Archive for the ‘Norte Hangganan ng Kasaysayan’ Tag
So I’ve started this project way back in the mid-2000s. As one who’s a sucker for awards shows and predicting them (it’s weird I know), I try to pick my own choices in the main categories. Just a few years ago, I decided to do the techs as well. But it’s mostly focused on the four acting categories, directing, screenplay, ensemble, and Best Picture. This has been a work in progress, as I still catch up on some movies years past their actual release (especially the ones in the mid-2000s and early 2010s). Let it be clear as well that I have so many blindspots in terms of movies that I still haven’t seen (in Lav Diaz’ case for instance, I’ve only seen Batang Westside, Norte, and Mula sa Kung Ano ang Noon) missing almost everything in his filmography (my loss, I understand). Also, the reason why I decided to begin with 2000s is probably because that’s the reasonable year when materials are still searchable and probably the year when I began to sleep late catching up awards shows in RPN 9 as I list them in a yellow paper. LOL. Anyway, let’s begin with my Screenplay picks of the last fifteen years:
As a recap, here are my winners for the first 15 years:
2000: Armando Lao, “Tuhog”
2001: Lav Diaz, “Batang Westside”
2002: Lualhati Bautista, “Dekada ’70”
2003: Michiko Yamamoto, “Magnifico”
2004: Armando Lao, “Minsan Pa”
2005: Michiko Yamamoto, “Ang Pagdadalaga ni Maximo Oliveros”
2006: Mary Ann Bautista, Jose Javier Reyes, “Kasal, Kasali, Kasalo”
2007: Jade Castro, Michiko Yamamoto, Raymond Lee, “Endo”
2008: Francis Xavier Pasion, “Jay”
2009: Veronica Velasco, Jinky Laurel, “Last Supper #3”
2010: Jerrold Tarog, “Senior Year”
2011: Alvin Yapan, “Ang Sayaw ng Dalawang Kaliwang Paa”
2012: Jun Lana, “Bwakaw”
2013: Lav Diaz, Rody Vera, “Norte, Hangganan ng Kasaysayan”
2014: Giancarlo Abrahan, “Dagitab”
And some other random stats:
3: Michiko Yamamoto (Magnifico, Ang Pagdadalaga ni Maximo Oliveros, Endo)
2: Lav Diaz (Batang West Side, Norte, Hangganan ng Kasaysayan)
2: Armando Lao (Tuhog, Minsan Pa)
4: Armando Lao (Tuhog, La Vida Rosa, Minsan Pa, Biyaheng Lupa)
3: Raymond Lee (Tanging Yaman, Milan, Endo)
3: Jerrold Tarog (Confessional, Senior Year, Sana Dati)
3: Rody Vera (Nino, Requieme, Norte Hangganan ng Kasaysayan)
3: Michiko Yamamoto (Magnifico, Ang Pagdadalaga ni Maximo Oliveros, Endo)
2: Lav Diaz (Batang West Side, Norte, Hangganan ng Kasaysayan)
2: Antoinette Jadaone (Six Degrees of Separation from Lilia Cuntapay, That Thing Called Tadhana)
2: Chris Martinez (100, Here Comes the Bride)
2: Jose Javier Reyes (Minsan May Isang Puso, Kasal Kasali Kasalo)
2: Veronica Velasco (Inang Yaya, Last Supper #3)
What are your favorite local film Screenplay from the last fifteen years? Pipe ’em in below!
After days of waiting, it’s the time of the year again when the country chooses its representative for the Oscar for Best Foreign Language Film. Let it be clear that of course, Oscar is not the be-all and end-all of anything great when it comes to filmmaking, but somehow among casual moviegoers, Oscar is synonymous to anything that represents great quality. And its prestige is still ever so present that one can’t help but be interested in the whole process. After all, having an “Oscar winning film” or “Oscar winning country” is a great bonus to a film’s achievement.
Just hours ago the Film Academy of the Philippines, represented by Leo Martinez, confirmed that the Philippines submitted Lav Diaz’ 250 minute film “Norte, Hangganan ng Kasaysayan” for next year’s awards consideration. Norte, a take on Fyodor Dostoyevsky’s “Crime and Punishment”, showed the contrast of a man (Sid Lucero) committing a crime but was spared from it and an innocent one (Archie Alemania) paying for the former’s sins. In line with that, life goes on for the latter’s wife (Angeli Bayani) as she deals with the aftermath of the incident.
