Sinag Maynila 2016   Leave a comment

Sinag

So yesterday I did a marathon of all Sinag Maynila entries. Sinag Maynila is a project close to me since I worked on it in its initial year up until the announcement/selection for this batch (before I left my previous work). I was really interested with the movies this year particularly because I already have a clue with these entries, so to see them translated in the big screen is what made me excited. Anyway, here are short thoughts on the 2016 batch.

  1. TPO (Joselito Altarejos)
    Probably the best in this bunch, Altarejos managed to capture in less than 80 minutes the pain, the process, the aftermath of domestic violence and how this goes beyond the victim and the abuser. Characters weren’t one-dimensional and the use of long shots made the situation linger. If anything, TPO shows how people cope up with this illness and how it’s reflective of our society.

    4/5

  2. Expressway (Ato Bautista)
    Everything in Expressway is flamboyant from its full opening credits to its choreographer stunts. One can make a case that it has a tendency to go style over substance for a paper thin story that’s predictable and excessive, but it was a joyride to see Alvin Anson and Aljur Abrenica navigate through it – the former to get a leading role like this, the latter to totally embrace the batshit character he’s portraying (even if in some scenes, he went full retard). Oh, and for some reason, setting the film during Christmas season somehow added to its appeal.

    3/5

  1. MRS. (Adolf Alix)
    MRS. is a character study for its lead Virignia (what a comeback for the always dependable Elizabeth Oropesa) as she deals with everything happening around her – her older sister wanting to sell the lot of her house, her loyal house helper who’s getting married, her daughter who has joined a cult, her missing child. She’s living in a house situated on a fault line thus her house has cracks and looks old which probably signifies where she is in her life right now. The film contains really powerful moments, and I acknowledge the intent more than I appreciate it. That said, Alix continues to bring out the best in his actors.

    2.5/5

  2. Dyamper (Mes de Guzman)
    What’s exciting about Dyamper is director Mes de Guzman’s humor obviously present in it. When following about the lives of these so-called “dyampers”, the movie is at its peak. The back story of Alchris Galura’s character however, while not cringe-worthy and him totally selling it, felt a bit disjointed than the “dyamper” storyline. It’s not actually bad, but I think there’s a lack of smooth transition between these two parts that’s a tad jarring.

    2.5/5

  3. Lila (Gino M. Santos)
    Philbert Dy summed it best when he said that “Lila feels like a script that Regal rejected.” For what it’s worth, the film was stylishly done and everyone involved seemed so committed with it. That said, not only is the lead character one of the more clueless leads in recent horror film memory, but probably one of the slowest readers… ever? Like if I discovered someone’s thin diary, you bet on it I’m done with it by the second hour, notes and all. Heh.

    1/5

Since the Gabi ng Parangal happens tonight, I’ll offer my personal choices on this batch’s winners. Picture and Directing obviously goes to TPO and Joselito Altarejos. Actor I give to Aljur Abrenica (give or take his really over the top scenes, but playing that annoying young character seems right up his alley). Actress is obviously Elizabeth Oropesa (no contest!). Screenplay and Editing go to TPO, Cinematography is Dyamper, Production Design is MRS, and Score goes to Expressway. Lila probably gets best outfits for Enchong Dee.

Sinag

While we’re at it, I still invite you to watch all five films from this year’s Sinag Maynila. And (heh), avail the Sinag Maynila ePLUS Festival Kit Card because trust me, it’ll save you a lot of money (I think a movie is at Php280 each if I’m not mistaken). Until next year! #SinagMaynila2016

88th Academy Awards Winner Predictions   Leave a comment

Every time we say that a certain year is the craziest season ever,  the coming season proves to be more insane than the previous one. And that fact holds true for this year, as momentum shifted all throughout the season. Between  #OscarsSoWhite, #OscarsSoStraight, the Spotlight/The Big Short/Mad Max/The Revenant momentum shift, the existence of Jacob Tremblay, and Diane Ladd being “upset and chagrined”, we’ve finally come to the near end of the awards season a.k.a the pitstop which is the Oscars!

And as you figure out if you’re Team Ryan vs. Rachel, bear vs. Brie, spies vs. space, and Saoirse vs. Furiosa, let me present my predictions in all Oscar categories.

Original Screenplay

ORIGINAL SCREENPLAY:

The screenplay categories are usually reserved for Best Picture contenders unless there’s something so groundbreaking that comes along (such is the case for Charlie Kaufman’s Eternal Sunshine of the Spotless Mind in 2004 or Pedro Almodovar’s Talk to Her in 2002). This year’s nominees however had a small crossover with the Picture category as it’s only Bridge of Spies and Spotlight that got in here (for the record, the other six nominees are all ineligible here). That said, this one is the token award for Spotlight for many reasons: it’s a really good screenplay, it tackles an important topic, and it’s a consolation for being the frontrunner back in October – November. Ideally, Bridge of Spies is the runner-up, but it just feels like a filler nomination here. I’d probably go with Inside Out because the complexities of it is just something the writers would probably acknowledge.

PREDICTION: Spotlight (Tom McCarthy and Josh Singer)
ALTERNATE: Inside Out (Pete Docter, Meg LeFauve, Josh Cooley, Ronnie del Carmen)

Adapted Screenplay

ADAPTED SCREENPLAY:

Using the same logic above, all but Carol here were nominated for the Best Picture category, which is a shame basically. But enough about my personal feelings. The strongest contender here is The Big Short with its WGA and BAFTA win under its belt. Just like Spotlight, the director is also one half of the film’s writers, it’s also tackling an important and very American issue, and it’s a consolation for being the frontrunner back in early January. The closest to an alternate is probably Emma Donoghue as she translated her own work from a literary piece to the big screen, and Room is that little film that could ignite real passion.

PREDICTION: The Big Short (Adam McKay, Charles Randolph)
ALTERNATE: Room (Emma Donoghue)

Supp Actor

SUPPORTING ACTOR:

What was supposed to be a really messy category ended up a really safe one as we enter the Oscar nomination stage. Remember when the Globes, SAG, BFCA, and BAFTA have different lineups in this category? And while it’s a bit unusual that Sylvester Stallone missed both SAG and BAFTA (and by miss, we mean he wasn;t even nominated), he still remains as the frontrunner here. The thing here is after his Globe win (okay his BFCA but really lol), his next stop is directly at the Oscars, and for things to work his way, both the SAG and the BAFTA must have different winners so that no one can gain momentum. The only two people nominated for both were Christian Bale and Mark Rylance. Luckily for him, the un-nominated Idris Elba won SAG (and while Elba was excellent in it, it’s basically an answer tot he diversity issue) while Mark Rylance won BAFTA. It also didn’t help that Rylance basically uncampaigned for himself the whole season — only attending the Globes when he lost that one. Watch out for Mark Ruffalo though especially is Spotlight comes strong at the Oscars. But alas, come Sunday night, we’ll be living in a world where we have acting Oscar winner Rocky Balboa.

PREDICTION: Sylvester Stallone, Creed
ALTERNATE: Mark Rylance, Bridge of Spies

Supp Actress

SUPPORTING ACTRESS:

In a year when we can finally call both Jennifer Jason-Leigh and Rachel McAdams as Oscar nominees, it’s rather unfortunate that the win isn’t between the two of them. Like Ruffalo, McAdams has a small chance as I think she’s the dark horse in this category. Then there’s Rooney Mara (or as Diane Ladd calls her, Rooney Moore) who won the Cannes (again, as Diane Ladd calls it – the Carn) Best Actress award for Carol. By now, Carol just feels like an afterthought at the Oscars, and I don’t see it winning anywhere here. The race here is basically between GG + BAFTA winner Kate Winslet vs. BFCA + SAG winner Alicia Vikander. In previous instances, the former is the stronger case than the latter (see wins by Marion Cotillard, Christoph Waltz in Django, Nicole Kidman, and Meryl Streep in The Iron Lady). However, it has to be mentioned that in the two instances that Kate won, Alicia Vikander was nominated for her turn in the low budgeted sci-fi Ex Machina. The two wins of Vikander where she beat Kate Winslet was for The Danish Girlthe same performance that’s nominated here. I think that’s a very important detail in this discussion, and add the fact that Vikander is an ingenue playing a suffering wife role (in short, this category’s two hard-ons), and voila, you have your Oscar winner!

PREDICTION: Alicia Vikander, The Danish Girl
ALTERNATE: Kate Winslet, Steve Jobs

Lead Actor

LEAD ACTOR:

Leonardo di Caprio. End of discussion.

Welp I’m joking. With the end of the discussion part I mean. But yes, it’s time to say goodbye to the memes. Leonardo di Caprio is finally winning an Oscar. And I can already imagine the standing ovation. It’s gonna be long, and there’s gonna be tears, and a camera will be panned to Kate Winslet crying as if it wasn’t Rose’s fault why Jack died in that obscure little movie they starred together 19 years ago called Titanic (do you remember that one?). And I’m happy for Leo, as we know that’s one off his bucket list. He knows this is the closest chance he had at winning, and he milked every moment of it surpassing all his co-nominees. As for starters, he went all the way to the Pope. I mean he has God on his side already (sorry Matt Damon but God is farther than the space you’re stuck with in The Martian). Second, di Caprio is so intense as an actor that you have no idea he almost died getting that Oscar shooting The Revenant (did you experience that too Bryan Cranston? No? Oh better luck next time). Third, he knows how to choose the roles that will finally net him the win (There’s a reason why he passed on that Jobs role, Fassbender). And lastly, he even sent a prepared Skype video of his speech at the BFCA  when he can’t attend (Not even Eddie Redmayne thought of doing that last year). Basically what I’m saying is that it’s time.

PREDICTION:  Leonardo di Caprio, The Revenant
ALTERNATE: Michael Fassbender, Steve Jobs

Lead Actress

LEAD ACTRESS:

There’s one performance that swept all the precursors in this category this year, and obviously it’s the same performance winning on Sunday night. Brie Larson will walk away with an Oscar for her riveting performance in Room. There really is a strong support for the movie (as proven by director Lenny Abrahamson’s surprise Directing nod), and Brie is this award season’s darling with trades calling her as the next big thing already. It also doesn’t hurt that she’s friends with some of the it girls in Hollywood (co-nominee Jennifer Lawrence as for starters, Amy Schumer too, and then Rooney Mara as well). It’s basically a coronation of another Hollywood it girl, and we can’t be happier enough as she deserves it.

PREDICTION: Brie Larson, Room
ALTERNATE: Saoirse Ronan, Brooklyn

Directing

DIRECTING:

History is about to be rewritten as Alejandro Gonzalez Inarritu will win his consecutive Best Directing Oscar for The Revenant. With the narrative of how much it was difficult to make The Revenant, he’s about to be rewarded with a second Oscar in here especially since he also won the Directors Guild which is the most accurate precursor in this category. Both McKay and McCarthy will be getting their dues in the Screenplay category, and Abrahamson is the unique passion vote that has no chance of winning. Miller could have had the momentum on his side had he won the DGA which unfortunately he didn’t. At this stage, no matter what happens in the Best Picture race is different, as this one’s a lock already.

PREDICTION: Alejandro Gonzalez Inarritu, The Revenant
ALTERNATE: Adam McKay, The Big Short

Animated Feature

This is a really strong category, and I applaud the Academy for going with films like When Marnie was There and Boy and the World here. That said, this is Inside Out‘s award, as it probably won 99% of all the Animated Feature awards given throughout this season (and deservedly so). It’s a bit sad when you think how the film didn’t fare stronger outside of this category (except for that weak Original Screenplay one.)

PREDICTION: Inside Out
ALTERNATE: Anomalisa

Foreign Language Film

FOREIGN LANGUAGE FILM:

Ever since the Academy changed the voting winner of the pattern here (they’re up for grabs for the whole membership instead of a small panel of voters who will sign they’ve watched all five movies nominated), the winner has always been the most buzzed film of the group. Son of Saul is that movie this year. Coming off from a Jury Prize winner at Cannes, winning countless Foreign Language Film mentions one after the other, Hollywood can’t resist this Holocaust story. That said, there were rumors that this didn’t make it the shortlist in a popular vote. In that case, watch out for crowd-pleasing Mustang as France aims another win in this category. That said, I’d still give Son of Saul the advantage.

