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39th Gawad Urian Winner Predictions   Leave a comment

The Manunuri ng Pelikulang Pilipino (MPP) are bound to reward their picks among the best of 2015 local cinema with the 39th Gawad Urian Awards this Tuesday, June 21. But who are poised to take home those huge silver trophies? It’s a strange year in predicting, but here’s where I’ll bet my money on.

best picture

BEST PICTURE
“Anino sa Likod ng Buwan”
“ARI: My Life with a King”
“Bambanti”
“Da Dog Show”
“Heneral Luna”
“Honor Thy Father”
“Imbisibol”
“Taklub”

Unlike previous years when there’s one clear frontrunner to win the top award (2003’s Magnifico, 2005’s Ang Pagdadalaga ni Maximo Oliveros, 2009’s Kinatay, and 2013’s Norte), this year, the race is a bit up in the air. As for starters, there’s the now iconic pop culture effect of Heneral Luna, which dominated critically and commercially. Then there’s also Taklub, which was Brillante Mendoza’s comeback to Cannes (albeit in the Un Certain Regard competition) since 2009. Anino sa Likod ng Buwan and Imbisibol both live up to the name of their previous stage adaptations. And Honor Thy Father got pretty much the same enthusiasm that Matti’s (also Best Picture nominated) On the Job received. The three other films nominated are much low-key in nature, but I can also foresee a case of the Manunuri going with the cultural importance of the arts in “Ari.” I guess I’ll go with Jun Lana’s “Anino sa Likod ng Buwan“, as I find its one shot narrative up right the Manunuri’s alley. Besides, Lana is someone I see who’s finally breaking through with the Urian considering they also went gaga with Barber’s Tales last year (despite ending with a 0-11 shutout).

PREDICTION: “Anino sa Likod ng Buwan
ALTERNATE: “Heneral Luna

best director

BEST DIRECTOR:
Carlo Enciso Catu, “ARI: My Life with a King”
Mario Cornejo, “Apocalypse Child”
Zig Madamba Dulay, “Bambanti”
Lawrence Fajardo, “Imbisibol”
Ralston Jover, “Da Dog Show”
Jun Lana, “Anino sa Likod ng Buwan”
Erik Matti, “Honor Thy Father”
Brilliante Mendoza, “Taklub”
Kidlat Tahimik, “Balikbayan #1: Memories of Overdevelopment”
Jerrold Tarog, “Heneral Luna”

I have this previous theory (which I shared last year) that when someone is up for the Best Director award yet the film isn’t nominated for Best Picture, that totally eliminates the director’s chances to win at all. After all, no director has won in this category without the corresponding film being nominated for the top award too. That said, if there’s one filmmaker who can defy that statistic, it’s Kidlat Tahimik. After all, the narrative is there already. I’m sure the Urian won’t shy rewarding him especially now that the opportunity is there. Then again, I noted two years ago that in a field of 12 Best Director nominees, the only ones with no Urian are Erik Matti and Hannah Espia and while I predicted the former, it’s the latter who won. Thus, I’ll reserve my alternate this time for Matti to nab his first Urian here.

PREDICTION: Kidlat Tahimik, “Balikbayan #1: Memories of Overdevelopment”
ALTERNATE:
Erik Matti, “Honor Thy Father”

best actor

BEST ACTOR
Luis Alandy, “Anino sa Likod ng Buwan”
John Arcilla, “Heneral Luna”
John Lloyd Cruz, “Honor Thy Father”
John Lloyd Cruz, “A Second Chance”
Ricky Davao, “Dayang Asu”
Anthony Falcon, “Anino sa Likod ng Buwan”
Francisco Guinto, “ARI: My Life with a King”
Sid Lucero, “Apocalypse Child”
Junjun Quintana, “Water Lemon”
Jericho Rosales, “Walang Forever”
Dennis Trillo, “Felix Manalo”
Lou Veloso, “Da Dog Show”

While it’s a strong year for lead actors with everyone getting in meaty roles here and there, this is one category where the Manunuri channels their inner Oprah and hands out nominations like Santa Claus. From this bunch, chances are we won’t see a repeat winner so that leaves out Ricky Davao, Sid Lucero, Junjun Quintana, Jericho Rosales, and Lou Veloso already. In the event that it will be though, bank on John Arcilla’s prominent pornstache to win this. That said, the double nominations signify strong support for our perennial frontrunner John Lloyd Cruz to finally receive his first Urian. Only once in the history of Urian did an actor compete against herself that lost (FYI it’s Nora Aunor x2 (both ‘Merika and Bilangin ang Bituin sa Langit) losing to Vilma Santos in Sister Stella L.). So unless Manunuri trolls out in the end, it’s John Lloyd’s to lose.

PREDICTION: John Lloyd Cruz, “Honor Thy Father”
ALTERNATE:
John Arcilla, “Heneral Luna”

best actress

BEST ACTRESS:
Nora Aunor, “Taklub”
Angeli Bayani, “Iisa”
Mercedes Cabral, “Da Dog Show”
Alessandra de Rossi, “Bambanti”
Anicka Dolonius, “Apocalypse Child”
Jennylyn Mercado, “Walang Forever”
Ces Quesada, “Imbisibol”
LJ Reyes, “Anino sa Likod ng Buwan”

Last year, it was easy to dismiss Nora Aunor’s chances simply because she’s already winning the Natatanging Gawad Urian and if there’s one thing that Urian loves, it’s to spread the wealth. This year however is a more difficult one to predict. That said, Taklub is minor Aunor, and I don’t think this is the performance that will tie her with rival Vilma Santos for the 8th Best Actress win. Both Angeli Bayani and Alessandra de Rossi won Urian the past few years, so I don’t see the Manunuri rushing to give them second wins (they have no problem giving out nominations but a win is a different talk). Quesada, Dolonius and Cabral are all borderline supporting characters in terms of screentime or story, though Ces Quesada, a veteran with no Urian win yet can easily overcome this narrative as compared to the two others. Jennylyn Mercado, a previous Urian nominee for Blue Moon back in 2005, is nominated for #WalangForever, seems more of a statement on the Manunuri’s part that they also acknowledge romance/commercial format stories. I mean if Angelica Panganiban couldn’t win with Tadhana last year, I doubt they’re touching this. That leaves me with LJ Reyes, and while in any other year, I wouldn’t have made this prediction, maybe the “boldness” of the role would be enough for her to take home the trophy.

