Archive for the ‘shaina magdayao’ Tag

12 Kabugan Teleserye Confrontation Scenes   6 comments

two wives

Last night, another teleserye premiered over ABS-CBN’s Primetime Bida– the Philippine remake of the hit Korean drama “Two Wives.” Shown here back in 2012, this local adaptation stars Kaye Abad and Erich Gonzales fighting over Jason Abalos. And based from the previews and teasers, we will see slapping – a lot of ’em, apparently – and confrontations and “sagutans” between the two women. And if there’s one thing, these dramas are known for, it’s that we live for their over the top and melodramatic confrontations. After all, nothing snatches the interest of the TV viewing public by a showdown of two characters out-bitching each other. Thus, we revisit 12 of them in celebration of “Two Wives“‘ premiere.

01.  Rose/Emmanuelle vs. Sasha in “Sana Bukas Pa Ang Kahapon” (2014)

In the recently concluded “Sana Bukas Pa Ang Kahapon“, we see Rose (Bea Alonzo), now as Emmanuelle, flirting with former flame Patrick (Paulo Avelino). But this does not go well with Sasha (Maricar Reyes) when she sees him wiping the wine off Emmanuelle’s legs. And as Sasha comes to warn Emmanuelle, she trips off leading to a wet encounter.

The Kabugan Scene: Emmanuelle tries to help Sasha by offering her hand to help her rise from the pool. But when Sasha seizes the moment to grab Emmanuelle and pull her down the pool, the latter suddenly moves her hand away making the pathetic Sasha more miserable. For that we give this scene 2 full slaps!

02. Sarah vs. Mia in “Kung Ako’y Iiwan Mo” (2012)

Childhood friends turned husband and wife Sarah (Shaina Magdayao) and Paul (Jake Cuenca) is a struggling couple which led the man to go to Dubai to experience the greener pastures for his family. Upon working there, he bumps onto former flame Mia (Bangs Garcia) and rekindled their relationship. When Sarah followed Paul to Dubai is the time she realized this inifidelity.

The Kabugan Scene: In one of the most pasabog scenes in this show (clip starts at the 2:20 bit), there’s a scene where Mia open the big gate to see who’s knocking as Sarah goes to Paul’s direction and gives him a big slap. And since it takes two to tango, she then went to Mia and gave her the other pair of the slap. It’s a slap so hard I’m sure Mia’s head shattered for a few seconds. It’s followed by some shouting yada yada, but I bet it’s hard for Mia to process it since she’s still recovering from that slap. I give this confrontation, 2.25 slaps!

03. Vanessa vs. Sara in “Impostora” (2007)

Possessing some Orphan Black realness even before the show started five years later, this GMA serye with face snatching, doppleganger realness told the story of conjoined twins Lara and Sara against their diabolical cousin Vanessa. Sharing not only their face, but also their love interests, it’s hard to keep up who’s who and what’s happening to everyone in here.

The Kabugan Scene: In that big wedding scene right before the ceremony starts. we see Sunshine Dizon stops the wedding of Mark Anthony Fernandez and …. Sunshine Dizon. So as these 2 Sunshines go back and forth between who the real Sara is, Iza Calzado’s character comes in and reveals that Nicolas is marrying the wrong Sara.  Nothing beats the chaos that comes from a wedding, and with that, we rank this 2.5 slaps!

04. Chantal vs. Heidi in “Temptation of Wife” (2012)

While Angeline (Marian Rivera) and Heidi (Glaiza e Castro) have been friends since their childhood, Heidi had always developed a hidden envy to Chantal that she has kept as they were growing up. This even reached a point when they shared the same man — Marcel (Dennis Trillo). But when Angeline learned about the betrayal of the two people she loved the most, an accident that led Heidi thinking Angeline is dead is the start of the latter’s payback. She comes back as Chantal Gonzales, and she’s getting the receipts of her revenge.

The Kabugan Scene: Upon thinking that Chantal is flirting with her beau, this did not go well with Heidi as she decided to attack Chantal Mortal Kombat style. Jumping from chairs, tumbling in the carpet, tying with a hanky, and using fork as a weapon, this larger than life fight seemed to exist only in video games. It’s as over the top as it is ridiculous. But then again, it ended with a reveal of a pillow baby. So at least they’re consistent with it. This fight deserved a 2.75 slap rating!