PREDICTION: Son of Saul
ALTERNATE: Mustang

Documentary Feature

The documentary about the late Amy Winehouse seems like the frontrunner here as it won majority of the precursors in this category. That said, it’s really not the type that wins here if we’re basing it at history. Interestingly enough, the closest contender is about another musician – Nina Simone, as Netflix campaigned the hell out of What Happened, Miss Simone? Netflix has been very eager to duplicate their TV domination at the Oscars, and the all around snubbing of Beasts of No Nation will just pump themselves up further in this category. That said, I wonder how the great Joshua Oppenheimer feels, that every time his documentary is nominated here, it loses to a musically-themed film (flashback to The Act of Killing losing to 20 Feet from Stardom two years ago).

PREDICTION: Amy
ALTERNATE: What Happened, Miss Simone?

Now here are the rest of the technical categories (which is difficult because Mad Max: Fury Road and The Revenant are competing in eight of this (save for Score and Song) and we really don’t know how the Academy will vote here:

CINEMATOGRAPHY:

Remember when we used to be upset before when we feel like the Academy doesn’t recognize the greatness of Chivo Lubezki? I guess the Oscars make up for it so much that he’s now a shoo-in to win his third consecutive Academy Award in this category for The Revenant.

PREDICTION: Emmanuel Lubezki, The Revenant
ALTERNATE: 
John Seale, Mad Max: Fury Road

COSTUME DESIGN:

While Sandy Powell is competing against herself in this category, I think it’s Jenny Beavan is the one to win the Oscar as part of the semi-sweep by Mad Max in here. That said, we really can’t dismiss the really showy costume work done in Cinderella.

PREDICTION: Jenny Beavan, Mad Max: Fury Road
ALTERNATE: Sandy Powell, Cinderella

FILM EDITING:

While a nomination here is crucial for a movie aiming for a Best Picture win, only one of the last five winners of this category has won Best Picture (that would be 2012’s Argo). Lately, they’re into really showy and flashy editing which makes me think it’s between The Big Short and Mad Max: Fury Road. I’ll be giving the edge to the former.

PREDICTION: Hank Corwin, The Big Short
ALTERNATE: 
Margaret Sixel, Mad Max: Fury Road

HAIRSTYLING AND MAKE UP:

And here’s another Mad Max/Revenant showdown. People have really been amazed by the makeup in The Revenant especially that of the close ups of di Caprio’s face, but I think the overall work in Mad Max: Fury Road will prevail.

PREDICTION: Lesley Vanderwalt, Elka Wardega, Damian Martin, Mad Max: Fury Road
ALTERNATE:
Siân Grigg, Duncan Jarman, Robert Pandini, The Revenant

ORIGINAL SCORE:

It’s time to give the legendary Ennio Morricone a competitive Oscar. Sure he won an Honorary one nine years ago, but this is one of the times AMPAS is playing catch up. The great thing is that he actually deserves it. That said, don’t underestimate the nostalgia that Star Wars brought to the voters as it’s done by the most nominated person in the history of this category.

PREDICTION: Ennio Morricone, The Hateful Eight
ALTERNATE: 
John Williams, Star Wars: The Force Awakens

ORIGINAL SONG:

To quote the mighty Diane Ladd, “I am upset and chagrined” with what happened to this category this year. While this has given us the delight of calling 50 Shades of Grey an Oscar nominated film, this year seems to be the most problematic. You know shit just happened when you’re rooting for Wiz Khalifa song, but See You Again was snubbed here. For what it’s worth, both Simple Song #3 and Manta Ray are great songs, and the producers have fucked up not giving the performers the right to perform their song in whole just because they are not mainstream artists. Sadly, the race is between two drecks: Sam Smith’s abomination of coming up with a Bond song, then there’s the pairing of Diane Warren and Lady Gaga who’s campaigning desperation combined made Leonardo di Caprio look like Joaquin fucking Phoenix. In a fair world, none of these two messes should have been nominated in the first place, but I guess an overdue win for Diane Warren will happen just so the Academy can finally be over and done with her. 

PREDICTION: Til It Happens to You (The Hunting Ground)
ALTERNATE: 
Writings on the Wall (Spectre)

PRODUCTION DESIGN:

Just for completely setting up a whole world in the entirety of the film, I guess Mad Max will win this one over The Revenant which is mostly criticized for it being an “outside shoot.” Don’t underestimate Bridge of Spies as this type of traditional production design has its passionate supporters, as proven by Lincoln‘s upset in 2012, incidentally another Spielberg film.

PREDICTION:
 Colin Gibson, Lisa Thompson, Mad Max: Fury Road
ALTERNATE: 
Jack Fisk, Hamish Purdy, The Revenant

SOUND EDITING:

What I’ve noticed here is that when different films end up winning Editing and Mixing, it’s because the winner in Mixing (which tends to go to musicals) aren’t nominated in Editing instead of the other way around. But when the Mixing winner is eligible for both, it wins both (the only time in the last 15 years it didn’t happen is when Slumdog Millionaire and The Dark Knight won one apiece). This same scenario can happen to both The Revenant and Mad Max: Fury Road, but I doubt the majority of the voting body cares more than us, so let’s just say The Revenant will be winning both Sound categories.

PREDICTION: The Revenant
ALTERNATE: 
Mad Max: Fury Road

SOUND MIXING:
PREDICTION: 
The Revenant
ALTERNATE: 
Mad Max: Fury Road

VISUAL EFFECTS:

The golden rule here is that when there’s a Best Picture contender here, count on it to make it a part of the sweep. That is unless you’re competing against another contender (see: District 9 losing to Avatar in 2009 or Master and Commander losing to Return of the King in 2003). As a matter of fact, you have to go all the way back to 1970 to see a Best Picture contender lose here with Patton. So what happens when you have three of the five nominees here are Best Picture contenders too? Then there’s the other fact, one where in all three Star Wars films won this category too. And among the prequels, two of those are nominated as well. This category could really go to many directions; thus, I’ll just be going with another Star Wars win. The Revenant can upset this as part of the sweep and because the much-talked about bear rape scene is the stuff that wins you Oscars here.

PREDICTION: Star Wars: The Force Awakens
ALTERNATE: 
The Revenant

There you ha..oh wait. We have Best Picture left.

best picture

PICTURE:

What a crazy year for this category. As for starters, it seemed like Spotlight had the momentum all throughout the season being the uniter of critical choices as well as the populist one. It was a movie that has a strong message, it had a great ensemble, and it conveys a sense of “importance.” That is until, we’ve seen its televised awards performance dwindle. Remember when Michael Keaton was supposed to be nominated too? And then there’s the ACE Editing snub which made it seem like Spotlight was a weak frontrunner all along. Then came The Big Short getting in all the momentum as it got nominated among all guilds where it was predicted to receive. After all, it’s about an important time in America, it’s timely, it’s political, and it’s about white dudes. Then there was the Mad Max: Fury Road contingent as well; basically revived by the critics and hitting in precursors left and right.

Come Golden Globes, The Revenant ends up sweeping, and we’re all probably like “hey it’s just a makeup win because they snubbed Birdman last year.” Which was half true. But the other truth is that it’s from the current Best Director winner starring the likely Best Actor champion who is also the biggest star in the world. And while we’re at that, they snubbed both Spotlight and The Big Short whose total wins is zilch. The BFCA stayed safe and went with Spotlight again. At the Oscar nomination announcement, The Revenant, Mad Max: Fury Road, Spotlight, and The Big Short all performed well, some more than others. But  come Producers Guild Awards, which uses the same voting practice as the Oscars, The Big Short ended up with the win; thus making it the frontrunner again. After all, it’s about an important time in America, it’s timely, it’s political, and it’s about white dudes.

At the SAG Awards, current frontrunner The Big Short was expected to win the Ensemble award, which is mostly the equivalent of Best Picture then. So when Demi Moore (are we in the 90s?) announced “the cast of Spotlight“, oh wait we have a new frontrunner again, and it’s Spotlight. It was a movie that has a strong message, it had a great ensemble, and it conveys a sense of “importance.”

When the DGA awarded it to The Revenant, it’s getting clearer that Mad Max is a clear fourth in this race. Maybe The Revenant was the frontrunner all along. It topped the nomination tally, it has the Best Actor winner (which has a good crossover with Best Picture), and they really seem to buy its narrative of “we almost died for this film!” The BAFTAs follow suit but unlike the Globes, we can’t say “hey it’s just a makeup win because they snubbed Birdman last year.” Which was still half true.Again, it’s from the current Best Director winner starring the likely Best Actor champion who is also the biggest star in the world.

Now think about it. If The Revenant is winning this, then why it didn’t win PGA? How come The Big Short won there? Remember that it’s the one that used the same voting patterns as the Oscar. A movie with few #1s can still benefit if it has more #2s and #3s than a film with #1s yet has #9s as well. So which among between Spotlight (It was a movie that has a strong message, it had a great ensemble, and it conveys a sense of “importance.”), The Big Short (It’s about an important time in America, it’s timely, it’s political, and it’s about white dudes.), and The Revenant (It’s from the current Best Director winner starring the likely Best Actor champion who is also the biggest star in the world) will prevail?

PREDICTION: The Revenant
ALTERNATE: Spotlight

The Oscars happen on Monday here in Manila at 9AM! Happy Oscars day! Tweet to talk to me about the Oscars: @nikowl

58th Grammy Awards Winner Predictions   Leave a comment

The biggest night in music comes in two days, and this year is more close than ever. With Kendrick Lamar leading the nods at 11, he’s poised to sweep this year. Then there’s Taylor Swift in her biggest era yet, and The Weeknd also earning seven nominations. The night won’t be shy of memorable performances as well from Adele, to a David Bowie and B.B. King tribute. Now, here are my predictions in 30 different categories among ten different fields.

aoty

ALBUM OF THE YEAR:
Alabama Shakes, Sound and Color
Kendrick Lamar, To Pimp a Butterfly
Chris Stapleton, Traveller
Taylor Swift, 1989
The Weeknd, Beauty Behind the Madness

PREDICTION: Alabama Shakes, “Sound & Color”. While mainstream media is busy painting this as a three-way fightbetween Taylor, Kendrick, and The Weeknd (which also happens to be the three top nomination getter this year), the actual biggest top honor isn’t really among the three. Just like Arcade Fire’s win in 2010, Alabama Shakes will end up with the win here.

ALTERNATE: Chris Stapleton, “Traveller”. If not them, count on the country bloc to support Chris Stapleton all the way to an AOTY victory especially considering that this is his only nod at the General Field this year.

roty

RECORD OF THE YEAR:
D’Angelo and the Vanguard, “Really Love
Mark Ronson feat. Bruno Mars, “Uptown Funk
Ed Sheeran, “Thinking Out Loud
Taylor Swift, “Blank Space
The Weeknd, “Can’t Feel my Face

PREDICTION: Mark Ronson feat. Bruno Mars, “Uptown Funk.” Uptown Funk has all the staples of a win here — a song with heavy instruments, relatively huge, a performer they love to nominate. It’s basically pop culture staple that has the respect of the critics as well,. Have you seen how they responded to it during the Superbowl? To say it’s massive is an understatement.

ALTERNATE: The Weeknd, “Can’t Feel My Face.” Only one of the two songs this year to garner both ROTY and SOTY nods, The Weeknd’s homage to Michael is very much in contention to win here.

soty

SONG OF THE YEAR:
Kendrick Lamar, “Alright”
Taylor Swift, “Blank Space”
Little Big Town, “Girl Crush”
Wiz Kahifa feat. Charlie Puth, “See You Again”
Ed Sheeran, “Thinking Out Loud”

PREDICTION: Taylor Swift, “Blank Space”. On her most successful era yet, the Grammys won’t let it pass without giving her a General Field win. AOTY has been achieved five years ago already, it’s time to add another one on the list.

ALTERNATE: Ed Sheeran, “Thinking Out Loud”. This is basically the Academy’s catnip here. Think of white male singer with a heartfelt anthem. They’ve proven their love to Ed by giving him nominations in all Big 4 categories, maybe the next stage is to finally give him wins.

bna

BEST NEW ARTIST:
Courtney Barnett
James Bay
Sam Hunt
Tori Kelly
Meghan Trainor

PREDICTION: Sam Hunt. In a very open race like this, anything can really happen. Count on the country bloc to support their fellow to have their GF win. After all, it’s been six years since a country act has last won in here.

