This has been some sort of a tradition here at Tit for Tat, wherein I rank all the Oscar Best Picture nominees. This is the closest I can come to filling out a ballot, so imagine how yours would look like. It’s also rather unfortunate that the best American film of the year (among those that legitimately has a chance to get nominated) was criminally snubbed. In case you didn’t get the reference, that was for Todd Haynes’ Carol. The other snub this year is Pixar’s Inside Out, getting lost in the shuffle once guild and critics season began. That said, this season also has the widest Best Picture race since 2006, so that makes up for it at least.
Moving on, in 2012, it was Michael Haneke’s “Amour” which ended up as my #1. The following year, Spike Jonze’s “Her” was my top pick for 2013. Last year, Richard Linklater’s “Boyhood” was my personal choice among the 2014 nominees. Which film will join the list? Here’s my take from The Big Short to Spotlight.
08. THE MARTIAN (Ridley Scott, director)
Decent popcorn thriller, yup. But Oscar Best Picture caliber it ain’t. In what is deemed as the “comeback” of Ridley Scott to form, we find Matt Damon growing potatoes in space. Of course, it’s really much more than that, and one thing that made The Martian work was how it managed to make its case separate from the two other “space” films of this decade (Alfonso Cuaron’s Gravity and Christopher Nolan’s Interstellar). In hindsight, this light approach also ended up as a double edge-sword as it was so pedestrian in its predictability. There isn’t really anything to hold your attention here because the movie didn’t have anything at risk. With all the talks about how this was Ridley’s comeback, I’d make a case on how it was more of Matt Damon’s comeback. He’s certainly the star of this show, and the film bogs down whenever he’s not on screen. It’s a performance that relies heavily on an actor’s charisma, and he sure brought a lot to Mars in it. Anything outside of him suffers (all the NASA scenes in particular) and whoever thought that Donald Glover’s character suddenly saving the whole NASA group would surely make Abed from Community shake his damn head off. Even the big ‘saving’ scene in the end pales in comparison from all the other space films. Let’s just be thankful Matt Damon didn’t have a backstory so at least in that aspect, they’re redeemed. The Martian is as direct as one can get that it’s hilarious when it tries to present ‘conflict.’ For that alone, I’m good with its Comedy placement at the Golden Globes.
07. BROOKLYN (John Crowley, director)
Home is where the heart is, but in Brooklyn‘s case, heart is where the home is. John Crowley’s Brooklyn goes straight to the point in its simple tale of a young immigrant coming to America in the 50s. There is so much heart in it that you can’t help but be swept away by the old-fashioned approach of the movie. But its simplicity is not without flaws. To an extent, it tends to go overboard with its saccharine sweetness. I also had issue with the film’s uneven pacing where there is a clear divide between acts with the last part losing the previous ones’ momentum. I’m also a tad bothered by the faux green screen in some scenes (especially the one in the liner. That said, Oscar nominee Saoirse Ronan is a very gifted actress, and her performance is an integral part of why this film worked. Co-star Emory Cohen was such a delightful surprise though; at times, even providing the scene stealing performance in the movie. With Brooklyn, simplicity is beauty and boy did it elevate that simplicity to certain heights.
06. THE REVENANT (Alejandro Gonzalez Iñarritu, director)
As for starters, let me say that I’m really not a fan of Iñarittu’s previous works in general, but I really have some conflicting thoughts about this. Suffice to say, Emmanuel Lubezki’s cinematography remains to be the highlight of it. It’s ironic that a film as “gritty” as this can look so glowing, thanks to Chivo. The Revenant started out really strong with its first 15 minutes or so, but as the movie progresses, so do the themes it tried to tackle. There’s revenge, there’s survival, there’s spirituality and it would have benefited by trimming at least one of those. Leonardo di Caprio’s physical commitment in the film is really admirable, but when you think of the works he has churned out in the last ten years alone (such as his underrated work in Shutter Island, or in Revolutionary Road and The Departed) or against his previous nominated performances in The Wolf of Wall Street and The Aviator, winning for this is a bit anti-climactic. But then again, it is probably for the better as we can finally put a rest to the internet’s claim on how he is the most overdue actor for an Oscar. Also, rearranging Tom Hardy’s name would lead you to DORTY HAM which is probably what he was serving in his performance. As much as the film has impressive moments here and there, my usual gripe with Alejandro’s works is present yet again, as he can’t seem to avoid the overindulgence in his movies.
