Yesterday, the Film Academy of the Philippines (FAP) has already released the shortlist on what the country’s likely submission for next year’s Best Foreign Language Film at the Oscars. As of press time, nine films are included in the list which will be decided by the eight-person committee. While these films are already assured as a part of the shortlist, September released films can still be late additions to it, as the AMPAS eligibility extends up to September 30 of this year.
Last year, I decided to put my two cents on what the country will submit as an entry which you can read here. I suggested Alvin Yapan’s Ang Sayaw ng Dalawang Kaliwang Paa from the field of seven that was announced earlier. The country ended up with Bwakaw, which wasn’t part of the initial list, but nevertheless, a competent and most inspired submission we had in years. This year, I’ll be doing the same based on the initial shortlist of nine films included and suggest what I think should be our country’s entry. One thing you have to remember though is that it’s not solely about the film’s quality, as politics and buzz also play a big part when it comes to choosing our Foreign Language Film submission. Anyway, here’s how I see each of the nine contenders:
BOSES (The Voice)
Director: Ellen Ongkeko-Marfil
Screenplay: Froilan Medina, Rody Vera
Cast: Julian Duque, Coke Bolipata, Cherry Pie Picache, Ricky Davao
Boses tells the story of Onyok, an abused son, who was brought to a children’s shelter to be protected from his abusive father. In there, he develops an unlikely mentor with Ariel, the brother of the shelter director, who saw his potential to play the violin. Through these lessons, both Onyok and Ariel managed to find an escape from their individual traumatic experiences.
Films with child/ren as the main character work well within the Academy, especially in the Foreign Language Film category. Think of France’s The Chorus or Brazil’s The Central Station. Add the music factor, and I can see this inspirational drama working well to the voters of this category. The production values, while not the top notch in this field are still commendable (I remember in 2005 when reception re: Ang Pagdadalaga ni Maximo Oliveros was that the production values, particularly the sound, was poor). The downside of this film though is that if chosen, if they’re willing to do a campaign because otherwise; it will just get lost in the shuffle.
DANCE OF THE STEEL BARS
Director: Cesar Apolinario, Marnie Manicad
Screenplay: Cris Lim, Michael Villar
Cast: Dingdong Dantes, Joey Paras, Ricky Davao, Patrick Bergin
While the story of the friendship among the three inmates (two Filipinos, one American) is fictional, one central part of the movie incorporates the dancing inmates based from that viral video of the real dancing inmates (jiving to Michael Jackson’s Thriller) from one of the provinces here in the Philippines.
I don’t see this making much of a fuzz, as its reviews here locally are mixed to negative. It’s a very divisive film that also did not make waves commercial wise. When most of reviews range from “thin plot” to “melodramatic”, it probably fits more for a Lifetime TV of the week spot than an entry at the Best Foreign Language Film. I suspect that the friendship angle between a Filipino and an American is what paved its way in the shortlist.
EKSTRA (The Bit Player)
Director: Jeffrey Jeturian
Screenplay: Jeffrey Jeturian, Zig Dulay, Antoinette Jadaone
Cast: Vilma Santos, Ruby Ruiz, Tart Carlos, Marlon Rivera
The movie follows a day in the life of Loida Malabanan, who works as a bit player in films and television show. For this particular instance, she works in a soap opera while still dreaming to have that one big break she has long been waiting for.
Definitely the most buzzed about entry at this year’s Cinemalaya Independent Film Festival, Ekstra is a critical and crowd favorite with its humorous take not only on the roles of bit players, but with its satirical portrayal of a television production as well. The good thing about it is that it’s one of the more recent entries this year and is already starting its run at different international film festivals such as the Toronto International Film Festival. It also stars one of the country’s most important stars, Vilma Santos, in the main role. However, with this being a major comedy, I wonder if the FAP is adamant to submit a comedy once again, especially one that pokes fun at the entertainment scene, too soon (after 2011’s Ang Babae sa Septic Tank). It can go either the way of 2003’s Crying Ladies which gained serious buzz or 2009’s Ded na si Lolo which gained none at all.
EL PRESIDENTE (The President)*
Director: Mark Meily
Screenplay: Mark Meily
Cast: ER Ejercito, Nora Aunor, Cesar Montano, Christopher de Leon
A historical epic about the life of one of the Philippines’ most prominent heroes, Emilio Aguinaldo. It does a full circle depiction from his early childhood days up to his last few days highlighting some of the most important days in Philippine history.