05. Amor Powers vs. Claudia Buenavista in “Pangako Sa’Yo” (2000)

Gone were the days when we get these really over the top but serious showdowns in between characters. Nowadays, people live for the snark and the quotable quotations. But not in 2000 — as we see bitter rivals Amor Powers (Eula Valdez) and Madam Claudia Buenavista (Jean Garcia) battle out not only with money, but with men and children in this two year series. There’s a reason why these two are some of the most iconic characters in Philippine drama history.

The Kabugan Scene: When Claudia suddenly dashes her way to Amor’s house to ask for her daughter, she did it just for one reason: to slap her bitchy rival. Upon being threatened and be slapped  as well, she suddenly sneaks her way out. But that’s without mentioning the stanzas of lines that they shout at each other. And the pair of slap they gave to one another (including that rare leftie slap by Claudia to Amor). This doesn’t happen to modern teleseryes anymore. And to say I miss them is an understatement. For that, I give this scene a 3 slap rating!

06. Marimar vs. Angelika in “Marimar” (2007)

Definitely one of the most memorable telenovelas in Philippine history, the Mexican version of Marimar is one that will forever be one of the most influential ones. In this GMA remake, including a star-turning performance by Marian Rivera in the lead role, Marimar’s rag to riches story is, whether it’s Marimar and Sergio’s romance, or Marimar and Angelika’s revolving fates, and the other colorful characters in the soap, is one that will never get old.

The Kabugan Scene: While weddings and preparations bring out the class in most of us, consider both Marimar and Angelika as the likely outliers. When Angelika decided to poke fun at Marimar by asking her to be the maid of honor to Angelika and Sergio’s wedding, you know that it will only lead to chaos. And chaos it is, as not only did they ruin the whole place, but they’ve also wrestled with one another ruining gowns, cakes, and involving other people in the place.  Hopefully though, this type of mess only exists in the small screen and not in real life. This scene deserves a full 3.25 slap rating!

07. Vera vs. Victoria in “Magkaribal” (2010)

While most of the stories included in this lists had characters fighting over love interests, Magkaribal skews a bit as this one is a battle of power. When orphaned Anna Abella (Gretchen Barretto) thought that her younger sister Gelai (bea Alonzo) died from a hospital fire, she then made it a promise that she will take everything away from the person she thinks is responsible for those: Vera Cruz (Angel Aquino). So after his adopted father let her study fashion in Paris, she comes back to the country to snatch the title of “Queen of Philippine Fashion” from her mortal enemy.

The Kabugan Scene: Probably the start of a really famous pun — one that has been quoted many times especially during the trailer release and the premiere of the actual episode — Victoria visits Vera and informs her that she knows of the fashion designs that the latter has plagiarized and stolen from an up and coming designer. So when Vera confronted Victoria and asked her that she accepts the challenge, Gretchen Barretto, sans moving forehead, just said “You want war? I’ll give you war. Sabihin mo lang kung saan at kelan… I’ll be there in my red stilettos.” For that interaction alone, this clearly merits a 3.5 slap rating!

08. Milet vs. Sheila in “Ang Dalawang Mrs. Real” (2014)

GMA’s offering in the “kabitan” year of telserye, “Ang Dalawang Mrs. Real” featured the Diamond Star Maricel Soriano in the leading role as Milet Real, the original wife in the series. While Milet is mostly kind, patient, and calm, hell hath no fury like a woman scorned as she finally confronts the second Mrs. Real, Sheila, played by Lovi Poe in this nerve wracking elevator scene.

The Kabugan Scene: Never mind that the elevator seemed like it was stuck or that their confrontation went over 5 minutes without picking and dropping any new passengers, there will really be those times when nothing is more powerful than words. And that’s what Milet, who played a teacher in the soap, did here. Not only did she teach Sheila some lessons (“Bago mo ibuka ang hita mo, mag-research ka muna kung may asawa”), offending her parents, and doing everything as the mistress carries the lovechild, it is safe to say that the original schooled the second one here. This confrontation is deserving of a 3.75 slap rating!