PREDICTION: LJ Reyes, “Anino sa Likod ng Buwan”
ALTERNATE:
Ces Quesada, “Imbisibol”

best supp actor

BEST SUPPORTING ACTOR:
RK Bagatsing, “Apocalypse Child”
Bernardo Bernardo, “Imbisibol”
Tirso Cruz III, “Honor Thy Father”
JM De Guzman, “Imbisibol”
Julio Diaz, “Taklub”
Alion Ibanez, “Da Dog Show”
Micko Laurente, “Bambanti”
Lou Veloso, “Taklub”

Opposite of the Oscars where they reward the older vets in Supporting, the Urian likes them young and fresh with up and coming actors winning here going as far as 1986 champ Aga Muhlach up to last year’s Martin del Rosario. The only one who fits the bill is 4x nominee JM de Guzman for Imbisibol. But then, I think this is one year where they can skip that as I think it’s a battle of the three vets: 1980 Best Actor Bernardo Bernardo, 1992 Best Supporting Actor Tirso Cruz III, and still Urian-less Julio Diaz. I have a hunch they’re going with Tirso’s over the top religious zealot in here to give him his overdue second career Urian.

PREDICTION: Tirso Cruz III, “Honor Thy Father”
ALTERNATE:
Julio Diaz, “Taklub”

best supp actress

BEST SUPPORTING ACTRESS:
Liza Dino, “Toto”
Mylene Dizon, “Heneral Luna”
Rio Locsin, “Iisa”
Anna Abad Santos, “Apocalypse Child”
Tessie Tomas, “Water Lemon”
Cecil Yumol, “ARI: My Life with a King”
Gwen Zamora “Apocalypse Child”

I can’t remember the last time they rewarded a supporting performance from a full comedy movie, so I feel that Liza Dino’s nominations is the reward itself already. Same goes for Urian winner Mylene Dizon. I personally prefer Ana Abad Santos over Gwen Zamora in Apocalypse Child, but a part of me thinks that it’s a film they showered with acting nominations but will give no wins (which in Urian history isn’t always a bad thing. There’s a long list of films that reap 4-5 acting nominations that will lose all of its acting bids. Case in point, last year’s Best Picture Mula sa Kung Ano Ang Noon, or Barber’s Tales.). I’ll call this a race between two underrated veterans: Rio Locsin vs. Tessie Tomas, and I’ll give the edge to the latter just because she have more Urian losses, so maybe the Manunuri might make up for it.

PREDICTION: Tessie Tomas, “Water Lemon”
ALTERNATE:
Rio Locsin, “Iisa”

Now as for the rest of the nominations:

SCREENPLAY:
Prediction:
Herlyn Gail Alegre  and John Paul Bedia, “Imbisibol
Alternate:
Michicko Yamamoto, Honor Thy Father

PRODUCTION DESIGN:
Prediction: Harley Alcasid, “Bukod Kang Pinagpala
Alternate: Ben Payumo, “Water Lemon

CINEMATOGRAPHY:
Prediction: Ber Cruz, “Honor Thy Father
Alternate: Pong Ignacio, “Heneral Luna

MUSIC:
Prediction: Jerrold Tarog, “Heneral Luna
Alternate: Diwa de Leon, “Taklub

EDITING:
Prediction: Lawrence Ang, “Anino sa Likod ng Buwan
Alternate: Kats Serraon, “Da Dog Show

SOUND:
Prediction: Mikko Quizon, “Heneral Luna
Alternate: Mikko Quizon, “Honor Thy Father

The 39th Gawad Urian Awards will be shown live on Cinema One this June 21 at 8PM.

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Philippines’ 87th Oscar Submission: Norte, Hangganan ng Kasaysayan   1 comment

Norte After days of waiting, it’s the time of the year again when the country chooses its representative for the Oscar for Best Foreign Language Film. Let it be clear that of course, Oscar is not the be-all and end-all of anything great when it comes to filmmaking, but somehow among casual moviegoers, Oscar is synonymous to anything that represents great quality. And its prestige is still ever so present that one can’t help but be interested in the whole process. After all, having an “Oscar winning film” or “Oscar winning country” is a great bonus to a film’s achievement.

Just hours ago the Film Academy of the Philippines, represented by Leo Martinez, confirmed that the Philippines submitted Lav Diaz’ 250 minute film Norte, Hangganan ng Kasaysayan” for next year’s awards consideration. Norte, a take on Fyodor Dostoyevsky’s “Crime and Punishment”, showed the contrast of a man (Sid Lucero) committing a crime but was spared from it and an innocent one (Archie Alemania) paying for the former’s sins. In line with that, life goes on for the latter’s wife (Angeli Bayani) as she deals with the aftermath of the incident.

In my annual analysis of possible contenders almost a month ago, I’ve specified that it boils down to two contenders: Jun Lana’s “Barber’s Tales” and Lav Diaz’ “Norte“. Both make sense as submissions, but I’m not holding my breath for any of the two considering how the panel assigned to submit has made more mediocre choices than not since its inception in 2007, so seeing them finally taking the right path slowly but surely the past few years is indeed commendable. Besides, what is there to lose if we experiment with a Lav Diaz submission this year? It’s not as if we’ve been nominated before. This can actually serve as a trial of some sort to see what kind of films that we offer can match Oscar’s taste. But anyway, enough about my personal feelings. Let’s go straight to the point. How will Norte fare in the competition this year? And can it *actually* be nominated in the end?

As for starters, this is a year when there is no solid frontrunner for the category Oscar-wise. Sure we have lot of solid contenders to battle out (Brazil’s “The Way He Looks”, Belgium’s “Two Days, One Night”, Canada’s “Mommy“, Mauritania’s “Timbuktu“, Poland’s “Ida“, Turkery’s “Winter Sleep“, and even unofficial but slightly obvious Argnetina’s “Wild Tales“), but none of those are as sure things as “A Separation” was three years ago or even “Amour” the year after. In an open year like this, there are bigger possibilities for an out of the field choice which definitely helps Norte‘s chances.

Second, distribution counts. Among 60+ announced contenders by far, only 17 have US distributors already. Yep, including Norte. Sure, The Cinema Guild might not be as big as Sony Picture Classics, Magnolia Pictures, Roadside Attractions, or even Sundance Selects as far as distribution companies are concerned, and that other likely contenders might even pick up theirs as the season progressed, but having the benefit of a distributor already is a big thing in the country’s history of submitting in this category.

Norte” also boasts of having a wide festival coverage. Even before it participated as part of the Un Certain Regard section of the Cannes Film Festival last year, the film has participated as part of the Hong Kong International Film Festival. Post-Cannes, with unanimous reviews to boot, the film traveled from Locarno to Toronto, New York to Busan, and Brisbane to Glasglow among a plethora of other festivals in different parts of the world. I mean how’s that for exposure right? And did I already mention its great reviews? Because if anything, at least there’s a universal consensus on the quality of the film both here and abroad.

