:

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As Ariana Grande shows us all how it’s really done just by standing up.

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Meanwhile, a certain legend named Christina Aguilera is slaying the red carpet fo’sho:

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And that’s how you make an exit!  Wait let me reiterate

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On the other hand, here’s how you make an entrance. An album entrance that is. As Beysus Christ showed us, just drop em ‘off and boom.

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Let’s pause this moment and recognize Queen B.

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Oh wait, did you know Britney released an album this year? I’m sure even she’s not aware, but I guess she’s raking it in Vegas no so go Brit and

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And as Oscar season comes, we’re treated to a whole lot of epic GIFs from contenders like this of J.Law pleading…

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or Sandra Bullock in Gravity a.k.a basically whatever you wanna do to your enemy

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But to close this off, a legendary performance to close the year happened between Gags and Legend X when they did a duet of Do What U Want on The Voice finale.

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Anybody who does not get the ABBA meets Whatever Happened to Baby Jane reference is deads to me. Plus, I’d kill to have my head on Legend’s bosoms. Anyway, cheers to a happy 2013 and let’s hope for crazier things this 2014.

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Happy New Year everyone!

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65th Primetime Emmys: Outstanding Lead Actor in a Miniseries or Movie   Leave a comment

actor miniseries

It’s Emmy season!

Over the next few weeks, I’ll be posting my Emmy predictions in 23 different categories before we head on the actual ceremonies on September 22. And as always, we’ll tackle one category at a time, and this year will begin with Outstanding Lead Actor in a Miniseries or Movie.

PAST PREDICTIONS:

2005: Geoffrey Rush, “The Life and Death of Peter Sellers[CORRECT]
2006:
Donald Sutherland, “Human Trafficking[WRONG]
2007:
Robert Duvall, “Broken Trail[CORRECT]
2008:
Paul Giammatti “John Adams[CORRECT]
2009:
Kevin Bacon, “Taking Chance[WRONG]
2010:
Al Pacino, “You Don’t Know Jack[CORRECT]
2011:
Edgar Ramirez, “Carlos[WRONG]
2012:
Kevin Costner, “Hatfields & McCoys” [CORRECT]

If there’s any indication that HBO dominates the Emmys, one does not need to look any further, as this category’s nominees were all from HBO produced films. Let’s start the discussion with the Cannes entry Behind the Candelabra. Playing renowned pianist Liberace, five time Emmy nominee Michael Douglas gets career best reviews for his physical transformation as the gay musician. With the rate of these reviews are going, it’s pretty easy to say he’s the frontrunner in this category. However, most of his screentime is shared with co-nominee and co-star Matt Damon who played Liberace’s lover Scott Thorson. While both are co-leads in the film, it’s easier to see that Douglas is the main star of the show and has the advantage over Damon.

As for Parade’s End‘s Benedict Cumberbatch, he’s the obvious weak link in this group, and his nod rooted from his movie star success of Star Trek during the nomination period. It must be noted though that this is his second consecutive nomination here, as he’s also nominated for Sherlock this year, so if there’s some left over love for that, then he can possible score more votes. Isn’t it unfair that Toby Jones always has to go for the lesser buzzed versions when he plays real life people such as his Capote performance in Infamous being released shortly after Philip Seymour Hoffman’s Oscar winning performance of the same character? The same can be applied again as his role as Alfred Hitchcock in The Girl has to contend in TV movies when the feature film Hitchcock was just released last year. Anyway, Jones was Hitchcock personified in his performance, but the total lack of interest over the TV movie definitely speaks about his chances.

Then there’s Al Pacino. Pacino is 2/2 in this category winning the first time for Angels in America in 2004 and then again for You Don’t Know Jack in 2010. For Phil Spector, he donned in the wigs and transformed into the main character and was given lots of baity scenes to work on. Plus they showered the TV movie with a lot of nominations as well.  If voters are not fond of Behind the Candelabra, I can see them going for Pacino.

