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2013 Metro Manila Film Festival Review: Part 2   5 comments

Hi! here’s the second part of my Metro Manila Film Festival reviews. The first part which you can read here includes Marlon Rivera’s My Little Bossings, Frasco Mortiz’ Pagpag Siyam na Buhay, Wenn Deramas’ Girl Boy Bakla Tomboy, and Chito Rono’s Boy Golden. Here’s the other four films of this year’s batch:

Kimmy Dora

KIMMY DORA: ANG KIYEMENG PREQUEL
Director: Chris Martinez
Cast: Eugene Domingo (x2), Sam Milby, Ariel Ureta, Angel Aquino, Joel Torre

A prequel of this prominent movie twins, this shows how newly grad Kimmy GoDongHae and then theater actress Dora GoDngHae trained under their father’s wing only to later save the company itself.

The Kimmy Dora film experiments this time, as it’s under the guidance of Chris Martinez since original director Joyce Bernal was unavailable due to a commitment to another MMFF entry. On one hand, it’s an interesting move to inject something fresh about the series after that so-so second film. On another, it gives some sort of a stale feeling to the franchise already. Sure it’s nice to see a throwback references to the first movie, and all the cameos were cute. This (at least) tried to embrace a story, but while they give a clear explanation of the turn out of the events, this futuristic approach seems so left out and ahead of its time from the first two films. I was pleasantly surprised seeing Joel Torre and Angel Aquino for the nth time here (I think their pairing is one of my favorite 2013 discoveries), though they weren’t given much to do. Speaking of nothing much to do, Sam Milby was pretty much in a thankless role as well, though with all the amount of kicks and punches he gave here, he and KC Concepcion should be given an action project soon. The roles of Kimmy and Dora will definitely go down in history as Eugene Domingo’s career defining role, and I think she’s really great in it. It’s just that this time she has more inferior work to do. I like the intricate production design and costume design of the film; they’re really lavish, but then again it always brings me back to “Wait this happened before the first movie right?” Don’t get me wrong, this one still provided the laughs , and Eugene Domingo is still a hoot (I think I can watch her doing nothing for hours), but at times you question of this is still necessary. I think I like this better than that horror sequel.

Rating: 2.5/5

Pedro Calungsod

PEDRO CALUNGSOD: BATANG MARTIR
Director: Francis Villacorta
Cast: Rocco Nacino, Christian Vasquez, Ryan Eigenmann, Jestoni Alarcon, Victor Basa

Biopic on Pedro Calungsod, the second Filipino canonised by the Catholic Church. The film shows how he assisted Fr. Diego San Vitores in Marianas Islands in introducing Christianity there.

Oh boy this is as straightforward as it gets. We follow their journey back from the Jesuit house in Cavite until they reach the Marianas Islands. From then, we see Rocco Nacino’s bad wig, then Father Vitores’ leading an example of a selfless act, followed by some Chamorro natives killing one of the volunteers, then Pedro getting hallucinations seeing his father. Lather rinse repeat for about five times, and there you have your movie. This is by no means an attack on Saint Pedro Calungsod or for his contributions, but the film is so repetitive that I won’t take it against you if you zone off by the half of the film. You can see Rocco Nacino’s dedication to the role, but not even him can save it. Nor does Christian Vasquez’ one note written role. Not the fault of both actors as they were given stagnant things to do. I’m sure the intent was to show how selfless and giving Pedro was, but then again, it does not necessarily translate that it was what the movie achieved. It’s either you feel bad for yourself that you’re not as nice as him or you appreciate Father Vitores more since he did the bigger sacrifices in the movie. And it’s never a good thing if you leave the movie house thinking that the lead character, coincidentally the title of the movie, played second fiddle to the supporting character.