ALTERNATE: James Bay. He;s the only one aside from Hunt to garner multiple nods here. But then again, he’s the type who strikes me as one who got multiple nominations only to lose all of them (see India Arie in 2001, Avril Lavigne in 2002, James Blunt in 2006).

POP FIELD:

pop

POP SOLO PERFORMANCE:
Kelly Clarkson, “Heartbeat Song”
Ellie Goulding, “Love Me Like You Do”
Ed Sheeran, “Thinking Out Loud”
Taylor Swift, “Blank Space”
The Weeknd, “Can’t Feel My Face”

It’s a battle between Taylor and Weeknd again, but expect Taylor to dominate the Pop categories to add to her haul.

PREDICTION: Taylor Swift, “Blank Space”
ALTERNATE: The Weeknd, “Can’t Feel My Face”

POP DUO/GROUP PERFORMANCE:
Florence + The Machine, ” Ship to Wreck”
Maroon 5, “Sugar”
Mark Ronson feat. Bruno Mars, “Uptown Funk”
Taylor Swift feat. Kendrick Lamar, “Bad Blood”
Wiz Khalifa feat. Charlie Puth, “See You Again”

This seems like an easy win for Mark and Bruno, which I still think will happen unless they want to go one-two punch of a moment between Taylor and Kendrick on stage.

PREDICTION: Mark Ronson feat. Bruno Mars, “Uptown Funk”
ALTERNATE: Taylor Swift featuring Kendrick Lamar, “Bad Blood”

POP VOCAL ALBUM:
Kelly Clarkson, Piece by Piece
Florence + The Machine, How Big, How Blue, How Beautiful
Mark Ronson, Uptown Special
Taylor Swift, 1989
James Taylor, Before This World

While this is another part of the 1989 sweep that will happen on Grammy night, James Taylor comes a tad close for his first career #1 album. That said, Taylor can breathe as she’s still winning this handily.

PREDICTION: Taylor swift, “1989”
ALTERNATE: James Taylor, “Before This World”

TRADITIONAL POP VOCAL ALBUM:
Tony Bennett & Bill Charlap, The Silver Lining: The Songs of Jerome Kern
Bob Dylan, Shadows in the Night
Josh Groban, Stages
Seth MacFarlane, No One Ever Tells You
Barry Manilow (& Various Artists), My Dream Duets

This has been Bennett’s category for years now, but every now and then there are exceptions. With his hit album,Josh Groban can look at his first Grammy win of his career. Unless they can’t resist rewarding perennial favorite Bob Dylan.

PREDICTION: Josh Groban, “Stages”
ALTERNATE: Bob Dylan, “Shadows in the Night”

DANCE & ELECTRONIC FIELD:

dance recording

DANCE RECORDING:
Above & Beyond feat. Zoë Johnston, :We’re All We Need”
The Chemical Brothers, “Go:
Flying Lotus feat. Kendrick Lamar, “Never Catch Me”
Galantis, “Runaway (U & I)”
Skrillex and Diplo With Justin Bieber, “Where Are Ü Now”

We’re looking at Grammy winner Justin Bieber here. Yup, that’s happening.

PREDICTION: Skrillex, Diplo, Justin BIeber, “Where Are U Now”
ALTERNATE: The Chemical Brothers featuring Q-Tip, “Go”

dance album

DANCE/ELECTRONIC ALBUM:
Caribou, Our Love
The Chemical Brothers, Born in the Echoes
Disclosure, Caracal
Jamie XX, In Colour
Skrillex and Diplo, Skrillex and Diplo Present Jack Ü

At this point, it’s probably a double whammy already for Skrillex, whom they really love in this category. If not them, then maybe critically lauded Jamie xx, can take home the Grammy.

PREDICTION: Skrillex, Diplo,”Skrillex and Siplo Present Jack U”
ALTERNATE: Jamie xx, “In Colour”

ROCK & ALTERNATIVE FIELD:

rock and alternative

ROCK PERFORMANCE:
Alabama Shakes, “Don’t Wanna Fight”
Florence + The Machine,”What Kind Of Man”
Foo Fighters, “Something From Nothing”
Elle King, “Ex’s & Oh’s”
Wolf Alice, “Moaning Lisa Smile”

Consider this the start of Alabama Shakes’ sweep on Grammy night. That said, isn’t it refreshing to have four women vocals in here? I hope this trend continues soon enough to kill the notion that only male artists do know rock.

PREDICTION: Alabama Shakes, “Don’t Wanna Fight”
ALTERNATE: Florence + the Machine, “What Kind of Man”

ROCK SONG:
Alabama Shakes, “Don’t Wanna Fight”
Elle King, “Ex’s & Oh’s”
James Bay, “Hold Back the River”
Highly Suspect, “Lydia”
Florence + the Machine, “What Kind of Man”

File this under another win for Alabama Shakes. That said, James Bay could be the spoiler in this category.

PREDICTION: Alabama Shakes, “Don’t Wanna Fight”
ALTERNATE: James Bay, “Hold Back the River”

ROCK ALBUM:
James Bay, Chaos and the Calm
Death Cab for Cutie, Kintsugi
Highly Suspect, Mister Asylum
Muse, Drones
Slipknot, .5: The Gray Chapter

As mentioned, James Bay is giving me the vibe of that multi-nominated artist who’ll end up with nothing. That plus the narrative of Death Cab for Cutie and their last album makes me think they can pull off the win.

PREDICTION: Death Cab for Cutie, “Kintsugi”
ALTERNATE: James Bay, “Chaos and the Calm”

ALTERNATIVE MUSIC ALBUM:
Alabama Shakes, Sound & Color
Björk, Vulnicura
My Morning Jacket, The Waterfall
Tame Impala, Currents
Wilco, Star Wars

I’m predicting Sound & Color for friggin Album of the Year it just makes sense I’ll predict them here. And before you bring me to Arcade Fire and The Black Keys 2011 upset, I think that’s more of an exception here. If there’s an upset here though, consider Bjork to finally receive her first Grammy.

PREDICTION: Alabama Shakes, “Sound & Color”
ALTERNATE: Bjork, “Vulnicura”

R&B FIELD:

rnb.png

R&B PERFORMANCE
Tamar Braxton, “If I Don’t Have You”
Andra Day, “Rise Up”
Hiatus Kaiyote, “Breathing Underwater”
Jeremih feat. J. Cole, “Planes”
The Weeknd, “Earned It (Fifty Shades of Grey)”

The R&B categories have been difficult to predict the last couple of years, but I think they won’t resist going with The Weeknd in here to officially welcome him to the big leagues. That is unless they reward the more traditional work of Andra Day.

PREDICTION: The Weeknd, “Earned It”
ALTERNATE: Andra Day, “Rise Up”

TRADITIONAL R&B PERFORMANCE:
Faith Evans, “He Is”
Lalah Hathaway, “Little Ghetto Boy”
Jazmine Sullivan, “Let It Burn”
Tyrese, “Shame”
Charlie Wilson, “My Favorite Part of You”

Tyrese has the biggest hit in this group, but will the Academy bite? On the other hand, Lalah Hathaway has been snatching out of nowhere wins the past few years, plus this has the “importance” factor, so maybe count on that to win a new one.

PREDICTION: Lalah Hathaway, “Little Ghetto Boy”
ALTERNATE: Tyrese, “Shame”

R&B SONG:
Miguel, “Coffee”
The Weeknd, “Earned It (Fifty Shades of Grey)”
Jazmine Sullivan, “Let It Burn”
D’Angelo and The Vanguard, “Really Love”
Tyrese, “Shame”

This is really a close one between Abel and D’Angelo, but part of me thinks they’re going with their pal that they’ve known longer. Plus, that ROTY nomination is telling. Never discount a Weeknd sweep though.

PREDICTION: D’Angelo and the Vanguard, “Really Love”
ALTERNATE: The Weeknd, “Earned It”

URBAN CONTEMPORARY ALBUM:
The Internet, Ego Death
Kehlani, You Should Be Here
Lianne La Havas, Blood
Miguel, Wildheart
The Weeknd, Beauty Behind the Madness

Now this one is easier. We’re sure this will be a part of Weeknd’s mini-sweep. No AOTY nominated album has lost this category yet (unless losing to another co-AOTY nominee).

PREDICTION: The Weeknd, “Beauty Behind the Madness”
ALTERNATE: Miguel, “Wildheart”

R&B ALBUM:
Leon Bridges, Coming Home
D’Angelo and the Vanguard, Black Messiah
Andra Day, Cheers to the Fall
Jazmine Sullivan, Reality Show
Charlie Wilson, Forever Charlie

D’Angelo’s comeback comes full circle as he’s surely taking this. Leon Bridges still has a chance, but for some reason, he missed some big nods (including the one many predicted him for… Best New Artist).

PREDICTION: D’Angelo and the Vanguard, “Black Messiah”
ALTERNATE: Leon Bridges, “Coming Home”

RAP FIELD:

rap

RAP PERFORMANCE:
J. Cole, “Apparently”
Drake, “Back to Back”
Fetty Wap, “Trap Queen”
Kendrick Lamar, “Alright”
Nicki Minaj feat. Drake & Lil Wayne, “Truffle Butter”
Kanye West feat. Theophilus London, Allan Kingdom & Paul McCartney, “All Day”

This is the start of Kendrick’s domination at the Grammys on Monday night. Like no one’s even close. Not even Kanye being pals with Paul McCartney.

PREDICTION: Kendrick Lamar, “Alright”
ALTERNATE: J.Cole, “Apparently”

RAP/SUNG COLLABORATION:
Big Sean feat. Kanye West & John Legend, “One Man Can Change the World”
Common & John Legend, “Glory”
Jidenna feat. Roman GianArthur, “Classic Man”
Kendrick Lamar feat. Bilal, Anna Wise & Thundercat, “These Walls”
Nicki Minaj feat. Drake, Lil Wayne & Chris Brown, “Only”

Count on the Oscar-winning duo to repeat a victory here. Unless they’d really go hard for Lamar.

PREDICTION: Common and John Legend, “Glory”
ALTERNATE: Kendrick Lamar featuring Bilal, Anna Wise, and Thundercat, “These Walls”

RAP SONG:
Kanye West feat. Theophilus London, Allan Kingdom & Paul McCartney, “All Day”
Kendrick Lamar, “Alright”
Drake, “Energy”
Common & John Legend, “Glory”
Fetty Wap, “Trap Queen”

Rule of thumb is, count on the SOTY nominee to prevail unless there’s more than one in the group.

PREDICTION: Kendrick Lamar, “Alright”
ALTERNATE: Common and John Legend, “Glory”

RAP ALBUM:
J. Cole, 2014 Forest Hills Drive
Dr. Dre, Compton
Drake, If Youre Reading This Its Too Late
Kendrick Lamar, To Pimp a Butterfly
Nicki Minaj, The Pinkprint

Again, this will be a part of a huge Kendrick sweep. Like it will be the biggest upset ever if Kendrick doesn’t win this. On a distant second though is Dr. Dre who has some sort of a small narrative for him.

PREDICTION: Kendrick Lamar, “To Pimp A Butterfly”
ALTERNATE: Dr. Dre, “Compton”

COUNTRY FIELD:

country

COUNTRY SOLO PERFORMANCE:
Cam, “Burning House”
Chris Stapleton, “Traveller”
Carrie Underwood, “Little Toy Guns”
Keith Urban, “John Cougar, John Deere, John 3:16”
Lee Ann Womack, “Chances Are”

Chris Stapleton is the big name in country music the past year, that you’d know he has this one in the bag. That said, never underestimate Carrie Underwood who’s a favorite both in this category and when they still used to separate them before.

PREDICTION: Chris Stapleton, “Traveller”
ALTERNATE: Carrie Underwood, “Little Toy Guns”

COUNTRY DUO/GROUP PERFORMANCE:
Brothers Osborne, “Stay a Little Longer”
Joey + Rory, “If I Needed You”
Charles Kelley, Dierks Bentley & Eric Paslay, “The Driver”
Little Big Town, “Girl Crush”
Blake Shelton feat. Ashley Monroe, “Lonely Tonight”

The usual suspects are actually MIA here, so expect Little Big Town to easily steamroll in this category.