With that said, I still think that it’s Michael Douglas’ to lose. He’s a five time Emmy nominee who hasn’t won any Emmy yet (and his first nomination was 39 years ago) while getting career best reviews for this performance. He also gets to play a “challenging” role which involved lots of physical transformations in it. If not him, you can count Matt Damon to win his first Emmy though. Either way, Behind the Candelabra will score a win in this category.

Prediction: Michael Douglas, “Behind the Candelabra
Runner-Up: Matt Damon, “Behind the Candelabra

Final Rankings:
1. Michael Douglas, “Behind the Candelabra
2. Matt Damon, “Behind the Candelabra
3. Al Pacino, “Phil Spector
4. Toby Jones, “The Girl
5. Benedict Cumberbatch, “Parade’s End

You can follow me on Twitter: @nikowl

66th Cannes Film Festival Winner Predictions   1 comment

 

Photo courtesy of  Zimbio

In just a few hours, the 66th Cannes Film Festival is about to close. After almost two weeks of non-stop film premieres, the biggest movie festival in the world will soon end. And it is up to jury head Steven Spielberg, together with members Nicole Kidman, Ang Lee, Christoph Waltz, Lynne Ramsay, Naomi Kawase, Cristian Mungiu, Daniel Auteuil, and Vidya Balan, to reveal their choices on the winning films and performances for this year. It’s definitely one of those up in the air years, as there were a lot of films that gained positive response from the media and the Cannes audience this year. And of course, there’s also those surprising choices that came from movies that received cold reception.

I’ll give my shot on who I think will end up as winners in the festival this year. However, it is noteworthy to emphasize that it is really difficult to predict these things since there’s no trend to follow as the jury members change every year. But with that said, here are my predictions for the seven categories to be awarded at the closing festivities:

SCREENPLAY:

Prediction: Ethan and Joel Coen, “Inside Llewyn Davis
As of now, the Coens’ latest entry is turning up to be the best reviewed American film of the year thus far (with a perfect 100 score), and Llewyn seems to be destined to win something in the festival. While chances of directing, actor for Oscar Isaac, and even the Palme d’Or (critics are comparing it to Barton Fink which won them a Director prize), I think they will spread the wealth and reward it with a Screenplay win.

Alternate: Asghar Farhadi, “Le Passé
Farhadi is shaping out to be one of the notable names in festivals and his follow up to 2011’s A Separation also gained notable mentions from the critics. If Farhadi won’t win the top plum this year, then they can pick up multiple wins including this one for screenplay.

ACTOR:

PREDICTION: Michael Douglas and Matt Damon, “Behind the Candelabra
While odds for a tie are slim, I’m predicting the team up of Matt Damon and Michael Douglas to pick up the top male plum for this year. It really sucks that this won’t get a theater premiere (which easily eliminates them from Oscar contention), but Douglas’ unanimous reviews (and even mentions of his all time best work) is definitely a shoo-in for an Emmy already. It’s also likely that it will solely be Douglas who will win, but with Damon working with Spielberg in the past, he can easily sneak Damon for the win too.

ALTERNATE: Bruce Dern, “Nebraska
If not Douglas, then one can expect Bruce Dern to snatch up the Actor prize for his work in Alexander Payne’s Nebraska. This can be some sort of a prelude to his possible Oscar season, and they can also tag team Will Forte as well, in case they give Behind the Candelabra a higher award.

ACTRESS:

PREDICTION: Adèle Exarchopoulos, “Blue is the Warmest Color
If the jury doesn’t connect to a consensus choice of Blue… being the Palme d’Or, then it can find its way to recognition by winning the Actress award via Adèle Exarchopoulos’s unanimously praised performance. If the Damon/Douglas tie don’t work in Actor, then expect a consecutive tie here (after last year’s victory from Beyond the Hills ladies) between Adèle Exarchopoulos and co-star Lea Seydoux.