05. ROOM (Lenny Abrahamson, director)
There are those films that bring such discomfort while watching them that you find it real hard to revisit, and to a certain extent, Lenny Abrahamson’s Room fits the bill. Based from Emma Donoghue’s novel of the same title, the film is about a young mother and her son trapped and living in a small.. well.. uhm… room. The movie wasted no time in making the audience feel what was going through with Ma and Jack (played to perfection by Brie Larson and Jacob Tremblay, but more of them later) that you’re already invested with the film and their situation. A film like this benefits from having these very detailed small scenes later building up to a huge bubble of emotions just waiting to explode, and as a viewer, there’s just no turning back anymore. At the risk of not being a spoiler, I’d leave the rest of what has happened in the movie, but let me say that this was gut wrenching throughout in a way that isn’t manipulative or forced (except for the musical score in some key scenes which were overdone). Brie Larson is expected to win the Best Actress Oscar at the end of this month, and deservedly so. Her performance is one you’d appreciate not right off the bat, but moreso for its lasting impact. And while I usually have reservations with performances from child actors, Jacob Tremblay is simply a revelation. What a find. Seeing his personality this whole awards season and that being so different than what was showcased in the movie can also be credited to the focused direction by Lenny Abrahamson. Room is a film that resonates well even after the credits rolled already, and its effect lingers with you.
04. THE BIG SHORT (Adam McKay, director)
I’m probably one of the last persons to be personally affected by the American financial crisis back in 2008, but Adam McKay’s The Big Short was a joyride to watch from start to finish. Where the film’s main strength lies is its energy, outpouring with its quick cuts and use of loud soundtracks and memories of the 2008 fiasco that even if you’re not totally aware of the subject matter, it easily lures you in. What it makes up for its technicality with all its economic jargon thrown here and there are random celebrities ranging from Margot Robbie in a bathtub up to Selena Gomez breaking the fourth wall explaining to you what was really happening. From there, it’s a confident piece of work from someone who probably knew that a film whose theme is as heavy as this must be done in an opposite yet still skillful approach. That’s why when the film suddenly tries to go all in on the dramatic aftermath of the tragedy, the impact, while still there, stales a bit. Martin Scorsese’s Wolf of Wall Street, a film many has compared to this one, has done a much better job in injecting the balance to its energy. The ensemble was good and serviceable, with no one having a huge standout moment (except for the horrible wigs). The one thing that The Big Short excellently accomplished is that it delivered this relevant, thought-provoking message from a tragic time in America by simply capturing your attention to look in it.
03. BRIDGE OF SPIES (Steven Spielberg, director)
When you’re a director as accomplished as Steven Spielberg, sometimes you’d wonder if they still have anything left to prove. Then there will also be those instances when you know they just want to tell a story. That’s how I viewed his Cold War drama Bridge of Spies. This latest Tom Hanks starrer is something that we’ve seen already many times in the past, but Spielberg puts his touch in it and turns into a solid and engaging time at the movies. It’s traditional, but it’s definitely the approach that this film needs. If this was done in the 90s, it probably would have won Oscars for everybody. It was solid and safe throughout from your usual Spielberg staples: Kaminski’s cinematography, Hanks in the lead role. I even find delight in the screenplay written by the Coens, as the output of line readings were enjoyable. If anything, I somehow missed John Williams’ score here (Thomas Newman just doesn’t cut it for me). Oh and if anything, Mark Rylance was such a hoot, giving the classic supporting actor performance in the movie. Like The Martian, this is a film where you already have an idea on how it will play out in the end, but unlike that one, Spielberg makes it compelling all throughout the duration of the movie. But, he really just can’t help it with the last scene though, no?
02. SPOTLIGHT (Tom McCarthy, director)
Call it whatever you like — straightforward, text book approach, procedural, by the numbers. But these aren’t really negatives when it comes to Tom McCarthy’s Spotlight. As a matter of fact, rare is such an instance when someone manages to make these words sound great in the context of a movie. Spotlight is compelling in its topic, its scope, screenplay and its direction but what made it more effective is the restraint it had to avoid obvious tropes just to make it preachy and over dramatic. I understand, however, that this isn’t everyone’s cup of tea and what I might consider as good can be someone else’s serviceable. The movie also benefits from its ensemble of actors, from Michael Keaton’s low-key subtle leader to the team’s newest member Liev Schreiber. There’s also Oscar nominee Rachel McAdams (oh boy I love saying that!) contributing to the whole group. The only one who stands out differently for me was Mark Ruffalo, and while I feel that there are really people like his character, it’s a bit too outlandish for this usually dependable actor. Having the interest in journalism back from high school also appealed to me and probably is a factor with how I like Spotlight, but one can’t deny that it’s a assured, smart, and tight piece of powerful work.