Every now and then, the Foreign Language Film recognizes entries which are of significant and cultural impact to its country. Thus, the committee can’t help but bite into the bait by inserting not only one, but two films into the mix. The first one being El Presidente. While winning Best Picture in a lot of local award giving bodies earlier this year helps it chances, critical response wasn’t as kind as the others. However, I’d say that with ER Ejercito behind it, once chosen, they’ll probably try to pull off an aggressive campaign for it. I don’t think it’ll be enough though.
ON THE JOB
Director: Erik Matti
Screenplay: Michiko Yamamoto, Erik Matti
Cast: Piolo Pascual, Gerald Anderson, Joel Torre, Joey Marquez
Inspired by true events, the movie shows the struggle of good vs. evil from different perspectives: jailed hitman Tatang and his protege Daniel, police officer Acosta, and NBI agent Francis. How all their paths crossed and the circumstances that bind them together is the main core of this action thriller.
After participating in the Directors’ Fortnight section of this year’s Cannes Film Festival, On the Job is already the best local reviewd film from this bunch. It also has the most buzz being the latest to be shown in this group. Local critics are rallying behind it and the word of mouth is really good. Commercial wise, it might end up as the second biggest hit in the shortlist, and I think that makes it the most viable contender. The film’s appeal is also universal, as proven by a confirmed Hollywood remake. Since it’s produced by the country’s biggest film production, a campaign is definitely feasible for it. Needless to say, it should be the most viable option from the bunch.
Director: Richard Somes
Screenplay: Jimmy Flores
Cast: Alfred Vargas, Mon Confiado, Nicco Manalo Alex Medina
The movie gives a historical depiction of another Filipino hero, Andres Bonifacio, as he leads the Katipunan into a struggle for independence.
As for the other “hero” movie, while it’s the lesser buzzed movie between the two, it’s the one that got better reviews. With that said, it also suffered from lack of overall impact, as only a handful of people saw it during its run. Part of me thinks that with these two heroes in the mix, if they’ll cancel each other’s chances in order to avoid controversies about the chosen film in case one of them gets to be the top pick? I know that sounds ridiculous, but you’ll never know. Not that I think either of the film will actually end up as our submission, but one can’t help but think it can affect such.
Director: Brillante Mendoza
Screenplay: Henry Burgos
Cast: Nora Aunor, Bembol Roco, Lovi Poe, Mercedes Cabral
Set in the beautiful village of Tawi-Tawi in the farthest island of Mindanao, the wife of a childless couple , Shaleha, suffered her third miscarriage. Out of frustration, it gave her an idea to find another wife for her husband Bangas-an. As she finally saw the perfect wife, conflict ensues when young lady Mersila gives her condition in exchange of this agreement.
Thy Womb was part of the official competition of last year’s Venice Film Festival. Aside from that, it also participated as part of Toronto International Film Festival as well. While this gives it a great advantage among other competitors, the fact that it already had its festival run last year gives it less buzz as compared to the newer ones. Sure, it i still under the same eligibility period, but it leaves a “been there done that” feel already. And while the raves for Nora Aunor’s performance is unanimously positive, there is a discrepancy with its reviews locally and internationally. It got great reviews here while it’s more mixed abroad, so that speaks volumes about its universal appeal. It’s also noteworthy to mention that Brillante Mendoza isn’t an FAP favorite with no previous entries submitted, despite getting worldwide accalim for some of his previous films.
TIKTIK: ASWANG CHRONICLES
Director: Erik Matti
Screenplay: Erik Matti, Ronald Monteverde
Cast: Dingdong Dantes, Lovi Poe, Janice de Belen, Joey Marquez
Shot in the fictional town of Pulupandan, an overconfident Makoy hopes to win back the heart of his pregnant girlfriend. But when his arrogance irked some people of the said town who happened to be a group of aswang (Filipino term for “monster like ghost creatures”), Makoy and his girlfriend’s family fight for survival.
This one is probably the easiest to eliminate here. The movie showed a great stylistic approach (and an effective one at that), but other than that, there’s nothing that’s gonna make sense to put this as the country’s submission. There will be a huge barrier to even explain the concept of aswang to a foreign crowd, and this one suits for an enjoyable popcorn flick than an Oscar submission. Besides, Erik Matti has another submission here which has the better odds of getting chosen.