In my annual analysis of possible contenders almost a month ago, I’ve specified that it boils down to two contenders: Jun Lana’s “Barber’s Tales” and Lav Diaz’ “Norte“. Both make sense as submissions, but I’m not holding my breath for any of the two considering how the panel assigned to submit has made more mediocre choices than not since its inception in 2007, so seeing them finally taking the right path slowly but surely the past few years is indeed commendable. Besides, what is there to lose if we experiment with a Lav Diaz submission this year? It’s not as if we’ve been nominated before. This can actually serve as a trial of some sort to see what kind of films that we offer can match Oscar’s taste. But anyway, enough about my personal feelings. Let’s go straight to the point. How will Norte fare in the competition this year? And can it *actually* be nominated in the end?
As for starters, this is a year when there is no solid frontrunner for the category Oscar-wise. Sure we have lot of solid contenders to battle out (Brazil’s “The Way He Looks”, Belgium’s “Two Days, One Night”, Canada’s “Mommy“, Mauritania’s “Timbuktu“, Poland’s “Ida“, Turkery’s “Winter Sleep“, and even unofficial but slightly obvious Argnetina’s “Wild Tales“), but none of those are as sure things as “A Separation” was three years ago or even “Amour” the year after. In an open year like this, there are bigger possibilities for an out of the field choice which definitely helps Norte‘s chances.
Second, distribution counts. Among 60+ announced contenders by far, only 17 have US distributors already. Yep, including Norte. Sure, The Cinema Guild might not be as big as Sony Picture Classics, Magnolia Pictures, Roadside Attractions, or even Sundance Selects as far as distribution companies are concerned, and that other likely contenders might even pick up theirs as the season progressed, but having the benefit of a distributor already is a big thing in the country’s history of submitting in this category.
“Norte” also boasts of having a wide festival coverage. Even before it participated as part of the Un Certain Regard section of the Cannes Film Festival last year, the film has participated as part of the Hong Kong International Film Festival. Post-Cannes, with unanimous reviews to boot, the film traveled from Locarno to Toronto, New York to Busan, and Brisbane to Glasglow among a plethora of other festivals in different parts of the world. I mean how’s that for exposure right? And did I already mention its great reviews? Because if anything, at least there’s a universal consensus on the quality of the film both here and abroad.
But let’s not get ahead of ourselves, really. There’s a lot that the film still needs to overcome and it’s not a smoothly paved road en route to Oscar recognition. The film’s length is still running at 250 minutes. That might be too shallow of a reason to actually consider, but remember that the voting to end up in the shortlist is still by public vote from the foreign language film department. It’s not an easy pill to swallow for them to stay 250 minutes to watch a film and convince them to sit around and stay that long or even prioritize watching it (even if one can argue that it’s their job to do so). 200 minutes I’d say they can still tolerate, but anything longer than that might possibly turn them off leading to either not finishing the film or choosing not to even watch the film at all. That is a crucial factor to end up as part of the top six in the first stage of the voting which aims to be included in the shortlist of nine. That said, an executive committee is in charge to review the remaining films left off the top six and add three more films that they’ll base on merit. This is the part where I think Norte might benefit a lot. While it is not being publicly announced which among the shortlist of nine came from public vote and which were inserted the last minute, this change of ruling has led to inclusion of offbeat, quirky, or non-traditional/Academy friendly films such as Belgium’s “Bullhead” to the shortlist in 2011 or something like Greece’s “Dogtooth” to the final five a year before. This part of the voting can really be crucial in helping Norte (and other films that aren’t as buzzed as the early contenders I’ve mentioned in the fourth paragraph) to be a part of the shortlist.