01. MAD MAX: FURY ROAD (George Miller, director)
Only few films take you into one helluva ride, and George Miller’s comeback along with the Mad Max series just sweeps everyone off its feet, dusty sands and all. It’s really insane that a franchise as dated as this one can breathe life even topping its predecessors (though one really doesn’t need to watch all the previous films to identify with this one). As for starters, it’s a visual spectacle on all levels, with its attention to the details a highlight — making you feel as if you’re a part of the whole journey with them. THE.FUN.JUST.WON’T.STOP. But more than anything else, it presents a very important take on feminism (with Charlize Theron’s Imperator Furiosa on the forefront) in this time and age when Beyonce has probably overused the same word to death already. Mad Max: Fury Road never gets contented with just fulfilling our visual hunger with its polished colors, guitar players, and endless car chase scenes one after the other; with it, it also thrives to weave moments of tender sincerity and proclaim bold statements both in the world where these characters existed and to the audience’s as well. Everything about this projects seems risky on paper, but it all paid off. Indeed, it’s one of the best moments in cinema this past year (and of the decade too).
So how does your ranking look like? How many have you seen from this year’s batch? Which are your favorites? And who would you be rooting for come Oscar night? Talk to me about it by tweeting me:@nikowl
The Golden Globes weekend has officially started! In two days, the first televised awards ceremony of the season begins with the Hollywood Foreign Press Association (HFPA) announces their winners of the 73rd Golden Globe Awards in a night filled with chocolates, booze, and stars. This year, Denzel Washington is the recipient of the Cecil B. DeMille distinction, as Ricky Gervais comes back as the host after three years. With Tom Hanks to Mel Gibson, and Channing Tatum to Eva Longoria expected to attend, let’s predict who will end up heading to the Globes stage to give their awards speeches on Sunday (Monday here in the Philippines) in all 25 categories.
Best Motion Picture – Drama
“Mad Max: Fury Road”
PREDICTION: Spolight. Despite showing some weakness, this still remains as the strongest contenders among the dramatic nominees here. It will still win this category pretty easily, and there’s a chance it can only end up winning this one ala 12 Years a Slave two years ago.
ALTERNATE: Mad Max: Fury Road. This can basically be any of the films here. Carol, albeit leading the nominations is a weak contender here and can even be emptyhanded. It can also be The Revenant after snubbing eventual Oscar winner Alejandro Inarritu last year. But Mad Max is that populist and critical choice that the Golden Globes are known for.
Best Actor in a Motion Picture – Drama
Bryan Cranston (“Trumbo”)
Leonardo DiCaprio (“The Revenant”)
Michael Fassbender (“Steve Jobs”)
Eddie Redmayne (“The Danish Girl”)
Will Smith (“Concussion”)
PREDICTION: Leonardo DiCaprio (“The Revenant”). Unlike the Oscars, the Globes haven’t been cruel to Leo winning twice in the past already. That said, being the Oscar frontrunner helps him win his third Globe come Sunday.
ALTERNATE: Michael Fassbender (“Steve Jobs”). Fassbender is a Golden Globe winner waiting to happen, and he’s now on his third nomination in five years. In a Leo-less field, he’s probably sweeping now.
Best Actress in a Motion Picture – Drama
Cate Blanchett (“Carol”)
Brie Larson (“Room”)
Rooney Mara (“Carol”)
Saoirse Ronan (“Brooklyn”)
Alicia Vikander (“The Danish Girl”)
PREDICTION: Brie Larson (“Room”). Room overperformed with nominations at the Globes this year, which makes me think that Larson got this one.
ALTERNATE: Saoirse Ronan (“Brooklyn”). Watch out for Saoirse Ronan though who’s every inch in this race and can still steal the momentum from Larson.
Best Motion Picture – Comedy or Musical
“The Big Short”
PREDICTION: “The Big Short”. With The Big Short only getting stronger as each day passes, it can start its Best Picture road by winning this category on Sunday.
ALTERNATE: “The Martian”. The Globes has been into some hot water after placing this film in the Comedy genre, so I think it will somehow affect its chances here if it ends up winning. As a reminder, the film’s comedy placement won only by a single vote so there’s that.