Director: Veronica Velasco
Screenplay: Veronica Velasco, Jinky Laurel
Cast: Eugene Domingo, Leo Martinez, Enchong Dee, Jake Cuenca
A bus accident left three strangers literally connected to a pole, and as they are waiting for their fate in the hospital, we get a glimpse of their individual lives prior to the said incident.
Tuhog‘s chances can actually go either way. On one hand, it’s the quirky film that can inspire a lot of passion among voters with its multiple storytelling. On the other, it might be seen as too light to stand out in a field of 70+ films worldwide. While the FAP hasn’t shied away from lighter films before (Ang Babae sa Septic Tank, Ded na si Lolo), but end results did not bode well for the country’s chances.
All in all, I’d say On the Job is far and away the best option to be submitted this year. It has the buzz, the great push, the reviews, and the festival experience to make a mark in this category. A runner up position goes to Ekstra since it can follow Bwakaw‘s footsteps last year starting with its TIFF inclusion already. I think Boses can be a good submission as well, as I think it will work well among AMPAS voters. Tuhog and Thy Womb will also be decent picks, though not necessarily the strongest we can offer. With that said, there will probably be two to three more additions to this given that the Sineng Pambansa will be held mid-September.
*unofficial English titles
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2012 in cinema is probably one of the most enjoyable in a while. I liked a lot of the movies that I’ve seen this year, (though maybe I really avoided the bad ones? LOL), and a lot of these films would have topped any other weaker years. On top of that, we’ve also seen a lot of impeccable performances from these films. Mind you, while I have seen 60+ local films this year, there’s a lot left still to be seen. Despite that, I feel that 2012 is one of the better years in recent Filipino cinema, and here are 12 reasons why:
12: UNOFFICIALLY YOURS
Arguably, the best output from commercial filmmaking this year is this Cathy Garcia Molina’s relationship story between two people that sprouted from a one night stand. Molina has really mastered how to make supposedly conventional studio produced films more engaging and interesting. Also, watch out for John Lloyd Cruz and Angel Locsin’s palpable chemistry here.
11. MNL 143
I’m a sucker of travel/road movies. With that said, Emerson Reyes’s first feature length film is a poignant love story of a man (Allan Paule) who’s looking for the woman of his life is something that’s easier to relate to; not the search per se, but the longing and the optimism for it to finally arrive is a familiar feeling that can resonate well to its viewers.
Loy Arcenas’ consecutive Cinemalaya entry is a dark comedy that focuses on Swanie, a barangay captain who involves herself as a relative of a suspect in an international murder case. With a witty screenplay and Shamaine Buencamino’s effective portrayal as Swanie and breakthrough talent Anthony Falcon, the movie is definitely one of 2012’s brightest spots.
This Cinema One Originals winner which was also Pam Miras’s feature debut about one’s self discovery about her monsters within is one of the surprise entries in my list. Not because it is bad, but because I liked and appreciated it better days after seeing it. Oh, and if Maria Veronica Santiago’s performance in the title role won’t charm you enough, then I don’t know what will.
08. ANG NAWAWALA
Another first feature effort this year, this time by Marie Jamora, Ang Nawawala is bound to be a cult classic. Yes, it probably caters to a younger crowd, to those in the middle status, or to those who are into local music scene, but one universal thing that I sure can relate to is how it connects you back to yourself. Plus points for the eye candy production design and the compilation soundtrack.
The Philippines’ submission to the Oscar Foreign Language Film category this year (and its best submission in years, I must say) is this little gem by Jun Lana about an old gay man living alone with only his dog named Bwakaw, and how he tries to make the most out of his remaining days. It’s just one of the most heartfelt films of the year that makes you laugh and cry while watching. Also, Eddie Garcia’s performance is to watch for here.
06. THY WOMB
Brillante Mendoza’s Venice entry this year is also the comeback vehicle of one of the Philippines’ greatest actresses to date, the Superstar Nora Aunor. I guess my favorite aspect of the film is how it showcased to us this little gem of a place called Tawi-Tawi, and how the film introduced us to its culture. That, and of course La Aunor’s towering performance in it.