But let’s not get ahead of ourselves, really. There’s a lot that the film still needs to overcome and it’s not a smoothly paved road en route to Oscar recognition. The film’s length is still running at 250 minutes. That might be too shallow of a reason to actually consider, but remember that the voting to end up in the shortlist is still by public vote from the foreign language film department. It’s not an easy pill to swallow for them to stay 250 minutes to watch a film and convince them to sit around and stay that long or even prioritize watching it (even if one can argue that it’s their job to do so). 200 minutes I’d say they can still tolerate, but anything longer than that might possibly turn them off leading to either not finishing the film or choosing not to even watch the film at all. That is a crucial factor to end up as part of the top six in the first stage of the voting which aims to be included in the shortlist of nine. That said, an executive committee is in charge to review the remaining films left off the top six and add three more films that they’ll base on merit. This is the part where I think Norte might benefit a lot. While it is not being publicly announced which among the shortlist of nine came from public vote and which were inserted the last minute, this change of ruling has led to inclusion of offbeat, quirky, or non-traditional/Academy friendly films such as Belgium’s “Bullhead” to the shortlist in 2011 or something like Greece’s “Dogtooth” to the final five a year before. This part of the voting can really be crucial in helping Norte (and other films that aren’t as buzzed as the early contenders I’ve mentioned in the fourth paragraph) to be a part of the shortlist.

Two years ago, I correctly predicted that a shortlist mention for Bwakaw is a long shot and that last yearTransit isn’t going anywhere. Now if you’re gonna force me to say an actual answer now, I’d say it’s better if we take things slowly. First step of getting the actual nomination is knowing the rules of the game by submitting a competitive film which we have already done. Honestly speaking, I guess a Top 9 shortlist mention isn’t really out of reach this time. After all, this is the best and most competitive submission we had since “Ang Pagdadalaga ni Maximo Oliveros” in 2005. It seems like stars are aligning good enough for the Philippines this year, at least even for a shortlist mention. But I’m quite optimistic with this one. In the end though, Oscar nomination or not, this is already a win-win situation for the country. If you ask me a few years ago if we’ll ever see the day that a Lav Diaz film will be considered as an Oscar contender, I will without a doubt say that it’s impossible. But times are changing, and so far, they’re for the good. Nevertheless, I raise my imaginary glass of toast and say cheers to everyone involved in Norte and the FAP for actually getting this year right. We’ll surely be rooting for you all the way!

You can follow me on Twitter: @nikowl

37th Gawad Urian Winner Predictions   2 comments

The glory days of local Philippine awards night have been over, and right now, there are only two remaining interesting citation giving bodies: the Young Critics Circle and the Manunuri (and my own Titties awards of course lol). That said, the YCC already gave their citation last April while the Manunuri will be handling out their awards tomorrow. And in line with that, I’ll be going on a limb and try to predict who’ll end up with those huge silver trophies tomorrow in all 12 categories.

best pic

BEST PICTURE
Badil
Dukit
Ekstra
Ang Kuwento ni Mabuti
Norte Hangganan ng Kasaysayan

On the Job
Porno
Riddles of my Homecoming
Transit

With how huge Norte was last year, I think it will be an easy win for this Cannes Un Certain regard entry to receive the top prize for tomorrow’s ceremony. Besides, it’s not as if Lav Diaz has been over-rewarded here before (his films only won twice, for 2001’s Batang Westside and 2004’s Ebolusyon ng Isang Pamilyang Pilipino). To add more confidence in its side, it’s also the top nominated film for this year, and you’d notice the trend that it is indeed one of their most loved films this year. That said though, if they want to spread the wealth, I can see the other top nomination receiver, Dukit, getting the most coveted award instead.

Prediction: Norte, Hangganan ng Kasaysayan
Alternate: Dukit

best directing

BEST DIRECTING
Whammy Alcazaren, “Islands
Adolf Alix Jr.. “Porno
Mes de Guzman, “Ang Kuwento ni Mabuti”
Lav Diaz, “Norte Hangganan ng Kasaysayan
Hannah Espia, “Transit
Peque Gallaga, Lore Reyes, “Sonata
Jeffrey Jeturian, “Ekstra
Armando Lao, “Dukit
Arnel Mardoquio, “Riddles of My Homecoming
Erik Matti, “On the Job
Chito Rono, “Badil
Alvin Yapan, “Mga Anino ng Kahapon

Choosing in a field of twelve is already a difficult task to do, though I guess I have to remove those previous winners already: Adolf Alix, Mes de Guzman, Lav Diaz, Peque Gallaga, Jeffrey Jeturian, Arnel Mardoquio, Chito Rono, and Alvin Yapan. Then you also have Urian winners Armando Lao and Whammy Alcazaren (despite in other categories). That leaves us with veteran director Erik Matti and Hannah Espia. I have a hunch that Espia has more chance in Editing for Transit (and I’m predicting her there), so I guess I’ll be going with Erik Matti. I mean he’s overdue for an Urian right? Plus, On the Job is a very flashy directorial work that I can see the Manunuri going for. If not him though, I expect a second win for Lav Diaz because really, it’s quite a shame that he has only won here only once yet.

Prediction: Erik Matti, “On the Job
Alternate: Lav Diaz, “Norte Hangganan ng Kasaysayan

best actor

BEST ACTOR
Mark Gil, “Philippino Story
Jhong Hilario, “Badil
Mimi Juareza, “Quick Change
Sid Lucero, “Norte Hangganan ng Kasaysayan
Alex Medina, “Babagwa
Ping Medina, “Transit
Joel Torre, “On the Job

Speaking of repeat winners, this surprisingly short line up (remember the 15 nominee group last year?) I think is between two past champs: 2001 champ for Batang Westside Joel Torre and 2010 champ for Muli, Sid Lucero. Lucero has the longer role and one that is very demanding as well that I won’t be surprised if the voters fall in love with such. That said, Torre’s 2013 is some sort of a career best comeback that let him lead not only one, but two brave performances of the last year (the other was for Borgy Torres’ Kabisera). Having that advantage would make me predict him for the win. Outside of those two though, I guess I’d go with Alex Medina as the other feasible winner. The Urian has a history of proclaiming the hot young handsome actor in this category (see Christopher de Leon in 1978, Philip Salvador in 1979, Richard Gomez in 1991, Aga Muhlach in 1995, Jason Abalos in 2007, Sid Lucero in 2010, Paulo Avelino in 2011, and Jericho Rosales last year) and Alex Medina fits that bill. But I’m still going with Joel Torre on this one.