Best Actor in a Motion Picture – Comedy or Musical
Christian Bale (“The Big Short”)
Steve Carell (“The Big Short”)
Matt Damon (“The Martian”)
Al Pacino (“Danny Collins”)
Mark Ruffalo (“Infinitely Polar Bear”)
PREDICTION: Matt Damon (“The Martian”). Considering that Matt Damon hasn’t won a Golden Globe yet for acting, this makes sense as a place to reward The Martian especially if it ain’t winning Best Picture.
ALTERNATE: Steve Carell (“The Big Short”). While there’s still a path for Carell to win, the fact that they placed Christian Bale here will siphon some votes among The Big Short fans here.
Best Actress in a Motion Picture – Comedy
Jennifer Lawrence (“Joy”)
Melissa McCarthy (“Spy”)
Amy Schumer (“Trainwreck”)
Maggie Smith (“The Lady in the Van”)
Lily Tomlin (“Grandma”)
PREDICTION: Jennifer Lawrence (“Joy”). This category feels like the dire one last year, and Lawrence is still likely the only Oscar contender here (yup, we’re still not counting on the Dame), so maybe an easy #3 for Lawgend.
ALTERNATE: Amy Schumer (“Trainwreck”). Hollywood’s it girl for 2015 is off to have an even greater 2016, and the Globes love that kind of coronation so this win is really possible.
Best Supporting Actor in a Motion Picture
Paul Dano (“Love & Mercy”)
Idris Elba (“Beasts of No Nation”)
Mark Rylance (“Bridge of Spies”)
Michael Shannon (“99 Homes”)
Sylvester Stallone (“Creed”)
PREDICTION: Mark Rylance (“Bridge of Spies”). Rylance is an unlikely Golden Globe winner, but at this stage he’s really the strongest contender so I say why not?
ALTERNATE: Sylvester Stallone (“Creed”). This type of rewarding a veteran and even a huge moviestar is such a Globes-y thing to do, so count on the HFPA starfuckers to throw him a moment.
Best Supporting Actress in a Motion Picture
Jane Fonda (“Youth”)
Jennifer Jason Leigh (“The Hateful Eight”)
Helen Mirren (“Trumbo”)
Alicia Vikander (“Ex Machina”)
Kate Winslet (“Steve Jobs”)
PREDICTION: Alicia Vikander (“Ex Machina”). They love Alicia Vikander so much that they nominated her twice, and considering she has no chance in Drama Lead Actress, they’ll reward her here instead.
ALTERNATE: Jennifer Jason Leigh (“The Hateful Eight”). The Globes are more appreciative of Tarantino performances, and this can signal that she’s still in the race like the trajectory of Christoph Waltz in 2012.
Best Director – Motion Picture
Todd Haynes (“Carol”)
Alejandro G. Iñárritu (“The Revenant”)
Tom McCarthy (“Spotlight”)
George Miller (“Mad Max: Fury Road”)
Ridley Scott (“The Martian”)
PREDICTION: George Miller (“Mad Max: Fury Road”). Surprisingly enough, this is Miller’s first ever Globe nomination so this can be his lifetime award already from the HFPA.
ALTERNATE: Ridley Scott (“The Martian”). Then there’s three-time nominee Ridley Scott who also hasn’t won here yet, and while he has already directed a Globe BP winning movie, Miller has the stronger “technical directorial achievement” narrative.
Best Screenplay – Motion Picture
Emma Donoghue (“Room”)
Tom McCarthy, Josh Singer (“Spotlight”)
Charles Randolph, Adam McKay (“The Big Short”)
Aaron Sorkin (“Steve Jobs”)
Quentin Tarantino (“The Hateful Eight”)
PREDICTION: Charles Randolph, Adam McKay (“The Big Short”). Never underestimate this contender. Like what I’ve said, it’s just on an upward trajectory for now. Considering the last three wins here are upsets, I’ll give this duo the edge.
ALTERNATE: Tom McCarthy, Josh Singer (“Spotlight”). It’s a battle between the two Best Picture contenders, but Spotlight has the edge in terms of winning more awards in Screenplay thus far.
Best Animated Feature Film
“The Good Dinosaur”
“The Peanuts Movie”
“Shaun the Sheep Movie”
PREDICTION: “Inside Out”. This remains the critical pick of the year, and with huge box office performance to boot. So I’d say it’s still ahead.
ALTERNATE: “Anomalisa”. This isn’t a Globes type of pick, but it has the critics behind it, and the HFPA are more welcoming to stop motion type of animation.
