Archive for the ‘ogie alcasid’ Tag

2012: The Year in Supporting Actors   Leave a comment

2012 supp actors

Yesterday, we kicked off the awards season here at Tit for Tat with a recap of the year in supporting actresses in local films. For this day, we’d do the counterpart and discuss the year in supporting actors. Mostly, supporting actor roles this year were veteran actors doing comeback films or newbie actors in their first films. Like the pattern yesterday, we’d divide them into three parts:

LEADERS OF THE PACK

If he’s not submitted or inserted in the far crowded Lead Actor category, Thy Womb‘s Bembol Roco can find his name among award giving bodies this year as the husband of Nora Aunor who wanted to have a child of his own. Ronaldo Valdez seems like that he will be a staple to as Bea Alonzo’s benefactor in The Mistress. Filmfest Best Supporting Actor winner Cesar Montano is also gaining notices as the standout from the ensemble of El Presidente playing the role of hero Andres Bonifacio. Relatively younger actor Zanjoe Marudo had two award worthy performances this year: as one of the soldiers in Adolf Alix’s Kalayaan, though I can see award giving bodies going for his showier performance as Tristan in the drama One More Try. Round up the top five is the comical and scene stealing performance of Joey Marquez as the passive and under da saya husband of Janice de Belen in Tiktik: The Aswang Chronicles.

MIDDLE TIER

After the top five, these men’s performances can also see a nomination or two from these award giving bodies: versatile actor Art Acuña can do back to back wins at the Urian and Golden Screen for his performance as the head of police in the Cinemalaya entry Posas. Veteran actor Mark Gil can do a comeback at the awards circuit in his flashy performance as Frankie in Mariposa sa Hawla ng Gabi. No stranger to awards, Carlo Aquino can also pick up nominations for his turn as the younger son in Adolf Alix’s Mater Dolorosa while older brother Cogie Domingo also has buzz from the same film. The same can be said for Cinemalaya Supporting Actor winner Joross Gamboa playing as one of JM de Guzman’s friends in Intoy Syokoy ng Kalye Marino. Kristoffer Martin, playing lazy younger brother to another Kristoffer (King, that is) who does not want to live a poverty stricken life in Oros can be a candidate as well. If voters are much in love with El Presidente, then Andres Bonifacio might not be the only hero nominated in this category. Christopher de Leon‘s Anotnio Luna can be in the running as well. Joel Torre might gain some notices too, if voters are kinder to Mariposa for his role as Primo, the butcher. Ogie Alcasid‘s one hit wonder slash understanding father to Sam Concepcion might pick up some notices as well for his performance in I Do Bidoo Bidoo. Lastly, Patrick Sugui can also get nominated especially in award giving bodies that has new actors of the year categories as the frat neophyte in Gino Santos’s The Animals.

THE REST OF THE RACE

As for the rest of the race, one can also take a look into the performances of Mon Confiado as the boss who has the hots for one of his employees’ wife in Palitan, Sef Cadayona as the hostage of three gay friends in Slumber Party, corrupt politician Menggie Cobarrubias whose family was put into a test in Graceland, and the pair of Mariposa actors Dennis Padilla as the cop who wants a promotion and Alfred Vargas as Carlos, the boyfriend of Erich Gonzales’s sister in the movie. Looking further, other performances that might be up for consideration were newcomer Nicolas Varela in Aberya, Robert Arevalo as Vilma Santos’ now healthy father in The Healing, Baron Geisler’s Spanish soldier performance in El Presidente, Sid Lucero as one of the Abu Sayyaf members in Captive, and Niño Muhlach as fairy gaymother in Slumber Party.

That’s it! That’s just 25 names, but it gives award giving bodies a lot of options to choose from in next year’s awards derby. Tomorrow, spotlight for the leading actors of the year will be given.

As always, you can follow me on Twitter: @nikowl

Advertisements

REVIEW: I Do Bidoo Bidoo   1 comment

Homage movies to great Filipino musicians have been on a roll lately. Just a month ago, The Reunion used material from the Eraserheads, and now here comes another one. Chris Martinez’ I Do Bidoo Bidoo featured music from the APO Hiking Society and starred some of the greatest we have in music and the up and coming ones that should be the next big stars in the industry.

When fresh graduate Rock (Sam Concepcion) unexpectedly got his rich girlfriend Tracy (Tippy delos Santos) pregnant, it opened a Pandora’s Box in terms of how their respective families handled it. Both the mothers of the teens are adamant about the rushed wedding plans. The fathers were more tolerant about it, but things got more complicated when Tracy’s grandfather openly said how he does not like the wedding to push through. Chaos, musical numbers, and a blue moon ensues in between.

The movie runs two hours long, and it’s pretty much long by any standard if the premise isn’t really that much complicated. However, it is really hard to complain when it’s the musical numbers that fill in most of the screentime. While there’s a lot that I saw that can be left in the editing room, it’s not that big of a deal to the point that it will make your viewing pleasure be affected with the overlong (and some unnecessary) numbers.

Technical aspects were hit or miss. While the editing was choppy, the production design was really a highlight. Seeing colors left and right is a real visual treat. I also like the details in terms of the sets used. One of my favorite numbers is the Blue Jeans (though I think that it can be shortened) especially since the flash mob and the choreography in here was top notch. As a matter of fact, I’m pretty much impressed with the choreography in this film. I like that it’s not only in the numbers where we see that, but even in blockings and positions of the actors in their scenes.

The acting was also commendable. I bought the relationship between Ogie Alcasid and Eugene Domingo, and the coldness of Gary Valenciano and Zsazsa Padilla. Jaime Fabregas is always a treat especially when he’s given vital characters to play (last I’ve seen him in a vital role is 2010’s Here Comes the Bride). I also like the casting of Eugene Domingo’s friends (Frenchie Dy and Sweet Plantado) as the three possess a real chemistry that was effective. Sam Concepcion showed real star potential here, and I really think that this will probably be his best role to date, though I’m curious where will he go from here. I’m a little adamant about Tippy delos Santos because I’m somewhat annoyed with her character, but she did okay in my book I guess. Neil Coleta was also a surprise mixing combinations of typical gay stereotype portrayals and the closeted persona he had.

If anything, the movie’s primary strength lies within how the director and the writer really collaborated to work the APO songs into the story of the movie. This is a win-win mutualism scenario as both benefited from each other; thus, it is not really hard to fall in love with this endearing entertaining film.

Rating: 3.5 /5