PREDICTION: Little Big Town, “Girl Crush”
ALTERNATE: Blake Shelton, Ashley Monroe, “Lonely Tonight”

COUNTRY SONG:
Lee Ann Womack, “Chances Are”
Tim McGraw, “Diamond Rings And Old Barstools”
Little Big Town, “Girl Crush”
Brandy Clark, “Hold My Hand”
Chris Stapleton, “Traveller”

It’s Stapleton vs. Little Big Town here, but the SOTY nomination of Little Big Town gives it the edge.

PREDICTION: Little Big Town, “Girl Crush”
ALTERNATE: Chris Stapleton, “Traveller”

COUNTRY ALBUM:
Sam Hunt, Montevallo
Little Big Town, Pain Killer
Ashley Monroe, The Blade
Kacey Musgraves, Pageant Material
Chris Stapleton, Traveller

The AOTY nominee has this one in the bag, especially considering that he’s also in real talk to win the biggest award as well.

PREDICTION: Chris Stapleton, “Traveller”
ALTERNATE: Kacey Musgraves,”Pageant Material”

VISUAL MEDIA:

soundtrack

SONG WRITTEN FOR VISUAL MEDIA:
The Weeknd, “Earned It (Fifty Shades Of Grey)”
Common & John Legend, “Glory”
Ellie Goulding, “Love Me Like You Do”
Wiz Khalifa feat. Charlie Puth, “See You Again”
Lady Gaga, “Til It Happens to You”

This is a fairly popular group of hits except that Gaga song, and nope the Oscar nod won’t help it win this. It’s between the current Oscar winner or the biggest song in this bunch — both impactful songs, but one has the prestige and importance that the other lacks.

PREDICTION: Common and John Legend, “Glory”
ALTERNATE: Wiz Khalifa featuring Charlie Puth, “See You Again”

COMPILATION SOUNDTRACK:
Empire: Season 1
Fifty Shades of Grey
Glen Campbell: I’ll Be Me
Pitch Perfect 2
Selma

Aside from Selma, I can see a case of the other nominees prevailing in here. That said, Empire was really huge the past year that I see it squeaking a win over its closest competitor, the 50 Shades soundtrack.

PREDICTION: Empire: Season 1
ALTERNATE: 50 Shaes of Grey

SCORE SOUNDTRACK:
Birdman
The Imitation Game
Interstellar
The Theory of Everything
Whiplash

Are we looking at the Grammy category or the Best Picture Oscar category? Oh welp there’s Interstellar spoiling the list. I’d just stick with the one that won the Oscar category.

PREDICTION: The Theory of Everything (Jóhann Jóhannsson)
ALTERNATE: Birdman (Antonio Sanchez)

MUSIC VIDEO/FILM:

short form music video

MUSIC VIDEO:
A$AP Rocky, “LSD”
The Dead Weather, “I Feel Love”
Kendrick Lamar, “Alright”
Taylor Swift feat. Kendrick Lamar, “Bad Blood”
Pharrell Williams, “Freedom”

This usually goes to the biggest song in the bunch even if it has inspired quality of nominees. Either way, Kendrick wins.

PREDICTION: Taylor Swift featuring Kendrick Lamar, “Bad Blood”
ALTERNATE: Kendrick Lamar, “Alright”

music film

MUSIC FILM:
Foo Fighters, Sonic Highways
James Brown, Mr. Dynamite: The Rise of James Brown
Nina Simone, What Happened, Miss Simone
Roger Waters, The Wall
Amy Winehouse, Amy

This one’s between the two Oscar-nominated movies, and let’s just give it to the Oscar frontrunner.

PREDICTION: Amy
ALTERNATE: What Happened, Miss Simone?

Talk to me about the Grammys by tweeting me: @nikowl

88th Academy Awards: Best Picture Rankings   2 comments

titlecard

This has been some sort of a tradition here at Tit for Tat, wherein I rank all the Oscar Best Picture nominees. This is the closest I can come to filling out a ballot, so imagine how yours would look like. It’s also rather unfortunate that the best American film of the year (among those that legitimately has a chance to get nominated) was criminally snubbed. In case you didn’t get the reference, that was for Todd Haynes’ Carol. The other snub this year is Pixar’s Inside Out, getting lost in the shuffle once guild and critics season began. That said, this season also has the widest Best Picture race since 2006, so that makes up for it at least.

Moving on, in 2012, it was Michael Haneke’s “Amour” which ended up as my #1. The following year, Spike Jonze’s “Her” was my top pick for 2013. Last year, Richard Linklater’s “Boyhood” was my personal choice among the 2014 nominees. Which film will join the list? Here’s my take from The Big Short to Spotlight.

The Martian

08. THE MARTIAN (Ridley Scott, director)

Decent popcorn thriller, yup. But Oscar Best Picture caliber it ain’t. In what is deemed as the “comeback” of Ridley Scott to form, we find Matt Damon growing potatoes in space. Of course, it’s really much more than that, and one thing that made The Martian work was how it managed to make its case separate from the two other “space” films of this decade (Alfonso Cuaron’s Gravity and Christopher Nolan’s Interstellar). In hindsight, this light approach also ended up as a double edge-sword as it was so pedestrian in its predictability. There isn’t really anything to hold your attention here because the movie didn’t have anything at risk. With all the talks about how this was Ridley’s comeback, I’d make a case on how it was more of Matt Damon’s comeback. He’s certainly the star of this show, and the film bogs down whenever he’s not on screen. It’s a performance that relies heavily on an actor’s charisma, and he sure brought a lot to Mars in it. Anything outside of him suffers (all the NASA scenes in particular) and whoever thought that Donald Glover’s character suddenly saving the whole NASA group would surely make Abed from Community shake his damn head off. Even the big ‘saving’ scene in the end pales in comparison from all the other space films. Let’s just be thankful Matt Damon didn’t have a backstory so at least in that aspect, they’re redeemed. The Martian is as direct as one can get that it’s hilarious when it tries to present ‘conflict.’ For that alone, I’m good with its Comedy placement at the Golden Globes.

2.5/5

Brooklyn

07. BROOKLYN (John Crowley, director)

Home is where the heart is, but in Brooklyn‘s case, heart is where the home is. John Crowley’s Brooklyn goes straight to the point in its simple tale of a young immigrant coming to America in the 50s. There is so much heart in it that you can’t help but be swept away by the old-fashioned approach of the movie. But its simplicity is not without flaws. To an extent, it tends to go overboard with its saccharine sweetness. I also had issue with the film’s uneven pacing where there is a clear divide between acts with the last part losing the previous ones’ momentum. I’m also a tad bothered by the faux green screen in some scenes (especially the one in the liner. That said, Oscar nominee Saoirse Ronan is a very gifted actress, and her performance is an integral part of why this film worked. Co-star Emory Cohen was such a delightful surprise though; at times, even providing the scene stealing performance in the movie.  With Brooklyn, simplicity is beauty and boy did it elevate that simplicity to certain heights.

2.5/5

The Revenant

06. THE REVENANT (Alejandro Gonzalez Iñarritu, director)

As for starters, let me say that I’m really not a fan of Iñarittu’s previous works in general, but I really have some conflicting thoughts about this. Suffice to say, Emmanuel Lubezki’s cinematography remains to be the highlight of it. It’s ironic that a film as “gritty” as this can look so glowing, thanks to Chivo. The Revenant started out really strong with its first 15 minutes or so, but as the movie progresses, so do the themes it tried to tackle. There’s revenge, there’s survival, there’s spirituality and it would have benefited by trimming at least one of those. Leonardo di Caprio’s physical commitment in the film is really admirable, but when you think of the works he has churned out in the last ten years alone (such as his underrated work in Shutter Island, or in Revolutionary Road and The Departed) or against his previous nominated performances in The Wolf of Wall Street and The Aviator, winning for this is a bit anti-climactic. But then again, it is probably for the better as we can finally put a rest to the internet’s claim on how he is the most overdue actor for an Oscar. Also, rearranging Tom Hardy’s name would lead you to DORTY HAM which is probably what he was serving in his performance. As much as the film has impressive moments here and there, my usual gripe with Alejandro’s works is present yet again, as he can’t seem to avoid the overindulgence in his movies.

3/5

Room

05. ROOM (Lenny Abrahamson, director)

There are those films that bring such discomfort while watching them that you find it real hard to revisit, and to a certain extent, Lenny Abrahamson’s Room fits the bill. Based from Emma Donoghue’s novel of the same title, the film is about a young mother and her son trapped and living in a small.. well.. uhm… room. The movie wasted no time in making the audience feel what was going through with Ma and Jack (played to perfection by Brie Larson and Jacob Tremblay, but more of them later) that you’re already invested with the film and their situation. A film like this benefits from having these very detailed small scenes later building up to a huge bubble of emotions just waiting to explode, and as a viewer, there’s just no turning back anymore. At the risk of not being a spoiler, I’d leave the rest of what has happened in the movie, but let me say that this was gut wrenching throughout in a way that isn’t manipulative or forced (except for the musical score in some key scenes which were overdone). Brie Larson is expected to win the Best Actress Oscar at the end of this month, and deservedly so. Her performance is one you’d appreciate not right off the bat, but moreso for its lasting impact. And while I usually have reservations with performances from child actors, Jacob Tremblay is simply a revelation. What a find. Seeing his personality this whole awards season and that being so different than what was showcased in the movie can also be credited to the focused direction by Lenny Abrahamson.  Room is a film that resonates well even after the credits rolled already, and its effect lingers with you.

3.5/5

The BigShort

04. THE BIG SHORT (Adam McKay, director)

I’m probably one of the last persons to be personally affected by the American financial crisis back in 2008, but Adam McKay’s The Big Short was a joyride to watch from start to finish. Where the film’s main strength lies is its energy, outpouring with its quick cuts and use of loud soundtracks and memories of the 2008 fiasco that even if you’re not totally aware of the subject matter, it easily lures you in. What it makes up for its technicality with all its economic jargon thrown here and there are random celebrities ranging from Margot Robbie in a bathtub up to Selena Gomez breaking the fourth wall explaining to you what was really happening. From there, it’s a confident piece of work from someone who probably knew that a film whose theme is as heavy as this must be done in an opposite yet still skillful approach. That’s why when the film suddenly tries to go all in on the dramatic aftermath of the tragedy, the impact, while still there, stales a bit. Martin Scorsese’s Wolf of Wall Street, a film many has compared to this one, has done a much better job in injecting the balance to its energy. The ensemble was good and serviceable, with no one having a huge standout moment (except for the horrible wigs). The one thing that The Big Short excellently accomplished is that it delivered this relevant, thought-provoking message from a tragic time in America by simply capturing your attention to look in it.

3.5/5

Bridge of Spies

03. BRIDGE OF SPIES (Steven Spielberg, director)

When you’re a director as accomplished as Steven Spielberg, sometimes you’d wonder if they still have anything left to prove. Then there will also be those instances when you know they just want to tell a story. That’s how I viewed his Cold War drama Bridge of Spies. This latest Tom Hanks starrer is something that we’ve seen already many times in the past, but Spielberg puts his touch in it and turns into a solid and engaging time at the movies. It’s traditional, but it’s definitely the approach that this film needs. If this was done in the 90s, it probably would have won Oscars for everybody. It was solid and safe throughout from your usual Spielberg staples: Kaminski’s cinematography, Hanks in the lead role. I even find delight in the screenplay written by the Coens, as the output of line readings were enjoyable. If anything, I somehow missed John Williams’ score here (Thomas Newman just doesn’t cut it for me).  Oh and if anything, Mark Rylance was such a hoot, giving the classic supporting actor performance in the movie. Like The Martian, this is a film where you already have an idea on how it will play out in the end, but unlike that one, Spielberg makes it compelling all throughout the duration of the movie. But, he really just can’t help it with the last scene though, no?