Two years ago, I correctly predicted that a shortlist mention for Bwakaw is a long shot and that last year, Transit isn’t going anywhere. Now if you’re gonna force me to say an actual answer now, I’d say it’s better if we take things slowly. First step of getting the actual nomination is knowing the rules of the game by submitting a competitive film which we have already done. Honestly speaking, I guess a Top 9 shortlist mention isn’t really out of reach this time. After all, this is the best and most competitive submission we had since “Ang Pagdadalaga ni Maximo Oliveros” in 2005. It seems like stars are aligning good enough for the Philippines this year, at least even for a shortlist mention. But I’m quite optimistic with this one. In the end though, Oscar nomination or not, this is already a win-win situation for the country. If you ask me a few years ago if we’ll ever see the day that a Lav Diaz film will be considered as an Oscar contender, I will without a doubt say that it’s impossible. But times are changing, and so far, they’re for the good. Nevertheless, I raise my imaginary glass of toast and say cheers to everyone involved in Norte and the FAP for actually getting this year right. We’ll surely be rooting for you all the way!
You can follow me on Twitter: @nikowl
Within the next few days, the Film Academy of the Philippines will release the shortlist for the country’s Oscar submission in the Foreign Language Film category, and it has been a tradition over here at Tit for Tat to dissect and analyze the shortlist of what the Philippines will submit as its entry. As you may know, the country still hasn’t been nominated for the said award despite submitting 25 times in the award’s 57-year history. Before we go straight to the discussion, let’s specify the necessary requirements to be eligible for this award:
As per the Academy of Motion Arts and Pictures Science’s official rule book, any country’s submission must be:
“The motion picture must be first released in the country submitting it no earlier than October 1, 2013,
and no later than September 30, 2014, and be first publicly exhibited for at least seven consecutive
days in a commercial motion picture theater for the profit of the producer and exhibitor.”
As a reminder, these are my predictions and opinions on what I think will make the shortlist and NOT THE OFFICIAL SHORTLIST YET. In order to determine which will make the shortlist, I have divided the list into three groups:
Director: Ian Loreños
Screenplay: Ian Loreños
Cast: Jericho Rosales, Bugoy Cariño, Leo Martinez, Carmen Soo, Smokey Manaloto
Philippine Release Date: October 2, 2013
This local thriller which was inspired by an urban legend about the disappearance of a young Chinese-boy and the lengths his single father did in order to find him back.
Despite the film being produced and finished as early as 2012, Alagwa was able to land its local commercial screening October of last year. The film garnered good reviews with mentions about its balance of intense thriller with the emotional punches in between. It has also made its way to some international festivals, albeit the smaller ones, such as the Tallin Black Film Festival, Newport Beach Film Festival, Guam International Film Festival, and ASEAN International Film Festival to name a few. Not to be outdone, it was also recognized locally sweeping at the PMPC Star Awards for Movies including Indie Movie of the Year and a Gawad Urian Best Actor for lead star Jericho Rosales. While I think the film can be a good submission, it needs a bigger push than our last two entries to maintain buzz once the bigger heavyweight countries announced theirs.
MGA KUWENTONG BARBERO (Barber’s Tales)
Director: Jun Lana
Screenplay: Jun Lana
Cast: Eugene Domingo, Shamaine Buencamino, Gladys Reyes, Iza Calzado, Nicco Manalo
Philippine Release Date: August 13, 2014
Set in 1975, widow Marilou (Domingo) continues the business of her late husband as the female barber in their town. This opened to her being involved with the different issues in her town including that of the mayor’s wife.
The film, which premiered at the Tokyo International Film Festival late last year, gave Eugene Domingo a Best Actress victory over there which followed nominations from the Asian Film Awards and participation at the Hong Kong International Film Festival and Udine Far East Film Festival. It also has some sort of good will since this team already has some sort of Oscar submission experience since Domingo was the star of the county’s 2011 submission Ang Babae sa Septic Tank while director Jun Lana is the director of the 2012 submission Bwakaw. The film also boasts of great technical achievement and a story that is universally appealing but still has distinct Filipino touches. I won’t be surprised if this ends up as the country’s submission in the end.
MULA SA KUNG ANO ANG NOON (From What is Before)
Director: Lav Diaz
Screenplay: Lav Diaz
Cast: Perry Dizon, Roeder, Hazel Orencio, Karenina Haniel, Mailes Kanapi
Philippine Release Date: September 24, 2014
Running for 338 minute, this black and white film leads to the two years before Martial Law was proclaimed in the Philippines.