ALTERNATE: Marion Cotillard, “The Immigrant
After failing to win this category last year for Rust and Bone, Cotillard can see herself in contention and even a win for this year, thanks to James Gray’s The Immigrant. Cotillard is a famous French star who has been a regular at Cannes for the past few years. This can also be The Immigrant’s win especially if the movie divides the jury.

DIRECTOR:

PREDICTION:  Paolo Sorrentino, “La Grande Belleza
Sorrentino surprised everyone when he got overwhelming positive response for this year’s The Great Beauty. Reviews specify the good combination of breathtaking visuals and the strong direction, which leads me to believe that if Sorrentino wins anything from the festival, it’ll most be likely this one.

ALTERNATE: Steven Soderbergh, “Behind the Candelabra
Soderbergh is one of the true Cannes breakouts. His career started out with sex.lies.videotape in 1989, and this could be a statement from the jury for Hollywood passing up on the film because of its theme. Also, Soderbergh hasn’t won in this category yet, and this can be his first prize here.

JURY PRIZE

PREDICTION: Hirakazu Kore-eda, “Like Father, Like Son
Kore-eda’s drama about the nature vs. nurture of two children switched at birth was a hit at Cannes, and Jury Prize seems to be the most fitting category to reward it. Rumor also have it that Kore-eda is already back at Cannes, which means that it’s likely that the film will be rewarded for something. It also seemed to be getting raves from the jury with Spielberg quoted as emotional to the film’s theme.

ALTERNATE: James Gray, “The Immigrant
Gray is such a divisive filmmaker. His works is always between a love it or you hate it. It’s either for you or not. With that said, I can also see a scenario where they give him the Jury Prize in order to satisfy members of Jury who wants it to be rewarded with something while also satisfying those members who do not like it, as it won’t get the top prize.

GRAND PRIX:

PREDICTION: Jia Zhangke, “A Touch of Sin
Jia Zhangke’s A Touch of Sin seems to be perfect for the Grand Prix category. It’s not a total standout to win the Palme, but it gains specific supporters that can push it for this. He was also spotted already back in Cannes, and he’ll probably get something tomorrow.

ALTERNATE: Abdellatif Kechiche, “Blue is the Warmest Color
I can see this following the scenario of The Master over at Venice last year. It’s the unanimously praise film that gets the jury pumped up. But since the top prize can’t win anything else, they’d have to settle giving the runner up prize to it in order to accommodate other noteworthy things about the film such as rewarding the lead actresses. It can be a battle between giving a sole top prize or settling for second with multiple mentions to go home.

PALME D’OR:

PREDICTION: Asghar Farhadi, “The Past
And I guess the top prize will be given to Farhadi’s The Past. It’s French, it has Farhadi, it’s the conventional choice, it made jury member Kidman in tears after leaving the screening. The Past seems to be the logical choice that will not be hated; after all, it got solid reviews, it’s not as particularly polarizing from the other commendable entries, and you know everyone is just in love with Asghar Farhadi right now. While this is no sure thing, I can see this getting the consensus pick among the jury members.

ALTERNATE: Abdellatif Kechiche, “Blue is the Warmest Color
Lo and behold, this is really the film that towered among everyone else in terms of critical reception. It has already gained buzz and world interest, and the reviews are really staggering and far and away from the other contenders. The thing though that makes it an easy choice to win is that the theme might alienate others. We still don’t know for sure what type of jury is this, and we don’t know if they’re really gonna go for something as bold as this to receive the top prize. But as always, it can easily snoop in the top prize if it gets the jury fired up.

That’s it. I’m really excited to see a lot of entries from this year’s batch, as it’s one of the most lauded in years. I’m also gonna miss Legend Kidman’s red carpet appearances and teaching everyone how it’s done. I’m looking forward to the closing and awarding ceremonies later. Now, who are you rooting and predicting to win? Post it there in the Comments section.

You can follow me on Twitter: @nikowl