3.5/5

Spotlight

02. SPOTLIGHT (Tom McCarthy, director)

Call it whatever you like — straightforward, text book approach, procedural, by the numbers. But these aren’t really negatives when it comes to Tom McCarthy’s Spotlight. As a matter of fact, rare is such an instance when someone manages to make these words sound great in the context of a movie. Spotlight is compelling in its topic, its scope, screenplay and its direction but what made it more effective is the restraint it had to avoid obvious tropes just to make it preachy and over dramatic. I understand, however, that this isn’t everyone’s cup of tea and what I might consider as good can be someone else’s serviceable. The movie also benefits from its ensemble of actors, from Michael Keaton’s low-key subtle leader to the team’s newest member Liev Schreiber. There’s also Oscar nominee Rachel McAdams (oh boy I love saying that!) contributing to the whole group. The only one who stands out differently for me was Mark Ruffalo, and while I feel that there are really people like his character, it’s a bit too outlandish for this usually dependable actor. Having the interest in journalism back from high school also appealed to me and probably is a factor with how I like Spotlight, but one can’t deny that it’s a assured, smart, and tight piece of powerful work.

4/5
Mad Max Fury Road

01. MAD MAX: FURY ROAD (George Miller, director)

Only few films take you into one helluva ride, and George Miller’s comeback along with the Mad Max series just sweeps everyone off its feet, dusty sands and all. It’s really insane that a franchise as dated as this one can breathe life even topping its predecessors (though one really doesn’t need to watch all the previous films to identify with this one). As for starters, it’s a visual spectacle on all levels, with its attention to the details a highlight — making you feel as if you’re a part of the whole journey with them. THE.FUN.JUST.WON’T.STOP. But more than anything else, it presents a very important take on feminism (with Charlize Theron’s Imperator Furiosa on the forefront) in this time and age when Beyonce has probably overused the same word to death already. Mad MaxFury Road never gets contented with just fulfilling our visual hunger with its polished colors, guitar players, and endless car chase scenes one after the other; with it, it also thrives to weave moments of tender sincerity and proclaim bold statements both in the world where these characters existed and to the audience’s as well. Everything about this projects seems risky on paper, but it all paid off. Indeed, it’s one of the best moments in cinema this past year (and of the decade too).

4.5/5

So how does your ranking look like? How many have you seen from this year’s batch? Which are your favorites? And who would you be rooting for come Oscar night? Talk to me about it by tweeting me:@nikowl

22nd Screen Actors Guild Awards Winner Predictions   Leave a comment

Three weeks after the Golden Globes, the second of the Big 4 guilds will be announcing their winners as the Screen Actors Guild Awards happen this weekend. It’s a fairly “bad” year per se in terms of SAG acting nominees’ correlation to eventual Oscar nominees as it’s tying record of 14/20. Whether it’s because of late releases, Netflix, or their love for Helen Mirren, it’s both good and bad that the SAGs are going their own path. That said, here are the predictions in 14 different categories this year.

THEATRICAL MOTION PICTURES

film ensemble

Outstanding Performance by a Cast in a Motion Picture
Beasts of No Nation
The Big Short
Spotlight
Straight Outta Compton
Trumbo

PREDICTION: The Big ShortEnsembles can go two way really: big cast or well-utilized cast. The Big Short is more of the former. The names attached to it are some of the biggest and most respected in Hollywood that casting your vote for the film means an appreciation to Brad Pitt, Mark Ruffalo, Ryan Gosling, and Steve Carell. That’s too huge a ‘squad’ for them to pass on.

ALTERNATE: SpotlightThen there’s the well-utilized cast of Spotlight. Previously, this category tends to reward stronger traditional ensembles such as this one. But then again, the SAG Ensemble award has also been indirectly referred to as the “Best Picture” category at the SAGs that sometimes the stronger picture automatically wins. This year, The Big Short fills that bill.

film actor

Outstanding Performance by a Male Actor in a Leading Role
BRYAN CRANSTON / Dalton Trumbo – “TRUMBO” (Bleecker Street)
JOHNNY DEPP / James “Whitey” Bulger – “BLACK MASS” (Warner Bros. Pictures)
LEONARDO DiCAPRIO / Hugh Glass – “THE REVENANT” (20th Century Fox)
MICHAEL FASSBENDER / Steve Jobs – “STEVE JOBS” (Universal Pictures)
EDDIE REDMAYNE / Einar Wegener/Lili Elbe – “THE DANISH GIRL” (Focus Features)

PREDICTION: Leonardo di Caprio, The Revenant. It’s really di Caprio’s year; thus, there’s no one stopping him. Like you have no idea how it’s not even close. After all, he hasn’t won an individual SAG (or even an Ensemble SAG) for that matter.

ALTERNATE: Bryan Cranston, Trumbo. Cranston probably comes to a distant second only because of the TV factor. His Walter White is still one of the most iconic TV characters in recent years, but even that wouldn’t be enough to topple Hurricane Leo.

film actress

Outstanding Performance by a Female Actor in a Leading Role
CATE BLANCHETT / Carol Aird – “CAROL” (The Weinstein Company)
BRIE LARSON / Ma – “ROOM” (A24)
HELEN MIRREN / Maria Altmann – “WOMAN IN GOLD” (The Weinstein Company)
SAOIRSE RONAN / Eilis – “BROOKLYN” (Fox Searchlight Pictures)
SARAH SILVERMAN / Laney Brooks – “I SMILE BACK” (Broad Green Pictures)

PREDICTION: Brie Larson, Room. Larson gets the advantage here considering that she has been the stronger frontrunner all along. Besides, Room, despite missing on an Ensemble nod, has two nominations as compared to her closest competitor which happens to be…

ALTERNATE: Saoirse Ronan, Brooklyn. Unless tides shift, then Ronan still probably has a chance. Surprisingly enough, this is her first SAG nomination (she was snubbed for Atonement) so both her and Larson are ingenues in the race.

film supp actor

Outstanding Performance by a Male Actor in a Supporting Role
CHRISTIAN BALE / Michael Burry – “THE BIG SHORT” (Paramount Pictures)
IDRIS ELBA / Commandant – “BEASTS OF NO NATION” (Netflix)
MARK RYLANCE / Abel Rudolph – “BRIDGE OF SPIES” (DreamWorks)
MICHAEL SHANNON / Rick Carver – “99 HOMES” (Broad Green Pictures)
JACOB TREMBLAY / Jack – “ROOM” (A24)

PREDICTION: Christian Bale, The Big Short. Without Stallone in the equation, it’s really difficult to pinpoint which direction both the SAG and the BAFTA will go to. If the same person wins both, then we have a race. If it gets divided, then Stallone wins handily. That said, I’d give this win to Christian Bale, simply for being in the strongest film here. No one has won an acting SAG without getting nominated at the Oscars which eliminates three contenders here, and Disney hasn’t effectively been active in promoting Bridge of Spies. 

ALTERNATE: Jacob Tremblay, Room. But if there’s one performance that can overcome the Oscar snub and equate it to a win, it has got to be Jacob Tremblay. This nine-year old has continuously charmed and swept off events one after the other, that Sylvester Stallone better thank him in his speech if he wins on Oscar night.

film supp actress

Outstanding Performance by a Female Actor in a Supporting Role
ROONEY MARA / Therese Belivet – “CAROL” (The Weinstein Company)
RACHEL McADAMS / Sacha Pfeiffer – “SPOTLIGHT” (Open Road Films)
HELEN MIRREN / Hedda Hopper – “TRUMBO” (Bleecker Street)
ALICIA VIKANDER / Gerda Wegener – “THE DANISH GIRL” (Focus Features)
KATE WINSLET / Joanna Hoffman – “STEVE JOBS” (Universal Pictures)

PREDICTION: Alicia Vikander, The Danish Girl. This category loves its ingenues and giving them a welcome win can even be considered a tradition. With a busy year Alicia Vikander had, plus that long suffering wife role she had, this is, as Christoph Waltz would say it, an “uber bingo!

ALTERNATE: Kate Winslet, Steve Jobs. I’m a bit iffy on the idea that Kate is winning three individual movie SAGs, let alone all for supporting roles. I still think that the love for Steve Jobs is more of an HFPA thing rather than an industry momentum.

film stunt

Outstanding Action Performance by a Stunt Ensemble in a Motion Picture
“EVEREST” (Universal Pictures)
“FURIOUS 7” (Universal Pictures)
“JURASSIC WORLD” (Universal Pictures)
“MAD MAX: FURY ROAD” (Warner Bros. Pictures)
“MISSION: IMPOSSIBLE – ROGUE NATION” (Paramount Pictures)

PREDICTION: Mad Max: Fury Road. Predicting this is likely picking up a paper in a box, but let’s give the advantage to the most buzzed contender which is Mad Max.

ALTERNATE: Mission: Impossible – Rogue Nation. Then again, this is Stunts we’re talking about, and that shot of Tom Cruise hanging off a plane was one of the most buzzed this year, so maybe it can go Mission: Impossible‘s way.

TELEVISION PROGRAMS

tv miniseries actor

Outstanding Performance by a Male Actor in a Television Movie or Miniseries
IDRIS ELBA / DCI John Luther – “LUTHER” (BBC America)
BEN KINGSLEY / Grand Vizier Ay – “TUT” (Spike)
RAY LIOTTA / Lorca/Tom Mitchell – “TEXAS RISING” (History)
BILL MURRAY / Himself – “A VERY MURRAY CHRISTMAS” (Netflix)
MARK RYLANCE / Thomas Cromwell – “WOLF HALL” (Masterpiece/PBS)

PREDICTION: Idris Elba, Luther. This could really go to anyone in the group, I’m just giving Luther the advantage because they’ve finally recognized it after so many seasons, and it can be a consolation to those not voting for Elba in Film.

ALTERNATE: Mark Rylance, Wolf Hall. Indeed one of the more buzzed performances of the previous season was from this British thespian. Somehow, both the Emmys and Globes denied him of the win though. Maybe the actors will be more receptive to it.

tv miniseries actress

Outstanding Performance by a Female Actor in a Television Movie or Miniseries
NICOLE KIDMAN / Grace – “GRACE OF MONACO” (Lifetime)
QUEEN LATIFAH / Bessie Smith – “BESSIE” (HBO)
CHRISTINA RICCI / Lizzie Borden – “THE LIZZIE BORDEN CHRONICLES” (Lifetime)
SUSAN SARANDON / Gladys Mortenson – “THE SECRET LIFE OF MARILYN MONROE” (Lifetime)
KRISTEN WIIG / Delores DeWinter – “THE SPOILS BEFORE DYING” (IFC)

PREDICTION: Queen Latifah, Bessie. Latifah is a previous winner in this same category, so there’s an advantage. Plus it’s the only “prestige” vehicle in this weak lineup.

ALTERNATE: Nicole Kidman, Grace of Monaco. Welp they’ve boldly had the guts to nominate this, so might as well take it all the way to a win. It’s about an actor and Nicole Kidman hasn’t received and SAG yet.

tv drama actor

Outstanding Performance by a Male Actor in a Drama Series
PETER DINKLAGE / Tyrion Lannister – “GAME OF THRONES” (HBO)
JON HAMM / Don Draper – “MAD MEN” (AMC)
RAMI MALEK / Elliot – “MR. ROBOT” (USA Network)
BOB ODENKIRK / Jimmy McGill – “BETTER CALL SAUL” (AMC)
KEVIN SPACEY / Francis Underwood – “HOUSE OF CARDS” (Netflix)

PREDICTION: Jon Hamm, Mad Men. It’s surprising to think that Jon Hamm has never won an individual SAG Award yet, but as strange as that sounds, he really hasn’t yet. And since the SAGs are sentimental to farewell shows, this could be another on the list.

ALTERNATE: Rami Malek, Mr. Robot. But then, they can also go on their own way and reward the most buzzed TV breakthrough performance of the season. The show is so not SAG’s alley, so the mere fact they’ve nominated it is an indication of strong support.

tv drama actress

Outstanding Performance by a Female Actor in a Drama Series
CLAIRE DANES / Carrie Mathison – “HOMELAND” (Showtime)
VIOLA DAVIS / Annalise Keating – “HOW TO GET AWAY WITH MURDER” (ABC)
JULIANNA MARGULIES / Alicia Florrick – “THE GOOD WIFE” (CBS)
MAGGIE SMITH / Violet Crawley, Dowager Countess of Grantham – “DOWNTON ABBEY” (Masterpiece/PBS)
ROBIN WRIGHT / Claire Underwood – “HOUSE OF CARDS” (Netflix)

PREDICTION: Viola Davis, How to Get Away with Murder. Where’s Taraji P. Henson by the way? Anyway, this is the same lineup from the previous year, only without Tatiana Maslany which means she was the one in sixth last year who tied to a nomination. Three of these shows have a “been there, done that” feel, so let’s just stick with actors favorite Viola Davis.