Rating: 1.5/5

Kaleidoscope World

KALEIDOSCOPE WORLD
Director: Eliza Cornejo
Cast: Sef Cadayona, Yassi Pressman, Mayton Eugenio, Alma Concepcion

Inspired from the music of the great late Francis Magalona, the movie shows the romance that transpired between rich girl Elsa and poor boy Lando in the midst of their hip hop dance crew contest rehearsals.

This concept of a hiphop dance film probably looked good on paper, but everything about this movie isn’t. Intent can only get you so far. I feel bad for everyone involved in it because I don’t think this is what they intend to produce, but this film is just not ready to be seen yet. Okay so where do we begin? Let’s start with the story where all the possible drama cliches are inserted in it. A love story between a rich girl and poor boy? Check. A history check that the poor boy was actually rich before but fate led them to their current state? Check. The rich girl is under the supervision of her strict aunt who does everything to contradict her niece? Check. And there are lots more as the movie progresses. Sadly, the film can’t depend on its technical accomplishments as the transition of the scenes just fades in and out. The dance numbers weren’t even shown in whole due to bad camera angles which only usually shows the upper part of the body. And the worst offender is the sound. There are literally scenes with no sound while there are some scenes where the dubbing screwed it all as you hear both the dubbed and the actual lines of the actors. It’s really painful to watch it on a technical standpoint and the less said about it, the better. The acting isn’t even commendable as well since they were all acting on a different platform. If not amateurish (which most of them were), you have Alma Concepcion whose sheer dedication should be commended, and while Sef Cadayona and Yassi Pressman share some sort of chemistry, it’s not even enough to save even a tenth of the movie. The discography of Francis Magalona is the only bright spot in this otherwise mess of a film, but I feel more sorry because it seems that it was rushed just to make it in the festival. Continuous polishing could have fixed at least the technical issues, and I think they’d even get a longer release period had it not been a part of the MMFF.

Rating: 0.5/5

10000 Hours

10,000 HOURS
Director: Joyce Bernal
Cast: Robin Padilla, Mylene Dizon, Michael de Mesa, Pen Medina, Bela Padilla

Loosely based on the life of Panfilo Lacson, then prominent senator Gabriel Alcaraz leaves the country and turns to be a fugitive when he was accused as a part of a big political pandemonium.

And to cap it off is Joyce Bernal’s entry in this year’s film fest. It’s the reason why she had to drop off Kimmy Dora ang Kiyemeng Prequel, and it’s actually a good trade. Time and again, the movie has to remind us all that it is a fictional one despite being loosely based on a politician, but I don’t get why the movie keeps on giving us winks every now and then such as a female president, some shout outs to current national issues etc only to remind us again that yes, it’s not a close adaptation. But other than that, it’s a pretty solid and well done effort. Production of the film is top notch here. Cinematography, sound, and stunts all factored in to come up with a really thrilling output. Instead of using some old fashioned tricks when it comes to pulling action scenes, Bernal decides to give it a refreshed spin, and it shows. I also like Ketchup Eusebio’s character’s throwback to the infamous Michael Fajatin viral reporting video in one of his earlier scenes. I guess if there’s another qualm about it is that of the uneven turn of events especially with the countdown clock showing every now and then. It was fairly quick in the earlier parts only to get longer as the movie enters its second half. We’re also treated to some commendable acting here especially that of Robin Padilla’s. His stature as an action star figure in the country will never get old, and I like that he showed restraint by not going all on his usual mannerisms here. Both Michael de Mesa and Pen Medina share a chemistry with Padilla that worked well in the film whether as a sidekick or an arch rival. Bela Padilla was also a surprise here, though I can’t remember if this is the first I’ve sen of her in the movies. She exudes a natural charismatic vibe that fits in the movie. I guess in the end, the film’s biggest achievement is that it proved we are still capable of coming up with solid popcorn action thrillers, probably in the veins of Taken or Prisoners, without always going back to the 60s or 70.

Rating: 3.5/5

There you have it! What are your favorites from this year’s batch? Mine’s Boy Golden and 10,000 Hours by a mile. This year, the action flicks delivered and they both deserve to be seen more.

