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Tit for Tat Local Film Awards 2014   Leave a comment

I really thought I’d be skipping this year, but better late than never! For the third year in my blog (see here 2012 and 2013 winners) From MMFF entries to Cinemalaya ones, and from Lav Diaz to Andoy Ranay (probably the only time you’ll see them in the same sentence), I’ve finally come up with a list of my own awards choices. This year, barbers, violators, janitors, and coffin makers are on the forefront as we search for tadhana and sparks. After eight months and lots of waiting in between, I present my picks for the best of local cinema in 2014.

best ensemble

gold LORNA
silver BARBER’S TALES

bronzeMARIQUINA

best first feature

gold VIOLATOR
silver DAGITAB

bronzeCHILDREN’S SHOW

visual effects

gold KUBOT: THE ASWANG CHRONICLES 2
silver SHAKE, RATTLE, AND ROLL 15
bronze FENG SHUI 2

sound editing and mixing

gold VIOLATOR
silver KUBOT: THE ASWANG CHRONICLES 2
bronze THE JANITOR

original song

gold “BAHALA NA” (Tak Back and You’re Dead)
silver “KAKAIBABE” (Diary ng Panget)
bronze “SIGLE LANG NANG SIGE” (Hari ng Tondo)

original score

gold MARIQUINA
silver LORNA
bronze DAGITAB

hairstyling and makeup

gold THE GIFTED
silver KUBOT: THE ASWANG CHRONICLES 2
bronze SHAKE, RATTLE, AND ROLL 15

editing

gold BARBER’S TALES
silver #Y
bronze VIOLATOR

costume

gold LORNA
silver THE GIFTED
bronze KUBOT: THE ASWANG CHRONICLES 2

cinematography

gold MULA SA KUNG ANO ANG NOON
silver DAGITAB
bronze  VIOLATOR

prod design

gold BARBER’S TALES
silver  KUBOT: THER ASWANG CHRONICLES 2
bronze ESPRIT DE CORPS

best breakthrough actress

gold NADINE LUSTRE (Diary ng Panget)
silver KARENINA HANIEL (Mula sa Kung Ano Ang Noon)
bronze COLEEN GARCIA (#Y)

best breakthrough actor

gold  SANDINO MARTIN (Esprit de Corps)
silver MATT DACLAN (Soap Opera)
bronze  RAFA SIGUION-REYNA (Hari ng Tondo)

best screenplay

gold  GIANCARLO ABRAHAN (Dagitab)
silver ANTOINETTE JADAONE (That Thing Called Tadhana)
bronze SIGRID ANDREA BERNARDO (Lorna)

best supp actor

gold ANDY BAIS (Violator)
silver MIGGS CUADERNO (Children’s Show)
bronze MARTIN DEL ROSARIO (Dagitab)

best supp actress

gold SYLVIA SANCHEZ (The Trial)
silver MARIA ISABEL LOPEZ (Lorna)
bronze GLADYS REYES (Barber’s Tales)

best actor

gold ALLEN DIZON (Magkakabaung)
silver ARNOLD REYES (Kasal)
bronze  JOHN LLOYD CRUZ (The Trial)

best actress

gold EUGENE DOMINGO (Barber’s Tales)
silver ANGELICA PANGANIBAN (That Thing Called Tadhana)
bronze  SHAMAINE BUENCAMINO (Lorna)

best directing

gold JUN LANA (Barber’s Tales)
silver ANTOINETTE JADAONE (That Thing Called Tadhana)
bronze LAV DIAZ (Mula sa Kung Ano Ang Noon)

best picture

gold BARBER’S TALES
silver THAT THING CALLED TADHANA
bronze  MULA SA KUNG ANO ANG NOON

That was it! As a recap, here are the winners for the 2014 Tit for Tat Local Film Awards:

PICTURE: Barber’s Tales
DIRECTOR: Jun Lana, Barber’s Tales
LEAD ACTOR: Allen Dizon, Magkakabaung
LEAD ACTRESS: Eugene Domingo, Barber’s Tales
SUPPORTING ACTOR: Andy Bais, Violator
SUPPORTING ACTRESS: Sylvia Sanchez, The Trial
SCREENPLAY: Giancarlo Abrahan, Dagitab
MALE BREAKTHROUGH PERFORMANCE: Sandino Martin, Esprit de Corps
FEMALE BREAKTHROUGH PERFORMANCE: Nadine Lustre, Diary ng Panget
ART DIRECTION: Barber’s Tales
CINEMATOGRAPHY: Mula sa Kung Ano Ang Noon
COSTUME DESIGN: Lorna
EDITING: Barber’s Tales
HAIRSTYLING AND MAKE UP: The Gifted
ORIGINAL SCORE: Mariquina
ORIGINAL SONG: Bahala Na (Talk Back and You’re Dead)
SOUND: Violator
VISUAL EFFECTS:
Kubot: The Aswang Chronicles 2
FIRST FEATURE: Eduardo Dayao, Violator
ENSEMBLE: Lorna

See you again next year! What are your favorites from 2014?