ALTERNATE: Maggie Smith, Downton Abbey. Or they might as well give it to the Dame instead despite her continuous snubbing of all her American awards show nominated recognition.

tv drama ensemble

Outstanding Performance by an Ensemble in a Drama Series
Downton Abbey
Game of Thrones
Homeland
House of Cards
Mad Men

PREDICTION: Mad MenOne last hurrah for the ensemble they’ve rewarded twice in the past.

ALTERNATE: Game of Thrones. Or they might as well give in to the deafening buzz of this thrice nominated, but never rewarded ensemble yet.

tv comedy actor

Outstanding Performance by a Male Actor in a Comedy Series
TY BURRELL / Phil Dunphy – “MODERN FAMILY” (ABC)
LOUIS C.K. / Louie – “LOUIE” (FX Networks)
WILLIAM H. MACY / Frank – “SHAMELESS” (Showtime)
JIM PARSONS / Sheldon Cooper – “THE BIG BANG THEORY” (CBS)
JEFFREY TAMBOR / Maura Pfefferman – “TRANSPARENT” (Amazon)

PREDICTION: Jeffrey Tambor, Transparent. I actually expected that they’d already nominate him last year, but it seemed like they waited for the whole season to finish first. Now he’s off to dominate this one to join his Globe and Emmy wins.

ALTERNATE: William H. Macy, Shameless. Mr. Macy is an actor’s actor and his not so surprising upset last year is a proof of that.

tv comedy actress

Outstanding Performance by a Female Actor in a Comedy Series
UZO ADUBA / Suzanne “Crazy Eyes” Warren – “ORANGE IS THE NEW BLACK” (Netflix)
EDIE FALCO / Jackie Peyton – “NURSE JACKIE” (Showtime)
ELLIE KEMPER / Kimmy Schmidt – “UNBREAKABLE KIMMY SCHMIDT” (Netflix)
JULIA LOUIS-DREYFUS / President Selina Meyer – “VEEP” (HBO)
AMY POEHLER / Leslie Knope – “PARKS AND RECREATION” (NBC)

PREDICTION: Julia Louis-Dreyfus, Veep. After losing last year, the win is probably back in White House with JLD winning a second one for this role.

ALTERNATE: Uzo Aduba, Orange is the New Black. But this category also loves its supporting players, so they can just give Uzo Aduba a consecutive win here.

tv comedy ensemble

Outstanding Performance by an Ensemble in a Comedy Series
The Big Bang Theory
Key & Peele
Modern Family
Orange is the New Black
Transparent
Veep

PREDICTION: Veep. This one can really go to any of the ensembles except The Big Bang Theory and Key & Peele. But with their Emmy win and increasing guild support, then I’d give the slight edge.

ALTERNATE: Orange is the New Black. At this point, Orange is the New Black felt like a passe already, but never underestimate this current champ composed of 40 member-ensemble to pull off a repeat win.

You can talk to me about this on Twitter: @nikowl

88th Academy Awards Nominations Predictions   1 comment

oscarsheader

After almost a year of doing monthly predictions, it has now come to this. The one moment in the year where all discussions and predictions will really be put into test. Tomorrow, the Academy announces the nominations for the best in 2015 film. To say that this year is probably the craziest one in years is really an understatement. Too many films which looked locks ended up as flops and vice versa. Then there’s that crazy Supporting Actor category with more than ten men in contention. Plus, the category confusion with many of the contenders this year. So before AMPAS president Cheryl Boone Isaacs, John Krasinski, Ang Lee, and Guillermo del Toro announce the nominations, I’ll provide my insights as to who can get nominated in all 22 categories.

BEST PICTURE
• The Big Short
• Bridge of Spies
• Brooklyn
• Carol
• Mad Max: Fury Road
• The Martian
• The Revenant
• Room
• Spotlight

10th (but not predicted): Straight Outta Compton

So Best Picture is a clusterfuck this year among many other things. But the way I see it, the category is divided into the upper tier, the middle tier, and the lower tier. In the upper tier, you have your frontrunners and those that benefited from the critics, guilds, and televised precursors season. You have Globe winners The Revenant and The Martian, as well as critics strong performer Spotlight and The Big Short which performed well at the guilds. I think those four are sure things here already.

The middle tier are for those who performed well at some parts, but we have some reservations with the inclusion. Carol was hit or miss with the guild getting in at WGA and at the Globes and BAFTA, but was skipped over at the DGA and PGA. Then there’s Mad Max: Fury Road whose resurgence by the critics really helped its chances. But then when everything started to make sense, the BAFTA snubs for Picture and Director happened. On the other side, there’s Bridge of Spies by Steven Spielberg who was hit or is with the guilds getting surprise inclusion but missing some key ones too. That said, it leading the BAFTA nods helped its chances. I think all three will still make it here though.

Now this is where it gets tricky. I have both Brooklyn and Room next in line even if both have caveats. Brooklyn didn’t manage to breakout well enough aside from the Saoirse Ronan mentions. Even at BAFTA, which should have been its major strength, the film didn’t overperform there. Room on the other hand was also expected to both be a critical and televised breakout, yet it didn’t happen too outside at the Globes. If anything though, being attached to the potential Best Actress winner can help its chances here. I think that if only one of these two make it here, that can be telling with our Best Actress race as well. But then I won’t be surprised if both makes it, or if both gets snubbed here.

Since we have ten spots as a maximum number of nominees here, that last spot can go to the surprise strong guild performers such as Sicario and Straight Outta Compton so don’t be surprised if either gets mentioned come Oscar nomination morning. I’d stick with my current nine as the predicted lineup though.

BEST DIRECTOR
• Todd Haynes, Carol
• Alejandro G. Iñárritu, The Revenant 
• Tom McCarthy, Spotlight
• Adam McKay, The Big Short
• George Miller, Mad Max: Fury Road

SPOILER: Ridley Scott, The Martian

The director lineup can be patterned with the “Upper 7” films I mentioned earlier. There’s a huge chance that we’ll end up with the same DGA five lineup for this year, but I’d like to make it seem more adventurous than that. Truth is, aside from current winner Alejandro Iñárritu, I can see a scenario where the each of the six remaining directors miss. Despite some minor trips throughout the season, I still think that Tom McCarthy is safely in here, as well as Adam McKay. Both have the same narrative in the sense that they’re finally being taken seriously in these passion projects. Todd Haynes is both a prediction and a wish here. Despite the DGA snub, part of me thinks that a director like him benefits the most from the Oscar voting being exclusive to only the directors branch. There’s always a spot reserved for a respected auteur, and he might be it. But more than that, I’m clinging to the fact that Carol is Harvey Weinstein’s main horse this year, and if he can get that unknown Morten Tyldum over Clint Eastwood happen last year, then he better work thrice his ass off for Todd Haynes to happen. I’m not counting on Spielberg to get in this year only because he missed DGA and the DGAs love him more than the Academy. The last spot is a bit tricky between two of respected veterans who are directing big, flashy efforts. In a race of Ridley Scott vs. George Miller, I see passion siding Miller’s way with Scott following the path of Paul Greengrass for Captain Phillips after garnering precursor nominations for it.

BEST ACTOR
• Steve Carell, The Big Short
• Bryan Cranston, Trumbo
• Matt Damon, The Martian
• Leonardo DiCaprio, The Revenant
• Michael Fassbender, Steve Jobs

SPOILER: Eddie Redmayne, The Danish Girl

The BAFTA five also seems like its set in stone that it’s boring me too much, and I decided to tinker around with it even if this means that it’ll backfire on me come actual announcement. Considering that it’s finally Leonardo di Caprio’s year (RIP memes, you’ll forever be missed!), it’s basically just a matter of who’s joining him. Two sure names you’d hear are Michael Fassbender for Steve Jobs and Bryan Cranston for Trumbo. Fassy, despite the massive failing of Steve Jobs in the box office department managed to hang on for its dear life that this nomination is likely now. Same goes for Cranston who even got in at BAFTA even if odds aren’t on his side. Matt Damon will likely get in because he’s an American hero and he’s starring on a strong Best Picture contender, and knowing the strong connection between the two categories, this helps him. He’s likely battling the same spot with Steve Carell who’s also on a Top 3 Best Picture contender and if last year taught us anything, it’s that we should never underestimate him. Sure, it’s lacking that he’s missing out on nominations even if the movie keeps on harboring nods, but then this is the Academy we’re talking about here. So as I go back and forth between Damon, and Carell, I’d likely end up predicting both and go with a shocking Eddie Redmayne snub. Between him being the current winner, it’s not as if he needed a back to back validation nod anymore, and The Danish Girl is the weakest film in this lineup.

BEST ACTRESS
• Cate Blanchett, Carol
• Brie Larson, Room
• Jennifer Lawrence, Joy
• Charlotte Rampling, 45 Years
• Saoirse Ronan, Brooklyn

SPOILER: Helen Mirren, Woman in Gold

You have the big three here with Brie Larson, Cate Blanchett, and Saoirse Ronan being mainstay among precursors all season. Cate can enjoy nod #7 this year, as I see no path on her winning this year. In a battle of Brie vs. Saoirse though, I have to say that while Saoirse drew the first blood winning NY, it’s Brie who’s having the narrative of the Best Actress performance of the year. Since we’re talking about nominations here, I’d leave the win talk somewhere else.

As for the last two slots, I initially though that either Rooney Mara of Carol or Alicia Vikander of The Danish Girl can be promoted here due to the loud noise of their “category fraud”, but I don’t feel like either of them can muster enough support to actually end up here, especially since televised precursors have been scattered with their placements. That leaves me with Jennifer Lawrence earning nod #4 for Joy. She won the Golden Globe earlier this week and while one could credit it to the fact that she’s the only Oscar contender here, Joy as a film is still gaining decent support with the guilds, so the film is being seen. Plus, of course there’s the fact that she’s the world’s biggest star right now will help her as well.

In a much competitive year, Charlotte Rampling, despite NSFC and LA wins, would be snubbed this year considering she only collected a BFCA nod among the televised precursors. That said, in a year as open as this one with no strong possible alternate, then she can thank the lucky stars as that means she can still earn an Oscar nomination for it. I’m certain that had Jennifer Aniston’s “Cake happened this year, she would have been competitive for that nomination even more than last year. If there’s any veteran though who can surprisingly make it here, count on Helen Mirren in “Woman in Gold as this could be the category where they can reward her, plus she’s a winner and multiple nominee, and this is about Nazis and is produced by Weinstein. That SAG inclusion was telling.

BEST SUPPORTING ACTOR
• Christian Bale, The Big Short
• Tom Hardy, The Revenant
• Mark Ruffalo, Spotlight
• Mark Rylance, Bridge of Spies
• Jacob Tremblay, Room

SPOILER: Sylvester Stallone, Creed

I’d say the person who’d get this category correct might as well be called a genius because this is the category that’s probably the most headache inducing of them all. Well everyone not named Mark Rylance has a reason to be nervous at 5:30 AM because as far as I know, he’s the only one spared from the mess here (now watch him be snubbed!). Aside from him, I’d say Christian Bale can get his third career nod this decade as the acting representative of the Big Short especially if Carellreally will fall short in the end  .

Just a month ago, it seems like history will be made as Spotlight is likely the first movie since Bugsy in 1991 to garner two supporting actor nominations. That is until the televised precursor happens. Now both Mark Ruffalo and Michael Keaton are hanging on for their dear lives. That said, I’ll be predicting Ruffalo here as he’s gaining last minute momentum between his BFCA and BAFTA nominations plus being in a strong Best Picture upper tier movie.