05. ANG PAGLALAKBAY NG MGA BITUIN SA GABING MADILIM
My favorite from the whole Cinema One Originals bunch this year is Arnel Mardoquio’s feature about the escape of three Muslim rebels, together with a ten year old child in the midst of the Bangsa Moro issues in Mindanao. But unlike any previous Mindanao related war-themed films, this one stands out because it’s does not lecture you. And within this silence is where the actual emotions linger.
04. GIVE UP TOMORROW
This Filipino/Spanish/American production directed by Michael Collins on what was labeled as the trial of the century in the Philippines (the involvement of Paco Larrañaga to the disappearance of the Chiong sisters) is one film that probably triggered the most emotions while watching. The film for the most part was half maddening and half heartbreaking. But it probably contains one of my most favorite quotes of the year when Paco said “If you want to give up, give up tomorrow. When tomorrow comes, then give up tomorrow.“
Vincent Sandoval’s Cinemalaya entry about the secluded lives of nuns in a monastery in 1972. The film’s strength lies in its capability to build an atmosphere that was intense and arresting that once the movie hits it middle part, you just feel as if you’re a part of it. If you’re into the technical aspect, this movie also boasts of a complete top notch production values: neat production design, applicable costumes, captivating cinematography, polished editing, and haunting score.
Ron Morales’s Tribeca entry about a loyal driver caught in the middle of his congressman employer’s paying of sins is as intense as one can get. Fifteen minutes in, there’s already a shooting scene. And the rest of the movie was packed with emotional punches, as it dwells with questions about one’s choices in life. Is this the correct choice? What happens when it’s not? Where do we go next? Also, Arnold Reyes’s terrific performance as the driver is a must see.
And my top pick for local cinema this year is Adolf Alix’s Kalayaan. On the outside, it’s about a soldier solely stationed in the Kalayaan islands and a run on his daily activities, until two additional soldiers were sent there with him. The first hour of the film solely shows on the day to day routine of Julian. Rarely any dialogue was spoken in it, but the message was effectively sent. Once the credits rolled, you feel that you’ve known enough yet it will also prompt you to ask some more. Definitely my favorite film of the year!
Well that’s it! What are your favorite local movies of the year? In case you are wondering, the reason why there’s no top international picks yet is because I’m still catching up on a lot of the Oscar movies til the next two months. So I guess, you can expect my list by March.
And as always, you can follow me on Twitter: @nikowl
Yesterday, we kicked off the awards season here at Tit for Tat with a recap of the year in supporting actresses in local films. For this day, we’d do the counterpart and discuss the year in supporting actors. Mostly, supporting actor roles this year were veteran actors doing comeback films or newbie actors in their first films. Like the pattern yesterday, we’d divide them into three parts:
LEADERS OF THE PACK
If he’s not submitted or inserted in the far crowded Lead Actor category, Thy Womb‘s Bembol Roco can find his name among award giving bodies this year as the husband of Nora Aunor who wanted to have a child of his own. Ronaldo Valdez seems like that he will be a staple to as Bea Alonzo’s benefactor in The Mistress. Filmfest Best Supporting Actor winner Cesar Montano is also gaining notices as the standout from the ensemble of El Presidente playing the role of hero Andres Bonifacio. Relatively younger actor Zanjoe Marudo had two award worthy performances this year: as one of the soldiers in Adolf Alix’s Kalayaan, though I can see award giving bodies going for his showier performance as Tristan in the drama One More Try. Round up the top five is the comical and scene stealing performance of Joey Marquez as the passive and under da saya husband of Janice de Belen in Tiktik: The Aswang Chronicles.
After the top five, these men’s performances can also see a nomination or two from these award giving bodies: versatile actor Art Acuña can do back to back wins at the Urian and Golden Screen for his performance as the head of police in the Cinemalaya entry Posas. Veteran actor Mark Gil can do a comeback at the awards circuit in his flashy performance as Frankie in Mariposa sa Hawla ng Gabi. No stranger to awards, Carlo Aquino can also pick up nominations for his turn as the younger son in Adolf Alix’s Mater Dolorosa while older brother Cogie Domingo also has buzz from the same film. The same can be said for Cinemalaya Supporting Actor winner Joross Gamboa playing as one of JM de Guzman’s friends in Intoy Syokoy ng Kalye Marino. Kristoffer Martin, playing lazy younger brother to another Kristoffer (King, that is) who does not want to live a poverty stricken life in Oros can be a candidate as well. If voters are much in love with El Presidente, then Andres Bonifacio might not be the only hero nominated in this category. Christopher de Leon‘s Anotnio Luna can be in the running as well. Joel Torre might gain some notices too, if voters are kinder to Mariposa for his role as Primo, the butcher. Ogie Alcasid‘s one hit wonder slash understanding father to Sam Concepcion might pick up some notices as well for his performance in I Do Bidoo Bidoo. Lastly, Patrick Sugui can also get nominated especially in award giving bodies that has new actors of the year categories as the frat neophyte in Gino Santos’s The Animals.