If anything, the film is earning so much good will after that sweep at the Locarno International Film Festival winning four awards(!) and the Boccalino de Oro Independent Critics Award Best Actress win for its star Hazel Orencio. Prior to that, the film was also the pioneer champ of the newly established World Premieres Film Festival taking both the Best Ensemble and the Grand Festival Prize. Ir has to be said though that the length of the film plus its black and white feature might be too alienating to sit through for this small Foreign Language Film committee. This isn’t a knock on the film’s accomplishment but more on the category we’re sending it to. The Oscar is as “mainstream” and “accessible” as one can get in terms of recognizing films, so that might give the FAP some second thoughts if they’re gonna go with this.
NORTE, HANGGANAN NG KASAYSAYAN (Norte, The End of History)
Director: Lav Diaz
Screenplay: Lav Diaz, Rody Vera
Cast: Sid Lucero, Angeli Bayani, Archie Alemania,
Philippine Release Date: September 10, 2014
A take on the Fyodor Dostoyevsky’s “Crime and Punishment”, the film showed the story of three people: an innocent man being put to jail of a crime he did not commit, the real perpetrator guilty of the crime is very much free and continuously frustrated of his country’s political system, and the wife of the wrongly accused man dealing with everything that has happened to her family.
The shorter of the two Lav Diaz films, Norte runs at a measly 250 minutes. While it’s still relatively long, comments about this as being Diaz’ most accessible film is definitely encouraging. It also has the festival experience as well competing as part of the Un Certain Regard section of last year’s Cannes Film Fest and getting raves after raves as well. It also helps that the film has been released, despite via limited format, in the United States and getting great mentions there as well. Locally, the film has garnered many acclaims here as well even sweeping at this year’s Gawad Urian awards. I think this is the type of film that can benefit from the short committee’s three picks outside of the top vote getters.
POTENTIAL SHORT LIST MENTIONS:
Of course the shortlist can go as many as 12 like that from 2009 or as few as 2 like that in 2006. Since the past few years’ shortlist have given us WTF mentions (remember Baler in 2009? How about The Witness three years ago? Or Dance of the Steelbars last year?), so I guess these films can find their way in the shortlist this year.
Director: Joyce Bernal
Screenplay: Ryllah Epifania Berico, Keiko Aquino
Cast: Robin Padilla, Pen Medina, Bela Padilla, Michael de Mesa, Mylene Dizon
Philippine Release Date: December 25, 2013
Sweeping last year’s Metro Manila Film Festival, this action thriller which was very loosely based on a Philippine senator’s fugitive story. While the possibility of this being chosen is slim to none, I wouldn’t underestimate this being a part of the short list.
BANG BANG ALLEY
Director: Ely Buendia, Yan Yuzon, King Palisoc
Screenplay: Ely Buendia, Yan Yuzon, Zig Marasigan
Cast: Art Acuña, Perla Bautista, Gabe Mercado, Bela Padilla, Jimmy Santos, Joel Torre, Althea Vega, Megan Young
Philippine Release Date: April 9, 2014
Last year, the trilogy Tuhog also made the shortlist, so I don’t see why they’ll skip this a mention since this is one of the better reviewed films of the first quarter of 2014. The film featured three different stories all relating to violence.
Director: Chito Roño
Screenplay: Catherine Camarillo, Guelan Luarca, E.R. Ejercito
Cast: ER Ejercito, KC Concepcion, Eddie Garcia, John Estrada, Gloria Sevilla
Philippine Release Date: December 25, 2013
To be honest, this is the best of the three ER Ejercito MMFF films, but then again, that doesn’t mean it needs to be submitted. This is more of a guilty pleasure action flick than an Oscar contender, but hey! If those two films were shortlisted, then this better be mentioned as well.
Director: Joel Lamangan
Screenplay: Jerry Gracio
Cast: Allen Dizon, Jean Garcia, Sunshine Dizon, Jackie Rice
Philippine Release Date: July 9, 2014
Lamangan has been shortlisted many times before (Dukot, Sagrada Familia) so he’s a familiar name from the FAP. That said, this is another of the socio-political statements that he has been doing lately about a powerful man in the slums balancing his power and dealing with his three wives.