If you want, you can follow me on Twitter and let’s talk about it more: @nikowl

REVIEW: Menor de Edad, Seduction, A Moment in Time, The Bride and the Lover, Bromance, Juana C. The Movie   5 comments

Hi everyone! I have been terribly busy the last few weeks, but I’ll try my best to catch up on local cinema for this year. So instead of doing full reviews for each, I’ll try to tackle them in small dosages. Most of these I’ve seen during their release but doesn’t have the time to write a full review, some I caught up on, and some via other sources *wink*. Anyway, here are six more films from 2013’s collection:

MENOR DE EDAD

Director: Joel Lamangan
Cast: Meg Imperial, Ara Mina, Wendell Ramos, Jaycee Parker, Chynna Ortaleza

2013’s kick off local movie is Joel Lamangan’s socio-political drama Menor de Edad which aims to provide an honest and raw look of the slum life by focusing on a story of juvenile teenagers living in the squatters area. While the intention was there, viewers might get lost as Lamangan goes back and forth to documentary approach and the melodramatic aspects of the film. Scenes were mostly contrived and there were too many plots running that it’s hard for anything to stand out; in the end, all seemed half baked versions of what they really wanted to achieve. The cast was okay, though I can’t help but see them relying on scenery chewing approach of acting which made the over the top story… more over the top.

RATING: 1.5/5


SEDUCTION

Director: Peque Gallaga
Cast: Richard Gutierrez, Solenn Heusaff, Sarah Labhati, Jay Manalo, Al Tantay

Fatal Attraction meets Unfaithful is the theme of Peque Gallaga’s 2013 drama which centers the character of fireman Ram in a choice between two babes: Trina, the one he likes, and Sophia, the one he’s concerned about. It also did not help that Trina is reserved while Sophia can be the answer to his family’s financial obligations. I appreciate the fact that this could have been a good character study of the main characters (particularly Ram and to a certain extent, Sophia), but it wasn’t as interesting as what I expected it to be. I saw some of the classic Peque Gallaga shots in terms of the angles and framing in his shots which maintained interest to say the least, but his actors let him down. It seemed as if it was a battle of “Who can act the worst?” among the three lead stars. It’s a case of seeing the film go one step forward, then two steps behind, and by the time the movie ended, we’re there at the same place where it started.

RATING: 2/5

A MOMENT IN TIME

Director: Emmanuel Palo
Cast: Coco Martin, Julia Montes, Gabby Concepcion, Cherie Gil, Zsazsa Padilla

Star Cinema’s Valentine’s offering this year is composed of one of 2012’s television’s favorite couples: Coco Martin and Julia Montes via A Moment in Time. This story of “strangers getting to know each other though bounded by fate before they even met each other” is a hit or miss for me. For one, Coco Martin and Julia Montes really has a chemistry that was visible in the movie, but on the other hand, I don’t think I already have recovered from their age differences. More than that though, once the back stories of both their characters were revealed (which happened during the earlier part of the film), it’s pretty predictable already. Sure Coco Martin made the whole audience kilig, I still don’t think he has found the suitable mainstream project for him. Plus points though since Amsterdam was really good to look at, and for Cherie Gil’s straight faced delivery of the line “Mukha ba akong kontrabida sa isang pelikula?

RATING: 2/5

THE BRIDE AND THE LOVER

Director: Joel Lamangan
Cast: Paulo Avelino, Lovi Poe, Jennylyn Mercado, Joem Bascon, Hayden Kho

In the never ending tradition of “two women fighting over one man” films that still shows no signs of stopping (everyone… sigh) comes another from the vault. This time, about  best friends who both took the characters of the bride and the lover. That’s also probably the most this movie can offer in terms of standing out among all these kerida films, and while that’s not saying too much, I appreciate that they even tried doing it. The movie is, indeed, entertaining with its shift to comedic and dramatic tones though it also gets tiring by the time we’ve reached the latter part of the film. There were also too many unnecessary characters (the best friend/bodyguard storyline is one that can be eliminated already), but the climax part is enjoyable and almost made up for the rest of the clunks. Jennylyn Mercado stood out the most in this trio, and I hope she gets movie roles because she really has the chops to be even better.