Prediction: Joel Torre, “On the Job
Alternate: Sid Lucero, “Norte Hangganan ng Kasaysayan

best actress

BEST ACTRESS
Nora Aunor, “Ang Kuwento ni Mabuti
Angeli Bayani, “Norte Hangganan ng Kasaysayan
Rustica Carpio, “Ano Ang Kulay ng Mga Nakalimutang Pangarap?”
Eugene Domingo, “Instant Mommy
Cherie Gil, “Sonata
Agot Isidro, “Mga Anino ng Kahapon
Teri Malvar, “Ang Huling Chacha ni Anita
Vilma Santos, “Ekstra
Lorna Tolentino, “Burgos
Vivian Velez, “Bendor

Definitely the most talked about and interesting category of the night (I won’t even be surprised if this one is handed out after Best Picture because it’s the Philippines after all), but this one revives the Nora-Vilma rivalry in a big way. Currently though, Vilma is all time Urian champ here with 8 wins, but Nora is closely behind her with 7 wins. If Vilma wins, she’d inch farther with 9, but if Nora wins, they’d both be tied at 8. Do you think they’ll just give them a tie and call it a day? I think there’s a probable chance of that happening. After all, it will please everyone and the mileage will really be huge. And despite the two being nominated alongside with each other during the 80s and early 90s, this possibility is unprecedented yet. In the event that happens, everyone leaves happy. However, they can also do a cop out and instead reward the eight other women here. I think the biggest possible spoiler is Angeli  Bayani whose 2013 is definitely a career best for her. Making waves at almost all film festivals here, an Urian Best Actress is a nice cap off to her 2013 achievement. And that’s who I’m predicting to win here. If not her, then I expect Vilma to receive her ninth win here. Nora just had her spotlight last year, I’m sure they won’t hesitate shifting the momentum to Vilma this year.

Prediction: Angeli Bayani, “Norte Hangganan ng Kasaysayan
Alternate: Vilma Santos, “Ekstra

best supp actor

BEST SUPPORTING ACTOR
Art Acuna, “Kabisera
Archie Alemania, “Norte Hangganan ng Kasaysayan
Carlo Aquino, “Porno
John Arcilla, “Metro Manila
Victor Basa, “Lauriana
Joey Marquez, “On the Job
Cesar Montano, “Ang Alamat ni China Doll”
Bor Ocampo, “Dukit
Junjun Quintana, “A Philippino Story
Yul Servo, “Porno

As for the supporting actors, unless Art Acuna pulls off a threepeat (which I doubt happens but I won’t be surprised if he actually does), I think it will be a battle of the two overdue Porno guys (that sounded wrong no? lol). Both Urian-less Yul Servo and Carlo Aquino are the ones I’m confident about in this category. Carlo Aquino is now on his sixth bid for a win while Yul Servo is on his fifth. You can really just toss a coin with this one, but I guess I’m going with the latter – no reasons why.

Prediction: Yul Servo, “Porno
Alternate: Carlo Aquino, “Porno

best supp actress

BEST SUPPORTING ACTRESS
Angel Aquino, “Porno
Angel Aquino, “Ang Huling Chacha ni Anita
Jasmine Curtis, “Transit
Ruby Ruiz, “Ekstra
Michelle Smith, “Angustia”
Raquel Villavicencio, “Dukit

Call it the “Johnny Delgado Rule”. When it comes to Urian, compete against yourself in one category and you’d end up winning the trophy. It was in 1980 when Johnny Delgado competed against himself for for Brutal and Kakabakaba Ka Ba? and he ended up with a Supporting Actor win for the latter. Then in 1986, Jaclyn Jose was nominated twice for Best Actress: Private Show and Takaw Tukso, also winning for the latter. Fast forward to last year in this same category where Alessandra de Rossi was nominated for both Mater Dolorosa and Santa Nina, and she finally clinched her first Urian for the former. As a matter of fact, this statistic is so strong that it only faltered once (Nora Aunor who was nominated for both Bulaklak sa City Jail and ‘Merika only to lose to a threepeat Vilma Santos win for Sister Stella L.) Why am I writing about this though? It’s because I think this rule will apply again to twice nominated Angel Aquino.  I had her both as a prediction and alternate and I’ll just wait which one sticks. Like de Rossi last year, Aquino hasn’t won an Urian yet, and I’m choosing Porno by a hair since they seem to like the overall film better and that it’s her flashier and more “physically demanding” work.

Prediction: Angel Aquino, “Porno
Alternate: Angel Aquino, “Ang Huling Chacha ni Anita

Now as for the rest of the categories…

SCREENPLAY:
Prediction:
Lav Diaz, Rody Vera,Norte Hangganan ng Kasaysayan
Alternate:
Michicko Yamamoto, Erik Matti,On the Job

PRODUCTION DESIGN:
Prediction: Adolf Alix, “Porno
Alternate: Richard Somes, “On the Job

CINEMATOGRAPHY:
Prediction: Rene Manda, “Norte Hangganan ng Kasaysayan
Alternate: Albert Banzon, “Porno

MUSIC:
Prediction: Gauss Obenza, “Riddles of my Homecoming
Alternate: Perry Dizon, “Norte Hangganan ng Kasaysayan

EDITING:
Prediction: Benjamin Tolentino, Hannah Espia, “Transit
Alternate: Jay Halili, “On the Job

SOUND:
Prediction: Armando Lao, “Dukit
Alternate: Arnel Barbarona, “Riddles of My Homecoming

DOCUMENTARY:
Prediction:
 Jazz in Love (Baby Ruth Villarama)
Alternate: Nanay Mameng (Adjani Arumpac)

SHORT FILM
Prediction: 
Onang (JE Tiglao)
Alternate: May Dinadala (Giancarlo Abrahan)

Let’s wait how these predictions will turn out tomorrow when the Manunuri holds the 37th Gawad Urian Awards to be hosted by Piolo Pascual and Bianca Gonzalez. The special will also be shown on Cinema One multiple times this month.

You can also follow me on Twitter: @nikowl

Tit For Tat Local Film Awards 2013   6 comments

May used to be the awards season here in the Philippines, but that tradition has been long since gone. But not for me. This is when I reveal my top picks for the best in Philippine cinema. 2013 is a very difficult one, not because there are only few films to choose from, but because of the many selections the year gave us. Granted I still missed some few films here and there, I’ll share to you my picks in 20 different categories (including my three top choices per film component.) And without further ado, here’s my 2013 Tit for Tat Local Film Awards:

first feature

GOLD: BLUE BUSTAMANTE (Miko Livelo)
SILVER: TRANSIT (Hannah Espia)
BRONZE: PUROK 7 (Carlo Obispo)

ensemble

GOLD: the cast of Iskalawags
SILVER: the cast of Norte
BRONZE: the cast of Transit

visual effects

GOLD: KUNG FU DIVAS
SILVER: DEBOSYON
BRONZE: PAGPAG

sound

GOLD: RIDDLES OF MY HOMECOMING (Arnel Barbarona)
SILVER: ON THE JOB (Corrine de San Jose, Mikko Quizon)
BRONZE: NORTE (Corrine de San Jose)

song

GOLD: INDAK (Sana Dati)
SILVER: SCARED TO DEATH (Tuhog)
BRONZE: SEA OF TREES (Shift)

score

GOLD: DEBOSYON (Teresa Barrozo)
SILVER: SANA DATI (Jerrold Tarog)
BRONZE: RIDDLES OF MY HOMECOMING (Gauss Obenza)