PEDRO CALUNGSOD: BATANG MARTIR
Director: Francis Villacorta
Screenplay: Francis Villacorta
Cast: Rocco Nacino, Christian Vazquez, Jestoni Alarcon, Marc Justin Alvarez, Ryan Eigenmann
Philippine Release Date: December 25, 2013
Really though. As if the flop box office nor bad reviews would stop them from considering this, but it’s the story of the Filipino saint, so I’m expecting the worst and see this in the shortlist even if it doesn’t really merit a mention at all.
Director: Joselito Altarejos
Screenplay: Zig Dulay
Cast: Allen Sandino Martin, Angelo Ilagan, Boots Anson-Roa
Philippine Release Date: February 26, 2014
An ordinary day in the life of a 15 year old teen upon learning that the love of his life loves someone else and his intense reaction to profess his love.
Pink films haven’t done so well the past few years (even Blue is the Warmest Color did not make a splash), and I don’t even remember the last one to get nominated (at the top of my head, All About My Mother? Unsure though), and this is too low key to seriously be considered.
While these films least worry is their quality, it seems like eligibility would prevent them from being shortlisted. Chito Rono’s Badil among the other Sineng Pambansa entries were released September of last year so they’re not eligible. The same can be said for Ang Huling Chacha ni Anita and the Cinefilipino entries as well. Borgy Torres’ Kabisera got an extended day of release after the Cinema One Originals last year, but that doesn’t fit the seven day commercial screening. And among the MMFF New Wave entries last year (including Armando Lao’s Dukit, only Gino Santos & Aloy Adlawan’s Island Dreams managed to follow it up with a commercial release. Jerrold Tarog’s Sana Dati‘s commercial release was September 25, 2013 so six out of its seven commercial release dates were ineligible as well. Perci Intalan’s Dementia starring the Superstar Nora Aunor is a tricky case. It premieres last week of September which means it qualifies for this year, but the FAP usually announces its pick by mid-September, so unless they got a special screening to see it, then I think it’s still possible to make it to the list. Otherwise, by the time we see Dementia in theaters, there’s a large chance there’s an announcement made already.
I think it boils down to two films: Jun Lana’s Barber’s Tales and Lav Diaz’ Norte, Hangganan ng Kasaysayan. And both films I see can possibly make a splash. Diaz has the good will and the name recognition plus Norte’s reviews will surely make it in the conversation against other countries’ entries. Barber’s Tales, on the other hand, seems like the more traditional entry, and Bwakaw managed to gain steam during its year (and I think the closest we ever was mentioned since Ang Pagdadalaga ni Maximo Oliveros in 2005) so it would be a fit as well. Anything between the two would be fine by me, so I do hope we end up with one of those. Come on FAP, make it happen.
Either way, I’ll keep you updated once the official shortlist and the official submission is revealed.
You can also follow me on Twitter: @nikowl
The glory days of local Philippine awards night have been over, and right now, there are only two remaining interesting citation giving bodies: the Young Critics Circle and the Manunuri (and my own Titties awards of course lol). That said, the YCC already gave their citation last April while the Manunuri will be handling out their awards tomorrow. And in line with that, I’ll be going on a limb and try to predict who’ll end up with those huge silver trophies tomorrow in all 12 categories.
Ang Kuwento ni Mabuti
Norte Hangganan ng Kasaysayan
On the Job
Riddles of my Homecoming
With how huge Norte was last year, I think it will be an easy win for this Cannes Un Certain regard entry to receive the top prize for tomorrow’s ceremony. Besides, it’s not as if Lav Diaz has been over-rewarded here before (his films only won twice, for 2001’s Batang Westside and 2004’s Ebolusyon ng Isang Pamilyang Pilipino). To add more confidence in its side, it’s also the top nominated film for this year, and you’d notice the trend that it is indeed one of their most loved films this year. That said though, if they want to spread the wealth, I can see the other top nomination receiver, Dukit, getting the most coveted award instead.