Then there’s Jacob Tremblay of Room who only got a SAG nod on top of his BFCA Child Actor nomination. One can take his SAG nod with a grain of salt considering the SAG loves child performances that didn’t take off at Oscars such as Freddie Highmore in Finding Neverland to Dakota Fanning in I Am Sam. That said, I’m sticking with Tremblay just because he can be a strong coattail to the Best Actress frontrunner.

Speaking of coattails, I’ll go and predict Tom Hardy of The Revenant for the last slot. He’s starring with the likely Best Actor winner and he’s having a great year starring in the likely two most nominated Best Picture nominees. As for Sylvester Stallone and Creed, sure the Globes reception with his win is convincing that there’s passion for him, but he has nothing except Globe and BAFTA on his side.

BEST SUPPORTING ACTRESS
• Rooney Mara, Carol
• Rachel McAdams, Spotlight
• Helen Mirren, Trumbo
• Alicia Vikander, The Danish Girl
• Kate Winslet, Steve Jobs

SPOILER: Jennifer Jason Leigh, The Hateful Eight

The continuous category confusion here for both Alicia Vikander and Rooney Mara just ended up costing them both momentum for the win and thus, giving us that random Kate Winslet Golden Globe nod just two days ago. That said, count on the three to get in here. And while Vikander is competing against herself here between her two performances, chances are she’d end up getting nominated for her baitier performance in The Danish Girl.

Rachel McAdams is a hit or miss here. On one hand, she can be the ensemble representative just like Christian Bale was for The Big Short especially since Supporting Actor is a clusterfuck. But then she only got BFCA + SAG nods for it. That said, I’m keeping her in especially since that combination has done wonders for performances that came from Best Picture contenders. So unless it’s a lone acting showcase movie, then this can be a really strong combination.

Jennifer Jason Leigh makes sense as the fifth slot here, but what gives me pause is upon thinking that only Robert Forster got nominated for a Tarantino directed movie that isn’t a Best Picture nominee. Add the fact that Leigh doesn’t really have much to do until the second to third hour, and we don’t know how they’ll respond to this. Personally speaking, I’d rather keep my expectations low about her so if she ends up in the end, I’d be happy. But maybe this Oscar career nod will fail short after all. This veteran slot can easily be given to Dame Helen Mirren who’s campaigning a lot and except for that BAFTA snub, she’s starring with likely nominee Bryan Cranston which helps her a lot.

BEST ORIGINAL SCREENPLAY
• Bridge of Spies
• Ex Machina
• The Hateful Eight
• Inside Out
• Spotlight

SPOILER: Straight Outta Compton

I don’t know what to do with that fifth slot, but I guess I’ll just go with the flow and consider that Ex Machina PGA nod as a sign of strength. Don’t underestimate Straight Outta Compton and Sicario though given their great guild runs.

BEST ADAPTED SCREENPLAY
• Anomalisa
• The Big Short
• Carol
• Room
• Steve Jobs

SPOILER: The Martian

I’m probably the lone person predicting Anomalisa at this point but I guess I’m relying on the writers branch being that quirky group who still gives us surprises every now and then. After all, this is Charlie Kaufman we’re talking about here. Only The Big Short seems like a sure thing here and the rest can easily be disposed one way or another (Steve Jobs can be a Sorkin fatigue, Room might not translate outside acting, Carol was snubbed at the Globes, The Martian is more of a visual rather than a storytelling vehicle). Predicting Brooklyn gives me pause considering that Hornby was just snubbed last year for Inherent Vice of all movies to replace it, so maybe he’s just not an Academy fan in the end.

BEST FOREIGN LANGUAGE FILM
• Labyrinth of Lies (Germany)
• Mustang (France)
• Son of Saul  (Hungary)
• Theeb (Jordan)
• A War (Denmark)

SPOILER: The Brand New Testament (Belgium)

I’m just going here with the fact that this group is a mixture of the usual themes that this category lovers to award — strong studio backed films (Son of Saul, Labyrinth of Lies), films about children (Mustang, Theeb) and about war (A War). A lot seemed to be predicting The Brand New Testament though which gives me a bit of a pause since they love including comedies in the final nine but only for them to miss the actual lineup (Superclasico, Force Majeure).

BEST ANIMATED FEATURE
• Anomalisa
• The Good Dinosaur
• Inside Out
• The Peanuts Movie
• Shaun the Sheep

SPOILER: When Marnie Was There

Sticking with the Globe five since it’s a good mixture of critically acclaimed films and box office performers. But sometimes they’d throw in an obscure foreign animated film here which benefits When Marnie Was There in the lineup.

BEST DOCUMENTARY FEATURE
• Amy
• Cartel Land
• He Named Me Malala
• Listen to Me Marlon
• The Look of Silence

SPOILER: The Hunting Ground

It’s a bit weird that this year, a lot has been person documentaries which gives me a pause if all three among Amy, He Named Me Malala, and Listen to Me Marlon will all make it. On the other, these are three different figures so there’s that. The Look of Silence is from Joshua Oppenheimer and they embraced him with The Act of Killing two years ago. Cartel Land is that “important” documentary in the lineup, though it is battling the same spot with the likes of The Hunting Ground, and Winter on Fire.

Now as for the rest of the technical categories…

BEST CINEMATOGRAPHY
• Carol
• The Hateful Eight
• Mad Max: Fury Road
• The Revenant
• Sicario

SPOILER: Bridge of Spies

BEST COSTUME DESIGN
• Carol
• Cinderella
• Crimson Peak

• The Danish Girl
• Mad Max: Fury Road

SPOILER: Macbeth

BEST EDITING
• The Big Short
• Mad Max: Fury Road
• The Martian
• The Revenant
• Spotlight

SPOILER: Bridge of Spies

BEST HAIRSTYLING & MAKE UP
• The 100-Year-Old Man Who Climbed Out the Window and Disappeared
• Mad Max: Fury Road
• The Revenant

SPOILER: Mr. Holmes

BEST ORIGINAL SCORE
• Bridge of Spies
• The Hateful Eight
• Sicario
• Spotlight
• Star Wars: The Force Awakens

SPOILER: Carol

BEST ORIGINAL SONG
• “Feels Like Summer” (Shaun the Sheep Movie)
• “I Run” (Chi-Raq)
• “The Light that Never Fails” (Meru)
• “See You Again” (Furious 7)
• “Simple Song #3” (Youth)

SPOILER: “Love Me Like You Do” (50 Shades of Gray)

BEST PRODUCTION DESIGN
• Bridge of Spies
• Crimson Peak
• Mad Max: Fury Road
• The Martian
• Star Wars: The Force Awakens

SPOILER: The Revenant 

BEST SOUND EDITING
• Mad Max: Fury Road
• The Martian
• The Revenant
Sicario
• Star Wars: The Force Awakens

SPOILER: Inside Out

BEST SOUND MIXING
• Bridge of Spies
• Mad Max: Fury Road
• The Martian
• The Revenant
• Star Wars: The Force Awakens

SPOILER: Sicario

BEST VISUAL EFFECTS
• Ant Man
• Mad Max: Fury Road
• The Martian
• The Revenant

• Star Wars: The Force Awakens

SPOILER: Jurassic World 

FINAL TALLY
10 –
Mad Max: Fury Road, The Revenant
7 –
Carol, The Martian, Spotlight
6 –
The Big Short, Bridge of Spies
5 –
Star Wars: The Force Awakens
4 –
Room
3 –
Brooklyn, The Hateful Eight, Sicario, Steve Jobs
2 –
Anomalisa, The Danish Girl, Inside Out, Shaun the Sheep, Trumbo

Talk about this with me on Twitter: @nikowl

73rd Golden Globe Awards Winner Predictions   Leave a comment

The Golden Globes weekend has officially started! In two days, the first televised awards ceremony of the season begins with the Hollywood Foreign Press Association (HFPA) announces their winners of the 73rd Golden Globe Awards in a night filled with chocolates, booze, and stars. This year, Denzel Washington is the recipient of the Cecil B. DeMille distinction, as Ricky Gervais comes back as the host after three years. With Tom Hanks to Mel Gibson, and Channing Tatum to Eva Longoria expected to attend, let’s predict who will end up heading to the Globes stage to give their awards speeches on Sunday (Monday here in the Philippines) in all 25 categories.

FILM:

film drama picture

Best Motion Picture – Drama
“Carol”
“Mad Max: Fury Road”
“The Revenant”
“Room”
“Spotlight”

PREDICTION: Spolight. Despite showing some weakness, this still remains as the strongest contenders among the dramatic nominees here. It will still win this category pretty easily, and there’s a chance it can only end up winning this one ala 12 Years a Slave two years ago.

ALTERNATE: Mad Max: Fury Road. This can basically be any of the films here. Carol, albeit leading the nominations is a weak contender here and can even be emptyhanded. It can also be The Revenant after snubbing eventual Oscar winner Alejandro Inarritu last year. But Mad Max is that populist and critical choice that the Golden Globes are known for.

film drama actor

Best Actor in a Motion Picture – Drama
Bryan Cranston (“Trumbo”)
Leonardo DiCaprio (“The Revenant”)
Michael Fassbender (“Steve Jobs”)
Eddie Redmayne (“The Danish Girl”)
Will Smith (“Concussion”)

PREDICTION: Leonardo DiCaprio (“The Revenant”). Unlike the Oscars, the Globes haven’t been cruel to Leo winning twice in the past already. That said, being the Oscar frontrunner helps him win his third Globe come Sunday.

ALTERNATE: Michael Fassbender (“Steve Jobs”). Fassbender is a Golden Globe winner waiting to happen, and he’s now on his third nomination in five years. In a Leo-less field, he’s probably sweeping now.

film drama actress

Best Actress in a Motion Picture – Drama
Cate Blanchett (“Carol”)
Brie Larson (“Room”)
Rooney Mara (“Carol”)
Saoirse Ronan (“Brooklyn”)
Alicia Vikander (“The Danish Girl”)

PREDICTION: Brie Larson (“Room”). Room overperformed with nominations at the Globes this year, which makes me think that Larson got this one.

ALTERNATE: Saoirse Ronan (“Brooklyn”). Watch out for Saoirse Ronan though who’s every inch in this race and can still steal the momentum from Larson.

film comedy

Best Motion Picture – Comedy or Musical
“The Big Short”
“Joy”
“The Martian”
“Spy”
“Trainwreck”

PREDICTION: “The Big Short”. With The Big Short only getting stronger as each day passes, it can start its Best Picture road by winning this category on Sunday.

ALTERNATE: “The Martian”. The Globes has been into some hot water after placing this film in the Comedy genre, so I think it will somehow affect its chances here if it ends up winning. As a reminder, the film’s comedy placement won only by a single vote so there’s that.

film comedy actor

Best Actor in a Motion Picture – Comedy or Musical
Christian Bale (“The Big Short”)
Steve Carell (“The Big Short”)
Matt Damon (“The Martian”)
Al Pacino (“Danny Collins”)
Mark Ruffalo (“Infinitely Polar Bear”)

PREDICTION: Matt Damon (“The Martian”). Considering that Matt Damon hasn’t won a Golden Globe yet for acting, this makes sense as a place to reward The Martian especially if it ain’t winning Best Picture.

ALTERNATE: Steve Carell (“The Big Short”). While there’s still a path for Carell to win, the fact that they placed Christian Bale here will siphon some votes among The Big Short fans here.

film comedy actress

Best Actress in a Motion Picture – Comedy
Jennifer Lawrence (“Joy”)
Melissa McCarthy (“Spy”)
Amy Schumer (“Trainwreck”)
Maggie Smith (“The Lady in the Van”)
Lily Tomlin (“Grandma”)

PREDICTION: Jennifer Lawrence (“Joy”). This category feels like the dire one last year, and Lawrence is still likely the only Oscar contender here (yup, we’re still not counting on the Dame), so maybe an easy #3 for Lawgend.

ALTERNATE: Amy Schumer (“Trainwreck”). Hollywood’s it girl for 2015 is off to have an even greater 2016, and the Globes love that kind of coronation so this win is really possible.

film supp actor

Best Supporting Actor in a Motion Picture
Paul Dano (“Love & Mercy”)
Idris Elba (“Beasts of No Nation”)
Mark Rylance (“Bridge of Spies”)
Michael Shannon (“99 Homes”)
Sylvester Stallone (“Creed”)

PREDICTION: Mark Rylance (“Bridge of Spies”). Rylance is an unlikely Golden Globe winner, but at this stage he’s really the strongest contender so I say why not?