THE REST OF THE RACE
As for the rest of the race, one can also take a look into the performances of Mon Confiado as the boss who has the hots for one of his employees’ wife in Palitan, Sef Cadayona as the hostage of three gay friends in Slumber Party, corrupt politician Menggie Cobarrubias whose family was put into a test in Graceland, and the pair of Mariposa actors Dennis Padilla as the cop who wants a promotion and Alfred Vargas as Carlos, the boyfriend of Erich Gonzales’s sister in the movie. Looking further, other performances that might be up for consideration were newcomer Nicolas Varela in Aberya, Robert Arevalo as Vilma Santos’ now healthy father in The Healing, Baron Geisler’s Spanish soldier performance in El Presidente, Sid Lucero as one of the Abu Sayyaf members in Captive, and Niño Muhlach as fairy gaymother in Slumber Party.
That’s it! That’s just 25 names, but it gives award giving bodies a lot of options to choose from in next year’s awards derby. Tomorrow, spotlight for the leading actors of the year will be given.
As always, you can follow me on Twitter: @nikowl
2012 has given us a wide array of supporting actress performances from dramas to comedies, from musicals and even horror films both in indie and mainstream movies. This category also contains some of the finest names in television, films, and even the stage. Here’s a sample masterlist of who can get nominated from the award giving bodies next season.
Take note that when I say award giving bodies, it’s as varied as the mainstream hard on of the PMPC Star Awards for Movies up to the indie love of the Manunuri and sometimes the in between such as the Golden Screen Awards.
LEADERS OF THE PACK
I wouldn’t be surprised if veteran actress Anita Linda will pick up a lot of supporting actress trophies for her performance as the foul mouthed Alzheimer’s healed grandmother of Coco Martin in Santa Nina. If not that, then she might gain notices for albeit a similar role in Olivia Lamasan’s The Mistress. Speaking of The Mistress, comeback veteran actress Hilda Koronel can find herself back again in awards territory as the original life spewing one of the famous movie lines of the year via “Layuan mo ang asawa ko. Tagalog ‘yan para maintinfihan mo.” Janice de Belen had a fabulous year giving memorable performances in all of her movie appearances this 2012. While I can see her getting nominated for the horror films she did, her biggest chance is still Joey Reyes’s Cinemalaya entry Mga Mumunting Lihim portraying the role of Olive, the one in the quartet of friends who wasn’t able to finish college and gets a boyfriend twice younger than her age. Janice’s co-star Agot Isidro can also reap nominations as the self centered judgmental friend Sandy also from the same movie. To round off the top five, I’d put Angelica Panganiban‘s name here as workaholic Jacqueline who’s trying to be the perfect wife in One More Try. While I can see cases wherein Panganiban will be moved to Lead, I guess they might throw her a bone here in order to avoid internal competition from Angel Locsin. Not that it’s a fraud or something because I felt she was actually a supporting actress in this one.
If award giving bodies failed to like any of the women above, then you can always count Nora Aunor’s performance as Emilio Aguinaldo’s second wife in El Presidente though lack of screentime will probably hurt her. Lovi Poe suffers the same fate as Thy Womb co-star Aunor from appearing in the final moments of the film especially since local award giving bodies love scenery chewing scenes that screams acting from its audience. Both Fides Cuyugan Asensio and Raquel Villavicencio can also be in the running this year as the more superior nuns of Adoration Clositer in Vincent Sandoval’s Aparisyon. Young actress Alessandra de Rossi also got a boatload of performances this year and she can get nominated as Coco Martin’s past love in Santa Nina or the cop daughter in the family ensemble Mater Dolorosa. A lot of mothers can also get a nomination or two this year such as those of Eugene Domingo as an annoyed mother who found out that her son fathered a teenage daughter in the musical I Do Bidoo Bidoo, Cherry Pie Picache‘s mother who keeps a secret in Lawrence Fajardo’s The Strangers, Rosanna Roces as the mistress of Philip Salvador who is dependent to Gina Alajar in Mater Dolorosa, and Dawn Zulueta as a strict mother who’s distant from her son in Ang Nawawala. Since there’s an abundance of mistress themed movies, one can also expect a nod for Andi Eigenmann‘s role as the third party in A Secret Affair.