Prediction: Norte, Hangganan ng Kasaysayan
Whammy Alcazaren, “Islands”
Adolf Alix Jr.. “Porno”
Mes de Guzman, “Ang Kuwento ni Mabuti”
Lav Diaz, “Norte Hangganan ng Kasaysayan”
Hannah Espia, “Transit”
Peque Gallaga, Lore Reyes, “Sonata”
Jeffrey Jeturian, “Ekstra”
Armando Lao, “Dukit”
Arnel Mardoquio, “Riddles of My Homecoming”
Erik Matti, “On the Job”
Chito Rono, “Badil”
Alvin Yapan, “Mga Anino ng Kahapon”
Choosing in a field of twelve is already a difficult task to do, though I guess I have to remove those previous winners already: Adolf Alix, Mes de Guzman, Lav Diaz, Peque Gallaga, Jeffrey Jeturian, Arnel Mardoquio, Chito Rono, and Alvin Yapan. Then you also have Urian winners Armando Lao and Whammy Alcazaren (despite in other categories). That leaves us with veteran director Erik Matti and Hannah Espia. I have a hunch that Espia has more chance in Editing for Transit (and I’m predicting her there), so I guess I’ll be going with Erik Matti. I mean he’s overdue for an Urian right? Plus, On the Job is a very flashy directorial work that I can see the Manunuri going for. If not him though, I expect a second win for Lav Diaz because really, it’s quite a shame that he has only won here only once yet.
Prediction: Erik Matti, “On the Job”
Alternate: Lav Diaz, “Norte Hangganan ng Kasaysayan”
Mark Gil, “Philippino Story”
Jhong Hilario, “Badil”
Mimi Juareza, “Quick Change”
Sid Lucero, “Norte Hangganan ng Kasaysayan”
Alex Medina, “Babagwa”
Ping Medina, “Transit”
Joel Torre, “On the Job”
Speaking of repeat winners, this surprisingly short line up (remember the 15 nominee group last year?) I think is between two past champs: 2001 champ for Batang Westside Joel Torre and 2010 champ for Muli, Sid Lucero. Lucero has the longer role and one that is very demanding as well that I won’t be surprised if the voters fall in love with such. That said, Torre’s 2013 is some sort of a career best comeback that let him lead not only one, but two brave performances of the last year (the other was for Borgy Torres’ Kabisera). Having that advantage would make me predict him for the win. Outside of those two though, I guess I’d go with Alex Medina as the other feasible winner. The Urian has a history of proclaiming the hot young handsome actor in this category (see Christopher de Leon in 1978, Philip Salvador in 1979, Richard Gomez in 1991, Aga Muhlach in 1995, Jason Abalos in 2007, Sid Lucero in 2010, Paulo Avelino in 2011, and Jericho Rosales last year) and Alex Medina fits that bill. But I’m still going with Joel Torre on this one.
Prediction: Joel Torre, “On the Job”
Alternate: Sid Lucero, “Norte Hangganan ng Kasaysayan”
Nora Aunor, “Ang Kuwento ni Mabuti”
Angeli Bayani, “Norte Hangganan ng Kasaysayan”
Rustica Carpio, “Ano Ang Kulay ng Mga Nakalimutang Pangarap?”
Eugene Domingo, “Instant Mommy”
Cherie Gil, “Sonata”
Agot Isidro, “Mga Anino ng Kahapon”
Teri Malvar, “Ang Huling Chacha ni Anita”
Vilma Santos, “Ekstra”
Lorna Tolentino, “Burgos”
Vivian Velez, “Bendor”
Definitely the most talked about and interesting category of the night (I won’t even be surprised if this one is handed out after Best Picture because it’s the Philippines after all), but this one revives the Nora-Vilma rivalry in a big way. Currently though, Vilma is all time Urian champ here with 8 wins, but Nora is closely behind her with 7 wins. If Vilma wins, she’d inch farther with 9, but if Nora wins, they’d both be tied at 8. Do you think they’ll just give them a tie and call it a day? I think there’s a probable chance of that happening. After all, it will please everyone and the mileage will really be huge. And despite the two being nominated alongside with each other during the 80s and early 90s, this possibility is unprecedented yet. In the event that happens, everyone leaves happy. However, they can also do a cop out and instead reward the eight other women here. I think the biggest possible spoiler is Angeli Bayani whose 2013 is definitely a career best for her. Making waves at almost all film festivals here, an Urian Best Actress is a nice cap off to her 2013 achievement. And that’s who I’m predicting to win here. If not her, then I expect Vilma to receive her ninth win here. Nora just had her spotlight last year, I’m sure they won’t hesitate shifting the momentum to Vilma this year.