09. Celyn vs. Margaux in “Ina Kapatid Anak” (2013)

Best friends turned enemies turned sisters turned rivals (whew!) Celyn (Kim Chiu)and Margaux (Maja Salvador) have all been fighting for the same things: parents’ attention, boys, interests, it always seemed like everything is going Celyn’s way. But while it seemed like the rivalry is too good to be true, well apparently it is since it’s one of those times when truth is stranger than fiction as the former real life best friends Kim and Maja aren’t really in a friendly mood during the production of this show due to some personal issues.

The Kabugan Scene: During the after party of their double celebration debut, Margaux finally had it with Celyn getting all the attention. Si while she’s drunk, she asked her if she can talk to her in which Margaux will just reiterate how much she hated Celyn following it with a really hard slap. Celyn then answered back “Para mahimasmasan ka..” and swooped up an equally hard slap. Sure, these slaps are supposed to be tame for a TV show, but in the context of what’s happening during these times, the tension in this scene alone trumps a lot of others in this list which leads to a solid 4 slap rating!

10. Catherine vs. Scarlet in “Iisa Pa Lamang” (2008)

This conflict over conflict over conflict of interconnecting stories focuses on naive lass Catherine (Claudine Barretto) and how she has smitten Miguel (Diether Ocampo) off her fingers. Miguel’s past flame Scarlet (Angelica Panganiban) came back just to meddle with these affairs and she will do everything it takes to make Catherine’s life msierable. For what its worth, Iisa Pa Lamang will never be forgotten as it pioneered the era of bitchy retorts and the endless over the top lines that have been uttered on Philippine dramas.

The Kabugan Scene:  It’s difficult to choose for this one as kabugan seems to be the name of the game for this soap, but let’s go with this court interaction in which Scarlet demands Catherine to be taken off the room only to find out that the latter will be used as a witness against Scarlet for the grounds of adultery. This led to a confrontation on the stairs where the two women shouted labels at each other ranging from “social climber” to “adulteress” and “slut” to “home wrecker” until Catherine capped it off by shouting “Desperraaattteee housewife from hellll” before attempting to push Scarlett off the stairs. That intensity of the scene alone is enough to give this a 4.5 slap rating.

11. Lally vs. Vincent in “My Husband’s Lover” (2013)

One of the hottest soaps of last year, GMA 7’s “My Husband Lover” provided major buzz in pop culture because of its handling of a sensitive topic that’s rarely (or even a first of its kind) focus on the relationship of two gay men on its forefront. This Dennis Trillo-Tom Rodriguez-Carla Abellana triangle not only made them household names (in the case of Tom Rodriguez), but it also proved her acting prowess (in the case of Carla Abellana) and initiated a career comeback (for Dennis Trillo).

The Kabugan Scene: While all of us pretty much know who “bhe” already is, Lally (Carla Abellana) seems like she’s the last person to figure things out. So when she did, it definitely shook her world (probably much more than we expected). This confrontation between husband and wife isn’t snarky or bitchy like the others on the list, but for sheer scene intensity and a high point moment in the series, it is worthy of a 4.75 slap rating!

12. Monica vs. Nicole in “The Legal Wife” (2014)

And rounding up the list is from 2014’s most memorable and most talked about teleserye… ABS-CBN’s “The Legal Wife.” Angel Locsin’s primetime TV comeback not only defied the high expectations for her, but it even delivered some of the highest ratings in the history of its timeslot. But then again, who can blame the audience? The story of how Monica (Angel Locsin) dealt upon learning that her former best friend Nicole (Maja Salvador) is having an affair with her husband Adrian (Jericho Rosales) has been the topic of endless debates, arguments, and trending Twitter topics during its time on the air,

The Kabugan Scene: We already had a taste of the confrontation when Monica went to Nicole’s house and attacked the latter while asking the now catchphrase “Masarap ba ang asawa ko? Paano mo siya nilandi? Anong unang tinanggal mo: yung bra mo, yung panty mo? O yung konsensiya mo?”, but then it was all Monica getting angry at a sheepish Nicole. In this however, we finally see a fight. And a very realistic one. Hair grabbing, hair pulling, and extension snatching fight. Everything about this scene is realistically awkward, but no one can bat an eyelash considering how we’re all Team Monica, yet even fans can sympathize of how it felt like to be Maja Salvador during this specific scene. I’m certain this scene will be remembered years from now, and it will be the barometer used for the next confrontations to come. This, a full perfect 5 slap rating!