RATING: 2.5/5

BROMANCE: MY BROTHER’S ROMANCE

Director: Wenn Deramas
Cast: Zanjoe Marudo, Cristine Reyes, Arlene Muhlach, Nikki Valdez, Joey Paras, Lassie

If there’s one thing that I like about Bromance is the fact that Wenn Deramas was mostly in a clean slate in this: no Vice Ganda, no Tanging Ina jokes, no DJ Durano to be seen. This gives a fresh new energy that makes most of the film work. Zanjoe Marudo still continues to challenge himself as an actor, and his last few movie projects continue to shape him as an all around actor. I like how committed he was in it, and it shows in his performance. Cristine Reyes also seems to have a knack at comedy, and I think this type of role suits her better than let’s say El Presidente. The cameos in the film were a lot, but most worked for me (especially the one who played the doctor). This movie made me laugh more than what I expected, so if this is what we can expect from the next few Deramas outings, then he might have mastered the type of comedy for his audience after all? But then again, it’s hard to speak that early. 

RATING: 3/5

JUANA C. THE MOVIE

Director: Jade Castro
Cast: Mae Paner, John James Uy, Jelson Bay, Angelina Kanapi, Annicka Dolonius, Mads Nicolas

From the same group that gave us Zombadings,  Juana C. is a political satire that gives us a funny and honest glimpse of the wicked world of politics. It’s pretty obvious that the movie has a lot to offer, and while some of the subplots didn’t work for me, the main message of the film stood out in the end. It’s a pretty enjoyable ride that sometimes tend to go overboard, but manages to stay still and in the end, ultimately reached its destination. Juana Changge (Mae Paner) is an engaging lead character that serves as the glue that holds all of them together, but the whole ensemble is top notch, giving you endless riots and bundles of laughter. You can see the commitment that the people gave this film, so it’s easy to forgive the noticeable flaws in it.

RATING: 3/5

Whew that’s a handful. There are still some films left to be seen from the first half of the year before we go overboard with the Cine Filipino and Cinemalaya contenders this month and the next, so it’s good to finally put this out already. 🙂

As always, you can follow me on Twitter: @nikowl

REVIEW: I Do Bidoo Bidoo   1 comment

Homage movies to great Filipino musicians have been on a roll lately. Just a month ago, The Reunion used material from the Eraserheads, and now here comes another one. Chris Martinez’ I Do Bidoo Bidoo featured music from the APO Hiking Society and starred some of the greatest we have in music and the up and coming ones that should be the next big stars in the industry.

When fresh graduate Rock (Sam Concepcion) unexpectedly got his rich girlfriend Tracy (Tippy delos Santos) pregnant, it opened a Pandora’s Box in terms of how their respective families handled it. Both the mothers of the teens are adamant about the rushed wedding plans. The fathers were more tolerant about it, but things got more complicated when Tracy’s grandfather openly said how he does not like the wedding to push through. Chaos, musical numbers, and a blue moon ensues in between.

The movie runs two hours long, and it’s pretty much long by any standard if the premise isn’t really that much complicated. However, it is really hard to complain when it’s the musical numbers that fill in most of the screentime. While there’s a lot that I saw that can be left in the editing room, it’s not that big of a deal to the point that it will make your viewing pleasure be affected with the overlong (and some unnecessary) numbers.

Technical aspects were hit or miss. While the editing was choppy, the production design was really a highlight. Seeing colors left and right is a real visual treat. I also like the details in terms of the sets used. One of my favorite numbers is the Blue Jeans (though I think that it can be shortened) especially since the flash mob and the choreography in here was top notch. As a matter of fact, I’m pretty much impressed with the choreography in this film. I like that it’s not only in the numbers where we see that, but even in blockings and positions of the actors in their scenes.

The acting was also commendable. I bought the relationship between Ogie Alcasid and Eugene Domingo, and the coldness of Gary Valenciano and Zsazsa Padilla. Jaime Fabregas is always a treat especially when he’s given vital characters to play (last I’ve seen him in a vital role is 2010’s Here Comes the Bride). I also like the casting of Eugene Domingo’s friends (Frenchie Dy and Sweet Plantado) as the three possess a real chemistry that was effective. Sam Concepcion showed real star potential here, and I really think that this will probably be his best role to date, though I’m curious where will he go from here. I’m a little adamant about Tippy delos Santos because I’m somewhat annoyed with her character, but she did okay in my book I guess. Neil Coleta was also a surprise mixing combinations of typical gay stereotype portrayals and the closeted persona he had.

If anything, the movie’s primary strength lies within how the director and the writer really collaborated to work the APO songs into the story of the movie. This is a win-win mutualism scenario as both benefited from each other; thus, it is not really hard to fall in love with this endearing entertaining film.

Rating: 3.5 /5