hair and make up

GOLD: Quick Change
SILVER: Kung Fu Divas
BRONZE: Boy Golden

editing

GOLD: ON THE JOB (Jay Halili)
SILVER: BADIL (Carlo Francisco Manatad)
BRONZE: TRANSIT (Hannah Espia, Benjamin Tolentino)

costume design

GOLD: Boy Golden
SILVER: Kung Fu Divas
BRONZE: Ekstra

cinematography

GOLD: NORTE (Lauro Rene Manda)
SILVER: ON THE JOB (Ricardo Buhay III)
BRONZE: DEBOSYON (Dexter dela Pena)

art direction

GOLD: ON THE JOB (Richard Somes)
SILVER: BLUE BUSTAMANTE (Marielle Hizon)
BRONZE: PAGPAG (Luis Custodio IV)

breakthrough actor

GOLD: MIMI JUAREZA, Quick Change
SILVER: JUNJUN QUINTANA, Philippino Story
BRONZE: VINCE TANADA, Otso

breakthrough actress

GOLD: KRYSTLE VALENTINO, Purok 7
SILVER: JASMINE CURTIS, Transit
BRONZE: YENG CONSTANTINO, Shift

screenplay

GOLD: NORTE (Lav Diaz, Rody Vera)
SILVER: SANA DATI (Jerrold Tarog)
BRONZE: BABAGWA (Jason Paul Laxamana)

supporting actress

GOLD: ANGELI BAYANI, Norte
SILVER: BING PIMENTEL, Kabisera
BRONZE: IRMA ADLAWAN, Transit

supporting actor

GOLD: DICK ISRAEL, Badil
SILVER: JOEY MARQUEZ, On the Job
BRONZE: JOEY PARAS, Babagwa

lead actress

GOLD: KRYSTLE VALENTINO, Purok 7
SILVER: LOVI POE, Sana Dati
BRONZE: VILMA SANTOS, Ekstra

lead actor

GOLD: SID LUCERO, Norte
SILVER: JHONG HILARIO, Badil
BRONZE: JOEL TORRE, Kabisera

directing

GOLD: LAV DIAZ, Norte
SILVER: CHITO RONO, Badil
BRONZE: ERIK MATTI, On the Job

picture

GOLD: Norte, Hangganan ng Kasaysayan
SILVER: Badil
BRONZE: Sana Dati

Whew, there you have it! 🙂 As a recap, here’s the complete list of my 2013 winners:

BEST PICTURE: Norte, Hangganan ng Kasaysayan
BEST DIRECTOR: Lav Diaz, Norte Hangganan ng Kasaysayan
BEST ACTOR: Sid Lucero, Norte Hangganan ng Kasaysayan
BEST ACTRESS: Krystle Valentino, Purok 7
BEST SUPPORTING ACTOR: Dick Israel, Badil
BEST SUPPORTING ACTRESS: Angeli Bayani, Norte Hangganan ng Kasaysayan
BEST SCREENPLAY: Lav Diaz, Rody Vera, Norte Hangganan ng Kasaysayan
BEST BREAKTHROUGH ACTOR: Mimi Juareza, Quick Change
BEST BREAKTHROUGH ACTRESS: Krystle Valentino, Purok 7
BEST ART DIRECTION: Richard Somes, On the Job
BEST CINEMATOGRAPHY: Lauro Rene Manda, Norte, Hangganan ng Kasaysayan
BEST COSTUME DESIGN: Boy Golden
BEST EDITING: Jay Halili, On the Job
BEST HAIR AND MAKE UP: Quick Change
BEST ORIGINAL SCORE: Teresa Barrozo, Debosyon
BEST SONG: “Indak” from Sana Dati
BEST SOUND: Arnel Barbarona, Riddles of my Homecoming
BEST VISUAL EFFECTS: Kung Fu Divas
BEST ENSEMBLE: the cast of Iskalawags
BEST FIRST FEATURE:Blue Bustamante” by Miko Livelo

Until next year! 🙂

Also, you can follow me on Twitter: @nikowl

13 Best Filipino Horror Movies of the Last 12 Years   6 comments

Halloween is right around the corner, and though the primary purpose of All Saints Day is to recognize those who are already there up with Him in the heavens, majority of those who await Halloween season are in for the horror stories that come during this period. Horror themed stories, shows, and movies seem to be a hit here in the Philippines, and with Asia being the region that produces the best horror films, the country has produced its fair share of horror themed films.

So for those who are looking for a Halloween themed movie playlist to marathon these next few days, here are thirteen titles that I  consider as the best of the best of the last twelve years and can recommend to you:

Director: Chito S. Roño
Stars: Maricel Soriano, Mika dela Cruz, Derek Ramsay
Story and Screenplay: Chito S. Roño, Aloy Adlawan, Chris Martinez
Release Date: April 11, 2009

While I’m no big fan of the over the top yet unpolished CGI effects in this one, I’m still pretty amused with the storytelling in the first two-thirds of the film. It focused on the different sayings, rituals, and legends from the Southern provinces of the country. I remember our helper telling me that she has experienced some of the scenes featured in the film like the group of black pigs that will suddenly block your way when traveling late at night which supposed to reincarantion of a group of aswangs. Doppelgangers were also present,  in the film, as well as the legends involving seeing a big submarine in a small creek or the simple sundo concept from the dead. If anything, this is the scary part of learning the rich culture of some parts in the country.

Director: Jose Javier Reyes
Stars: Rica Peralejo, Marvin Agustin, Dingdong Dantes
Story and Screenplay: Jose Javier Reyes
Release Date: December 25, 2003

This one is very reminiscent of that Keanu Reeves’s starrer The Gift about a woman’s psychic abilities. In here, Sara (Peralejo) has shown signs of possessing that gift of knowing if something bad will happen. The first sign of it will be a nose bleed which she has experienced way back when she was still a child. What I find creepy about this is that I experience nose bleed in a very frequent manner, so I somehow got paranoid after seeing this one. The film also benefits from having slick effects, cinematography, editing, and sound.


Director: Yam Laranas
Stars: Rhian Ramos, Marvian Agustin, Carmina Villaroel
Story and Screenplay: Yam Laranas, Aloy Adlawan
Release Date: November 30, 2011

The Road is one of those psychological thrillers more than your typical straight out horror film. With that said, it is very engaging and captivating enough to stay all through out the film. While there are particular loopholes within the storytelling of the film, its lavish technical effects make up for it. Also, watch out for Carmina Villaroel’s performance who was so good here and deserved some awards mention for her portrayal in the movie.