Best Motion Picture – Foreign Language
“The Brand New Testament”
“Son of Saul”
PREDICTION: “Son of Saul”. This is still the frontrunner and no film has yet appeared to challenge it for the win. It has the prestige and the studio to nab this win.
ALTERNATE: “Mustang”. Probably Mustang comes the closest to an alternate, but I still see it falling short.
Best Original Score
Carter Burwell (“Carol”)
Alexandre Desplat (“The Danish Girl”)
Ennio Morricone (“The Hateful Eight”)
Daniel Pemberton (“Steve Jobs”)
Ryuichi Sakamoto Alva Noto (“The Revenant”)
PREDICTION: Ennio Morricone (“The Hateful Eight”). They won’t let a year pass by without giving Harvey a win so it’s between his two films here. I’d give the edge to Ennio as he’s a veteran in this category.
ALTERNATE: Carter Burwell (“Carol”). This can be the place to reward Carol. After all, it’s rare for the top nomination earner movie to not take home at least one prize.
Best Original Song
“Love Me Like You Do” from “Fifty Shades of Grey”
“One Kind of Love” from “Love & Mercy”
“See You Again” from “Furious 7”
“Simple Song No. 3” from “Youth”
“Writing’s on the Wall” from “Spectre”
PREDICTION: “One Kind of Love” from “Love & Mercy”. While this has been ineligible at the Oscars, it actually makes more sense considering that most winners here tend to get snubbed there.
ALTERNATE: “See You Again” from “Furious 7”. The pop songs are probably canceling each other out, but if there’s one who can overcome this, it’s a song about a Hollywood actor who passed away.
Best TV Series – Drama
“Game of Thrones”
PREDICTION: “Mr. Robot”. With the HFPA’s love for cable shows, it’s not surprising if they went with this critically loved breakout show from USA.
ALTERNATE: “Empire”. One has to go back nine years ago in 2006 when the top TV drama series went to a network show and that was for ABC’s Grey’s Anatomy. The closest comparison to how huge that show was in recent years was the Empire mania that has happened last year .
Best Actor in a TV Series – Drama
Jon Hamm (“Mad Men”)
Rami Malek (“Mr. Robot”)
Wagner Moura (“Narcos”)
Bob Odenkirk (“Better Call Saul”)
Liev Schreiber (“Ray Donovan”)
PREDICTION: Rami Malek (“Mr. Robot”). Nine of the last 15 years here all came from freshman shows. But considering that the Globes tend to do a package deal of awarding a show + its lead actor (Homeland and Danes, Transparent and Tambor, Brooklyn Nine Nine and Samberg, Girls and Dunham and so on and so forth), Malek makes sense as the winner here.
ALTERNATE: Wagner Moura (“Narcos”). Following that pattern above, maybe its Narcos + Moura who might end up as the winners here.
Best Actress in a TV Series – Drama
Caitriona Balfe (“Outlander”)
Viola Davis (“How to Get Away With Murder”)
Eva Green (“Penny Dreadful”)
Taraji P. Henson (“Empire”)
Robin Wright (“House of Cards”)
PREDICTION: Taraji P. Henson (“Empire”). Just like at the Emmys, I predict that this will be a Taraji vs. Viola battle. I give the edge to Taraji P. Henson though since Cookie is the type of role that Globes are made to award.
ALTERNATE: Viola Davis (“How to Get Away With Murder”). It can easily be Viola too considering she made history with her Emmy win, but for some reason the HFPA are reluctant to reward her. She lost to Meryl in 2011 despite being the frontrunner, and when she was a shoo-in here last year, she lost to Ruth Wilson of all people. Maybe the HFPA aren’t just fans of her.
Best TV Series – Comedy
“Mozart in the Jungle”
“Orange Is the New Black”
PREDICTION: “Transparent”. The last three shows who have won multiple awards here were Glee, Desperate Housewives, and Sex and the City so they’re more into dramedies here, which helps current champ Transparent to go 2/2.
ALTERNATE: “Veep”. It’s surprising to think that this is the first Series nomination of Veep, but maybe its Emmy win can help it win its Globe trophy as well.
Best Actor in a TV Series – Comedy
Aziz Ansari (“Master of None”)
Gael Garcia Bernal (“Mozart in the Jungle”)
Rob Lowe (“The Grinder”)
Patrick Stewart (“Blunt Talk”)
Jeffrey Tambor (“Transparent”)
PREDICTION: Aziz Ansari (“Master of None”). We’re sure with besties J.Law and Schumer in the crowd, the HFPA would use the said platform to give Aziz a memorable moent when he gives his speech.