Prediction: Angeli Bayani, “Norte Hangganan ng Kasaysayan”
Alternate: Vilma Santos, “Ekstra”
BEST SUPPORTING ACTOR
Art Acuna, “Kabisera”
Archie Alemania, “Norte Hangganan ng Kasaysayan”
Carlo Aquino, “Porno”
John Arcilla, “Metro Manila”
Victor Basa, “Lauriana”
Joey Marquez, “On the Job”
Cesar Montano, “Ang Alamat ni China Doll”
Bor Ocampo, “Dukit”
Junjun Quintana, “A Philippino Story”
Yul Servo, “Porno”
As for the supporting actors, unless Art Acuna pulls off a threepeat (which I doubt happens but I won’t be surprised if he actually does), I think it will be a battle of the two overdue Porno guys (that sounded wrong no? lol). Both Urian-less Yul Servo and Carlo Aquino are the ones I’m confident about in this category. Carlo Aquino is now on his sixth bid for a win while Yul Servo is on his fifth. You can really just toss a coin with this one, but I guess I’m going with the latter – no reasons why.
Prediction: Yul Servo, “Porno”
Alternate: Carlo Aquino, “Porno”
BEST SUPPORTING ACTRESS
Angel Aquino, “Porno”
Angel Aquino, “Ang Huling Chacha ni Anita”
Jasmine Curtis, “Transit”
Ruby Ruiz, “Ekstra”
Michelle Smith, “Angustia”
Raquel Villavicencio, “Dukit”
Call it the “Johnny Delgado Rule”. When it comes to Urian, compete against yourself in one category and you’d end up winning the trophy. It was in 1980 when Johnny Delgado competed against himself for for Brutal and Kakabakaba Ka Ba? and he ended up with a Supporting Actor win for the latter. Then in 1986, Jaclyn Jose was nominated twice for Best Actress: Private Show and Takaw Tukso, also winning for the latter. Fast forward to last year in this same category where Alessandra de Rossi was nominated for both Mater Dolorosa and Santa Nina, and she finally clinched her first Urian for the former. As a matter of fact, this statistic is so strong that it only faltered once (Nora Aunor who was nominated for both Bulaklak sa City Jail and ‘Merika only to lose to a threepeat Vilma Santos win for Sister Stella L.) Why am I writing about this though? It’s because I think this rule will apply again to twice nominated Angel Aquino. I had her both as a prediction and alternate and I’ll just wait which one sticks. Like de Rossi last year, Aquino hasn’t won an Urian yet, and I’m choosing Porno by a hair since they seem to like the overall film better and that it’s her flashier and more “physically demanding” work.
Prediction: Angel Aquino, “Porno”
Alternate: Angel Aquino, “Ang Huling Chacha ni Anita”
Now as for the rest of the categories…
Prediction: Lav Diaz, Rody Vera, “Norte Hangganan ng Kasaysayan”
Alternate: Michicko Yamamoto, Erik Matti, “On the Job“
Prediction: Adolf Alix, “Porno”
Alternate: Richard Somes, “On the Job”
Prediction: Rene Manda, “Norte Hangganan ng Kasaysayan”
Alternate: Albert Banzon, “Porno”
Prediction: Gauss Obenza, “Riddles of my Homecoming”
Alternate: Perry Dizon, “Norte Hangganan ng Kasaysayan”
Prediction: Benjamin Tolentino, Hannah Espia, “Transit”
Alternate: Jay Halili, “On the Job”
Prediction: Armando Lao, “Dukit”
Alternate: Arnel Barbarona, “Riddles of My Homecoming”
Prediction: Jazz in Love (Baby Ruth Villarama)
Alternate: Nanay Mameng (Adjani Arumpac)
Prediction: Onang (JE Tiglao)
Alternate: May Dinadala (Giancarlo Abrahan)
Let’s wait how these predictions will turn out tomorrow when the Manunuri holds the 37th Gawad Urian Awards to be hosted by Piolo Pascual and Bianca Gonzalez. The special will also be shown on Cinema One multiple times this month.
You can also follow me on Twitter: @nikowl