There you have it! Do you think Two Wives will soon join the list? What are some of your favorite kabugan teleserye confrontation that missed the list? Pipe them in the comments section below.

You can follow me on Twitter: @nikowl

REVIEW: OTJ (On the Job)   1 comment

on the job

Fresh from their successful run at the Directors’ Fortnight section of this year’s Cannes Film Festival last May, Erik Matti’s crime thriller finally find its way into Philippine theaters, as Star Cinema and Reality Entertainment release OTJ (On the Job) which stars Piolo Pascual, Gerald Anderson, Joel Torre, and Joey Marquez among others.

Inspired by true events, the film gives an extensive depiction of how some jailed members were being released from prison every now and then as they’re assigned with the task of killing people under orders from the wealthy and influential.  In the film, the specific gunmen happens to be Tatang (Joel Torre) and his protege Daniel (Gerald Anderson) who is being groomed to be his replacement once he retires. Tatang takes and trains Daniel under his wing as they do their assignments. On the flipside, there’s NBI official Francis Coronel, Jr. (Piolo Pascual) who was tasked to take over these said cases, as well as police office Acosta (Joey Marquez).  Once their paths crossed provides conflict in the film.

There’s a lot of great things to say about this, but If there’s a clear standout in it, no doubt it is Erik Matti. His slick direction is the main core which holds the film together and gives it the necessary oomph. I like how he weaves these scenes and events seamlessly which makes for an intense and thrilling ride. The rest of the technical achievements were on point as well, with Richard Somes’ production design and Francis Buhay III’s cinematography portraying Manila in a very artistic and sensible manner, that of a series of tasteful photographs that’s well done.

The story and pacing smoothly complimented each other. I like how the intensity just builds up right from the get go during the first scene up until the last one. The chase and fight scenes were tastefully pulled off. It’s also great to see characters that were fleshed out especially that of the three main characters. We get to know them more instead of simply just following what they do. This is one of the things I like about the film in terms of characterization, we get a glimpse of their individual lives as opposed to just going right at the center of the conflict.

This film pretty much shows what an ensemble really is. There are really no small roles here, as everyone’s given something to do and they all did their parts well. Gerald Anderson’s greatest acting achievement prior to this is a television stint as mentally challenged Budoy, but this character suits him like a glove and challenges his acting chops for the better. It’s nothing new to claim that Joel Torre is a great actor, but this will probably end up as one of his most memorable turns in his discography. Piolo Pascual is the good guy of course, so this isn’t much of a stretch for him, but it’s great to see that he wasn’t phoning it in. But, I like how Erik Matti brings out the best in Joey Marquez. He already gave us a glimpse of it in last year’s Tiktik, but this was more prevalent in here. Special props to Vivian Velez’ kick ass role.

Given everything that’s actually happening in the country right now, one can somehow juxtapose this with the events in the film too. This will probably make the experience more insightful for others in terms of understanding the events or the aftermath of it. Films that make a statement is a hit or miss for me, but I like that this one doesn’t spoonfeed it to the audience.

I would have loved to see the version that was shown at Cannes since I’ve learned that it was slightly different from what was shown here. Nevertheless, On the Job is such a breath of fresh air in terms of current Philippine cinema effectively combining style and substance in a savvy manner. I might as well say it’s one (if not the) movie event of the year.

Rating: 5/5

If you like, you can follow me on Twitter: @nikowl

REVIEW: Four Sisters and a Wedding   3 comments

Four Sisters and a Wedding

As an opening salvo to Star Cinema’s 20th anniversary celebration, they certainly opened it with a bang by coming up with a family drama that combined some of the most popular actor and actresses of this generation. Helmed by ultimate box office director Cathy Garcia Molina and starred by Toni Gonzaga, Angel Locsin, Bea Alonzo, Shaina Magdayao, and Enchong Dee, Four Sisters and a Wedding tackles family issues in both comedic and dramatic fashion.