THE REST OF THE PACK
And as for the others, possible supporting actress turns that can receive mentions this year include Kim Chiu‘s transformation as Vilma Santos’ half daughter in The Healing, Mercedes Cabral as Nora Aunor’s friend in Thy Womb, Gina Pareno as the voice of reason to daughter Angel Locsin in One More Try, Annicka Dolonius as Gibson’s apple of the eye in Ang Nawawala, and Angel Aquino as one of the victims in Brillante Mendoza’s Berlin entry Captive. Further supporting mentions that might grab attention at next year’s award giving bodies are Cinema One Originals winner Ria Garcia in Melodrama Negra, Daria Ramirez as Pokwang’s mother who took care of her grandchildren in the absence of her daughter who went abroad for a living in A Mother’s Story, Toni Gonzaga who is caught in between Vice Ganda and Luis Manzano’s antics in This Guy’s in Love with U, Mare, Angelina Kanapi as Dennis Trillo’s cousin in Ang Katiwala, and Cherie Gil in the comedy ensemble Madaling Araw, Mahabang Gabi.
That’s it! That’s just 25 names, but it gives award giving bodies a lot of options to choose from in next year’s awards derby. Tomorrow, spotlight for the supporting actors of the year will be given.
As always, you can follow me on Twitter: @nikowl
The Metro Manila Film Festival kicks off today, and there’s no better way than to start the reviews by writing one for arguably the most quality film of the bunch. Brillante Mendoza’s Venice entry Thy Womb was in the shortlist months before but actually did not make the final list. However, as fate would have it, one movie backed out paving the way for its inclusion in the final eight.
Thy Womb takes us all the way to Tawi Tawi in Mindanao. There, we meet Shaleha (Aunor) a Badjao midwife who ironically can’t provide her own offspring to her husband Bangas-an (Roco). This led the couple to explore endless options in order for Shaleha to give what she knows her husband wanted from the start.
With such an interesting premise, director Mendoza grabbed every possible chance in order to let the story speak for itself. Most of the time, we are following Shaleha and Bangas-an’s daily routines. It is with this straightforwardness that the story let the audience be a part not only of their culture, but with the life of the couple. I’ve always like how the breathtaking Tawi Tawi was depicted; in its own, it can be considered as a character in the film. Think of Manhattan in Manhattan or New York in Sex and the City series (lousy comparison, but I do hope you get the point), where in the location itself has a lot of stories to share to its viewers. And Mendoza introduces Tawi Tawi to us by giving us bits and pieces of their colorful traditions and culture.
I think the biggest con that the movie had was during the near end of the movie, when a turning point was revealed. I don’t feel that it was established well enough to elicit the intended impact that the writer aimed. While it is, indeed, a game changer, it felt a bit premature given the lack of actual build up. With that said, I like the insertion of small ironies here and there regarding the couple’s life experiences.
Time and again, it is a common fact that Nora Aunor is one of the best talents that ever graced Philippine cinema. And Thy Womb is another testament of that. I’d even dare say that at times, she elevates the material with her performance. Her poignant turn as Shaleha is probably one of my favorites for the year. La Aunor’s stare can paint a thousand emotions without even battling a single word. Bembol Roco was an apt counterpart to Aunor’s Shaleha. Roco is the yin to Aunor’s yang. Both Lovi Poe and Mercedes Cabral have shorter screentimes and weren’t given that much to do, but their presence were definitely felt.
Thy Womb, above anything else, is a journey. A raw and poignant journey that leads its viewers not only to the bluest of the seas and the farthest of the islands, but to the lives of Shaleha and Bangas-an. And it is a journey that is definitely worth seeing.
Here are the reviews of the other Metro Manila Film Festival 2012 entries:
One More Try
Shake, Rattle, and Roll 14: The Invasion
Si Agimat, si Enteng, at si Ako
You can follow me on Twitter: @nikowl