You can follow me on Twitter: @nikowl

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2012: The Year in Supporting Actors   Leave a comment

2012 supp actors

Yesterday, we kicked off the awards season here at Tit for Tat with a recap of the year in supporting actresses in local films. For this day, we’d do the counterpart and discuss the year in supporting actors. Mostly, supporting actor roles this year were veteran actors doing comeback films or newbie actors in their first films. Like the pattern yesterday, we’d divide them into three parts:

LEADERS OF THE PACK

If he’s not submitted or inserted in the far crowded Lead Actor category, Thy Womb‘s Bembol Roco can find his name among award giving bodies this year as the husband of Nora Aunor who wanted to have a child of his own. Ronaldo Valdez seems like that he will be a staple to as Bea Alonzo’s benefactor in The Mistress. Filmfest Best Supporting Actor winner Cesar Montano is also gaining notices as the standout from the ensemble of El Presidente playing the role of hero Andres Bonifacio. Relatively younger actor Zanjoe Marudo had two award worthy performances this year: as one of the soldiers in Adolf Alix’s Kalayaan, though I can see award giving bodies going for his showier performance as Tristan in the drama One More Try. Round up the top five is the comical and scene stealing performance of Joey Marquez as the passive and under da saya husband of Janice de Belen in Tiktik: The Aswang Chronicles.

MIDDLE TIER

After the top five, these men’s performances can also see a nomination or two from these award giving bodies: versatile actor Art Acuña can do back to back wins at the Urian and Golden Screen for his performance as the head of police in the Cinemalaya entry Posas. Veteran actor Mark Gil can do a comeback at the awards circuit in his flashy performance as Frankie in Mariposa sa Hawla ng Gabi. No stranger to awards, Carlo Aquino can also pick up nominations for his turn as the younger son in Adolf Alix’s Mater Dolorosa while older brother Cogie Domingo also has buzz from the same film. The same can be said for Cinemalaya Supporting Actor winner Joross Gamboa playing as one of JM de Guzman’s friends in Intoy Syokoy ng Kalye Marino. Kristoffer Martin, playing lazy younger brother to another Kristoffer (King, that is) who does not want to live a poverty stricken life in Oros can be a candidate as well. If voters are much in love with El Presidente, then Andres Bonifacio might not be the only hero nominated in this category. Christopher de Leon‘s Anotnio Luna can be in the running as well. Joel Torre might gain some notices too, if voters are kinder to Mariposa for his role as Primo, the butcher. Ogie Alcasid‘s one hit wonder slash understanding father to Sam Concepcion might pick up some notices as well for his performance in I Do Bidoo Bidoo. Lastly, Patrick Sugui can also get nominated especially in award giving bodies that has new actors of the year categories as the frat neophyte in Gino Santos’s The Animals.

THE REST OF THE RACE

As for the rest of the race, one can also take a look into the performances of Mon Confiado as the boss who has the hots for one of his employees’ wife in Palitan, Sef Cadayona as the hostage of three gay friends in Slumber Party, corrupt politician Menggie Cobarrubias whose family was put into a test in Graceland, and the pair of Mariposa actors Dennis Padilla as the cop who wants a promotion and Alfred Vargas as Carlos, the boyfriend of Erich Gonzales’s sister in the movie. Looking further, other performances that might be up for consideration were newcomer Nicolas Varela in Aberya, Robert Arevalo as Vilma Santos’ now healthy father in The Healing, Baron Geisler’s Spanish soldier performance in El Presidente, Sid Lucero as one of the Abu Sayyaf members in Captive, and Niño Muhlach as fairy gaymother in Slumber Party.

That’s it! That’s just 25 names, but it gives award giving bodies a lot of options to choose from in next year’s awards derby. Tomorrow, spotlight for the leading actors of the year will be given.

As always, you can follow me on Twitter: @nikowl