ALTERNATE: Sylvester Stallone (“Creed”). This type of rewarding a veteran and even a huge moviestar is such a Globes-y thing to do, so count on the HFPA starfuckers to throw him a moment.

film supp actress

Best Supporting Actress in a Motion Picture
Jane Fonda (“Youth”)
Jennifer Jason Leigh (“The Hateful Eight”)
Helen Mirren (“Trumbo”)
Alicia Vikander (“Ex Machina”)
Kate Winslet (“Steve Jobs”)

PREDICTION: Alicia Vikander (“Ex Machina”). They love Alicia Vikander so much that they nominated her twice, and considering she has no chance in Drama Lead Actress, they’ll reward her here instead.

ALTERNATE: Jennifer Jason Leigh (“The Hateful Eight”). The Globes are more appreciative of Tarantino performances, and this can signal that she’s still in the race like the trajectory of Christoph Waltz in 2012.

film directing

Best Director – Motion Picture
Todd Haynes (“Carol”)
Alejandro G. Iñárritu (“The Revenant”)
Tom McCarthy (“Spotlight”)
George Miller (“Mad Max: Fury Road”)
Ridley Scott (“The Martian”)

PREDICTION: George Miller (“Mad Max: Fury Road”). Surprisingly enough, this is Miller’s first ever Globe nomination so this can be his lifetime award already from the HFPA.

ALTERNATE: Ridley Scott (“The Martian”). Then there’s three-time nominee Ridley Scott who also hasn’t won here yet, and while he has already directed a Globe BP winning movie, Miller has the stronger “technical directorial achievement” narrative.

film screenplay

Best Screenplay – Motion Picture
Emma Donoghue (“Room”)
Tom McCarthy, Josh Singer (“Spotlight”)
Charles Randolph, Adam McKay (“The Big Short”)
Aaron Sorkin (“Steve Jobs”)
Quentin Tarantino (“The Hateful Eight”)

PREDICTION: Charles Randolph, Adam McKay (“The Big Short”). Never underestimate this contender. Like what I’ve said, it’s just on an upward trajectory for now. Considering the last three wins here are upsets, I’ll give this duo the edge.

ALTERNATE: Tom McCarthy, Josh Singer (“Spotlight”). It’s a battle between the two Best Picture contenders, but Spotlight has the edge in terms of winning more awards in Screenplay thus far.

film animated

Best Animated Feature Film
“Anomalisa”
“The Good Dinosaur”
“Inside Out”
“The Peanuts Movie”
“Shaun the Sheep Movie”

PREDICTION: “Inside Out”. This remains the critical pick of the year, and with huge box office performance to boot. So I’d say it’s still ahead.

ALTERNATE: “Anomalisa”. This isn’t a Globes type of pick, but it has the critics behind it, and the HFPA are more welcoming to stop motion type of animation.

film foreign language film

Best Motion Picture – Foreign Language
“The Brand New Testament”
“The Club”
“The Fencer”
“Mustang”
“Son of Saul”

PREDICTION: “Son of Saul”. This is still the frontrunner and no film has yet appeared to challenge it for the win. It has the prestige and the studio to nab this win.

ALTERNATE: “Mustang”. Probably Mustang comes the closest to an alternate, but I still see it falling short.

film score

Best Original Score
Carter Burwell (“Carol”)
Alexandre Desplat (“The Danish Girl”)
Ennio Morricone (“The Hateful Eight”)
Daniel Pemberton (“Steve Jobs”)
Ryuichi Sakamoto Alva Noto (“The Revenant”)

PREDICTION: Ennio Morricone (“The Hateful Eight”). They won’t let a year pass by without giving Harvey a win so it’s between his two films here. I’d give the edge to Ennio as he’s a veteran in this category.

ALTERNATE: Carter Burwell (“Carol”). This can be the place to reward Carol. After all, it’s rare for the top nomination earner movie to not take home at least one prize.

film song

Best Original Song
“Love Me Like You Do” from “Fifty Shades of Grey”
“One Kind of Love” from “Love & Mercy”
“See You Again” from “Furious 7”
“Simple Song No. 3” from “Youth”
“Writing’s on the Wall” from “Spectre”

PREDICTION: “One Kind of Love” from “Love & Mercy”. While this has been ineligible at the Oscars, it actually makes more sense considering that most winners here tend to get snubbed there.

ALTERNATE: “See You Again” from “Furious 7”. The pop songs are probably canceling each other out, but if there’s one who can overcome this, it’s a song about a Hollywood actor who passed away.

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tv drama

Best TV Series – Drama

“Empire”
“Game of Thrones”
“Mr. Robot”
“Narcos”
“Outlander”

PREDICTION: “Mr. Robot”. With the HFPA’s love for cable shows, it’s not surprising if they went with this critically loved breakout show from USA.

ALTERNATE: “Empire”. One has to go back nine years ago in 2006 when the top TV drama series went to a network show and that was for ABC’s Grey’s Anatomy. The closest comparison to how huge that show was in recent years was the Empire mania that has happened last year .

tv drama actor

Best Actor in a TV Series – Drama
Jon Hamm (“Mad Men”)
Rami Malek (“Mr. Robot”)
Wagner Moura (“Narcos”)
Bob Odenkirk (“Better Call Saul”)
Liev Schreiber (“Ray Donovan”)

PREDICTION: Rami Malek (“Mr. Robot”). Nine of the last 15 years here all came from freshman shows. But considering that the Globes tend to do a package deal of awarding a show + its lead actor (Homeland and Danes, Transparent and Tambor, Brooklyn Nine Nine and Samberg, Girls and Dunham and so on and so forth), Malek makes sense as the winner here.

ALTERNATE: Wagner Moura (“Narcos”). Following that pattern above, maybe its Narcos + Moura who might end up as the winners here.

tv drama actress

Best Actress in a TV Series – Drama
Caitriona Balfe (“Outlander”)
Viola Davis (“How to Get Away With Murder”)
Eva Green (“Penny Dreadful”)
Taraji P. Henson (“Empire”)
Robin Wright (“House of Cards”)

PREDICTION: Taraji P. Henson (“Empire”). Just like at the Emmys, I predict that this will be a Taraji vs. Viola battle. I give the edge to Taraji P. Henson though since Cookie is the type of role that Globes are made to award.

ALTERNATE: Viola Davis (“How to Get Away With Murder”). It can easily be Viola too considering she made history with her Emmy win, but for some reason the HFPA are reluctant to reward her. She lost to Meryl in 2011 despite being the frontrunner, and when she was a shoo-in here last year, she lost to Ruth Wilson of all people. Maybe the HFPA aren’t just fans of her.

tv comedy series

Best TV Series – Comedy
“Casual”
“Mozart in the Jungle”
“Orange Is the New Black”
“Silicon Valley”
“Transparent”
“Veep”

PREDICTION: “Transparent”. The last three shows who have won multiple awards here were GleeDesperate Housewives, and Sex and the City so they’re more into dramedies here, which helps current champ Transparent to go 2/2.

ALTERNATE: “Veep”. It’s surprising to think that this is the first Series nomination of Veep, but maybe its Emmy win can help it win its Globe trophy as well.

tv comedy actor

Best Actor in a TV Series – Comedy
Aziz Ansari (“Master of None”)
Gael Garcia Bernal (“Mozart in the Jungle”)
Rob Lowe (“The Grinder”)
Patrick Stewart (“Blunt Talk”)
Jeffrey Tambor (“Transparent”)

PREDICTION: Aziz Ansari (“Master of None”). We’re sure with besties J.Law and Schumer in the crowd, the HFPA would use the said platform to give Aziz a memorable moent when he gives his speech.

ALTERNATE: Jeffrey Tambor (“Transparent”). That said, it can also be an easy back to back win for Jeffrey Tambor who can just dominate the awards shows with his brave performance for this show.

tv comedy actress

Best Actress in a TV Series – Comedy
Rachel Bloom (“Crazy Ex Girlfriend”)
Jamie Lee Curtis (“Scream Queens”)
Julia Louis-Dreyfus (“Veep”)
Gina Rodriguez (“Jane the Virgin”)
Lily Tomlin (“Grace & Frankie”)

PREDICTION: Julia Louis-Dreyfus (“Veep”). I guess we can consider that the HFPA aren’t just into Veep at all.Not even her one-two punch of film and TV work two years ago ended up with a Globe win despite getting four consecutive Emmy wins already. But this race is a weak one, and with the show getting nominated as well, maybe she can finally inch a win.

ALTERNATE: Lily Tomlin (“Grace & Frankie”). Jamie Lee Curtis makes sense as an alternate, but Scream Queens is too flop of a show that even HFPA won’t bite. So I guess they’d probably give it to Lily Tomlin who’s a double nominee that night!

tv longform

Best TV Movie or Limited-Series
“American Crime”
“American Horror Story: Hotel”
“Fargo”
“Flesh and Bone”
“Wolf Hall”

PREDICTION: “Fargo”. After their surprise victory last year, then a 2/2 is indeed possible knowing that it received the same, if not more, love this year.

ALTERNATE: “Wolf Hall”. But then sometimes, they just want to embrace their British love and award this equally acclaimed series which got the same nominations as Fargo.

tv longform actor

Best Actor in a Limited-Series or TV Movie
Idris Elba (“Luther”)
Oscar Isaac (“Show Me a Hero”)
David Oyelowo (“Nightingale”)
Mark Rylance (“Wolf Hall”)
Patrick Wilson (“Fargo”)

PREDICTION: Oscar Isaac (“Show Me a Hero”). This is the closest that the Globes can ride on the Star Wars wave, and Isaac is a breakthrough star waiting to happen so maybe he wins here?

ALTERNATE: Patrick Wilson (“Fargo”). We know the HFPA loves Idris but he has been rewarded for this role already. Maybe Mark Rylance but I have him pegged in Film Supporting Actor already. So that leaves me with Wilson here as the alternate.

tv longform actress

Best Actress in a Limited-Series or TV Movie
Kirsten Dunst (“Fargo”)
Lady Gaga (“American Horror Story: Hotel”)
Sarah Hay (“Flesh & Bone”)
Felicity Huffman (“American Crime”)
Queen Latifah (“Bessie”)

PREDICTION: Kirsten Dunst (“Fargo”). I predict that Fargo is winning an acting one alongside its Series win, and rewarding Kirsten Dunst makes more sense than Wilson in that more competitive race.

ALTERNATE: Queen Latifah (“Bessie”). Everyone’s predicting Lady Gaga just for the sheer “Globesness” of it, but I think the HFPA is serious about being taken seriously again, so I don’t think they’d go that road. Queen Latifah makes more sense as an alternate.

tv supp actor

Best Supporting Actor in a Series, Limited-Series or TV Movie
Alan Cumming (“The Good Wife”)
Damian Lewis (“Wolf Hall”)
Ben Mendelsohn (“Bloodline”)
Tobias Menzies (“Outlander”)
Christian Slater (“Mr. Robot”)

PREDICTION: Tobias Menzies (“Outlander”). The surge of love for Outlander would not go home unrewarded, as I think Menzies’ very challenging dual role would end up with a Globe win for him.

ALTERNATE: Christian Slater (“Mr. Robot”). Slater makes sense as the runner-up here, as I don’t think Mr. Robot is going 3/3.

tv supp actress

Best Supporting Actress in a Series, Limited-Series, or TV Movie
Uzo Aduba (“Orange is the New Black”)
Joanne Froggatt (“Downton Abbey”)
Regina King (“American Crime”)
Judith Light (“Transparent”)
Maura Tierney (“The Affair”)

PREDICTION:Regina King (“American Crime”). After that surprising Emmy win back in September, I can see the Globes following suit with a win here.

ALTERNATE: Uzo Aduba (“Orange is the New Black”). Aduba’s upset loss last year reminded me of when Jane Lynch lost the first time in 2010 only to win the succeeding year. Aduba can still follow suit to this.

So what are you predicting this year to win at the Globes? Happy Golden Globes weekend!

Talk to me about it by tweeting me: @nikowl

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