After announcing that the youngest (and the only male) Salazar sibling, Ceejay (Enchong Dee) is getting married, his four other sisters   Teddie (Toni Gonzaga), who works in Spain, Bobbie (Bea Alonzo), working now in New York, Alex (Angel Locsin) a production assistant for indie films, and Gabbie (Shaina Magdayao) teacher and the one in charge to live with their mother, come up with a master plan to halt the said occasion.

On one hand, it’s actually refreshing to see a Star Cinema family film that is not a straight up drama (think of Tanging Yaman or Sa’yo Lamang) and not a straight up comedy as well (think of Tanging Ina or Tanging Pamilya). It lends more freedom for the director and the writer to flex where the vision of the film wants to go.  Some of these concepts were highlighted in the film such as the complex relationship of sisters Alex and Bobbie, or the competitive nature of oldest sibling Teddie juxtaposed with the complacent and content stature of youngest sister Gabbie. Then you’d have the voiceless feeling of the only thorn among the roses, Ceejay. This is where the major strength of the movie kicks in.

I’d also note that it’s refreshing to see a product placement that does not bother me the same way that usual local films do. Rebisco biscuits product placements were scattered all throughout the movie, but it’s not as forced as it was carefully inserted in films and does not scream blatant product insertion, to me at least.

With that said though, the comedic themes were less inspired, as compared to the dramatic ones. As for one, the main premise of the film is ridiculous itself, but the approach could have been much tighter, so as not to make it look lamer when compared to the themes on the paragraph above this. I also noticed lack of full characterization especially in the characters of Alex and Gabbie. While Teddie and Bobbie’s stories went full circle, the other two sisters are just going around in circles. It’s probably a case of editing issues, but I would have wanted to learn more of them too, or at least, give them the spotlight every now and then.

But of course, I know what you’re here for. You want to know who’s the best among all the actresses in this film. Okay so I’ll try to break it down for you. Toni Gonzaga is my favorite in the film. I already saw how she goes back and forth with comedy and drama still back from My Amnesia Girl, but this vehicle lets her sashay from one genre to the other instantly. She knacks you off with her comedic timing, and she knocks you as well when it comes to her more dramatic ones. I think the reason why I like her most is because I still think that the film leans more on comedy, and she’s the best in show in terms of that aspect. Bea Alonzo, on the other hand, is the reliable dramatic actress that delivers, and she benefits from playing a character that was complexly written, and she pays that off by giving it justice. Her moment during the family’s confrontation (albeit too long and overdone) is really effective and one of the film’s highlights. And I know I have already said this in my past reviews of her previous films, but hers is a face that the camera really loves. Angel Locsin might not have the most moments, but she certainly makes the best of what she has to do. It is not the type of acting that screams awards, but the way she switch emotions in seconds is a testament of how much growth she has achieved already. What I particularly like about her performance is that she’s not getting all the forefront in terms of scenes, and she usually is relegated to  reacting in most of them, but she plays the same intensity to all of them. One might consider Gonzaga’s character as bordering on cartoonish, and Alonzo’s as too TV type, but Locsin’s is the most human in my opinion. More characterization from the writers would have made her character more impactful though.

The rest of the actors were also necessary but given mostly smaller to almost thankless roles (Shaina Magdayao’s Gabbie comes to mind), but they were all serviceable. Coney Reyes was inspired casting though as the family matriarch, while Carmi Martin was a hilarious scene stealer and gets the best character entrance in the film.

All in all, the main flaw that I see in this film is that despite being half comedy and half drama, the stories they used in order to cater both are not in the same vein. We see inspired storytelling in the dramatic parts of the movie, while the comedic ones were usually rehashed and less inspired. But since they’re promoting it more as a comedy, it could have used much better material in that context. That said, it’s an enjoyable film that is saved by the cast’s chemistry and one that caters to most members of well… the family.

RATING: 3/5