Director: Chito S. Roño
Stars: Vilma Santos, Janice de Belen, Pokwang
Story and Screenplay: Chito S. Roño
Release Date: July 25, 2012

The Healing certainly fits the bill of those Chito Roño horror film formula. However, with that said, this one goes deep into the Filipino habit of depending on healers for help. This one poses the man of science vs. man of faith concept that has been one of the age old questions that has every been asked. Also, among all of his past horror flicks, this one is the goriest and fits right up the crazy story that it presented in the movie.


Director: Richard Somes
Stars: Mark Anthony Fernandez, Tanya Garcia, Elizabeth Ororpesa
Story and Screenplay: Joven Tan
Release Date: December 25, 2005

After an eight year hiatus, in 2005, the Filipino film franchise Shake, Rattle, and Roll is back and has become the longest horror trilogy in Philippine cinema. While films in the series has been a hit or miss, there are still few solid gems in it like this one directed by Richard Somes. Lihim ng San Joaquin  is about a young newly-wed couple played by Mark Anthony Fernandez and Tanya Garcia who transfers into this rural town that is known to be inhabited by a manananggal and attracts all the men there and kills them one by one. This is a real breath of fresh air in terms of storytelling and production skills.


Director: Bobi Bonifacio
Stars: Maricel Soriano, Albert Martinez, Meryll Soriano
Story and Screenplay: Juan Miguel Sevilla, Bobi Bonifacio
Release Date: November 3, 2006

Numbalikdiwa has a richly interesting concept, probably one of the cleverest in recent years. The horror is not in your face; it’s more of something that will creep you out when you think about it. Here’s an interesting definition of what numbalikdiwa is as taken from the movie’s official blog site: An ancient, macabre ritual where the dead assumes the body of a living person. Like cannibalism, it involves the ingestion of the deceased’s ground meat andbones as part of the ritual. With the help of the Sasigloho, an ancient tribal deity, the dead assumes the identity of the living and continues to live his/her life accordingly, granting near immortality to the one who practices it. And yes, after seeing the film, I laid off eating any grilled street foods.

Director: Jerrold Tarog
Stars: Kathryn Bernardo, Louise delos Reyes, Sam Concepcion
Story and Screenplay: Maribel Ilag, Jerrold Tarog
Release Date: December 25, 2011

The 13th batch of the SR&R episode is one of its best. The first one, while bordering on fantasy territory, has good production values. The third one is relevant and also excellent. However, the best is the second one entitled Parola. Not only does it brag of a rich storytelling, it is also a perfect throwback to the early heydays of the said franchise. It represents the type of horror that Filipino moviegoers love, and it also contains exemplary production skills to boot. Definitely one of the best the whole series has ever produced.


Director: Chito S. Roño
Stars: Danilo Barrios, Vhong Navarro, Spencer Reyes
Story and Screenplay: Chito S. Roño, Roy Iglesias
Release Date: January 1, 2003

Probably one of the most prominent entries during its Metro Manila Film Festival batch, the follow up to the Spirit Warriors movie franchise is also the better movie between the two. I like how the movie has incorporated an interesting story to tackle referring to the “shortcut” that the spirits go to when they want to go to the world of the mortals. It also included a backstory at the start of the film that was shot perfectly in Vigan. I don’t see this in a lot of horror films list, but its inclusion is definitely merited here.

Director: Yam Laranas
Stars: Richard Gutierrez, Angel Locsin, Iza Calzado
Story and Screenplay: Roy Iglesias, Yam Laranas
Release Date: December 25, 2004

Sigaw is more popularly known as the horror flick that got an international version. But even with that distinction, I still prefer the original version about the bachelor who lives in an old building whose history seems to catch up with the present tenants. I feel that this is one of the underrated horror flicks of the past decade. People seem to catch on its appreciation with the film later on and not during its actual showing. And come on, a bloody Iza Calzado staring at your face? While Iza was every inch beautiful albeit the blood in her face, if that does not give you enough chills, then I don’t know what will.

Director: Richard Somes
Stars: Ronnie Lazaro, Tetchie Agbayani, Joel Torre
Story and Screenplay: Richard Somes, Dwight Gaston
Release Date: December 3, 2008

The Best Picture winner during the 2008 Cinema One Originals, Yanggaw definitely leans on its approach to manage the fight in you. With that said, the concept of a transforming aswang is something that is so popular and rich in this country’s culture, and that alone already deserves a slot in this list. The production design and cinematography, among all things, were also top notch. And lastly, the acting of the three actors (Ronnie Lazaro, Tetchie Agabayani, Joel Torre) is very convincing for that there’s no option left but to be swept along the whole ride.

Director: Jerrold Tarog
Stars: Carla Abellana, Sid Lucero, Nash Aguas
Story and Screenplay: Rona Lean Sales
Release Date: December 3, 2010

Another one from the Shake, Rattle, and Roll franchise, Punerarya follows the story of Diane (Carla Abellana) who home tutors two kids from the street’s funeral parlor. Unbeknownst to her, the family is hiding deep secrets that Diane unfortunately learned. The problem now is how she can escape unscathed from them. There are so many things that’s so commendable in this episode. Tarog’s approach in the direction is the primary reason for this episode to work, though. That, and Carla Abellana’s performance as the heroine  in the film. It definitely is deserving of the title as one of best Shake, Rattle, and Roll episodes of all time.

Director: Enrico Santos
Stars: Jodi Sta. Maria, Barbie Sabino, Gianna Cutler
Story and Screenplay: Joel Mercado
Release Date: July 14, 2010

Paa is the second episode in the five-parter Cinco (Duh. LOL). This one tackles a revengeful ghost of a young kid who visits the mother of her classmate. It was then revealed in the end what the connection of the mother (played perfectly by Jodi Sta. Maria) was to the untamed ghost. I think that this episode in particular is very underrated. The direction and approach was top notch, and the short length time of the episode worked well in its favor. The editing was also sharp, and Jodi Sta. Maria was more than capable in the lead role. My favorite scene perhaps was the end part with the montage, where everything was revealed. This is one of the few films that gets better and stands the test of time.

Director: Chito S. Roño
Stars: Kris Aquino, Lotlot de Leon, Jay Manalo
Story and Screenplay: Chito S. Roño, Roy Iglesias
Release Date: September 15, 2004

But of course, what’s a horror film list without Feng Shui? Chito Roño’s flick that showed how the fate of people depend on the Chinese ornament called bagua, and how one’s luck and demise are affected by it. Whether your creeped out by the “May uwi si Nanay… si Nanay… sa bahay” chant, the connection of one’s horoscope to the cause of your death, the scene where Alice (de Leon) comes across an image of the Lotus Feet holding a bloody and dead version of herself, or just by Kris Aquino’s kunot noo approach to show that she’s scared, there are no other reasons why this won’t be the top horror film of the last 12 years. 

How about you? What are some of your favorite local horror films? Do you feel there’s something that’s missing on the list? Or do you think there’s an undeserving entry here? Pipe them in below the Comments section.