ALTERNATE: Jeffrey Tambor (“Transparent”). That said, it can also be an easy back to back win for Jeffrey Tambor who can just dominate the awards shows with his brave performance for this show.
Best Actress in a TV Series – Comedy
Rachel Bloom (“Crazy Ex Girlfriend”)
Jamie Lee Curtis (“Scream Queens”)
Julia Louis-Dreyfus (“Veep”)
Gina Rodriguez (“Jane the Virgin”)
Lily Tomlin (“Grace & Frankie”)
PREDICTION: Julia Louis-Dreyfus (“Veep”). I guess we can consider that the HFPA aren’t just into Veep at all.Not even her one-two punch of film and TV work two years ago ended up with a Globe win despite getting four consecutive Emmy wins already. But this race is a weak one, and with the show getting nominated as well, maybe she can finally inch a win.
ALTERNATE: Lily Tomlin (“Grace & Frankie”). Jamie Lee Curtis makes sense as an alternate, but Scream Queens is too flop of a show that even HFPA won’t bite. So I guess they’d probably give it to Lily Tomlin who’s a double nominee that night!
Best TV Movie or Limited-Series
“American Horror Story: Hotel”
“Flesh and Bone”
PREDICTION: “Fargo”. After their surprise victory last year, then a 2/2 is indeed possible knowing that it received the same, if not more, love this year.
ALTERNATE: “Wolf Hall”. But then sometimes, they just want to embrace their British love and award this equally acclaimed series which got the same nominations as Fargo.
Best Actor in a Limited-Series or TV Movie
Idris Elba (“Luther”)
Oscar Isaac (“Show Me a Hero”)
David Oyelowo (“Nightingale”)
Mark Rylance (“Wolf Hall”)
Patrick Wilson (“Fargo”)
PREDICTION: Oscar Isaac (“Show Me a Hero”). This is the closest that the Globes can ride on the Star Wars wave, and Isaac is a breakthrough star waiting to happen so maybe he wins here?
ALTERNATE: Patrick Wilson (“Fargo”). We know the HFPA loves Idris but he has been rewarded for this role already. Maybe Mark Rylance but I have him pegged in Film Supporting Actor already. So that leaves me with Wilson here as the alternate.
Best Actress in a Limited-Series or TV Movie
Kirsten Dunst (“Fargo”)
Lady Gaga (“American Horror Story: Hotel”)
Sarah Hay (“Flesh & Bone”)
Felicity Huffman (“American Crime”)
Queen Latifah (“Bessie”)
PREDICTION: Kirsten Dunst (“Fargo”). I predict that Fargo is winning an acting one alongside its Series win, and rewarding Kirsten Dunst makes more sense than Wilson in that more competitive race.
ALTERNATE: Queen Latifah (“Bessie”). Everyone’s predicting Lady Gaga just for the sheer “Globesness” of it, but I think the HFPA is serious about being taken seriously again, so I don’t think they’d go that road. Queen Latifah makes more sense as an alternate.
Best Supporting Actor in a Series, Limited-Series or TV Movie
Alan Cumming (“The Good Wife”)
Damian Lewis (“Wolf Hall”)
Ben Mendelsohn (“Bloodline”)
Tobias Menzies (“Outlander”)
Christian Slater (“Mr. Robot”)
PREDICTION: Tobias Menzies (“Outlander”). The surge of love for Outlander would not go home unrewarded, as I think Menzies’ very challenging dual role would end up with a Globe win for him.
ALTERNATE: Christian Slater (“Mr. Robot”). Slater makes sense as the runner-up here, as I don’t think Mr. Robot is going 3/3.
Best Supporting Actress in a Series, Limited-Series, or TV Movie
Uzo Aduba (“Orange is the New Black”)
Joanne Froggatt (“Downton Abbey”)
Regina King (“American Crime”)
Judith Light (“Transparent”)
Maura Tierney (“The Affair”)
PREDICTION:Regina King (“American Crime”). After that surprising Emmy win back in September, I can see the Globes following suit with a win here.
ALTERNATE: Uzo Aduba (“Orange is the New Black”). Aduba’s upset loss last year reminded me of when Jane Lynch lost the first time in 2010 only to win the succeeding year. Aduba can still follow suit to this.
So what are you predicting this year to win at the Globes? Happy Golden Globes weekend!
Talk to me about it by tweeting me: @nikowl