REVIEW: Captive   1 comment

Cannes Best Director Brillante Mendoza’s first shot at the Berlin Film Festival involves a familiar territory that he has long been covering. In “Captive”, we get a closer look and a blow by blow update of a national issue that once hogged all the spotlight here in the Philippines. The only difference is that it has Isabelle Huppert here.

Inspired by the events during the 2001 Dos Palmas kidnapping of tourists, we get to see the struggle they have to endure when they get dragged in the fight between Muslims and the government in order for them to give in to what the Muslims wanted. The hostages ranged from cliche casting to effective ones with Isabelle Huppert leading the pack as the French missionary assisting old woman Soledad.

Mendoza effectively makes the viewers feel as if they were there with them combining  vivid portrayal of what the hostages experienced during that year long captivity and commendable technical aspects particularly Odyssey Flores’ cinematography and Teresa Barrozo’s score. With that said, one can’t help but think that there are times when you see style over substance as the treatment left something more to be desired. I see symbolism everywhere (giving birth scene, animals in the forest, two Muslims playing spiders, the colorful eagle) and some parts were just overdone. One can also recognize the similar Mendoza trademark that he used in his previous films, so if you’re someone who’s familiar with his filmography, there’s sort of a “been there, done that” approach with his treatment. Supposed to be pivotal scenes were also scattered that it’s hard to digest every thing so when you see one, it does not leave that much mark to the readers.

Huppert’s role, like the rest of the cast, was very physical, and I applaud how she was so “game” with everything that was required of her to do. While there are times when her character was relegated to do the typical histrionic touch when attacking the Muslims, I find her at her best when she was interviewed for a semi-documentary where she just gave her all when asked about the hostage experience. The local cast were good as well but there’s no real highlight for the rest of them that makes one a standout.

All in all, while it’s hard to nitpick about Mendoza’s visual output, it sadly didn’t leave the same amount of impact that the director intended his viewers to feel once the credits rolled.

Grade: 3 / 5

Best Actors of the New Generation   3 comments

The concept of who is the best for a particular field is a very subjective one. Each taste differs from another one. The current lead acting winners at the Gawad Urian last week gave me a thought that we are slowly shifting to younger actors to handle lead roles in both mainstream and independent films. With that, I came up with a list of the best young actors of the current generation. The main and single criteria that I used here is that the actors need to be under the age of 35 and below. Their filmographies, performances, and other relevant factors were considered as well. However, like what I mentioned, each opinion is subjective, so I’m sharing this with you and you can agree with me or take it with a grain of salt.

First, here are names that were close but failed to make the cut: Wendell Ramos, Vhong Navarro, Ketchup Eusebio, and Paulo Avelino.

So now, let’s begin with the actual countdown:

16. ZANJOE MARUDO
Age:
29
Notable Performances:
Altar, Sa’yo Lamang, Wedding Tayo Wedding Hindi

Zanjoe Marudo is probably one of the underrated contemporary actors we have. While he is usually relegated to supporting roles and leading man roles, he simply makes the best out of what’s given to him. It also does not hurt that he’s one of the actors that works well in the comedy genre while not totally being ignorant in dramatic roles. As a matter of fact, he has starred in straight comedies (Kimmy Dora), straight dramas (Sa’yo Lamang), straight thrillers (Altar), as well as rom-coms (You Got Me), and horror-comedy (Cinco episode: Puso). It seems that his handler aims for a pretty much versatile résumé.

15. JOEM BASCON
Age:
25
Notable Performances:
Noy, Ka Oryang, Batanes

Started out in the business as part of the teenage show Let’s Go, Joem Bascon was first launched as simply a Piolo Pascual look a-like. Years later, he emerged as one of the go to young character actors with his hunky looks and strong features as add-ons to his undeniable talent. He also went on to win a Supporting Actor Urian in 2010 for his performance as a wheelchaired drug dealer in the politically themed movie Noy. While Joem’s current projects is the ABSCBN drama Walang Hanggan, he still takes indie movie roles every now and then such as his recent turn in Ka Oryang.

14. SAM MILBY
Age: 
28
Notable Performances: 
Third World Happy, Forever and a Day, My Big Love

Sam Milby, who was once a housemate in the country’s biggest reality show, turned out to be one of the best actors of his generation. Whether it’s his work as the lovable chubby guy Macky in My Big Love or an academe member in Babe I Love You, Sam has this certain movie star charisma that is difficult to resist. Beyond that though is the depth in his recent performances that require more emotional tugs such as the son who experiences a life changing realization in Third World Happy or his serious competitive businessman in Forever and a Day, It is very easy to predict that there’s still a long way ahead waiting for Milby’s star to shine even brighter.

13. JIRO MANIO
Age:
 20
Notable Performances: Magnifico, La Vida Rosa, Foster Child

At a very young age, Jiro Manio has already given some of the finest performances in recent Philippine cinema. His turn as the lovable child Magnifico won raves not only here in the country but in other parts of the world as well. Before that, he used to sweep Child Acting categories for his performances in other movies such as Bagong Buwan, Mila, and La Vida Rosa. While his succeeding movies ranged from excellent (Foster Child), to good (Tanging Ina) to bad (Bahay Kubo) to unfathomable (Manay Po series), his capabilities as an actor will never ever be denied.

12. JASON ABALOS
Age:
27
Notable Performances: Endo, Thelma, Adela

For his age, Jason Abalos seems to exude this level of confidence and maturity of men older than him. That was most evident in his Urian winning performance “Endo” when partnered with more mature actress Ina Feleo. He also got a chance to be paired with the country’s top young actress Judy Ann Santos in a TV anthology. While Jason is very much active in his television career (he never runs out of series whether it’s in daytime or primetime), it will be better to see Jason Abalos do movies and take the center stage once again.

11. MARVIN AGUSTIN
Age:
 33
Notable Performances: Tanging Yaman, Kutob, Patikul

Marvin Agustin was once a member of the elite club of loveteams in Philippine entertainment in the late 90s. His early works were usually pairings with loveteam Jolina Magdangal. However, the decade 2000 showed the best of Marvin Agustin when he started to move on to projects that tend to result to critical and commercial acclaim such as “Tanging Yaman” and “Trip”. And even before Dingdong Dantes showed the psychopath role in Segunda Mano last year, Marvin already did the same performance in Jose Javier Reyes’ Kutob in 2005. While he veered away from leading man materials in films, Marvin still stars in notable ones such as his nominated performance in last year’s indie film “Patikul.”

10. YUL SERVO
Age:
 
33
Notable Performances: Batang Westside, Laman, Naglalayag

While he was never introduced as a matinee or teenage idol, Yul Servo has made a name for himself via Lav Diaz’s Batang Westside in 2001. This 33 year old Moreno chinito actor has then made his mark in the industry when he starred in Maryo J delos Reyes’s Laman in 2002 and Albert Martinez’s Rosario last year. He also played the leading man of the one and only Superstar Nora Aunor in Naglalayag which gave him lots of nominations during that year’s awards season. Servo has acted and starred with the likes of Joel Torre, Nora Aunor, Jaclyn Jose, Albert Martinez, and Elizabeth Oropesa in his decade long career, and if that’s not impressive, then I don’t know what is.

09. DENNIS TRILLO
Age:
 
31
Notable Performances: Aishite Imasu, Blue Moon, Yesterday, Today and Tomorrow

Dennis Trillo gave one of the most memorable breakthrough performances in Philippine movie history when he starred as a cross-dressing man to whom a high Japanese officer fell in love with in the middle of war. This performance gave Trillo two Star Awards, a Luna, and a FAMAS. His next performances such as the gradpa’s son in Blue Moon, the syndicate leader in Mano Po 6, and the gym instructor torn between a mother and her daughter in Yesterday, Today, and Tomorrow merited awards consideration as well.

08. PAOLO CONTIS
Age:
28
Notable Performances: Pagsasamang Kay Ganda: Noon at Ngayon, Banal, Listonero

One of the most successful Ang TV alumnus, Paolo Contis managed to smoothly translate his career from sidekicks and ensemble members to actual stars and lead actors of the films he starred in. While he currently works as a co-host of GMA’s Manny Manny Prizes, his film performances such as the gay son in Noon at Ngayon and his Star Awards Best Actor winning performance in Banal were some of the reasons why Contis is ahead to some of his contemporaries in terms of achievements.

07. BARON GEISLER
Age: 
30
Notable Performances: Jologs, Jay, Manila Kingpin: Asiong Salonga Story

                                                                                                        Baron Geisler’s personal issues usually meddle with people’s perception of him as a celebrity but never when it comes to his works. As an actor, Geisler is one of the most versatile out there. As for starters, he played Vilma Santos’ goody two shoes in Anak that gave him several awards nominations. Next, he made an impact as the gay survivor who was almost killed in the ensemble driven film Jologs. While most of his succeeding performances were villainous turns in Nandito Ako Nagmamahal Sa’yo, Baler, and Manila Kingpin: The Asiong Salonga Story, his most compelling performance to date was when he play the title role of the gay report Jay in 2009.

06. CARLO AQUINO
Age: 
26
Notable Performances: Bata Bata Paano Ka Ginawa, Minsan May Isang Puso, Sa Aking Pagkakagising sa Kamulatan

Carlo Aquino shared the screen with veterans such as Vilma Santos, Albert Martinez, Ricky Davao, and Jaclyn Jose. It’s difficult to make level yourself up with them but Carlo does it with so much ease that he even gets nominations and trophies even at a young age. When he got older, he suffered some career lie low due to the awkward transition of every celebrity child star to adulthood. However, that did not stop him from giving bravura performances one after the other may it be in leading roles such as Sa Aking Pagkagising sa Kamulatan in 2005 and Torotot in 2008 or supporting turns such as Baler and Tanging Ina franchise.

05. PIOLO PASCUAL
Age:
35
Notable Performances: Dekada ’70, Milan, Manila

Probably the most famous eligible bachelor in the local entertainment industry, Piolo Pascual is by no means just a guy with good looks. Time and again, he has already proven that he is an all around guy that made waves whether it is in recording, television, and now, producing industry as well. But of course, when we mention Piolo Pascual the actor, his effective and intense performances in his films such as his FAMAS winning stint in Milan, Star Awards winning performances in Don’t Give Up On Us and Paano Kita Iibigin are some of what folks will remember. Awards aficionados though will always remember how Piolo Pascual was the last person who achieved grandslam status by winning all major supporting actor awards from the MMFF, PMPC, FAP, FAMAS, and Urian for his turn as son Jules Bartolome in Star Cinema’s Dekada 70.

04. JERICHO ROSALES
Age:
32
Notable Performances: Tanging Yaman, Santa Santita, Pacquiao: The Movie

From one Hunk to another, Jericho Rosales has really come a long way from his Mr. Pogi days. This former fish vendor achieved so many from being a primetime royalty to a member of The Hunks to recording artist and to an award winning actor. While most criticisms re: Echo always root from his English accent, no one can deny his approach to move roles given to him. His supporting performances in Tanging Yaman, Bagong Buwan, Noon at Ngayon up to his lead ones such as Baler, Pacquiao: the Movie, and Santa Santita are living proofs of his effectiveness as one of the best actors of his generation.

03. COCO MARTIN
Age:
30
Notable Performances: Serbis, Kinatay, Noy

Dubbed as the Prince of Philippine Indie Movies, Coco martin must feel a lot of pressure in his shoulders to be named as such. However, that cool and effortless demeanor he exudes when he portrays his roles is a big testament on why he is achieving success both in mainstream and independent industry. That characteristic is most prevalent in his performances wherein he was a masseur (Masahista), a conflicted young husband (Kinatay), and a desperate reporter (Noy). Lately, Coco is busy fulfilling his television star status, but I’m pretty sure I’m not the only one waiting for his next big screen output.

02. SID LUCERO
Age:
31
Notable Performances: Selda, Independecia, Muli

Given that he is the son of one of the country’s best actors, it is easy to figure out that 31 year old actor Sid Lucero will really do well in this field. But while we are expecting good stuff from him, we’re still surprised to find out that not only did he bring the good stuff, he even brought the great stuff in his performances. With Sid, what you see is not necessarily what you get. Behind his machismo overload demeanor comes a vulnerable and effective portrayal of different types of people such as his performances in the movies Selda, Donsol, and Muli. Sid is also one of the only six actors (and the youngest at that) to receive multiple Best Actor awards at the Gawad Urian Awards. Yes, you can close your mouth now.

01. JOHN LLOYD CRUZ
Age:
28
Notable Performances: One More Chance, In My Life, My Amnesia Girl

Finally, the one I consider as the best actor, in my opinion, of his generation, John Lloyd Cruz is one of the best risk takers among his contemporaries. He started out showing potential already when he won Best Actor at the 2000 Star Awards for TV beating the likes of Eddie Garcia and Richard Gomez. His movie star status started out doing love teams one after the other, but it wasn’t until his performance of Popoy in 2006 cult classic One More Chance that relegated him into the most charismatic actor in recent years. Whether it’s with Bea Alonzo, Sarah Geronimo, Toni Gonzaga, and Angel Locsin, all of John Lloyd’s movies never fail to hit stride with the watchers. Oh, and he is always at the top of his acting game. Have I mentioned the big slap he gave Vilma Santos after shouting at her face? That’s some pretty big balls out there, and John Lloyd always I’m sure is the country’s best among his peers.

There you have it. Who do you think was left out? Did you agree with my John Lloyd pick? Are you looking for Rainier Castillo? Pipe them in at the Comments section. 🙂